Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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Hocus Pocus or Searching for the Philosopher's Stone, published March 1800 (colour litho)
Hocus Pocus or Searching for the Philosopher's Stone, published March 1800 (colour litho)

CHT164016: Hocus Pocus or Searching for the Philosopher's Stone, published March 1800 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death smokes a pipe on a gravestone with men who make a living from death - priest, gravedigger, undertaker, bellringer, hearse driver and lawyer. The Churchyard Debate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death smokes a pipe on a gravestone with men who make a living from death - priest, gravedigger, undertaker, bellringer, hearse driver and lawyer. The Churchyard Debate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690413: The skeleton of Death smokes a pipe on a gravestone with men who make a living from death - priest, gravedigger, undertaker, bellringer, hearse driver and lawyer. The Churchyard Debate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gourmets, plate 9 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Gourmets, plate 9 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98394: The Gourmets, plate 9 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Connoisseur (pen, w/c & pencil on paper)
The Connoisseur (pen, w/c & pencil on paper)

NP125754: The Connoisseur (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125755: "Fish Fags" (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Amorous Gardener (w/c on paper)
The Amorous Gardener (w/c on paper)

HMP90746: The Amorous Gardener (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Social Evening, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Social Evening, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309555: The Social Evening, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Light Infantry Volunteers, 1804 (pen & ink and w/c on paper)
Light Infantry Volunteers, 1804 (pen & ink and w/c on paper)

CBE204084: Light Infantry Volunteers, 1804 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Last Milling Match between Cribb and Molineaux, September 28th 1811 (colour engraving)
The Last Milling Match between Cribb and Molineaux, September 28th 1811 (colour engraving)

CHT221625: The Last Milling Match between Cribb and Molineaux, September 28th 1811 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Enraged Botanist (w/c, pen & ink and pencil on paper)
The Enraged Botanist (w/c, pen & ink and pencil on paper)

XYC237805: The Enraged Botanist (w/c, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Four O'Clock in the Town (w/c on paper)
Four O'Clock in the Town (w/c on paper)

NWP132609: Four O'Clock in the Town (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax - the doctor's dream'
'Dr Syntax - the doctor's dream'

XLF3781163: 'Dr Syntax - the doctor's dream', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with my Lord'
'Dr Syntax with my Lord'

XLF3781151: 'Dr Syntax with my Lord', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in robes talking with Dons at Oxford University, while other scholars and students buy corn from grocers and molest maids. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in robes talking with Dons at Oxford University, while other scholars and students buy corn from grocers and molest maids. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999608: Johnny in robes talking with Dons at Oxford University, while other scholars and students buy corn from grocers and molest maids. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching)
The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching)

XOS1766216: The Archduchess Maria Louisa going to take her NAP, 1810 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'How vain are all your triumphs past', 1814 (litho) (b/w photo)
'How vain are all your triumphs past', 1814 (litho) (b/w photo)

XJF143231: 'How vain are all your triumphs past', 1814 (litho) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

No.0613 The West Room and the Dome Room of Old University Library, Cambridge, 1800 (pencil, ink & w/c)
No.0613 The West Room and the Dome Room of Old University Library, Cambridge, 1800 (pencil, ink & w/c)

FIT89346: No.0613 The West Room and the Dome Room of Old University Library, Cambridge, 1800 (pencil, ink & w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at Harrogate Spa (pen, w/c & pencil on paper)
Dr Syntax at Harrogate Spa (pen, w/c & pencil on paper)

NP125758: Dr Syntax at Harrogate Spa (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rag Fair, c.1800  (w/c)
The Rag Fair, c.1800  (w/c)

SOU81953: The Rag Fair, c.1800 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Bookmaker and his client outside the Ram Inn, Newmarket (w/c with pen & ink on paper)
A Bookmaker and his client outside the Ram Inn, Newmarket (w/c with pen & ink on paper)

XYC322080: A Bookmaker and his client outside the Ram Inn, Newmarket (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Waggoner's Rest, c.1800-05 (pen & ink and w/c over pencil on paper)
The Waggoner's Rest, c.1800-05 (pen & ink and w/c over pencil on paper)

XYC238959: The Waggoner's Rest, c.1800-05 (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

How to Escape Winning, 22nd November 1791 (hand-coloured etching)
How to Escape Winning, 22nd November 1791 (hand-coloured etching)

ROC2956968: How to Escape Winning, 22nd November 1791 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Consultation or Last Hope, 1808 (coloured engraving)
The Consultation or Last Hope, 1808 (coloured engraving)

CHT235319: The Consultation or Last Hope, 1808 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Viewing at the Royal Academy, c.1815 (pen, ink and w/c on paper)
Viewing at the Royal Academy, c.1815 (pen, ink and w/c on paper)

XYC151874: Viewing at the Royal Academy, c.1815 (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax bound to a tree by highwaymen'
'Dr Syntax bound to a tree by highwaymen'

XLF3781141: 'Dr Syntax bound to a tree by highwaymen', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with the dairy maid'
'Dr Syntax with the dairy maid'

XLF3781157: 'Dr Syntax with the dairy maid', Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with the antiquarian hoarder in a bedroom filled with musical instruments, books, manuscripts, armour, a globe, a bust, rats, etc. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with the antiquarian hoarder in a bedroom filled with musical instruments, books, manuscripts, armour, a globe, a bust, rats, etc. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690289: The skeleton of Death with the antiquarian hoarder in a bedroom filled with musical instruments, books, manuscripts, armour, a globe, a bust, rats, etc. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rival Candidates, frontispiece in the book History of the Westminster Election.. by Lovers of Truth and Justice, London, 1784 (colour etching)
The Rival Candidates, frontispiece in the book History of the Westminster Election.. by Lovers of Truth and Justice, London, 1784 (colour etching)

XCF290964: The Rival Candidates, frontispiece in the book History of the Westminster Election.. by Lovers of Truth and Justice, London, 1784 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gaming Table (pen & ink and w/c on paper)
The Gaming Table (pen & ink and w/c on paper)

XYC281102: The Gaming Table (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper)
The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper)

XYC281114: The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gluttons, c.1800-05 (w/c on paper)
Gluttons, c.1800-05 (w/c on paper)

BAL54068: Gluttons, c.1800-05 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Assembly Ball, plate 10 from 'Comforts of Bath', 1798 (hand-coloured engraving)
An Assembly Ball, plate 10 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98395: An Assembly Ball, plate 10 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gibbet (pen & ink, w/c and pencil on paper)
The Gibbet (pen & ink, w/c and pencil on paper)

XYC212679: The Gibbet (pen & ink, w/c and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travelling in France, c.1790 (pen & ink with w/c on paper)
Travelling in France, c.1790 (pen & ink with w/c on paper)

XYC286478: Travelling in France, c.1790 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bacchanalia (pen, ink & w/c)
Bacchanalia (pen, ink & w/c)

PFA26715: Bacchanalia (pen, ink & w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bread Street Ward Volunteer, plate 60 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Bread Street Ward Volunteer, plate 60 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174257: Bread Street Ward Volunteer, plate 60 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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