Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper)
Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper)

XYC239815: Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309564: The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper)
The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper)

XYC234023: The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)
Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)

XCF290956: Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)
The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)

FIA5329906: The meeting of the high courier (The High Mettled Racer), 1789 (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper)
Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper)

CH378072: Box-Bobby Loungers, 1785 (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)
Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint)

CH378084: Lambeth Cavalry, from 'Loyal Volunteers of London and Environs', 1798-99 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A wagon and horses passing a family on a wayside (pen & ink and wash on paper)
A wagon and horses passing a family on a wayside (pen & ink and wash on paper)

SFA413838: A wagon and horses passing a family on a wayside (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Huntsman rising (w/c on paper)
A Huntsman rising (w/c on paper)

OJ451914: A Huntsman rising (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fillial Affection, or A Trip to Gretna Green, 1780s (litho)
Fillial Affection, or A Trip to Gretna Green, 1780s (litho)

XJF437534: Fillial Affection, or A Trip to Gretna Green, 1780s (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)
The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)

XYC203416: The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax in the House of Commons, 1820 (engraving)
Dr Syntax in the House of Commons, 1820 (engraving)

BBC211030: Dr Syntax in the House of Commons, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper)
A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper)

XYC158051: A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dicers (w/c on paper)
The Dicers (w/c on paper)

SOU84444: The Dicers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper)
The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper)

XYC159648: The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour)
The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour)

CH652083: The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)
‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)

NAM5925880: ‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Expedition of Military Fly’ (aquatint, colour)
‘Expedition of Military Fly’ (aquatint, colour)

NAM5929622: ‘Expedition of Military Fly’ (aquatint, colour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Recreating’, c.1798 (aquatint, sepia)
‘Soldiers Recreating’, c.1798 (aquatint, sepia)

NAM5929057: ‘Soldiers Recreating’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)
Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)

XYC6232498: Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190613: Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax playing Ninepins, 1812-21 (pen and ink)
Dr Syntax playing Ninepins, 1812-21 (pen and ink)

PFA78094: Dr Syntax playing Ninepins, 1812-21 (pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sleepy Congregation (ink & w/c on paper)
A Sleepy Congregation (ink & w/c on paper)

NP125705: A Sleepy Congregation (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125711: "Frenchmen in November", pub. by S.W. Fores, 1788 (coloured etching) (pair of 125710), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728)
Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728)

NP125729: Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Flute Player (pen, watercolour & pencil on paper)
The Flute Player (pen, watercolour & pencil on paper)

NP125750: The Flute Player (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter (pen, watercolour & pencil on paper)
The South Gate, Exeter (pen, watercolour & pencil on paper)

NP125759: The South Gate, Exeter (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two Musicians, c.1774 (w/c on paper)
Two Musicians, c.1774 (w/c on paper)

CEC128115: Two Musicians, c.1774 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Tricks, c.1800 (pen and ink with w/c on paper)
Monkey Tricks, c.1800 (pen and ink with w/c on paper)

AAH101936: Monkey Tricks, c.1800 (pen and ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081509: The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081539: Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869
The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869

LSE4081547: The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century
Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century

LSE4078264: Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)
Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)

GHL13944: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Meet (w/c)
The Meet (w/c)

SPI52408: The Meet (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Great News, 1820 (engraving)
Great News, 1820 (engraving)

BAL66821: Great News, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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