Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869
The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869

LSE4081547: The Billard Table in “Doctor Syntax's three tours: un search of the picturesque consolation and a wife” by William Combe, illustrated by Rowlandson. London Edition, John Camden Hotten, Picadilly, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)
Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper)

XYC6232498: Embarkation at Southampton, June 20th 1794 (w/c and pen and brown, grey, and red-brown ink over graphite on medium, slightly textured, cream wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Recreating’, c.1798 (aquatint, sepia)
‘Soldiers Recreating’, c.1798 (aquatint, sepia)

NAM5929057: ‘Soldiers Recreating’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Expedition of Military Fly’ (aquatint, colour)
‘Expedition of Military Fly’ (aquatint, colour)

NAM5929622: ‘Expedition of Military Fly’ (aquatint, colour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)
‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching)

NAM5925880: ‘A General Discharge or the Darling Angel’s Finishing Stroke’ (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)
A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving)

STC2562181: A Lady In Limbo or Jew Bail Rejected, 1802 (hand-coloured endgaving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)
A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint)

XOS3038279: A Bawd on Her Last Legs, 1792 (hand-coloured etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Gentleman's Club (ink & w/c on paper)
A Gentleman's Club (ink & w/c on paper)

BOU3247620: A Gentleman's Club (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)
Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving)

STC2962509: Intrusion or the Doctor Disturb'd, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)
Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving)

STC2966875: Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Six Stages of Mending a Face, 1792 (etching)
Six Stages of Mending a Face, 1792 (etching)

XJF869675: Six Stages of Mending a Face, 1792 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dinner, plate 9 from the series
The Dinner, plate 9 from the series

DMW937627: The Dinner, plate 9 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint)
Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint)

CH986313: Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection
Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection

LZT1012387: Downfall of Monopoly in 1800, Published 1800, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Scold, with news of Olivia (coloured engraving)
The Scold, with news of Olivia (coloured engraving)

STC810270: The Scold, with news of Olivia (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection
A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection

LZT1012361: A Money Scrivener, 1801, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection
Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012380: Preparing to Start, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection
The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection

LZT1012365: The Times, Probably 1783, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection
Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012373: Dying for Love, or Captain Careless Shot Flying by a Girl of Fifteen, Who Unexpectedly Popped Her Head Out of a Casement, 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection
The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection

LZT1012382: The Disappointed Epicures, 1787, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209606: Left Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving)
The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving)

STC779964: The Head of the Family in Good Humour, pub. Thomas Tegg, January 15, 1809 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A wagon and horses passing a family on a wayside (pen & ink and wash on paper)
A wagon and horses passing a family on a wayside (pen & ink and wash on paper)

SFA413838: A wagon and horses passing a family on a wayside (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Passing Flirtation (pen, grey ink & w/c on paper)
A Passing Flirtation (pen, grey ink & w/c on paper)

SFA413733: A Passing Flirtation (pen, grey ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Huntsman rising (w/c on paper)
A Huntsman rising (w/c on paper)

OJ451914: A Huntsman rising (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fillial Affection, or A Trip to Gretna Green, 1780s (litho)
Fillial Affection, or A Trip to Gretna Green, 1780s (litho)

XJF437534: Fillial Affection, or A Trip to Gretna Green, 1780s (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour)
The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour)

CH652083: The Woolpack Inn: Arrival of 'The Flying Waggon', (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Last Dying Speech and Confession (hand coloured engraving)
Last Dying Speech and Confession (hand coloured engraving)

MOL1318: Last Dying Speech and Confession (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pray Remember the Poor Sweeper, 1820 (engraving)
Pray Remember the Poor Sweeper, 1820 (engraving)

BAL66823: Pray Remember the Poor Sweeper, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Great News, 1820 (engraving)
Great News, 1820 (engraving)

BAL66821: Great News, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Picnic on Dartmoor (pen & ink and w/c on paper)
A Picnic on Dartmoor (pen & ink and w/c on paper)

LMG109249: A Picnic on Dartmoor (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Tricks, c.1800 (pen and ink with w/c on paper)
Monkey Tricks, c.1800 (pen and ink with w/c on paper)

AAH101936: Monkey Tricks, c.1800 (pen and ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)
Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho)

STC104918: Candlewick Ward Association, plate 73 from 'Loyal Volunteers of London and Environs', 1799 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Light-Horse Cavalry Barracks (w/c & pen & ink on paper)
Light-Horse Cavalry Barracks (w/c & pen & ink on paper)

XYC226637: Light-Horse Cavalry Barracks (w/c & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of a Stable (pen & ink & w/c on paper)
Interior of a Stable (pen & ink & w/c on paper)

XYC226636: Interior of a Stable (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper)
The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper)

XYC229198: The Arrival of the Fire Engine (watercolour, pen and ink, pencil and pastel on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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