Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Return of the Soldier, 1817 (w/c & pen and ink on paper)
The Return of the Soldier, 1817 (w/c & pen and ink on paper)

XYC234025: The Return of the Soldier, 1817 (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)
The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)

XYC245525: The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bartholomew Fair (coloured engraving)
Bartholomew Fair (coloured engraving)

LLJ558616: Bartholomew Fair (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)
Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)

BAC155884: Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making a discovery'
'Dr Syntax making a discovery'

XLF3781177: 'Dr Syntax making a discovery', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Introduction to courtship'
'Introduction to courtship'

XLF3781212: 'Introduction to courtship', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Henry Fielding - the
Henry Fielding - the

XLA3773082: Henry Fielding - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690589: The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rabbit Merchant (pen, ink and w/c on paper)
The Rabbit Merchant (pen, ink and w/c on paper)

ABT143133: The Rabbit Merchant (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Eye on the Will (pen & ink, w/c)
An Eye on the Will (pen & ink, w/c)

CBE85844: An Eye on the Will (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tripe and Trollebobs (w/c)
Tripe and Trollebobs (w/c)

CBE85847: Tripe and Trollebobs (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

William Field (1768-1851) Preaching
William Field (1768-1851) Preaching

CBE86183: William Field (1768-1851) Preaching, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stud Farm, 1786 (w/c and pen and ink over pencil on paper)
The Stud Farm, 1786 (w/c and pen and ink over pencil on paper)

WHT161696: The Stud Farm, 1786 (w/c and pen and ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper)
The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper)

CBE204086: The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)
Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)

CBE204076: Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper)
Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper)

CBE204085: Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)
Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)

STC104918: Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Tricks, c.1800 (pen and ink with w/c on paper)
Monkey Tricks, c.1800 (pen and ink with w/c on paper)

AAH101936: Monkey Tricks, c.1800 (pen and ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax playing Ninepins, 1812-21 (pen and ink)
Dr Syntax playing Ninepins, 1812-21 (pen and ink)

PFA78094: Dr Syntax playing Ninepins, 1812-21 (pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pray Remember the Poor Sweeper, 1820 (engraving)
Pray Remember the Poor Sweeper, 1820 (engraving)

BAL66823: Pray Remember the Poor Sweeper, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dicers (w/c on paper)
The Dicers (w/c on paper)

SOU84444: The Dicers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Great News, 1820 (engraving)
Great News, 1820 (engraving)

BAL66821: Great News, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gaming at Brook's Club (ink & w/c over pencil)
Gaming at Brook's Club (ink & w/c over pencil)

MOL58387: Gaming at Brook's Club (ink & w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cheyne Walk, Chelsea (pen & ink and w/c on paper)
Cheyne Walk, Chelsea (pen & ink and w/c on paper)

MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sleepy Congregation (ink & w/c on paper)
A Sleepy Congregation (ink & w/c on paper)

NP125705: A Sleepy Congregation (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125711: "Frenchmen in November", pub. by S.W. Fores, 1788 (coloured etching) (pair of 125710), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Flute Player (pen, w/c & pencil on paper)
The Flute Player (pen, w/c & pencil on paper)

NP125750: The Flute Player (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter (pen, w/c & pencil on paper)
The South Gate, Exeter (pen, w/c & pencil on paper)

NP125759: The South Gate, Exeter (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728)
Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728)

NP125729: Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125752: "Captain Squander, Bang up to the Mark" (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729)
Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729)

NP125728: Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125748: "The Thickest Block of the Three", 1812 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two Musicians, c.1774 (w/c on paper)
Two Musicians, c.1774 (w/c on paper)

CEC128115: Two Musicians, c.1774 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper)
The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper)

XYC159648: The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper)
A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper)

XYC158051: A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Passing Flirtation (pen, grey ink & w/c on paper)
A Passing Flirtation (pen, grey ink & w/c on paper)

SFA413733: A Passing Flirtation (pen, grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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