Rowlandson, Thomas (1756-1827) Assets (1156 in total)
Results
XLA3760684: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLA3760697: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937627: The Dinner, plate 9 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC308409: Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309556: The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309564: The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309565: The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XCF290956: Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378072: Box-Bobby Loungers, 1785 (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378073: A Brace of Blackguards, 1789 (pencil, pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378082: The Fish Market, Grimsby (pen, brown ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378084: Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
SFA413733: A Passing Flirtation (pen, grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
SFA413838: A wagon and horses passing a family on a wayside (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XJF437534: Fillial Affection, or A Trip to Gretna Green, 1780s (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL1318: Last Dying Speech and Confession (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC229198: The Arrival of the Fire Engine (w/c, pen and ink, pencil and pastel on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234023: The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234024: The Music Master, from 'Scenes at Bath' (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC245524: The Return of the Fleet to Great Yarmouth after the Defeat of the Dutch in 1797, c.1797 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC238962: A Village Scene with Figures and Ruined Buildings (w/c, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC249725: Checkmate, c.1790 (w/c & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL13944: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC239815: Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558301: Walnuts to pickle (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2562181: A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
