Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Cheyne Walk, Chelsea (pen & ink and w/c on paper)
Cheyne Walk, Chelsea (pen & ink and w/c on paper)

MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Meet (w/c)
The Meet (w/c)

SPI52408: The Meet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & watercolour over pencil)
Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & watercolour over pencil)

MOL58391: Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & watercolour over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gaming at Brook's Club (ink & watercolour over pencil)
Gaming at Brook's Club (ink & watercolour over pencil)

MOL58387: Gaming at Brook's Club (ink & watercolour over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799
Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799

MOL58388: Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)
Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)

GHL13944: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Bridge with Punts and Barges (w/c)
Hampton Bridge with Punts and Barges (w/c)

SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax playing Ninepins, 1812-21 (pen and ink)
Dr Syntax playing Ninepins, 1812-21 (pen and ink)

PFA78094: Dr Syntax playing Ninepins, 1812-21 (pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dicers (w/c on paper)
The Dicers (w/c on paper)

SOU84444: The Dicers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Brace of Blackguards, 1789 (pencil, pen & brown ink and watercolour on paper)
A Brace of Blackguards, 1789 (pencil, pen & brown ink and watercolour on paper)

CH378073: A Brace of Blackguards, 1789 (pencil, pen & brown ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper)
Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper)

CH378072: Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)
Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)

CH378084: Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fish Market, Grimsby (pen, brown ink & w/c on paper)
The Fish Market, Grimsby (pen, brown ink & w/c on paper)

CH378082: The Fish Market, Grimsby (pen, brown ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Earthen-ware (coloured engraving)
Earthen-ware (coloured engraving)

LLJ558360: Earthen-ware (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel (coloured engraving)
Newgate chapel (coloured engraving)

LLJ559083: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A fencing match (engraving)
A fencing match (engraving)

LLJ585366: A fencing match (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horse armoury at the Tower of London (engraving)
Horse armoury at the Tower of London (engraving)

LLJ587906: Horse armoury at the Tower of London (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Association: Advance Arms (coloured engraving)
Clerkenwell Association: Advance Arms (coloured engraving)

LLJ604117: Clerkenwell Association: Advance Arms (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Walnuts to pickle (coloured engraving)
Walnuts to pickle (coloured engraving)

LLJ558301: Walnuts to pickle (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coal-heavers (coloured engraving)
Coal-heavers (coloured engraving)

LLJ558324: Coal-heavers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rhubarb (coloured engraving)
Rhubarb (coloured engraving)

LLJ558336: Rhubarb (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Flounders (coloured engraving)
Flounders (coloured engraving)

LLJ558356: Flounders (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Placard.  Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving)
Placard.  Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving)

LLJ611060: Placard. Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619012: Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott., Rowlandson, Thomas (1756-1827) / Bridgeman Images

James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619080: James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760684: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760697: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A flat between two sharps, 1803 (engraving)
A flat between two sharps, 1803 (engraving)

PVD1681047: A flat between two sharps, 1803 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997467: Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997465: Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989326: Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999844: Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999921: Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999594: Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.
Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.

FLO4999805: Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999472: Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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