Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
XYC239815: Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL58391: Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & watercolour over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL58387: Gaming at Brook's Club (ink & watercolour over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL58388: Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799, Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL13944: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PFA78094: Dr Syntax playing Ninepins, 1812-21 (pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378073: A Brace of Blackguards, 1789 (pencil, pen & brown ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378072: Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378084: Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378082: The Fish Market, Grimsby (pen, brown ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ587906: Horse armoury at the Tower of London (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ604117: Clerkenwell Association: Advance Arms (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558301: Walnuts to pickle (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ611060: Placard. Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
WHT161696: The Stud Farm, 1786 (watercolour and pen and ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204086: The Baron Makes a Speech to the National Assembly and Drives out all the Members (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204076: Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204085: Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ABT143133: The Rabbit Merchant (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PVD1681047: A flat between two sharps, 1803 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4619012: Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4619080: James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott., Rowlandson, Thomas (1756-1827) / Bridgeman Images
