Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection
Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012373: Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection
Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012380: Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection
The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection

LZT1012382: The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection
Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection

LZT1012387: Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)
A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)

XOS3038279: A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Gentleman's Club (ink & w/c on paper)
A Gentleman's Club (ink & w/c on paper)

BOU3247620: A Gentleman's Club (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)
Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)

STC2962509: Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)
Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)

STC2966875: Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sick man preparing the meal - Cartoon by Rowlandson, 19th century
Sick man preparing the meal - Cartoon by Rowlandson, 19th century

LSE4084495: Sick man preparing the meal - Cartoon by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081509: The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081516: Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081539: Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869
The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869

LSE4081547: The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor Playing the Violin: “” The Garden Trio””” - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor Playing the Violin: “” The Garden Trio””” - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081549: The Doctor Playing the Violin: “” The Garden Trio””” - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur dans un atelier d'artiste - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur dans un atelier d'artiste - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081554: Le docteur dans un atelier d'artiste - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century
Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century

LSE4078264: Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Reverend Doctor Syntax
The Reverend Doctor Syntax

XLF3781136: The Reverend Doctor Syntax, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax lamenting the loss of his wife'
'Dr Syntax lamenting the loss of his wife'

XLF3781166: 'Dr Syntax lamenting the loss of his wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax and the bees'
'Dr Syntax and the bees'

XLF3781176: 'Dr Syntax and the bees', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax setting out in search of a wife'
'Dr Syntax setting out in search of a wife'

XLF3781187: 'Dr Syntax setting out in search of a wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax soliloquising'
'Dr Syntax soliloquising'

XLF3781189: 'Dr Syntax soliloquising', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The banns forbidden'
'The banns forbidden'

XLF3781191: 'The banns forbidden', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax received by the maid instead of the mistress'
'Dr Syntax received by the maid instead of the mistress'

XLF3781201: 'Dr Syntax received by the maid instead of the mistress', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Death of Punch'
'Death of Punch'

XLF3781202: 'Death of Punch', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Greenwich watercolour
Greenwich watercolour

XLF3793567: Greenwich watercolour, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760684: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760697: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619012: Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott., Rowlandson, Thomas (1756-1827) / Bridgeman Images

James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619080: James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666922: Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666939: Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666956: Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death ladles punch into a glass of a Toastmaster with gout at a raucous Georgian drinking party. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death ladles punch into a glass of a Toastmaster with gout at a raucous Georgian drinking party. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690400: The skeleton of Death ladles punch into a glass of a Toastmaster with gout at a raucous Georgian drinking party. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690452: The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690485: The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690512: The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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