Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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Fillial Affection, or A Trip to Gretna Green, 1780s (litho)
Fillial Affection, or A Trip to Gretna Green, 1780s (litho)

XJF437534: Fillial Affection, or A Trip to Gretna Green, 1780s (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel (coloured engraving)
Newgate chapel (coloured engraving)

LLJ559083: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Placard.  Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving)
Placard.  Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving)

LLJ611060: Placard. Lottery - two prizes of £30,000 will be drawn tomorrow (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Walnuts to pickle (coloured engraving)
Walnuts to pickle (coloured engraving)

LLJ558301: Walnuts to pickle (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coal-heavers (coloured engraving)
Coal-heavers (coloured engraving)

LLJ558324: Coal-heavers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rhubarb (coloured engraving)
Rhubarb (coloured engraving)

LLJ558336: Rhubarb (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Flounders (coloured engraving)
Flounders (coloured engraving)

LLJ558356: Flounders (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Earthen-ware (coloured engraving)
Earthen-ware (coloured engraving)

LLJ558360: Earthen-ware (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horse armoury at the Tower of London (engraving)
Horse armoury at the Tower of London (engraving)

LLJ587906: Horse armoury at the Tower of London (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Association: Advance Arms (coloured engraving)
Clerkenwell Association: Advance Arms (coloured engraving)

LLJ604117: Clerkenwell Association: Advance Arms (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A fencing match (engraving)
A fencing match (engraving)

LLJ585366: A fencing match (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint)
Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint)

CH986313: Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection
A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection

LZT1012361: A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection
The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection

LZT1012365: The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection
Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012380: Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection
Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012373: Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection
The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection

LZT1012382: The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection
Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection

LZT1012387: Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving)
The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving)

STC779964: The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Six Stages of Mending a Face, 1792 (etching)
Six Stages of Mending a Face, 1792 (etching)

XJF869675: Six Stages of Mending a Face, 1792 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A New Form of Prayer, (pencil, pen and watercolour)
A New Form of Prayer, (pencil, pen and watercolour)

CH651846: A New Form of Prayer, (pencil, pen and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour)
The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour)

CH652083: The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Scold, with news of Olivia (coloured engraving)
The Scold, with news of Olivia (coloured engraving)

STC810270: The Scold, with news of Olivia (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Bridge with Punts and Barges (w/c)
Hampton Bridge with Punts and Barges (w/c)

SC22710: Hampton Bridge with Punts and Barges (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)
Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)

XCF290956: Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Last Dying Speech and Confession (hand coloured engraving)
Last Dying Speech and Confession (hand coloured engraving)

MOL1318: Last Dying Speech and Confession (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)
Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching)

GHL13944: Blucher the Brave (1742-1819): Extracting the Groan of Abdication from the Corsican Bloodhound, Napoleon, (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619012: Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down. Royal Academicians of Genius reflecting on the true line of Beauty, at the Life Academy, Somerset House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott., Rowlandson, Thomas (1756-1827) / Bridgeman Images

James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4619080: James Gordon, a notorious Cambridge drunk, leaving a baby as a prank in front of the house of a college dean. Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A flat between two sharps, 1803 (engraving)
A flat between two sharps, 1803 (engraving)

PVD1681047: A flat between two sharps, 1803 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)
A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)

STC2562181: A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Recreating’, c.1798 (aquatint, sepia)
‘Soldiers Recreating’, c.1798 (aquatint, sepia)

NAM5929057: ‘Soldiers Recreating’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)
Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)

XYC6232498: Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Eye on the Will (pen & ink, w/c)
An Eye on the Will (pen & ink, w/c)

CBE85844: An Eye on the Will (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tripe and Trollebobs (w/c)
Tripe and Trollebobs (w/c)

CBE85847: Tripe and Trollebobs (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dicers (w/c on paper)
The Dicers (w/c on paper)

SOU84444: The Dicers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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