Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)
A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)

CEC43146: A Group of Antiquaries, c.1805 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)
The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)

XYC245525: The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bartholomew Fair (coloured engraving)
Bartholomew Fair (coloured engraving)

LLJ558616: Bartholomew Fair (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St John Southwark Volunteer, Present, 1798 (colour litho)
St John Southwark Volunteer, Present, 1798 (colour litho)

PNP620147: St John Southwark Volunteer, Present, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)
Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)

PNP620146: Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798
Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798

GHL16919: Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)
Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)

XYC283581: Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Hedger and Ditcher (pen & ink and w/c on paper)
The Hedger and Ditcher (pen & ink and w/c on paper)

XYC277134: The Hedger and Ditcher (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return of the Soldier, 1817 (w/c & pen and ink on paper)
The Return of the Soldier, 1817 (w/c & pen and ink on paper)

XYC234025: The Return of the Soldier, 1817 (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Four O'Clock in the Country (w/c on paper)
Four O'Clock in the Country (w/c on paper)

NWP132610: Four O'Clock in the Country (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)
Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)

BAC155884: Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)
Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)

CBE204077: Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old India House (pen & ink and w/c on paper)
The Old India House (pen & ink and w/c on paper)

CBE204082: The Old India House (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Private Concert, plate 2 from the series
A Private Concert, plate 2 from the series

DMW937620: A Private Concert, plate 2 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125753: "Pleasure First, Pay Later", 1812 (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Smithfield Market, 1810 (w/c on paper)
Smithfield Market, 1810 (w/c on paper)

GHL100933: Smithfield Market, 1810 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214672: Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper)
Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper)

CH378081: Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Henry Fielding - the
Henry Fielding - the

XLA3773082: Henry Fielding - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Introduction to courtship'
'Introduction to courtship'

XLF3781212: 'Introduction to courtship', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making a discovery'
'Dr Syntax making a discovery'

XLF3781177: 'Dr Syntax making a discovery', Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776
The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776

BAL20787: The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690589: The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)
Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)

GHL13944: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Bridge with Punts and Barges (w/c)
Hampton Bridge with Punts and Barges (w/c)

SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pray Remember the Poor Sweeper, 1820 (engraving)
Pray Remember the Poor Sweeper, 1820 (engraving)

BAL66823: Pray Remember the Poor Sweeper, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Meet (w/c)
The Meet (w/c)

SPI52408: The Meet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209606: Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Introduction, 1800 (w/c on paper)
The Introduction, 1800 (w/c on paper)

SAG186640: The Introduction, 1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Last Dying Speech and Confession (hand coloured engraving)
Last Dying Speech and Confession (hand coloured engraving)

MOL1318: Last Dying Speech and Confession (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rabbit Merchant (pen, ink and w/c on paper)
The Rabbit Merchant (pen, ink and w/c on paper)

ABT143133: The Rabbit Merchant (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Tricks, c.1800 (pen and ink with w/c on paper)
Monkey Tricks, c.1800 (pen and ink with w/c on paper)

AAH101936: Monkey Tricks, c.1800 (pen and ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)
Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)

STC104918: Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of a Stable (pen & ink & w/c on paper)
Interior of a Stable (pen & ink & w/c on paper)

XYC226636: Interior of a Stable (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Light-Horse Cavalry Barracks (w/c & pen & ink on paper)
Light-Horse Cavalry Barracks (w/c & pen & ink on paper)

XYC226637: Light-Horse Cavalry Barracks (w/c & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper)
The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper)

XYC229198: The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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