Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Bread Street Ward Volunteer, plate 60 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Bread Street Ward Volunteer, plate 60 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174257: Bread Street Ward Volunteer, plate 60 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper)
Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper)

VIB5959846: Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper)
The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper)

VIB98397: The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection
The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection

LZT1012371: The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection
Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection

LZT1012372: Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection
Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012376: Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pea Cart, pub. by S.W. Fores (coloured etching)
The Pea Cart, pub. by S.W. Fores (coloured etching)

NP125716: The Pea Cart, pub. by S.W. Fores (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving)
'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving)

CHT173795: 'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Drawing Cover (pen & ink and w/c on paper)
Drawing Cover (pen & ink and w/c on paper)

XYC238965: Drawing Cover (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Portrait of Joseph Munden, bust-length, in a buff coloured coat (grey ink & w/c on paper)
Portrait of Joseph Munden, bust-length, in a buff coloured coat (grey ink & w/c on paper)

CH1146642: Portrait of Joseph Munden, bust-length, in a buff coloured coat (grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

GHL64575: "Judge Thumb - or Patent Sticks for Family Correction; Warranted Lawfull", cartoon of Judge Butler, from Rowlandson's Caricature Magazine, Vol. II, pub. by Thomas Tegg, c.1782 (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bacchanalia (pen, ink & w/c)
Bacchanalia (pen, ink & w/c)

PFA26715: Bacchanalia (pen, ink & w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dog Fight
The Dog Fight

OLD37275: The Dog Fight, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gambols on the River Thames, February 1814 (coloured engraving)
Gambols on the River Thames, February 1814 (coloured engraving)

LLJ558777: Gambols on the River Thames, February 1814 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

King's Bench Prison (engraving)
King's Bench Prison (engraving)

LLJ559097: King's Bench Prison (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax loses his money at the race-track at York'
'Dr Syntax loses his money at the race-track at York'

XLF3781148: 'Dr Syntax loses his money at the race-track at York', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The garden trio'
'The garden trio'

XLF3781198: 'The garden trio', Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour)
The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour)

CH651805: The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at Covent Garden Theatre, London (coloured engraving)
Dr Syntax at Covent Garden Theatre, London (coloured engraving)

LLJ586445: Dr Syntax at Covent Garden Theatre, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ballad Singer (pen & ink and w/c on paper)
The Ballad Singer (pen & ink and w/c on paper)

AGN271136: The Ballad Singer (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Recruiting Sergeant, c.1790 (pen & ink and w/c on paper)
The Recruiting Sergeant, c.1790 (pen & ink and w/c on paper)

XYC277501: The Recruiting Sergeant, c.1790 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Reflection (pen & ink with w/c on paper)
The Reflection (pen & ink with w/c on paper)

XYC281141: The Reflection (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coffee House in Salisbury Market Place, 1784 (etching)
Coffee House in Salisbury Market Place, 1784 (etching)

SSW347051: Coffee House in Salisbury Market Place, 1784 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Coaching Scene,  (pen and grey ink and watercolour)
A Coaching Scene,  (pen and grey ink and watercolour)

CH824083: A Coaching Scene, (pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690467: The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Skeleton with crown, spear and hourglass seated on a globe above various lethal weapons, pistols, knives, poisons and drugs. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
Skeleton with crown, spear and hourglass seated on a globe above various lethal weapons, pistols, knives, poisons and drugs. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690104: Skeleton with crown, spear and hourglass seated on a globe above various lethal weapons, pistols, knives, poisons and drugs. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690144: The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690191: The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rout at the Dowager Duchess of Portland, 1811
Rout at the Dowager Duchess of Portland, 1811

MOL1320: Rout at the Dowager Duchess of Portland, 1811, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)
The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper)

WGL828733: The Social Day, 1812 (w/c over pencil and pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810
'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810

BRO43299: 'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Angry Husband (pen & ink with washes)
The Angry Husband (pen & ink with washes)

MAK79763: The Angry Husband (pen & ink with washes), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries of London - the Thames at Wapping (w/c)
Miseries of London - the Thames at Wapping (w/c)

GHL61927: Miseries of London - the Thames at Wapping (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)
Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching)

BSA273443: Boxing Match for 200 Guineas between Dutch Sam and Medley (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chemical Lectures, c.1809 (engraving) (b/w photo)
Chemical Lectures, c.1809 (engraving) (b/w photo)

XJF308091: Chemical Lectures, c.1809 (engraving) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309561: Mr. Burchell's First Visit, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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