Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
FLO4690104: The English Dance of Death, 1815 (lithograph), Rowlandson, Thomas (1756-1827) / Bridgeman Images
VIB7135179: Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (hand-coloured etching & aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC281141: The Reflection (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC238965: Drawing Cover (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC277501: The Recruiting Sergeant, c.1790 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL1320: Rout at the Dowager Duchess of Portland, 1811, Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125745: At the Theatre, In the Pit (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC115411: The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NCO190485: The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC190617: Last Visit from the Doctor's Assistant, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BSA273443: Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BRO43299: 'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810, Rowlandson, Thomas (1756-1827) / Bridgeman Images
FIT282913: The King's Arms, Dorchester (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL61927: Miseries of London - the Thames at Wapping (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC3239914: Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
SFA413835: Travellers on the road (pen & ink, wash and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
WGL828733: The Social Day, 1812 (watercolour over pencil and pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL40028: 'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814, Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309561: Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
SSW347018: Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962516: A Midwife going to a Labour, pub. 1811 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLF3781142: 'Dr Syntax copying the wit of the window', Rowlandson, Thomas (1756-1827) / Bridgeman Images
DNE6200207: Scene in a Farce called the Quaker, 1783 (pen & wash), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PCT5953916: The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808, Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204083: An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
TBM350462: A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690374: The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5000030: Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images