Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999844: Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)
The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)

FIA5329906: The meeting of the high courier (The High Mettled Racer), 1789 (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A flat between two sharps, 1803 (engraving)
A flat between two sharps, 1803 (engraving)

PVD1681047: A flat between two sharps, 1803 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)
A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)

STC2562181: A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)
Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)

STC2962509: Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)
Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)

STC2966875: Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)
A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)

XOS3038279: A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Bridge with Punts and Barges (w/c)
Hampton Bridge with Punts and Barges (w/c)

SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & w/c over pencil)
Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & w/c over pencil)

MOL58391: Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Picnic on Dartmoor (pen & ink and w/c on paper)
A Picnic on Dartmoor (pen & ink and w/c on paper)

LMG109249: A Picnic on Dartmoor (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799
Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799

MOL58388: Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Meet (w/c)
The Meet (w/c)

SPI52408: The Meet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Last Dying Speech and Confession (hand coloured engraving)
Last Dying Speech and Confession (hand coloured engraving)

MOL1318: Last Dying Speech and Confession (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)
Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)

GHL13944: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190613: Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214673: Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Introduction, 1800 (w/c on paper)
The Introduction, 1800 (w/c on paper)

SAG186640: The Introduction, 1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)
The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)

XYC203416: The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209606: Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax in the House of Commons, 1820 (engraving)
Dr Syntax in the House of Commons, 1820 (engraving)

BBC211030: Dr Syntax in the House of Commons, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of a Stable (pen & ink & w/c on paper)
Interior of a Stable (pen & ink & w/c on paper)

XYC226636: Interior of a Stable (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Light-Horse Cavalry Barracks (w/c & pen & ink on paper)
Light-Horse Cavalry Barracks (w/c & pen & ink on paper)

XYC226637: Light-Horse Cavalry Barracks (w/c & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Arrival of the Fire Engine (w/c, pen and ink, pencil and pastel on paper)
The Arrival of the Fire Engine (w/c, pen and ink, pencil and pastel on paper)

XYC229198: The Arrival of the Fire Engine (w/c, pen and ink, pencil and pastel on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174258: Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174262: Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174260: Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174265: Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174259: St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174264: Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174267: London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Court Palace, The Garden Front, 1859 (w/c on paper)
Hampton Court Palace, The Garden Front, 1859 (w/c on paper)

STC171107: Hampton Court Palace, The Garden Front, 1859 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)
Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)

XCF290956: Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Group of Figures (w/c on paper)
A Group of Figures (w/c on paper)

AGN284345: A Group of Figures (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets)
Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets)

XYC308409: Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309556: The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309564: The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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