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Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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'Dr Syntax made free of the cellar'
'Dr Syntax made free of the cellar'

XLF3781152: 'Dr Syntax made free of the cellar', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781152

'Dr Syntax made free of the cellar'

Rowlandson, Thomas (1756-1827)

'Dr Syntax at Covent Garden Theatre'
'Dr Syntax at Covent Garden Theatre'

XLF3781159: 'Dr Syntax at Covent Garden Theatre', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781159

'Dr Syntax at Covent Garden Theatre'

Rowlandson, Thomas (1756-1827)

'Dr Syntax and his counterpart'
'Dr Syntax and his counterpart'

XLF3781162: 'Dr Syntax and his counterpart', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781162

'Dr Syntax and his counterpart'

Rowlandson, Thomas (1756-1827)

'Dr Syntax visits a boarding school'
'Dr Syntax visits a boarding school'

XLF3781180: 'Dr Syntax visits a boarding school', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781180

'Dr Syntax visits a boarding school'

Rowlandson, Thomas (1756-1827)

'The billiard table'
'The billiard table'

XLF3781194: 'The billiard table', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781194

'The billiard table'

Rowlandson, Thomas (1756-1827)

The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690374: The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690374

The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)
Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)

STC3239914: Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC3239914

Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)

Rowlandson, Thomas (1756-1827)

Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000030: Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5000030

Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)
The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)

BAL40159: The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BAL40159

The Disembarkation of the Royalists of Toulon at Southampton in 1794 (w/c)

Rowlandson, Thomas (1756-1827)

'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814
'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814

GHL40028: 'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: GHL40028

'Crimping a Quaker' from Tegg's Caricatures Magazine, Vol IV, 1814

Rowlandson, Thomas (1756-1827)

'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810
'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810

BRO43299: 'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BRO43299

'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810

Rowlandson, Thomas (1756-1827)

Miseries of London - the Thames at Wapping (w/c)
Miseries of London - the Thames at Wapping (w/c)

GHL61927: Miseries of London - the Thames at Wapping (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: GHL61927

Miseries of London - the Thames at Wapping (w/c)

Rowlandson, Thomas (1756-1827)

The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)
The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)

STC115411: The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC115411

The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)

Rowlandson, Thomas (1756-1827)

At the Theatre, In the Pit (pen, w/c & pencil on paper)
At the Theatre, In the Pit (pen, w/c & pencil on paper)

NP125745: At the Theatre, In the Pit (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125745

At the Theatre, In the Pit (pen, w/c & pencil on paper)

Rowlandson, Thomas (1756-1827)

Covent Garden Market, c.1795-1810 (pen and ink, w/c and pencil on wove paper)
Covent Garden Market, c.1795-1810 (pen and ink, w/c and pencil on wove paper)

XYC145673: Covent Garden Market, c.1795-1810 (pen and ink, w/c and pencil on wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC145673

Covent Garden Market, c.1795-1810 (pen and ink, w/c and pencil on wove paper)

Rowlandson, Thomas (1756-1827)

The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808
The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808

PCT5953916: The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PCT5953916

The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808

Rowlandson, Thomas (1756-1827)

Dressing for a Masquerade, 1790 (pen and w/c over pencil on paper)
Dressing for a Masquerade, 1790 (pen and w/c over pencil on paper)

BI160806: Dressing for a Masquerade, 1790 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BI160806

Dressing for a Masquerade, 1790 (pen and w/c over pencil on paper)

Rowlandson, Thomas (1756-1827)

The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching)
The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching)

NCO190485: The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NCO190485

The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching)

Rowlandson, Thomas (1756-1827)

An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper)
An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper)

CBE204083: An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE204083

An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Embarkation at Southampton on 20th June after Lord Howe's Action - Version B, c.1794 (w/c with pen & ink over graphite on wove paper)
Embarkation at Southampton on 20th June after Lord Howe's Action - Version B, c.1794 (w/c with pen & ink over graphite on wove paper)

XYC232912: Embarkation at Southampton on 20th June after Lord Howe's Action - Version B, c.1794 (w/c with pen & ink over graphite on wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC232912

Embarkation at Southampton on 20th June after Lord Howe's Action - Version B, c.1794 (w/c with pen & ink over graphite on wove paper)

Rowlandson, Thomas (1756-1827)

Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)
Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)

XYC250014: Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC250014

Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)

Rowlandson, Thomas (1756-1827)

The Doctor Overcame (pen & ink & w/c on paper)
The Doctor Overcame (pen & ink & w/c on paper)

XYC234963: The Doctor Overcame (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC234963

The Doctor Overcame (pen & ink & w/c on paper)

Rowlandson, Thomas (1756-1827)

Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)
Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)

BSA273443: Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BSA273443

Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)

Rowlandson, Thomas (1756-1827)

Chemical Lectures, c.1809 (engraving) (b/w photo)
Chemical Lectures, c.1809 (engraving) (b/w photo)

XJF308091: Chemical Lectures, c.1809 (engraving) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XJF308091

Chemical Lectures, c.1809 (engraving) (b/w photo)

Rowlandson, Thomas (1756-1827)

The King's Arms, Dorchester (pen & ink and w/c on paper)
The King's Arms, Dorchester (pen & ink and w/c on paper)

FIT282913: The King's Arms, Dorchester (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FIT282913

The King's Arms, Dorchester (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309561: Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PT309561

Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper)
A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper)

TBM350462: A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: TBM350462

A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper)

Rowlandson, Thomas (1756-1827)

A Game of Dice (oil on canvas)
A Game of Dice (oil on canvas)

CH378076: A Game of Dice (oil on canvas), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH378076

A Game of Dice (oil on canvas)

Rowlandson, Thomas (1756-1827)

Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)
Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)

SSW347018: Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: SSW347018

Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)

Rowlandson, Thomas (1756-1827)

Travellers on the road (pen & ink, wash and pencil on paper)
Travellers on the road (pen & ink, wash and pencil on paper)

SFA413835: Travellers on the road (pen & ink, wash and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: SFA413835

Travellers on the road (pen & ink, wash and pencil on paper)

Rowlandson, Thomas (1756-1827)

The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)
The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)

WGL828733: The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: WGL828733

The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)

Rowlandson, Thomas (1756-1827)

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760707: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLA3760707

Vicar of Wakefield by Oliver Goldsmith

Rowlandson, Thomas (1756-1827)

Filial Piety!, 1788 (hand-coloured etching)
Filial Piety!, 1788 (hand-coloured etching)

ROC6952549: Filial Piety!, 1788 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: ROC6952549

Filial Piety!, 1788 (hand-coloured etching)

Rowlandson, Thomas (1756-1827)

The Hazard Room (watercolour)
The Hazard Room (watercolour)

BAL5328: The Hazard Room (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BAL5328

The Hazard Room (watercolour)

Rowlandson, Thomas (1756-1827)

Dr. Syntax sketching after nature
Dr. Syntax sketching after nature

SC14457: Dr. Syntax sketching after nature, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: SC14457

Dr. Syntax sketching after nature

Rowlandson, Thomas (1756-1827)

'The Chess Players'
'The Chess Players'

XLF3781503: 'The Chess Players', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781503

'The Chess Players'

Rowlandson, Thomas (1756-1827)


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