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Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.
Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.

FLO4999805: Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999805

Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.

Rowlandson, Thomas (1756-1827)

Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999844: Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999844

Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999921: Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999921

Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999472: Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999472

Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

Rowlandson, Thomas (1756-1827)

The orphan Johnny reunited with his father, Dr. Syntax. The old man has his feet in buckets of warm water to sooth the gout. The bookseller, cook and Betty Broom look on. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
The orphan Johnny reunited with his father, Dr. Syntax. The old man has his feet in buckets of warm water to sooth the gout. The bookseller, cook and Betty Broom look on. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000046: The orphan Johnny reunited with his father, Dr. Syntax. The old man has his feet in buckets of warm water to sooth the gout. The bookseller, cook and Betty Broom look on. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5000046

The orphan Johnny reunited with his father, Dr. Syntax. The old man has his feet in buckets of warm water to sooth the gout. The bookseller, cook and Betty Broom look on. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997465: Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4997465

Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

Rowlandson, Thomas (1756-1827)

Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997467: Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4997467

Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

Rowlandson, Thomas (1756-1827)

Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989326: Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4989326

Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

Rowlandson, Thomas (1756-1827)

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760697: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLA3760697

Vicar of Wakefield by Oliver Goldsmith

Rowlandson, Thomas (1756-1827)

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760684: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLA3760684

Vicar of Wakefield by Oliver Goldsmith

Rowlandson, Thomas (1756-1827)

Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666922: Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4666922

Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

Rowlandson, Thomas (1756-1827)

Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666939: Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4666939

Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

Rowlandson, Thomas (1756-1827)

Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666956: Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4666956

Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

Rowlandson, Thomas (1756-1827)

The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)
The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)

FIA5329906: The meeting of the high courier (The High Mettled Racer), 1789 (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FIA5329906

The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)

Rowlandson, Thomas (1756-1827)

Woman spilling a pitcher of water over herself during the night.
Woman spilling a pitcher of water over herself during the night.

FLO5893687: Woman spilling a pitcher of water over herself during the night., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893687

Woman spilling a pitcher of water over herself during the night.

Rowlandson, Thomas (1756-1827)

Two Regency men stoppped to talk in a freezing wind.
Two Regency men stoppped to talk in a freezing wind.

FLO5893725: Two Regency men stoppped to talk in a freezing wind., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893725

Two Regency men stoppped to talk in a freezing wind.

Rowlandson, Thomas (1756-1827)

Two Regency gentlemen about to fight a duel with pistols.
Two Regency gentlemen about to fight a duel with pistols.

FLO5893722: Two Regency gentlemen about to fight a duel with pistols., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893722

Two Regency gentlemen about to fight a duel with pistols.

Rowlandson, Thomas (1756-1827)

‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)
‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)

NAM5925880: ‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NAM5925880

‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)

Rowlandson, Thomas (1756-1827)

English gentleman marrying his bride in a stately home, 1817 (engraving)
English gentleman marrying his bride in a stately home, 1817 (engraving)

FLO5912768: English gentleman marrying his bride in a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912768

English gentleman marrying his bride in a stately home, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

English gentleman carried in a sedan chair for an election, 1817 (engraving)
English gentleman carried in a sedan chair for an election, 1817 (engraving)

FLO5912767: English gentleman carried in a sedan chair for an election, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912767

English gentleman carried in a sedan chair for an election, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Coach and six horses with passengers and luggage on the roof, 1793 (print)
Coach and six horses with passengers and luggage on the roof, 1793 (print)

FLO5912966: Coach and six horses with passengers and luggage on the roof, 1793 (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912966

Coach and six horses with passengers and luggage on the roof, 1793 (print)

Rowlandson, Thomas (1756-1827)

Young English gentleman constructing a stately home, 1817 (engraving)
Young English gentleman constructing a stately home, 1817 (engraving)

FLO5912761: Young English gentleman constructing a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912761

Young English gentleman constructing a stately home, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

English gentleman receiving a letter from his family, 1817 (engraving)
English gentleman receiving a letter from his family, 1817 (engraving)

FLO5912753: English gentleman receiving a letter from his family, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912753

English gentleman receiving a letter from his family, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Young English gentleman gambling at Newmarket racetrack, 1817 (engraving)
Young English gentleman gambling at Newmarket racetrack, 1817 (engraving)

FLO5912765: Young English gentleman gambling at Newmarket racetrack, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912765

Young English gentleman gambling at Newmarket racetrack, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)
Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)

XYC6232498: Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC6232498

Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)

Rowlandson, Thomas (1756-1827)

‘Expedition of Military Fly’ (aquatint, colour)
‘Expedition of Military Fly’ (aquatint, colour)

NAM5929622: ‘Expedition of Military Fly’ (aquatint, colour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NAM5929622

‘Expedition of Military Fly’ (aquatint, colour)

Rowlandson, Thomas (1756-1827)

‘Soldiers Recreating’, c.1798 (aquatint, sepia)
‘Soldiers Recreating’, c.1798 (aquatint, sepia)

NAM5929057: ‘Soldiers Recreating’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NAM5929057

‘Soldiers Recreating’, c.1798 (aquatint, sepia)

Rowlandson, Thomas (1756-1827)

The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)
The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)

VIB98396: The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: VIB98396

The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)

Rowlandson, Thomas (1756-1827)

On The Thames (pen and ink, w/c)
On The Thames (pen and ink, w/c)

CBE85850: On The Thames (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE85850

On The Thames (pen and ink, w/c)

Rowlandson, Thomas (1756-1827)

The Irish Steam Packet (pencil, pen & brown ink and w/c on paper)
The Irish Steam Packet (pencil, pen & brown ink and w/c on paper)

CH20825: The Irish Steam Packet (pencil, pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH20825

The Irish Steam Packet (pencil, pen & brown ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Bucks of the First Head, cartoon of Oxford undergraduates
Bucks of the First Head, cartoon of Oxford undergraduates

BAL3866: Bucks of the First Head, cartoon of Oxford undergraduates, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BAL3866

Bucks of the First Head, cartoon of Oxford undergraduates

Rowlandson, Thomas (1756-1827)

A Stolen Kiss (w/c on paper)
A Stolen Kiss (w/c on paper)

BOU202932: A Stolen Kiss (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BOU202932

A Stolen Kiss (w/c on paper)

Rowlandson, Thomas (1756-1827)

Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper)
Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper)

XYC250011: Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC250011

Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper)

Rowlandson, Thomas (1756-1827)

Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount)
Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount)

XYC237804: Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC237804

Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount)

Rowlandson, Thomas (1756-1827)

The Paris Diligence (pen & ink and w/c on paper)
The Paris Diligence (pen & ink and w/c on paper)

XYC239816: The Paris Diligence (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC239816

The Paris Diligence (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper)
Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper)

XYC232913: Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC232913

Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper)

Rowlandson, Thomas (1756-1827)


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