Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper)
Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper)

CH378081: Labourers Putting Down a Pavement (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)
Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)

XYC283581: Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)
The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)

XCF290981: The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making a discovery'
'Dr Syntax making a discovery'

XLF3781177: 'Dr Syntax making a discovery', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214672: Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Duet (w/c)
The Duet (w/c)

DEC84547: The Duet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return of the Soldier, 1817 (w/c & pen and ink on paper)
The Return of the Soldier, 1817 (w/c & pen and ink on paper)

XYC234025: The Return of the Soldier, 1817 (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798
Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798

GHL16919: Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776
The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776

BAL20787: The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Devonshire House, Piccadilly (w/c on paper)
Devonshire House, Piccadilly (w/c on paper)

CWA124817: Devonshire House, Piccadilly (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Smithfield Market, 1810 (w/c on paper)
Smithfield Market, 1810 (w/c on paper)

GHL100933: Smithfield Market, 1810 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old India House (pen & ink and w/c on paper)
The Old India House (pen & ink and w/c on paper)

CBE204082: The Old India House (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)
Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)

PNP620146: Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)
Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)

CBE204077: Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature of a Judge (w/c)
Caricature of a Judge (w/c)

CBE85846: Caricature of a Judge (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690589: The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Henry Fielding - the
Henry Fielding - the

XLA3773082: Henry Fielding - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

St John Southwark Volunteer, Present, 1798 (colour litho)
St John Southwark Volunteer, Present, 1798 (colour litho)

PNP620147: St John Southwark Volunteer, Present, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bartholomew Fair (coloured engraving)
Bartholomew Fair (coloured engraving)

LLJ558616: Bartholomew Fair (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gaming at Brook's Club (ink & watercolour over pencil)
Gaming at Brook's Club (ink & watercolour over pencil)

MOL58387: Gaming at Brook's Club (ink & watercolour over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)
Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)

STC2966875: Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)
A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)

XOS3038279: A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)
Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)

STC2962509: Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dicers (w/c on paper)
The Dicers (w/c on paper)

SOU84444: The Dicers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174258: Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174264: Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174267: London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of a Stable (pen & ink & w/c on paper)
Interior of a Stable (pen & ink & w/c on paper)

XYC226636: Interior of a Stable (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cheyne Walk, Chelsea (pen & ink and w/c on paper)
Cheyne Walk, Chelsea (pen & ink and w/c on paper)

MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Court Palace, The Garden Front, 1859 (w/c on paper)
Hampton Court Palace, The Garden Front, 1859 (w/c on paper)

STC171107: Hampton Court Palace, The Garden Front, 1859 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174259: St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174262: Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174265: Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Introduction, 1800 (w/c on paper)
The Introduction, 1800 (w/c on paper)

SAG186640: The Introduction, 1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Bridge with Punts and Barges (w/c)
Hampton Bridge with Punts and Barges (w/c)

SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209606: Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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