Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Broadstairs (pencil, pen and grey ink and watercolour)
Broadstairs (pencil, pen and grey ink and watercolour)

CH651902: Broadstairs (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving)
A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98387: A Private Concert, plate 2 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Penny 'Slap Bang' Shop (pen & ink and w/c on paper)
A Penny 'Slap Bang' Shop (pen & ink and w/c on paper)

BOU202933: A Penny 'Slap Bang' Shop (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death carries off a Virago from a house while a nightwatchman with lantern looks on. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a Virago from a house while a nightwatchman with lantern looks on. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690508: The skeleton of Death carries off a Virago from a house while a nightwatchman with lantern looks on. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper)
La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper)

XYC150255: La Place des Victoires, Paris, c.1789 (pen and ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vauxhall Gardens  by
Vauxhall Gardens  by

XLE3747611: Vauxhall Gardens by, Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125753: "Pleasure First, Pay Later", 1812 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Devonshire House, Piccadilly (w/c on paper)
Devonshire House, Piccadilly (w/c on paper)

CWA124817: Devonshire House, Piccadilly (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Smithfield Market, 1810 (w/c on paper)
Smithfield Market, 1810 (w/c on paper)

GHL100933: Smithfield Market, 1810 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)
A Group of Antiquaries, c.1805 (pen & ink with w/c on paper)

CEC43146: A Group of Antiquaries, c.1805 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature of a Judge (w/c)
Caricature of a Judge (w/c)

CBE85846: Caricature of a Judge (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)
Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper)

CBE204077: Actresses' Dressing Room at Drury Lane (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old India House (pen & ink and w/c on paper)
The Old India House (pen & ink and w/c on paper)

CBE204082: The Old India House (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Duet (w/c)
The Duet (w/c)

DEC84547: The Duet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798
Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798

GHL16919: Entrance of Oxford Street at Tyburn Turnpike with a view of Park Lane, 1798, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)
Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper)

BAC155884: Rowlandson and Wigstead (1745-93) Arriving at an Inn (pen & grey ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Strawberry Hill (hand coloured aquatint)
Strawberry Hill (hand coloured aquatint)

BAL1180: Strawberry Hill (hand coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)
Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho)

PNP620146: Farringdon Ward Within Volunteer, Prime & Load, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St John Southwark Volunteer, Present, 1798 (colour litho)
St John Southwark Volunteer, Present, 1798 (colour litho)

PNP620147: St John Southwark Volunteer, Present, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)
Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper)

XYC283581: Entrance to Festiniog, Wales, 1797 (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Hedger and Ditcher (pen & ink and w/c on paper)
The Hedger and Ditcher (pen & ink and w/c on paper)

XYC277134: The Hedger and Ditcher (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776
The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776

BAL20787: The Bear and Bear Leader - passing the Hotel d'Angleterre, 1776, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper)
Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper)

CH378081: Labourers Putting Down a Pavement (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Henry Fielding - the
Henry Fielding - the

XLA3773082: Henry Fielding - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690589: The Library. Customers, including a woman and her black servant, looking at new books in a circulating library (perhaps Ainsworth's, or Saum's or Whiting's). Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bartholomew Fair (coloured engraving)
Bartholomew Fair (coloured engraving)

LLJ558616: Bartholomew Fair (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return of the Soldier, 1817 (w/c & pen and ink on paper)
The Return of the Soldier, 1817 (w/c & pen and ink on paper)

XYC234025: The Return of the Soldier, 1817 (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Hypochondriac (coloured engraving)
The Hypochondriac (coloured engraving)

CHT234663: The Hypochondriac (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)
The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount)

XYC245525: The Concert, from 'Scenes at Bath', c.1795-1800 (w/c & pen & ink on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Private Concert, plate 2 from the series
A Private Concert, plate 2 from the series

DMW937620: A Private Concert, plate 2 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Four O'Clock in the Country (w/c on paper)
Four O'Clock in the Country (w/c on paper)

NWP132610: Four O'Clock in the Country (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Introduction to courtship'
'Introduction to courtship'

XLF3781212: 'Introduction to courtship', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Last Dying Speech and Confession (hand coloured engraving)
Last Dying Speech and Confession (hand coloured engraving)

MOL1318: Last Dying Speech and Confession (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cheyne Walk, Chelsea (pen & ink and w/c on paper)
Cheyne Walk, Chelsea (pen & ink and w/c on paper)

MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gaming at Brook's Club (ink & w/c over pencil)
Gaming at Brook's Club (ink & w/c over pencil)

MOL58387: Gaming at Brook's Club (ink & w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799
Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799

MOL58388: Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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