Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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The Angry Husband (pen & ink with washes)
The Angry Husband (pen & ink with washes)

MAK79763: The Angry Husband (pen & ink with washes), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The King's Arms, Dorchester (pen & ink and w/c on paper)
The King's Arms, Dorchester (pen & ink and w/c on paper)

FIT282913: The King's Arms, Dorchester (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)
Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)

BSA273443: Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Game of Dice (oil on canvas)
A Game of Dice (oil on canvas)

CH378076: A Game of Dice (oil on canvas), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chemical Lectures, c.1809 (engraving) (b/w photo)
Chemical Lectures, c.1809 (engraving) (b/w photo)

XJF308091: Chemical Lectures, c.1809 (engraving) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309561: Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor Overcame (pen & ink & w/c on paper)
The Doctor Overcame (pen & ink & w/c on paper)

XYC234963: The Doctor Overcame (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Embarkation at Southampton on 20th June after Lord Howe's Action - Version B, c.1794 (w/c with pen & ink over graphite on wove paper)
Embarkation at Southampton on 20th June after Lord Howe's Action - Version B, c.1794 (w/c with pen & ink over graphite on wove paper)

XYC232912: Embarkation at Southampton on 20th June after Lord Howe's Action - Version B, c.1794 (w/c with pen & ink over graphite on wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)
Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper)

XYC250014: Female Dancer with a Tambourine, 1790-95 (w/c with pen & inks and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)
The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)

WGL828733: The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Midwife going to a Labour, pub. 1811 (hand coloured engraving)
A Midwife going to a Labour, pub. 1811 (hand coloured engraving)

STC2962516: A Midwife going to a Labour, pub. 1811 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)
Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)

STC3239914: Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)
Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)

SSW347018: Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travellers on the road (pen & ink, wash and pencil on paper)
Travellers on the road (pen & ink, wash and pencil on paper)

SFA413835: Travellers on the road (pen & ink, wash and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000030: Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808
The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808

PCT5953916: The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper)
A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper)

TBM350462: A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper)
An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper)

CBE204083: An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rout at the Dowager Duchess of Portland, 1811
Rout at the Dowager Duchess of Portland, 1811

MOL1320: Rout at the Dowager Duchess of Portland, 1811, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax copying the wit of the window'
'Dr Syntax copying the wit of the window'

XLF3781142: 'Dr Syntax copying the wit of the window', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax tumbling into the water'
'Dr Syntax tumbling into the water'

XLF3781149: 'Dr Syntax tumbling into the water', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Laurence Sterne - 'Sentimental
Laurence Sterne - 'Sentimental

XLA3769486: Laurence Sterne - 'Sentimental, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax made free of the cellar'
'Dr Syntax made free of the cellar'

XLF3781152: 'Dr Syntax made free of the cellar', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at Covent Garden Theatre'
'Dr Syntax at Covent Garden Theatre'

XLF3781159: 'Dr Syntax at Covent Garden Theatre', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax and his counterpart'
'Dr Syntax and his counterpart'

XLF3781162: 'Dr Syntax and his counterpart', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax visits a boarding school'
'Dr Syntax visits a boarding school'

XLF3781180: 'Dr Syntax visits a boarding school', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The billiard table'
'The billiard table'

XLF3781194: 'The billiard table', Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690374: The skeleton of Death in cloak and cap dances with a lantern before a dandy in uniform and two beauties in muslin dresses and shawls. The Careless and Careful. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690519: The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax sketching after nature
Dr. Syntax sketching after nature

SC14457: Dr. Syntax sketching after nature, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Hitt at Backgammon (coloured etching)
A Hitt at Backgammon (coloured etching)

GHL44241: A Hitt at Backgammon (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bodmin Moor, North Cornwall, c.1825 (pen & ink and w/c on paper)
Bodmin Moor, North Cornwall, c.1825 (pen & ink and w/c on paper)

XYC159606: Bodmin Moor, North Cornwall, c.1825 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Subscription Club Room (pen & ink and w/c on paper)
The Subscription Club Room (pen & ink and w/c on paper)

AGN271135: The Subscription Club Room (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Private practice previous to the ball, from 'Scenes at Bath' (w/c & pen and ink on paper)
Private practice previous to the ball, from 'Scenes at Bath' (w/c & pen and ink on paper)

XYC234021: Private practice previous to the ball, from 'Scenes at Bath' (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

No.1732 A French Coffee House (pen and ink, w/c)
No.1732 A French Coffee House (pen and ink, w/c)

FIT89111: No.1732 A French Coffee House (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Description of a Boxing Match, 1812 (colour engraving)
Description of a Boxing Match, 1812 (colour engraving)

CHT221626: Description of a Boxing Match, 1812 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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