Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Bartholomew Fair (coloured engraving)
Bartholomew Fair (coloured engraving)

LLJ558616: Bartholomew Fair (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Duet (w/c)
The Duet (w/c)

DEC84547: The Duet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Smithfield Market, 1810 (w/c on paper)
Smithfield Market, 1810 (w/c on paper)

GHL100933: Smithfield Market, 1810 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)
Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)

BAC155884: Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Four O'Clock in the Country (w/c on paper)
Four O'Clock in the Country (w/c on paper)

NWP132610: Four O'Clock in the Country (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return of the Soldier, 1817 (w/c & pen and ink on paper)
The Return of the Soldier, 1817 (w/c & pen and ink on paper)

XYC234025: The Return of the Soldier, 1817 (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Devonshire House, Piccadilly (w/c on paper)
Devonshire House, Piccadilly (w/c on paper)

CWA124817: Devonshire House, Piccadilly (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125753: "Pleasure First, Pay Later", 1812 (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798
Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798

GHL16919: Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper)
Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper)

CH378081: Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)
Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)

XYC283581: Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Hedger and Ditcher (pen & ink and w/c on paper)
The Hedger and Ditcher (pen & ink and w/c on paper)

XYC277134: The Hedger and Ditcher (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214672: Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)
The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)

XYC245525: The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)
A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)

CEC43146: A Group of Antiquaries, c.1805 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776
The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776

BAL20787: The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)
Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)

PNP620146: Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St John Southwark Volunteer, Present, 1798 (colour litho)
St John Southwark Volunteer, Present, 1798 (colour litho)

PNP620147: St John Southwark Volunteer, Present, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)
Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)

CBE204077: Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old India House (pen & ink and w/c on paper)
The Old India House (pen & ink and w/c on paper)

CBE204082: The Old India House (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature of a Judge (w/c)
Caricature of a Judge (w/c)

CBE85846: Caricature of a Judge (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690589: The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Henry Fielding - the
Henry Fielding - the

XLA3773082: Henry Fielding - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pray Remember the Poor Sweeper, 1820 (engraving)
Pray Remember the Poor Sweeper, 1820 (engraving)

BAL66823: Pray Remember the Poor Sweeper, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309556: The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309565: The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets)
Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets)

XYC308409: Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Group of Figures (w/c on paper)
A Group of Figures (w/c on paper)

AGN284345: A Group of Figures (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Village Scene with Figures and Ruined Buildings (watercolour, pen & ink and pencil on paper)
A Village Scene with Figures and Ruined Buildings (watercolour, pen & ink and pencil on paper)

XYC238962: A Village Scene with Figures and Ruined Buildings (watercolour, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper)
Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper)

XYC239815: Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309564: The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper)
The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper)

XYC234023: The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)
Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)

XCF290956: Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)
The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)

FIA5329906: The meeting of the high courier (The High Mettled Racer), 1789 (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper)
Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper)

CH378072: Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)
Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)

CH378084: Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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