Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Introduction, 1800 (w/c on paper)
The Introduction, 1800 (w/c on paper)

SAG186640: The Introduction, 1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)
The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)

XYC203416: The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190613: Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214673: Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax in the House of Commons, 1820 (engraving)
Dr Syntax in the House of Commons, 1820 (engraving)

BBC211030: Dr Syntax in the House of Commons, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper)
A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper)

XYC158051: A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper)
The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper)

XYC159648: The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174260: Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174265: Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174258: Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174262: Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174259: St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174264: Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174267: London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two Musicians, c.1774 (w/c on paper)
Two Musicians, c.1774 (w/c on paper)

CEC128115: Two Musicians, c.1774 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Court Palace, The Garden Front, 1859 (w/c on paper)
Hampton Court Palace, The Garden Front, 1859 (w/c on paper)

STC171107: Hampton Court Palace, The Garden Front, 1859 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125748: "The Thickest Block of the Three", 1812 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125752: "Captain Squander, Bang up to the Mark" (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sleepy Congregation (ink & w/c on paper)
A Sleepy Congregation (ink & w/c on paper)

NP125705: A Sleepy Congregation (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729)
Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729)

NP125728: Cash, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125729), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Flute Player (pen, watercolour & pencil on paper)
The Flute Player (pen, watercolour & pencil on paper)

NP125750: The Flute Player (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter (pen, watercolour & pencil on paper)
The South Gate, Exeter (pen, watercolour & pencil on paper)

NP125759: The South Gate, Exeter (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125711: "Frenchmen in November", pub. by S.W. Fores, 1788 (coloured etching) (pair of 125710), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728)
Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728)

NP125729: Bills of Exchange, pub. by Rudolph Ackermann, 1800 (coloured etching) (pair of 125728), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Village Scene with Figures and Ruined Buildings (watercolour, pen & ink and pencil on paper)
A Village Scene with Figures and Ruined Buildings (watercolour, pen & ink and pencil on paper)

XYC238962: A Village Scene with Figures and Ruined Buildings (watercolour, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)
Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)

XCF290956: Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets)
Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets)

XYC308409: Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309565: The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309564: The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309556: The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Group of Figures (w/c on paper)
A Group of Figures (w/c on paper)

AGN284345: A Group of Figures (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Checkmate, c.1790 (w/c & ink over graphite on paper)
Checkmate, c.1790 (w/c & ink over graphite on paper)

XYC249725: Checkmate, c.1790 (w/c & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return of the Fleet to Great Yarmouth after the Defeat of the Dutch in 1797, c.1797 (pen & ink and w/c on paper)
The Return of the Fleet to Great Yarmouth after the Defeat of the Dutch in 1797, c.1797 (pen & ink and w/c on paper)

XYC245524: The Return of the Fleet to Great Yarmouth after the Defeat of the Dutch in 1797, c.1797 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper)
The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper)

XYC234023: The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Music Master, from 'Scenes at Bath' (w/c & pen and ink on paper)
The Music Master, from 'Scenes at Bath' (w/c & pen and ink on paper)

XYC234024: The Music Master, from 'Scenes at Bath' (w/c & pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Picnic (w/c on paper)
The Picnic (w/c on paper)

XYC239817: The Picnic (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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