Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
SFA413835: Travellers on the road (pen & ink, wash and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204083: An Old Woman and her Dog Startled by Male Company (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
TBM350462: A Book Auction at Sotheby's, c.1810-15 (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC190617: Last Visit from the Doctor's Assistant, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC309852: The Doctor's Consultation, 1815-1820 (pen and ink and w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CHT221626: Description of a Boxing Match, 1812 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC213548: Syntax Star-gazing, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CHT217255: The Affectionate Farewell or, Kick for Kick, published by R. Ackermann, 17th April 1814 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ586446: Dr Syntax at Covent Garden Theatre, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLF3781190: 'Dr Syntax with a blue stocking beauty', Rowlandson, Thomas (1756-1827) / Bridgeman Images
BSA266472: A Fencing Match, 1788 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234021: Private practice previous to the ball, from 'Scenes at Bath' (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL44241: A Hitt at Backgammon (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CWA124843: "The Covent Garden Night Mare", pub. by W. Humphrey, 1784 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125721: "Four o'Clock in the Country", pub. 1788 (coloured etching with aquatint) (pair of 125720), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC159606: Bodmin Moor, North Cornwall, c.1825 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LMG139555: Dutch Merchants, 1796 (colour litho and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC146395: The Duchess of Devonshire and her Sister, the Countess of Bessborough (w/c with pen and black ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FIT89111: No.1732 A French Coffee House (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images
AGN271135: The Subscription Club Room (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
TW474088: We Three Logger-Heads Be, c.1805 (ink, pencil & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ROC6952549: Filial Piety!, 1788 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLA3760707: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE86185: "I could have travelled much cheaper by the opposition coach" (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BKB100476: Inn Interior (w/c on paper) (see also NP 125704), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125757: Brighton Races, 1816 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234028: The Love letter, c.1790 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC281122: Cheating at Cards (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
