Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)

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Harmony in Green and Rose: The Music Room, 1860-61 (oil on canvas)
Harmony in Green and Rose: The Music Room, 1860-61 (oil on canvas)

FSG348653: Harmony in Green and Rose: The Music Room, 1860-61 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

The Last of Old Westminster, 1862 (oil on canvas)
The Last of Old Westminster, 1862 (oil on canvas)

BST216043: The Last of Old Westminster, 1862 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Museum of Fine Arts, Boston, Massachusetts, USA / Bridgeman Images

Nocturne in Blue and Gold: Valparaiso, c.1874 (oil on canvas)
Nocturne in Blue and Gold: Valparaiso, c.1874 (oil on canvas)

FSG2561564: Nocturne in Blue and Gold: Valparaiso, c.1874 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Variations in Violet and Green, 1871 (oil on canvas)
Variations in Violet and Green, 1871 (oil on canvas)

XIR250768: Variations in Violet and Green, 1871 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Musee d'Orsay, Paris, France / Bridgeman Images

Symphony in White, No. III, 1865-67 (oil on canvas) (including frame) (see also 88677)
Symphony in White, No. III, 1865-67 (oil on canvas) (including frame) (see also 88677)

BI106898: Symphony in White, No. III, 1865-67 (oil on canvas) (including frame) (see also 88677), Whistler, James Abbott McNeill (1834-1903) / The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham / Bridgeman Images

Trouville (Grey and Green, the Silver Sea), 1865 (oil on canvas)
Trouville (Grey and Green, the Silver Sea), 1865 (oil on canvas)

XCC2968003: Trouville (Grey and Green, the Silver Sea), 1865 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

The Artist's Studio, 1865 (oil on millboard)
The Artist's Studio, 1865 (oil on millboard)

HLN430189: The Artist's Studio, 1865 (oil on millboard), Whistler, James Abbott McNeill (1834-1903) / Dublin City Gallery, The Hugh Lane, Ireland / Bridgeman Images

San Biagio, Venice, 1879-80 (etching)
San Biagio, Venice, 1879-80 (etching)

AGN70048: San Biagio, Venice, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

In the Studio, c.1867-68 (w/c, gouache & black chalk on paper)
In the Studio, c.1867-68 (w/c, gouache & black chalk on paper)

DTR931093: In the Studio, c.1867-68 (w/c, gouache & black chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Detroit Institute of Arts, USA / Bridgeman Images

Grey and Silver: The Thames (oil on canvas)
Grey and Silver: The Thames (oil on canvas)

HNT171772: Grey and Silver: The Thames (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images

Green and Silver: The Great Sea (oil on panel)
Green and Silver: The Great Sea (oil on panel)

HNT171782: Green and Silver: The Great Sea (oil on panel), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images

The Artist in His Studio, 1865/66 (oil on paper mounted on panel)
The Artist in His Studio, 1865/66 (oil on paper mounted on panel)

XCC2967947: The Artist in His Studio, 1865/66 (oil on paper mounted on panel), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images

Portrait of Whistler with a Hat, 1857-59 (oil on canvas)
Portrait of Whistler with a Hat, 1857-59 (oil on canvas)

FSG324908: Portrait of Whistler with a Hat, 1857-59 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Harmony in Red: Lamplight, 1884-86 (oil on canvas)
Harmony in Red: Lamplight, 1884-86 (oil on canvas)

HNT1203465: Harmony in Red: Lamplight, 1884-86 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images

Arrangement in Black: Portrait of F.R. Leyland, c.1870 (oil on canvas)
Arrangement in Black: Portrait of F.R. Leyland, c.1870 (oil on canvas)

FSG412385: Arrangement in Black: Portrait of F.R. Leyland, c.1870 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Pour le pastel: Rose and Opal, c.1885-95 (chalk & pastel on brown paper)
Pour le pastel: Rose and Opal, c.1885-95 (chalk & pastel on brown paper)

FSG324787: Pour le pastel: Rose and Opal, c.1885-95 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

The Violet Note, 1885/86 (chalk & pastel on paper)
The Violet Note, 1885/86 (chalk & pastel on paper)

ISG113872: The Violet Note, 1885/86 (chalk & pastel on paper), Whistler, James Abbott McNeill (1834-1903) / Isabella Stewart Gardner Museum, Boston, MA, USA / Bridgeman Images

Walter Sickert (1860-1942) Sketching, 1885 (pen & ink on paper)
Walter Sickert (1860-1942) Sketching, 1885 (pen & ink on paper)

FAS147129: Walter Sickert (1860-1942) Sketching, 1885 (pen & ink on paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

Portrait of Theodore Duret, 1883 (oil on canvas)
Portrait of Theodore Duret, 1883 (oil on canvas)

XOS1127608: Portrait of Theodore Duret, 1883 (oil on canvas) , Whistler, James Abbott McNeill (1834-1903) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

Harmony in White and Blue, c.1860 (oil on canvas)
Harmony in White and Blue, c.1860 (oil on canvas)

LMG123049: Harmony in White and Blue, c.1860 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Leeds Museums and Galleries (Leeds Art Gallery) U.K. / Bridgeman Images

Weary, 1863 (drypoint & carbon ink on paper)
Weary, 1863 (drypoint & carbon ink on paper)

FIT277181: Weary, 1863 (drypoint & carbon ink on paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

Black Lion Wharf, 1859
Black Lion Wharf, 1859

MNS883775: Black Lion Wharf, 1859, Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images

The Lime-Burner, from
The Lime-Burner, from

DMW937351: The Lime-Burner, from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, printed 1871 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Davis Museum and Cultural Center, Wellesley College, MA, USA / Bridgeman Images

Sketch for 'The Balcony' (oil on panel)
Sketch for 'The Balcony' (oil on panel)

HNT171770: Sketch for 'The Balcony' (oil on panel), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images

Study for 'The Sleeper', 1863 (black chalk on paper)
Study for 'The Sleeper', 1863 (black chalk on paper)

XCK617391: Study for 'The Sleeper', 1863 (black chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA / Bridgeman Images

Wapping, 1860-64 (oil on canvas)
Wapping, 1860-64 (oil on canvas)

XOS4073475: Wapping, 1860-64 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / National Gallery of Art, Washington DC, USA / Bridgeman Images

The Seashore, c.1885 (w/c on paper)
The Seashore, c.1885 (w/c on paper)

FSG324777: The Seashore, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Early Morning, Battersea, 1861 (drypoint)
Early Morning, Battersea, 1861 (drypoint)

FAS151084: Early Morning, Battersea, 1861 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

Beach Scene With Two Figures, 1885-90 (w/c on paper)
Beach Scene With Two Figures, 1885-90 (w/c on paper)

XBM122830: Beach Scene With Two Figures, 1885-90 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Birmingham Museums and Art Gallery / Bridgeman Images

Nocturne: Grey and Silver - Chelsea Embankment, Winter, c.1879 (oil on canvas)
Nocturne: Grey and Silver - Chelsea Embankment, Winter, c.1879 (oil on canvas)

FSG324776: Nocturne: Grey and Silver - Chelsea Embankment, Winter, c.1879 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images

Blue and Gold, 1871-72 (chalk & pastel on brown paper)
Blue and Gold, 1871-72 (chalk & pastel on brown paper)

FIT1123781: Blue and Gold, 1871-72 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

Limehouse, 1878 (lithotint)
Limehouse, 1878 (lithotint)

FAS238982: Limehouse, 1878 (lithotint), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

Portrait Sketch of Walter Sickert, 1895 (oil on canvas)
Portrait Sketch of Walter Sickert, 1895 (oil on canvas)

HLN430188: Portrait Sketch of Walter Sickert, 1895 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Dublin City Gallery, The Hugh Lane, Ireland / Bridgeman Images

Portrait of Whistler, 1859 (drypoint on golden Japan paper)
Portrait of Whistler, 1859 (drypoint on golden Japan paper)

CH990518: Portrait of Whistler, 1859 (drypoint on golden Japan paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

Green and Silver -- The Bright Sea, Dieppe (watercolour and gouache on paper)
Green and Silver -- The Bright Sea, Dieppe (watercolour and gouache on paper)

CH1764733: Green and Silver -- The Bright Sea, Dieppe (watercolour and gouache on paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images

San Giorgio Maggiore, Venice, 1880 (pastel & charcoal on paper)
San Giorgio Maggiore, Venice, 1880 (pastel & charcoal on paper)

XOS104623: San Giorgio Maggiore, Venice, 1880 (pastel & charcoal on paper), Whistler, James Abbott McNeill (1834-1903) / Corcoran Collection, National Gallery of Art, Washington D.C., USA / Bridgeman Images


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