Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Coal-heavers (coloured engraving)
Coal-heavers (coloured engraving)

LLJ558324: Coal-heavers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rhubarb (coloured engraving)
Rhubarb (coloured engraving)

LLJ558336: Rhubarb (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Association: Advance Arms (coloured engraving)
Clerkenwell Association: Advance Arms (coloured engraving)

LLJ604117: Clerkenwell Association: Advance Arms (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Placard.  Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving)
Placard.  Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving)

LLJ611060: Placard. Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)
Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)

STC2962509: Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)
Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)

STC2966875: Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081516: Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sick man preparing the meal - Cartoon by Rowlandson, 19th century
Sick man preparing the meal - Cartoon by Rowlandson, 19th century

LSE4084495: Sick man preparing the meal - Cartoon by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Gentleman's Club (ink & w/c on paper)
A Gentleman's Club (ink & w/c on paper)

BOU3247620: A Gentleman's Club (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)
A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)

STC2562181: A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Six Stages of Mending a Face, 1792 (etching)
Six Stages of Mending a Face, 1792 (etching)

XJF869675: Six Stages of Mending a Face, 1792 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection
The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection

LZT1012365: The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection
Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012380: Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection
Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection

LZT1012387: Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection
A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection

LZT1012361: A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection
Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012373: Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection
The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection

LZT1012382: The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving)
The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving)

STC779964: The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Scold, with news of Olivia (coloured engraving)
The Scold, with news of Olivia (coloured engraving)

STC810270: The Scold, with news of Olivia (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint)
Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint)

CH986313: Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174260: Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174258: Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174264: Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174267: London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125748: "The Thickest Block of the Three", 1812 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)
A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)

XOS3038279: A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Huntsman rising (w/c on paper)
A Huntsman rising (w/c on paper)

OJ451914: A Huntsman rising (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)
Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper)

CBE204076: Rusty Bacon (Pigheadedness and Persuasion) (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper)
Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper)

CBE204085: Monachum Non Facit Cucullus - Monks Unfit for a Friar's Hood (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stud Farm, 1786 (watercolour and pen and ink over pencil on paper)
The Stud Farm, 1786 (watercolour and pen and ink over pencil on paper)

WHT161696: The Stud Farm, 1786 (watercolour and pen and ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death in a cape dances a final waltz with fragile Caelia, as her dance tutor looks aghast. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death in a cape dances a final waltz with fragile Caelia, as her dance tutor looks aghast. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690328: The skeleton of Death in a cape dances a final waltz with fragile Caelia, as her dance tutor looks aghast. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death grabs a father by the collar, as his wife and children desperately try to save him. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death grabs a father by the collar, as his wife and children desperately try to save him. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690259: The skeleton of Death grabs a father by the collar, as his wife and children desperately try to save him. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death holds a handkerchief to his eye socket as a woman commits suicide off a cliff to join her drowned lover. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death holds a handkerchief to his eye socket as a woman commits suicide off a cliff to join her drowned lover. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690264: The skeleton of Death holds a handkerchief to his eye socket as a woman commits suicide off a cliff to join her drowned lover. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690452: The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690512: The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690550: The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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