Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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A Huntsman rising (w/c on paper)
A Huntsman rising (w/c on paper)

OJ451914: A Huntsman rising (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Earthen-ware (coloured engraving)
Earthen-ware (coloured engraving)

LLJ558360: Earthen-ware (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dinner, plate 9 from the series
The Dinner, plate 9 from the series

DMW937627: The Dinner, plate 9 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Group of Figures (w/c on paper)
A Group of Figures (w/c on paper)

AGN284345: A Group of Figures (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gaming at Brook's Club (ink & watercolour over pencil)
Gaming at Brook's Club (ink & watercolour over pencil)

MOL58387: Gaming at Brook's Club (ink & watercolour over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & watercolour over pencil)
Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & watercolour over pencil)

MOL58391: Touch for Touch or a Female Physician in Full Practice, 1799-1811 (ink & watercolour over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799
Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799

MOL58388: Buy My Goose, My Fat Goose, no.2 from Ackermann's 'Cries of London', 1799, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cheyne Walk, Chelsea (pen & ink and w/c on paper)
Cheyne Walk, Chelsea (pen & ink and w/c on paper)

MOL30385: Cheyne Walk, Chelsea (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Passing Flirtation (pen, grey ink & w/c on paper)
A Passing Flirtation (pen, grey ink & w/c on paper)

SFA413733: A Passing Flirtation (pen, grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A wagon and horses passing a family on a wayside (pen & ink and wash on paper)
A wagon and horses passing a family on a wayside (pen & ink and wash on paper)

SFA413838: A wagon and horses passing a family on a wayside (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Flute Player (pen, watercolour & pencil on paper)
The Flute Player (pen, watercolour & pencil on paper)

NP125750: The Flute Player (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coal-heavers (coloured engraving)
Coal-heavers (coloured engraving)

LLJ558324: Coal-heavers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel (coloured engraving)
Newgate chapel (coloured engraving)

LLJ559083: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rhubarb (coloured engraving)
Rhubarb (coloured engraving)

LLJ558336: Rhubarb (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Flounders (coloured engraving)
Flounders (coloured engraving)

LLJ558356: Flounders (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Association: Advance Arms (coloured engraving)
Clerkenwell Association: Advance Arms (coloured engraving)

LLJ604117: Clerkenwell Association: Advance Arms (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horse armoury at the Tower of London (engraving)
Horse armoury at the Tower of London (engraving)

LLJ587906: Horse armoury at the Tower of London (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A fencing match (engraving)
A fencing match (engraving)

LLJ585366: A fencing match (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dicers (w/c on paper)
The Dicers (w/c on paper)

SOU84444: The Dicers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309556: The Welcome, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309564: The Family Picture, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309565: The Vicar selling his horse, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection
Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012373: Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection
The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection

LZT1012365: The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection
The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection

LZT1012382: The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection
Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012380: Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection
Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection

LZT1012387: Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection
A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection

LZT1012361: A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081509: The Doctor at an Auction - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081539: Le docteur et les Gypsies (ou Romanichels) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur dans un atelier d'artiste - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur dans un atelier d'artiste - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081554: Le docteur dans un atelier d'artiste - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sick man preparing the meal - Cartoon by Rowlandson, 19th century
Sick man preparing the meal - Cartoon by Rowlandson, 19th century

LSE4084495: Sick man preparing the meal - Cartoon by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century
Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century

LSE4078264: Old man (esiastical) groping a young woman sitting on his knees - caricature by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869
The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869

LSE4081547: The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081516: Dr Syntax stopped by bandits - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor Playing the Violin: “” The Garden Trio””” - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor Playing the Violin: “” The Garden Trio””” - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081549: The Doctor Playing the Violin: “” The Garden Trio””” - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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