Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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The Pea Cart, pub. by S.W. Fores (coloured etching)
The Pea Cart, pub. by S.W. Fores (coloured etching)

NP125716: The Pea Cart, pub. by S.W. Fores (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Recruiting Sergeant, c.1790 (pen & ink and w/c on paper)
The Recruiting Sergeant, c.1790 (pen & ink and w/c on paper)

XYC277501: The Recruiting Sergeant, c.1790 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection
The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection

LZT1012371: The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection
Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection

LZT1012372: Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection
Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012376: Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax loses his money at the race-track at York'
'Dr Syntax loses his money at the race-track at York'

XLF3781148: 'Dr Syntax loses his money at the race-track at York', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The garden trio'
'The garden trio'

XLF3781198: 'The garden trio', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760704: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690467: The skeleton of Death grinds slow poison in the Quack Doctor's shop, as the quack pours a fatal remedy in a bottle. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690144: The skeleton of Death rides on a horse with a quack doctor, while only the village undertaker laments his death. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690191: The skeleton of Death pouring vitriol and aqua fortis into the barrels in a Dram shop (gin bar). Several beauties slumming it drink at the bar, while its victims fall dead near the barrels. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The English Dance of Death, 1815 (lithograph)
The English Dance of Death, 1815 (lithograph)

FLO4690104: The English Dance of Death, 1815 (lithograph), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dog Fight
The Dog Fight

OLD37275: The Dog Fight, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Comet, 1811 (coloured engraving)
The Comet, 1811 (coloured engraving)

MOL3566: The Comet, 1811 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving)
'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving)

CHT173795: 'Dinners Drest in the Neatest Manner', satirical cartoon on culinary hygiene (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper)
The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper)

VIB98397: The Bath Races, plate 12 from 'Comforts of Bath', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

GHL64575: "Judge Thumb - or Patent Sticks for Family Correction; Warranted Lawfull", cartoon of Judge Butler, from Rowlandson's Caricature Magazine, Vol. II, pub. by Thomas Tegg, c.1782 (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gambols on the River Thames, February 1814 (coloured engraving)
Gambols on the River Thames, February 1814 (coloured engraving)

LLJ558777: Gambols on the River Thames, February 1814 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

King's Bench Prison (engraving)
King's Bench Prison (engraving)

LLJ559097: King's Bench Prison (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ballad Singer (pen & ink and w/c on paper)
The Ballad Singer (pen & ink and w/c on paper)

AGN271136: The Ballad Singer (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Reflection (pen & ink with w/c on paper)
The Reflection (pen & ink with w/c on paper)

XYC281141: The Reflection (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at Covent Garden Theatre, London (coloured engraving)
Dr Syntax at Covent Garden Theatre, London (coloured engraving)

LLJ586445: Dr Syntax at Covent Garden Theatre, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coffee House in Salisbury Market Place, 1784 (etching)
Coffee House in Salisbury Market Place, 1784 (etching)

SSW347051: Coffee House in Salisbury Market Place, 1784 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Drawing Cover (pen & ink and w/c on paper)
Drawing Cover (pen & ink and w/c on paper)

XYC238965: Drawing Cover (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper)
Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper)

VIB5959846: Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Portrait of Joseph Munden, bust-length, in a buff coloured coat (grey ink & w/c on paper)
Portrait of Joseph Munden, bust-length, in a buff coloured coat (grey ink & w/c on paper)

CH1146642: Portrait of Joseph Munden, bust-length, in a buff coloured coat (grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Coaching Scene,  (pen and grey ink and watercolour)
A Coaching Scene,  (pen and grey ink and watercolour)

CH824083: A Coaching Scene, (pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour)
The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour)

CH651805: The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810
'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810

BRO43299: 'The Arch Duchess Maria Louisa going to take her Nap', caricature on the marriage of Napoleon and Maria Louisa, published 12 April 1810, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808
The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808

PCT5953916: The Barked Corsican Tiger (Napoleon Bonaparte), caricature 1808, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)
Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching)

STC3239914: Covent Garden Theatre, pub. Henry Brookes, 1786 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000030: Johnny and his creditors. The poor gentlemen faces a roomful of traders and shopkeepers demanding repayment of his debts. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)
Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper)

SSW347018: Stone 'Enge on Salisbury Plain, eight miles from Salisbury, 1784 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The King's Arms, Dorchester (pen & ink and w/c on paper)
The King's Arms, Dorchester (pen & ink and w/c on paper)

FIT282913: The King's Arms, Dorchester (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dressing for a Masquerade, 1790 (pen and w/c over pencil on paper)
Dressing for a Masquerade, 1790 (pen and w/c over pencil on paper)

BI160806: Dressing for a Masquerade, 1790 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)
The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving)

STC115411: The Honeymoon, illustration from 'The English Dance of Death', pub. by R. Ackermann (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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