Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799
Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799

MOL58388: Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & w/c over pencil)
Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & w/c over pencil)

MOL58391: Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Last Dying Speech and Confession (hand coloured engraving)
Last Dying Speech and Confession (hand coloured engraving)

MOL1318: Last Dying Speech and Confession (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dinner, plate 9 from the series
The Dinner, plate 9 from the series

DMW937627: The Dinner, plate 9 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760684: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760697: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A flat between two sharps, 1803 (engraving)
A flat between two sharps, 1803 (engraving)

PVD1681047: A flat between two sharps, 1803 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stud Farm, 1786 (w/c and pen and ink over pencil on paper)
The Stud Farm, 1786 (w/c and pen and ink over pencil on paper)

WHT161696: The Stud Farm, 1786 (w/c and pen and ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174258: Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174259: St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174260: Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174262: Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174265: Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174267: London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190613: Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Bridge with Punts and Barges (w/c)
Hampton Bridge with Punts and Barges (w/c)

SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Court Palace, The Garden Front, 1859 (w/c on paper)
Hampton Court Palace, The Garden Front, 1859 (w/c on paper)

STC171107: Hampton Court Palace, The Garden Front, 1859 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125711: "Frenchmen in November", pub. by S.W. Fores, 1788 (coloured etching) (pair of 125710), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729)
Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729)

NP125728: Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728)
Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728)

NP125729: Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125748: "The Thickest Block of the Three", 1812 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Flute Player (pen, w/c & pencil on paper)
The Flute Player (pen, w/c & pencil on paper)

NP125750: The Flute Player (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter (pen, w/c & pencil on paper)
The South Gate, Exeter (pen, w/c & pencil on paper)

NP125759: The South Gate, Exeter (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dicers (w/c on paper)
The Dicers (w/c on paper)

SOU84444: The Dicers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax in the House of Commons, 1820 (engraving)
Dr Syntax in the House of Commons, 1820 (engraving)

BBC211030: Dr Syntax in the House of Commons, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209606: Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Meet (w/c)
The Meet (w/c)

SPI52408: The Meet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (hand-coloured etching & aquatint)
Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (hand-coloured etching & aquatint)

VIB7135179: Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (hand-coloured etching & aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)
Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)

STC104918: Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Tricks, c.1800 (pen and ink with w/c on paper)
Monkey Tricks, c.1800 (pen and ink with w/c on paper)

AAH101936: Monkey Tricks, c.1800 (pen and ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax playing Ninepins, 1812-21 (pen and ink)
Dr Syntax playing Ninepins, 1812-21 (pen and ink)

PFA78094: Dr Syntax playing Ninepins, 1812-21 (pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Eye on the Will (pen & ink, w/c)
An Eye on the Will (pen & ink, w/c)

CBE85844: An Eye on the Will (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tripe and Trollebobs (w/c)
Tripe and Trollebobs (w/c)

CBE85847: Tripe and Trollebobs (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

William Field (1768-1851) Preaching
William Field (1768-1851) Preaching

CBE86183: William Field (1768-1851) Preaching, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)
Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)

CBE204076: Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper)
The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper)

CBE204086: The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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