Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)
Results
FSG348653:
Harmony in Green and Rose: The Music Room, 1860-61 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images
ID: FSG348653
Harmony in Green and Rose: The Music Room, 1860-61 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
BST216043:
The Last of Old Westminster, 1862 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Museum of Fine Arts, Boston, Massachusetts, USA / Bridgeman Images
ID: BST216043
The Last of Old Westminster, 1862 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
FSG2561564:
Nocturne in Blue and Gold: Valparaiso, c.1874 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images
ID: FSG2561564
Nocturne in Blue and Gold: Valparaiso, c.1874 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
XIR250768:
Variations in Violet and Green, 1871 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Musee d'Orsay, Paris, France / Bridgeman Images
ID: XIR250768
Variations in Violet and Green, 1871 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
BI106898:
Symphony in White, No. III, 1865-67 (oil on canvas) (including frame) (see also 88677), Whistler, James Abbott McNeill (1834-1903) / The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham / Bridgeman Images
ID: BI106898
Symphony in White, No. III, 1865-67 (oil on canvas) (including frame) (see also 88677)
Whistler, James Abbott McNeill (1834-1903)
XCC2968003:
Trouville (Grey and Green, the Silver Sea), 1865 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images
ID: XCC2968003
Trouville (Grey and Green, the Silver Sea), 1865 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
HLN430189:
The Artist's Studio, 1865 (oil on millboard), Whistler, James Abbott McNeill (1834-1903) / Dublin City Gallery, The Hugh Lane, Ireland / Bridgeman Images
ID: HLN430189
The Artist's Studio, 1865 (oil on millboard)
Whistler, James Abbott McNeill (1834-1903)
AGN70048:
San Biagio, Venice, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images
ID: AGN70048
San Biagio, Venice, 1879-80 (etching)
Whistler, James Abbott McNeill (1834-1903)
DTR931093:
In the Studio, c.1867-68 (w/c, gouache & black chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Detroit Institute of Arts, USA / Bridgeman Images
ID: DTR931093
In the Studio, c.1867-68 (w/c, gouache & black chalk on paper)
Whistler, James Abbott McNeill (1834-1903)
HNT171772:
Grey and Silver: The Thames (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images
ID: HNT171772
Grey and Silver: The Thames (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
HNT171782:
Green and Silver: The Great Sea (oil on panel), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images
ID: HNT171782
Green and Silver: The Great Sea (oil on panel)
Whistler, James Abbott McNeill (1834-1903)
XCC2967947:
The Artist in His Studio, 1865/66 (oil on paper mounted on panel), Whistler, James Abbott McNeill (1834-1903) / The Art Institute of Chicago, IL, USA / Bridgeman Images
ID: XCC2967947
The Artist in His Studio, 1865/66 (oil on paper mounted on panel)
Whistler, James Abbott McNeill (1834-1903)
FSG324908:
Portrait of Whistler with a Hat, 1857-59 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images
ID: FSG324908
Portrait of Whistler with a Hat, 1857-59 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
HNT1203465:
Harmony in Red: Lamplight, 1884-86 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images
ID: HNT1203465
Harmony in Red: Lamplight, 1884-86 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
FSG412385:
Arrangement in Black: Portrait of F.R. Leyland, c.1870 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images
ID: FSG412385
Arrangement in Black: Portrait of F.R. Leyland, c.1870 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
FSG324787:
Pour le pastel: Rose and Opal, c.1885-95 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images
ID: FSG324787
Pour le pastel: Rose and Opal, c.1885-95 (chalk & pastel on brown paper)
Whistler, James Abbott McNeill (1834-1903)
ISG113872:
The Violet Note, 1885/86 (chalk & pastel on paper), Whistler, James Abbott McNeill (1834-1903) / Isabella Stewart Gardner Museum, Boston, MA, USA / Bridgeman Images
ID: ISG113872
The Violet Note, 1885/86 (chalk & pastel on paper)
Whistler, James Abbott McNeill (1834-1903)
FAS147129:
Walter Sickert (1860-1942) Sketching, 1885 (pen & ink on paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images
ID: FAS147129
Walter Sickert (1860-1942) Sketching, 1885 (pen & ink on paper)
Whistler, James Abbott McNeill (1834-1903)
XOS1127608:
Portrait of Theodore Duret, 1883 (oil on canvas)
, Whistler, James Abbott McNeill (1834-1903) / Metropolitan Museum of Art, New York, USA / Bridgeman Images
ID: XOS1127608
Portrait of Theodore Duret, 1883 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
LMG123049:
Harmony in White and Blue, c.1860 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Leeds Museums and Galleries (Leeds Art Gallery) U.K. / Bridgeman Images
ID: LMG123049
Harmony in White and Blue, c.1860 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
FIT277181:
Weary, 1863 (drypoint & carbon ink on paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images
ID: FIT277181
Weary, 1863 (drypoint & carbon ink on paper)
Whistler, James Abbott McNeill (1834-1903)
MNS883775:
Black Lion Wharf, 1859, Whistler, James Abbott McNeill (1834-1903) / Minneapolis Institute of Arts, MN, USA / Bridgeman Images
ID: MNS883775
Black Lion Wharf, 1859
Whistler, James Abbott McNeill (1834-1903)
DMW937351:
The Lime-Burner, from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, printed 1871 (etching & drypoint), Whistler, James Abbott McNeill (1834-1903) / Davis Museum and Cultural Center, Wellesley College, MA, USA / Bridgeman Images
ID: DMW937351
The Lime-Burner, from "A Series of Sixteen Etchings of Scenes on the Thames", 1859, printed 1871 (etching & drypoint)
Whistler, James Abbott McNeill (1834-1903)
HNT171770:
Sketch for 'The Balcony' (oil on panel), Whistler, James Abbott McNeill (1834-1903) / The Hunterian, University of Glasgow, Scotland / Bridgeman Images
ID: HNT171770
Sketch for 'The Balcony' (oil on panel)
Whistler, James Abbott McNeill (1834-1903)
XCK617391:
Study for 'The Sleeper', 1863 (black chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA / Bridgeman Images
ID: XCK617391
Study for 'The Sleeper', 1863 (black chalk on paper)
Whistler, James Abbott McNeill (1834-1903)
XOS4073475:
Wapping, 1860-64 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / National Gallery of Art, Washington DC, USA / Bridgeman Images
ID: XOS4073475
Wapping, 1860-64 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
FSG324777:
The Seashore, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images
ID: FSG324777
The Seashore, c.1885 (w/c on paper)
Whistler, James Abbott McNeill (1834-1903)
FAS151084:
Early Morning, Battersea, 1861 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images
ID: FAS151084
Early Morning, Battersea, 1861 (drypoint)
Whistler, James Abbott McNeill (1834-1903)
XBM122830:
Beach Scene With Two Figures, 1885-90 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Birmingham Museums and Art Gallery / Bridgeman Images
ID: XBM122830
Beach Scene With Two Figures, 1885-90 (w/c on paper)
Whistler, James Abbott McNeill (1834-1903)
FSG324776:
Nocturne: Grey and Silver - Chelsea Embankment, Winter, c.1879 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Freer Gallery of Art, Smithsonian Institution, USA / Bridgeman Images
ID: FSG324776
Nocturne: Grey and Silver - Chelsea Embankment, Winter, c.1879 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
FIT1123781:
Blue and Gold, 1871-72 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images
ID: FIT1123781
Blue and Gold, 1871-72 (chalk & pastel on brown paper)
HLN430188:
Portrait Sketch of Walter Sickert, 1895 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Dublin City Gallery, The Hugh Lane, Ireland / Bridgeman Images
ID: HLN430188
Portrait Sketch of Walter Sickert, 1895 (oil on canvas)
Whistler, James Abbott McNeill (1834-1903)
CH990518:
Portrait of Whistler, 1859 (drypoint on golden Japan paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images
ID: CH990518
Portrait of Whistler, 1859 (drypoint on golden Japan paper)
Whistler, James Abbott McNeill (1834-1903)
CH1764733:
Green and Silver -- The Bright Sea, Dieppe (watercolour and gouache on paper), Whistler, James Abbott McNeill (1834-1903) / Private Collection / Bridgeman Images
ID: CH1764733
Green and Silver -- The Bright Sea, Dieppe (watercolour and gouache on paper)
Whistler, James Abbott McNeill (1834-1903)
XOS104623:
San Giorgio Maggiore, Venice, 1880 (pastel & charcoal on paper), Whistler, James Abbott McNeill (1834-1903) / Corcoran Collection, National Gallery of Art, Washington D.C., USA / Bridgeman Images
ID: XOS104623
San Giorgio Maggiore, Venice, 1880 (pastel & charcoal on paper)