Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper)
An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper)

CBE204083: An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper)
A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper)

TBM350462: A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching)
The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching)

NCO190485: The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)
Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)

SSW347018: Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)
Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)

XYC250014: Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)
Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)

BSA273443: Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309561: Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chemical Lectures, c.1809 (engraving) (b/w photo)
Chemical Lectures, c.1809 (engraving) (b/w photo)

XJF308091: Chemical Lectures, c.1809 (engraving) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The King's Arms, Dorchester (pen & ink and w/c on paper)
The King's Arms, Dorchester (pen & ink and w/c on paper)

FIT282913: The King's Arms, Dorchester (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries of London - the Thames at Wapping (w/c)
Miseries of London - the Thames at Wapping (w/c)

GHL61927: Miseries of London - the Thames at Wapping (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travellers on the road (pen & ink, wash and pencil on paper)
Travellers on the road (pen & ink, wash and pencil on paper)

SFA413835: Travellers on the road (pen & ink, wash and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810
'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810

BRO43299: 'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)
The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)

BAL40159: The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814
'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814

GHL40028: 'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Market, c.1795-1810 (pen and ink, w/c and pencil on wove paper)
Covent Garden Market, c.1795-1810 (pen and ink, w/c and pencil on wove paper)

XYC145673: Covent Garden Market, c.1795-1810 (pen and ink, w/c and pencil on wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Theatre, In the Pit (pen, w/c & pencil on paper)
At the Theatre, In the Pit (pen, w/c & pencil on paper)

NP125745: At the Theatre, In the Pit (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)
The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)

STC115411: The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)
The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)

WGL828733: The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rout at the Dowager Duchess of Portland, 1811
Rout at the Dowager Duchess of Portland, 1811

MOL1320: Rout at the Dowager Duchess of Portland, 1811, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Midwife going to a Labour, pub. 1811 (hand coloured engraving)
A Midwife going to a Labour, pub. 1811 (hand coloured engraving)

STC2962516: A Midwife going to a Labour, pub. 1811 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Laurence Sterne - 'Sentimental
Laurence Sterne - 'Sentimental

XLA3769486: Laurence Sterne - 'Sentimental, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax copying the wit of the window'
'Dr Syntax copying the wit of the window'

XLF3781142: 'Dr Syntax copying the wit of the window', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax tumbling into the water'
'Dr Syntax tumbling into the water'

XLF3781149: 'Dr Syntax tumbling into the water', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax made free of the cellar'
'Dr Syntax made free of the cellar'

XLF3781152: 'Dr Syntax made free of the cellar', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at Covent Garden Theatre'
'Dr Syntax at Covent Garden Theatre'

XLF3781159: 'Dr Syntax at Covent Garden Theatre', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax and his counterpart'
'Dr Syntax and his counterpart'

XLF3781162: 'Dr Syntax and his counterpart', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax visits a boarding school'
'Dr Syntax visits a boarding school'

XLF3781180: 'Dr Syntax visits a boarding school', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The billiard table'
'The billiard table'

XLF3781194: 'The billiard table', Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690374: The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)
Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)

STC3239914: Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000030: Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

British Army baggage wagon and escort, c.1800 (w/c on paper)
British Army baggage wagon and escort, c.1800 (w/c on paper)

BMC474558: British Army baggage wagon and escort, c.1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760707: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Filial Piety!, 1788 (hand-coloured etching)
Filial Piety!, 1788 (hand-coloured etching)

ROC6952549: Filial Piety!, 1788 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Hitt at Backgammon (coloured etching)
A Hitt at Backgammon (coloured etching)

GHL44241: A Hitt at Backgammon (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Hazard Room (watercolour)
The Hazard Room (watercolour)

BAL5328: The Hazard Room (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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