Rowlandson, Thomas (1756-1827) Assets (1155 in total)
Results
LMG109249: A Picnic on Dartmoor (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125752: "Captain Squander, Bang up to the Mark" (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ABT143133: The Rabbit Merchant (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204085: Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4078264: Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4084495: Sick man preparing the meal - Cartoon by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081509: The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081539: Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081547: The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081549: The Doctor Playing the Violin: “” The Garden Trio””” - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081554: Le docteur dans un atelier d'artiste - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
SFA413838: A wagon and horses passing a family on a wayside (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
SFA413733: A Passing Flirtation (pen, grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309556: The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309564: The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309565: The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL1318: Last Dying Speech and Confession (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL58387: Gaming at Brook's Club (ink & w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL58388: Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799, Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL58391: Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912966: Coach and six horses with passengers and luggage on the roof, 1793 (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912753: English gentleman receiving a letter from his family, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912761: Young English gentleman constructing a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912765: Young English gentleman gambling at Newmarket racetrack, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912767: English gentleman carried in a sedan chair for an election, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912768: English gentleman marrying his bride in a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5893687: Woman spilling a pitcher of water over herself during the night., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5893722: Two Regency gentlemen about to fight a duel with pistols., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5893725: Two Regency men stoppped to talk in a freezing wind., Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC6232498: Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999472: Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999594: Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images