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Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper)
La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper)

XYC150255: La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC150255

La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper)

Rowlandson, Thomas (1756-1827)

A Penny 'Slap Bang' Shop (pen & ink and w/c on paper)
A Penny 'Slap Bang' Shop (pen & ink and w/c on paper)

BOU202933: A Penny 'Slap Bang' Shop (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BOU202933

A Penny 'Slap Bang' Shop (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

The Love letter, c.1790 (pen & ink and w/c on paper)
The Love letter, c.1790 (pen & ink and w/c on paper)

XYC234028: The Love letter, c.1790 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC234028

The Love letter, c.1790 (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Cheating at Cards (w/c with pen & ink on paper)
Cheating at Cards (w/c with pen & ink on paper)

XYC281122: Cheating at Cards (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC281122

Cheating at Cards (w/c with pen & ink on paper)

Rowlandson, Thomas (1756-1827)

A Review of the Northamptonshire Militia at Brackley, Northants (pen & ink with w/c on paper)
A Review of the Northamptonshire Militia at Brackley, Northants (pen & ink with w/c on paper)

XYC283578: A Review of the Northamptonshire Militia at Brackley, Northants (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC283578

A Review of the Northamptonshire Militia at Brackley, Northants (pen & ink with w/c on paper)

Rowlandson, Thomas (1756-1827)

Broadstairs (pencil, pen and grey ink and watercolour)
Broadstairs (pencil, pen and grey ink and watercolour)

CH651902: Broadstairs (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH651902

Broadstairs (pencil, pen and grey ink and watercolour)

Rowlandson, Thomas (1756-1827)

A Game of Cribbage, 1818 (pencil, pen & red ink and w/c on paper)
A Game of Cribbage, 1818 (pencil, pen & red ink and w/c on paper)

CH378075: A Game of Cribbage, 1818 (pencil, pen & red ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH378075

A Game of Cribbage, 1818 (pencil, pen & red ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

The Mishap, 1806 (pen, brown ink & w/c on paper)
The Mishap, 1806 (pen, brown ink & w/c on paper)

CH378083: The Mishap, 1806 (pen, brown ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH378083

The Mishap, 1806 (pen, brown ink & w/c on paper)

Rowlandson, Thomas (1756-1827)

The Military Adventures of Johnny Newcombe, with an Account of his Campaign on the Peninsula, and in Pall Mall, 1816 (hand-coloured etching & aquatint)
The Military Adventures of Johnny Newcombe, with an Account of his Campaign on the Peninsula, and in Pall Mall, 1816 (hand-coloured etching & aquatint)

STC420689: The Military Adventures of Johnny Newcombe, with an Account of his Campaign on the Peninsula, and in Pall Mall, 1816 (hand-coloured etching & aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC420689

The Military Adventures of Johnny Newcombe, with an Account of his Campaign on the Peninsula, and in Pall Mall, 1816 (hand-coloured etching & aquatint)

Rowlandson, Thomas (1756-1827)

'Six Stages of Making a Face', printed by S.W. Fores, 1792 (etching)
'Six Stages of Making a Face', printed by S.W. Fores, 1792 (etching)

XJF425328: 'Six Stages of Making a Face', printed by S.W. Fores, 1792 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XJF425328

'Six Stages of Making a Face', printed by S.W. Fores, 1792 (etching)

Rowlandson, Thomas (1756-1827)

Henry Fielding - the
Henry Fielding - the

XLA3773082: Henry Fielding - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLA3773082

Henry Fielding - the

Rowlandson, Thomas (1756-1827)

A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)
A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)

CEC43146: A Group of Antiquaries, c.1805 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CEC43146

A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)

Rowlandson, Thomas (1756-1827)

Devonshire House, Piccadilly (w/c on paper)
Devonshire House, Piccadilly (w/c on paper)

CWA124817: Devonshire House, Piccadilly (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CWA124817

Devonshire House, Piccadilly (w/c on paper)

Rowlandson, Thomas (1756-1827)

NP125753: "Pleasure First, Pay Later", 1812 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125753

"Pleasure First, Pay Later", 1812 (pen, w/c & pencil on paper)

Rowlandson, Thomas (1756-1827)

Four O'Clock in the Country (w/c on paper)
Four O'Clock in the Country (w/c on paper)

NWP132610: Four O'Clock in the Country (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NWP132610

Four O'Clock in the Country (w/c on paper)

Rowlandson, Thomas (1756-1827)

Smithfield Market, 1810 (w/c on paper)
Smithfield Market, 1810 (w/c on paper)

GHL100933: Smithfield Market, 1810 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: GHL100933

Smithfield Market, 1810 (w/c on paper)

Rowlandson, Thomas (1756-1827)

Caricature of a Judge (w/c)
Caricature of a Judge (w/c)

CBE85846: Caricature of a Judge (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE85846

Caricature of a Judge (w/c)

Rowlandson, Thomas (1756-1827)

The Duet (w/c)
The Duet (w/c)

DEC84547: The Duet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: DEC84547

The Duet (w/c)

Rowlandson, Thomas (1756-1827)

Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)
Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)

BAC155884: Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BAC155884

Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690589: The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690589

The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

'Dr Syntax present at a coffee house quarrel'
'Dr Syntax present at a coffee house quarrel'

XLF3781174: 'Dr Syntax present at a coffee house quarrel', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781174

'Dr Syntax present at a coffee house quarrel'

Rowlandson, Thomas (1756-1827)

'Introduction to courtship'
'Introduction to courtship'

XLF3781212: 'Introduction to courtship', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781212

'Introduction to courtship'

Rowlandson, Thomas (1756-1827)

Strawberry Hill (hand coloured aquatint)
Strawberry Hill (hand coloured aquatint)

BAL1180: Strawberry Hill (hand coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BAL1180

Strawberry Hill (hand coloured aquatint)

Rowlandson, Thomas (1756-1827)

Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798
Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798

GHL16919: Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: GHL16919

Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798

Rowlandson, Thomas (1756-1827)

The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776
The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776

BAL20787: The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BAL20787

The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776

Rowlandson, Thomas (1756-1827)

Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)
Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)

CBE204077: Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE204077

Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

The Old India House (pen & ink and w/c on paper)
The Old India House (pen & ink and w/c on paper)

CBE204082: The Old India House (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE204082

The Old India House (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

The Return of the Soldier, 1817 (w/c & pen and ink on paper)
The Return of the Soldier, 1817 (w/c & pen and ink on paper)

XYC234025: The Return of the Soldier, 1817 (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC234025

The Return of the Soldier, 1817 (w/c & pen and ink on paper)

Rowlandson, Thomas (1756-1827)

The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)
The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)

XYC245525: The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC245525

The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)

Rowlandson, Thomas (1756-1827)

The Hedger and Ditcher (pen & ink and w/c on paper)
The Hedger and Ditcher (pen & ink and w/c on paper)

XYC277134: The Hedger and Ditcher (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC277134

The Hedger and Ditcher (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)
Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)

XYC283581: Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC283581

Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)

Rowlandson, Thomas (1756-1827)

Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper)
Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper)

CH378081: Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH378081

Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)
Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)

PNP620146: Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PNP620146

Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

St John Southwark Volunteer, Present, 1798 (colour litho)
St John Southwark Volunteer, Present, 1798 (colour litho)

PNP620147: St John Southwark Volunteer, Present, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PNP620147

St John Southwark Volunteer, Present, 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Bartholomew Fair (coloured engraving)
Bartholomew Fair (coloured engraving)

LLJ558616: Bartholomew Fair (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LLJ558616

Bartholomew Fair (coloured engraving)

Rowlandson, Thomas (1756-1827)

A Private Concert, plate 2 from the series
A Private Concert, plate 2 from the series

DMW937620: A Private Concert, plate 2 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: DMW937620

A Private Concert, plate 2 from the series "The Comforts of Bath", 1798 (coloured aquatint)

Rowlandson, Thomas (1756-1827)


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