Rowlandson, Thomas (1756-1827) Assets (1157 in total)
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FLO4690328: The skeleton of Death in a cape dances a final waltz with fragile Caelia, as her dance tutor looks aghast. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690264: The skeleton of Death holds a handkerchief to his eye socket as a woman commits suicide off a cliff to join her drowned lover. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690277: The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690368: The skeleton of Death joins a group of suitors for fair heiress Belinda, and defeats the lawyer, doctor, parson, Quaker, colonel and baronet for the prize. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690182: Calligraphic title and vignette of skeletons dancing with tambourines and horns in a graveyard near a ruined church. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690293: The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690400: The skeleton of Death ladles punch into a glass of a Toastmaster with gout at a raucous Georgian drinking party. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690452: The skeleton of Death and Father Time sprawl beneath the angel of Eternity. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690632: Post Office: Tourists collecting mail at the post office in Scarborough, 1812. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690639: A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690485: The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690512: The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690550: The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690582: Shower Bath: women taking a cold shower in a bathroom hiding their modesty from a male intruder, 19th century. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC6232498: Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NAM5929057: Soldiers Recreating, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NAM5929622: Expedition of Military Fly (aquatint, colour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NAM5925880: A General Discharge or the Darling Angels Finishing Stroke (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912761: Young English gentleman constructing a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912765: Young English gentleman gambling at Newmarket racetrack, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912768: English gentleman marrying his bride in a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912753: English gentleman receiving a letter from his family, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912767: English gentleman carried in a sedan chair for an election, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912966: Coach and six horses with passengers and luggage on the roof, 1793 (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666922: Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4997467: Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4997465: Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989326: Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999594: Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999844: Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5000046: The orphan Johnny reunited with his father, Dr. Syntax. The old man has his feet in buckets of warm water to sooth the gout. The bookseller, cook and Betty Broom look on. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999805: Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999921: Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999472: Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5893687: Woman spilling a pitcher of water over herself during the night., Rowlandson, Thomas (1756-1827) / Bridgeman Images
