Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690639: A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Calligraphic title and vignette of skeletons dancing with tambourines and horns in a graveyard near a ruined church. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
Calligraphic title and vignette of skeletons dancing with tambourines and horns in a graveyard near a ruined church. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690182: Calligraphic title and vignette of skeletons dancing with tambourines and horns in a graveyard near a ruined church. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death grabs a father by the collar, as his wife and children desperately try to save him. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death grabs a father by the collar, as his wife and children desperately try to save him. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690259: The skeleton of Death grabs a father by the collar, as his wife and children desperately try to save him. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death holds a handkerchief to his eye socket as a woman commits suicide off a cliff to join her drowned lover. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death holds a handkerchief to his eye socket as a woman commits suicide off a cliff to join her drowned lover. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690264: The skeleton of Death holds a handkerchief to his eye socket as a woman commits suicide off a cliff to join her drowned lover. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690277: The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690293: The skeleton of Death smokes a pipe at the fireside with old Gaffer Goodman, while his young wife is seduced by a suitor at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death in a cape dances a final waltz with fragile Caelia, as her dance tutor looks aghast. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death in a cape dances a final waltz with fragile Caelia, as her dance tutor looks aghast. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690328: The skeleton of Death in a cape dances a final waltz with fragile Caelia, as her dance tutor looks aghast. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death joins a group of suitors for fair heiress Belinda, and defeats the lawyer, doctor, parson, Quaker, colonel and baronet for the prize. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins a group of suitors for fair heiress Belinda, and defeats the lawyer, doctor, parson, Quaker, colonel and baronet for the prize. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690368: The skeleton of Death joins a group of suitors for fair heiress Belinda, and defeats the lawyer, doctor, parson, Quaker, colonel and baronet for the prize. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death ladles punch into a glass of a Toastmaster with gout at a raucous Georgian drinking party. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death ladles punch into a glass of a Toastmaster with gout at a raucous Georgian drinking party. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690400: The skeleton of Death ladles punch into a glass of a Toastmaster with gout at a raucous Georgian drinking party. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999472: Ensign Johnny Newcome taking part in his first action, the charge against the French Army at the Battle of Salamanca, 1812. Smells Powder for the First Time. In the foreground, a British soldier loots a dead enemy. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999594: Johnny walking on the moonlit road to London. He has a backpack with violin, a book in his coat pocket, and carries an umbrella. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.
Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822.

FLO4999805: Johnny with a spendthrift: they lounge on a sofa drinking wine as a line of tradeswomen show dresses, hats and other finery. A servant closes the door on more sales people. On the floor are vases, a harp, hat boxes, etc. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax, Ackermann, London, 1822., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999844: Johnny at a sporting finale: Johnny with candlesticks leaves three drunken hunters asleep in a dining room with empty wine bottles and sleeping hounds. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999921: Johnny interrupts an argument between guests at a party in a Regency parlour. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The orphan Johnny reunited with his father, Dr. Syntax. The old man has his feet in buckets of warm water to sooth the gout. The bookseller, cook and Betty Broom look on. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
The orphan Johnny reunited with his father, Dr. Syntax. The old man has his feet in buckets of warm water to sooth the gout. The bookseller, cook and Betty Broom look on. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000046: The orphan Johnny reunited with his father, Dr. Syntax. The old man has his feet in buckets of warm water to sooth the gout. The bookseller, cook and Betty Broom look on. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997465: Ensign Johnny Newcome introduced to the Colonel of his regiment before the Battle of Salamanca. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997467: Ensign Johnny Newcome returns home to England on sick leave from the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989326: Johnny and other Midshipmen on shore leave wait a play at Plymouth Playhouse. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)
The meeting of the high courier (The High Mettled Racer), 1789 (watercolour)

FIA5329906: The meeting of the high courier (The High Mettled Racer), 1789 (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coach and six horses with passengers and luggage on the roof, 1793 (print)
Coach and six horses with passengers and luggage on the roof, 1793 (print)

FLO5912966: Coach and six horses with passengers and luggage on the roof, 1793 (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)
‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)

NAM5925880: ‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman constructing a stately home, 1817 (engraving)
Young English gentleman constructing a stately home, 1817 (engraving)

FLO5912761: Young English gentleman constructing a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman gambling at Newmarket racetrack, 1817 (engraving)
Young English gentleman gambling at Newmarket racetrack, 1817 (engraving)

FLO5912765: Young English gentleman gambling at Newmarket racetrack, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman carried in a sedan chair for an election, 1817 (engraving)
English gentleman carried in a sedan chair for an election, 1817 (engraving)

FLO5912767: English gentleman carried in a sedan chair for an election, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman marrying his bride in a stately home, 1817 (engraving)
English gentleman marrying his bride in a stately home, 1817 (engraving)

FLO5912768: English gentleman marrying his bride in a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman receiving a letter from his family, 1817 (engraving)
English gentleman receiving a letter from his family, 1817 (engraving)

FLO5912753: English gentleman receiving a letter from his family, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woman spilling a pitcher of water over herself during the night.
Woman spilling a pitcher of water over herself during the night.

FLO5893687: Woman spilling a pitcher of water over herself during the night., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two Regency gentlemen about to fight a duel with pistols.
Two Regency gentlemen about to fight a duel with pistols.

FLO5893722: Two Regency gentlemen about to fight a duel with pistols., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two Regency men stoppped to talk in a freezing wind.
Two Regency men stoppped to talk in a freezing wind.

FLO5893725: Two Regency men stoppped to talk in a freezing wind., Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Expedition of Military Fly’ (aquatint, colour)
‘Expedition of Military Fly’ (aquatint, colour)

NAM5929622: ‘Expedition of Military Fly’ (aquatint, colour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Passing Flirtation (pen, grey ink & w/c on paper)
A Passing Flirtation (pen, grey ink & w/c on paper)

SFA413733: A Passing Flirtation (pen, grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fillial Affection, or A Trip to Gretna Green, 1780s (litho)
Fillial Affection, or A Trip to Gretna Green, 1780s (litho)

XJF437534: Fillial Affection, or A Trip to Gretna Green, 1780s (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A wagon and horses passing a family on a wayside (pen & ink and wash on paper)
A wagon and horses passing a family on a wayside (pen & ink and wash on paper)

SFA413838: A wagon and horses passing a family on a wayside (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel (coloured engraving)
Newgate chapel (coloured engraving)

LLJ559083: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Walnuts to pickle (coloured engraving)
Walnuts to pickle (coloured engraving)

LLJ558301: Walnuts to pickle (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coal-heavers (coloured engraving)
Coal-heavers (coloured engraving)

LLJ558324: Coal-heavers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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