Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Hocus Pocus or Searching for the Philosopher's Stone, published March 1800 (colour litho)
Hocus Pocus or Searching for the Philosopher's Stone, published March 1800 (colour litho)

CHT164016: Hocus Pocus or Searching for the Philosopher's Stone, published March 1800 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Last Milling Match between Cribb and Molineaux, September 28th 1811 (colour engraving)
The Last Milling Match between Cribb and Molineaux, September 28th 1811 (colour engraving)

CHT221625: The Last Milling Match between Cribb and Molineaux, September 28th 1811 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Social Evening, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Social Evening, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309555: The Social Evening, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Light Infantry Volunteers, 1804 (pen & ink and w/c on paper)
Light Infantry Volunteers, 1804 (pen & ink and w/c on paper)

CBE204084: Light Infantry Volunteers, 1804 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gourmets, plate 9 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Gourmets, plate 9 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98394: The Gourmets, plate 9 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ladies Trading on Their Own Bottom, published c.1810 (hand-coloured engraving)
Ladies Trading on Their Own Bottom, published c.1810 (hand-coloured engraving)

NYL370817: Ladies Trading on Their Own Bottom, published c.1810 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death smokes a pipe on a gravestone with men who make a living from death - priest, gravedigger, undertaker, bellringer, hearse driver and lawyer. The Churchyard Debate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death smokes a pipe on a gravestone with men who make a living from death - priest, gravedigger, undertaker, bellringer, hearse driver and lawyer. The Churchyard Debate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690413: The skeleton of Death smokes a pipe on a gravestone with men who make a living from death - priest, gravedigger, undertaker, bellringer, hearse driver and lawyer. The Churchyard Debate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor's Visit, plate 1 from the series
The Doctor's Visit, plate 1 from the series

DMW937619: The Doctor's Visit, plate 1 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in robes talking with Dons at Oxford University, while other scholars and students buy corn from grocers and molest maids. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in robes talking with Dons at Oxford University, while other scholars and students buy corn from grocers and molest maids. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999608: Johnny in robes talking with Dons at Oxford University, while other scholars and students buy corn from grocers and molest maids. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

How to Escape Winning, 22nd November 1791 (hand-coloured etching)
How to Escape Winning, 22nd November 1791 (hand-coloured etching)

ROC2956968: How to Escape Winning, 22nd November 1791 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

No.0613 The West Room and the Dome Room of Old University Library, Cambridge, 1800 (pencil, ink & w/c)
No.0613 The West Room and the Dome Room of Old University Library, Cambridge, 1800 (pencil, ink & w/c)

FIT89346: No.0613 The West Room and the Dome Room of Old University Library, Cambridge, 1800 (pencil, ink & w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Bookmaker and his client outside the Ram Inn, Newmarket (w/c with pen & ink on paper)
A Bookmaker and his client outside the Ram Inn, Newmarket (w/c with pen & ink on paper)

XYC322080: A Bookmaker and his client outside the Ram Inn, Newmarket (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rag Fair, c.1800  (w/c)
The Rag Fair, c.1800  (w/c)

SOU81953: The Rag Fair, c.1800 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at Harrogate Spa (pen, w/c & pencil on paper)
Dr Syntax at Harrogate Spa (pen, w/c & pencil on paper)

NP125758: Dr Syntax at Harrogate Spa (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Four O'Clock in the Town (w/c on paper)
Four O'Clock in the Town (w/c on paper)

NWP132609: Four O'Clock in the Town (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'How vain are all your triumphs past', 1814 (litho) (b/w photo)
'How vain are all your triumphs past', 1814 (litho) (b/w photo)

XJF143231: 'How vain are all your triumphs past', 1814 (litho) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Waggoner's Rest, c.1800-05 (pen & ink and w/c over pencil on paper)
The Waggoner's Rest, c.1800-05 (pen & ink and w/c over pencil on paper)

XYC238959: The Waggoner's Rest, c.1800-05 (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Enraged Botanist (w/c, pen & ink and pencil on paper)
The Enraged Botanist (w/c, pen & ink and pencil on paper)

XYC237805: The Enraged Botanist (w/c, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching)
The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching)

XOS1766216: The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with my Lord'
'Dr Syntax with my Lord'

XLF3781151: 'Dr Syntax with my Lord', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax - the doctor's dream'
'Dr Syntax - the doctor's dream'

XLF3781163: 'Dr Syntax - the doctor's dream', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Viewing at the Royal Academy, c.1815 (pen, ink and w/c on paper)
Viewing at the Royal Academy, c.1815 (pen, ink and w/c on paper)

XYC151874: Viewing at the Royal Academy, c.1815 (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gluttons, c.1800-05 (w/c on paper)
Gluttons, c.1800-05 (w/c on paper)

BAL54068: Gluttons, c.1800-05 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travelling in France, c.1790 (pen & ink with w/c on paper)
Travelling in France, c.1790 (pen & ink with w/c on paper)

XYC286478: Travelling in France, c.1790 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Consultation or Last Hope, 1808 (coloured engraving)
The Consultation or Last Hope, 1808 (coloured engraving)

CHT235319: The Consultation or Last Hope, 1808 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gibbet (pen & ink, w/c and pencil on paper)
The Gibbet (pen & ink, w/c and pencil on paper)

XYC212679: The Gibbet (pen & ink, w/c and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gaming Table (pen & ink and w/c on paper)
The Gaming Table (pen & ink and w/c on paper)

XYC281102: The Gaming Table (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper)
The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper)

XYC281114: The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rival Candidates, frontispiece in the book History of the Westminster Election.. by Lovers of Truth and Justice, London, 1784 (colour etching)
The Rival Candidates, frontispiece in the book History of the Westminster Election.. by Lovers of Truth and Justice, London, 1784 (colour etching)

XCF290964: The Rival Candidates, frontispiece in the book History of the Westminster Election.. by Lovers of Truth and Justice, London, 1784 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax bound to a tree by highwaymen'
'Dr Syntax bound to a tree by highwaymen'

XLF3781141: 'Dr Syntax bound to a tree by highwaymen', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with the dairy maid'
'Dr Syntax with the dairy maid'

XLF3781157: 'Dr Syntax with the dairy maid', Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Assembly Ball, plate 10 from 'Comforts of Bath', 1798 (hand-coloured engraving)
An Assembly Ball, plate 10 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98395: An Assembly Ball, plate 10 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with the antiquarian hoarder in a bedroom filled with musical instruments, books, manuscripts, armour, a globe, a bust, rats, etc. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with the antiquarian hoarder in a bedroom filled with musical instruments, books, manuscripts, armour, a globe, a bust, rats, etc. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690289: The skeleton of Death with the antiquarian hoarder in a bedroom filled with musical instruments, books, manuscripts, armour, a globe, a bust, rats, etc. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection
The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection

LZT1012371: The High-Mettled Racer, 1789, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection
Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection

LZT1012372: Comfort in the Gout, 1785, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection
Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012376: Puss in Boots, or General Junot Taken by Surprise, Published 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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