Rowlandson, Thomas (1756-1827) Assets (1155 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690485: The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690512: The skeleton of Death takes away the drunken Sot in a wheelbarrow, while other drunks make merry in front of The Goat pub. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690550: The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Shower Bath: women taking a cold shower in a bathroom hiding their modesty from a male intruder, 19th century. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Shower Bath: women taking a cold shower in a bathroom hiding their modesty from a male intruder, 19th century. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690582: Shower Bath: women taking a cold shower in a bathroom hiding their modesty from a male intruder, 19th century. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Post Office: Tourists collecting mail at the post office in Scarborough, 1812. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Post Office: Tourists collecting mail at the post office in Scarborough, 1812. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690632: Post Office: Tourists collecting mail at the post office in Scarborough, 1812. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690639: A Trip to Scarbro: A coach overladen with luggage and passengers drives into a pond. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Calligraphic title and vignette of skeletons dancing with tambourines and horns in a graveyard near a ruined church. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
Calligraphic title and vignette of skeletons dancing with tambourines and horns in a graveyard near a ruined church. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690182: Calligraphic title and vignette of skeletons dancing with tambourines and horns in a graveyard near a ruined church. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666922: Woman paying and putting a letter in a bag carried by a British Royal Post Office employee. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666939: Butcher itinerant cutting a piece of meat, said that dogs and cats attack the wheel of his wheelbarrow. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666956: Woman selling pitchers, teapots and bowls has a street corner. An elegant young woman looks at the goods. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)
Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)

STC104918: Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hampton Court Palace, The Garden Front, 1859 (w/c on paper)
Hampton Court Palace, The Garden Front, 1859 (w/c on paper)

STC171107: Hampton Court Palace, The Garden Front, 1859 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper)
A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper)

XYC158051: A Crowded Race Meeting, c.1805-10 (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper)
The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper)

XYC159648: The Arrival of the Stage Coach at the Sun Inn, Bodmin, Cornwall (w/c and pen and black ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper)
Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper)

XYC239815: Stag at Bay - Scene near Taplow, Berks, c.1795-1801 (pen, ink, w/c with touches of bodycolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Picnic (w/c on paper)
The Picnic (w/c on paper)

XYC239817: The Picnic (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Checkmate, c.1790 (w/c & ink over graphite on paper)
Checkmate, c.1790 (w/c & ink over graphite on paper)

XYC249725: Checkmate, c.1790 (w/c & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets)
Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets)

XYC308409: Hyde Park Corner, (pen & ink & grey wash on graphite laid paper laid down on sheets), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)
Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching)

XCF290956: Poor Johnny on the sick list, pl.9 from the book 'The Military Adventures of Johnny Newcome', Patrick Martin, 1815 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190613: Miseries in India, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214673: Temple at Strawberry Hill, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209606: Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)
The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper)

XYC203416: The Prospect Before Us, 1788 (pen & ink and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174258: Westminster Grenadier, plate 59 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174259: St Sepulchre Middlesex Volunteer, plate 54 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174260: Chelsea Volunteer, plate 35 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174262: Covent Garden Volunteer, plate 23 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174264: Hackney Volunteer, plate 49 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174265: Bermondsey Volunteer, plate 50 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174267: London and Westminster Light Horse Volunteer, plate 1 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fillial Affection, or A Trip to Gretna Green, 1780s (litho)
Fillial Affection, or A Trip to Gretna Green, 1780s (litho)

XJF437534: Fillial Affection, or A Trip to Gretna Green, 1780s (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Village Scene with Figures and Ruined Buildings (w/c, pen & ink and pencil on paper)
A Village Scene with Figures and Ruined Buildings (w/c, pen & ink and pencil on paper)

XYC238962: A Village Scene with Figures and Ruined Buildings (w/c, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Arrival of the Fire Engine (w/c, pen and ink, pencil and pastel on paper)
The Arrival of the Fire Engine (w/c, pen and ink, pencil and pastel on paper)

XYC229198: The Arrival of the Fire Engine (w/c, pen and ink, pencil and pastel on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of a Stable (pen & ink & w/c on paper)
Interior of a Stable (pen & ink & w/c on paper)

XYC226636: Interior of a Stable (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Light-Horse Cavalry Barracks (w/c & pen & ink on paper)
Light-Horse Cavalry Barracks (w/c & pen & ink on paper)

XYC226637: Light-Horse Cavalry Barracks (w/c & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper)
The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper)

XYC234023: The Circus Hill, Matthew Bramble's Overturn, from 'Scenes at Bath' (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


Back to top