Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690519: The Spa Wells: Tourists drinking the spa water from the wells at Scarborough Spaw. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Catching an Elephant, 1812
Catching an Elephant, 1812

GHL41014: Catching an Elephant, 1812, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Chess Players'
'The Chess Players'

XLF3781299: 'The Chess Players', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple Bar & St Paul's Volunteer, Present Arms, 1798 (colour litho)
Temple Bar & St Paul's Volunteer, Present Arms, 1798 (colour litho)

PNP620145: Temple Bar & St Paul's Volunteer, Present Arms, 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Soldiers on a March, 1805 (pen & ink and watercolour on paper)
Soldiers on a March, 1805 (pen & ink and watercolour on paper)

XYC234027: Soldiers on a March, 1805 (pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comforts of Bath: The Ball, 1798 (pen & ink and w/c on paper)
Comforts of Bath: The Ball, 1798 (pen & ink and w/c on paper)

XYC234020: Comforts of Bath: The Ball, 1798 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Audience at Drury Lane Theatre (pen & ink and w/c on card)
An Audience at Drury Lane Theatre (pen & ink and w/c on card)

XYC234034: An Audience at Drury Lane Theatre (pen & ink and w/c on card), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Six Stages of Making a Face', printed by S.W. Fores, 1792 (etching)
'Six Stages of Making a Face', printed by S.W. Fores, 1792 (etching)

XJF425328: 'Six Stages of Making a Face', printed by S.W. Fores, 1792 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rag Fair, c.1800 (pen & ink with watercolour over pencil on paper)
Rag Fair, c.1800 (pen & ink with watercolour over pencil on paper)

ROC3514511: Rag Fair, c.1800 (pen & ink with watercolour over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gaming Table (pen & ink and w/c on paper)
The Gaming Table (pen & ink and w/c on paper)

XYC281102: The Gaming Table (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper)
The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper)

XYC281114: The Pump Room, from 'Scenes at Bath', c.1795 (w/c and pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Peep into Bethlehem, c.1793 (etching)
A Peep into Bethlehem, c.1793 (etching)

XJF465156: A Peep into Bethlehem, c.1793 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Church and Village of St. Cue, Cornwall, c.1812 (pen & ink and w/c on graphite on paper)
The Church and Village of St. Cue, Cornwall, c.1812 (pen & ink and w/c on graphite on paper)

XYC159612: The Church and Village of St. Cue, Cornwall, c.1812 (pen & ink and w/c on graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Summer Amusement. Bug Hunting
Summer Amusement. Bug Hunting

BAL57817: Summer Amusement. Bug Hunting, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour)
The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour)

CH651805: The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Good Meal, (b/w negative)
A Good Meal, (b/w negative)

BAL5716: A Good Meal, (b/w negative), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An old varsity trick, smuggling in a lady (w/c on paper)
An old varsity trick, smuggling in a lady (w/c on paper)

FIT82791: An old varsity trick, smuggling in a lady (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vauxhall Gardens, c.1784 (wash and watercolour with pen and brown ink over pencil on paper)
Vauxhall Gardens, c.1784 (wash and watercolour with pen and brown ink over pencil on paper)

XYC146394: Vauxhall Gardens, c.1784 (wash and watercolour with pen and brown ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Chase of the Highwayman, c.1790 (pen, ink, watercolour and pencil on paper)
The Chase of the Highwayman, c.1790 (pen, ink, watercolour and pencil on paper)

CEC128163: The Chase of the Highwayman, c.1790 (pen, ink, watercolour and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Disembarkation at the Medina River, Isle of Wight (w/c & and pen and ink on paper)
Disembarkation at the Medina River, Isle of Wight (w/c & and pen and ink on paper)

CEC43144: Disembarkation at the Medina River, Isle of Wight (w/c & and pen and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bank, 1792 (etching)
The Bank, 1792 (etching)

XCF380260: The Bank, 1792 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper)
Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper)

VIB5959846: Comforts of Bath: 'Ball at the Upper Assembly Rooms', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760709: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760692: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax meditating on the tombstones'
'Dr Syntax meditating on the tombstones'

XLF3781147: 'Dr Syntax meditating on the tombstones', Rowlandson, Thomas (1756-1827) / Bridgeman Images

An exhibition of steam traction by  Richard Trevithick's
An exhibition of steam traction by  Richard Trevithick's

KWE480917: An exhibition of steam traction by Richard Trevithick's "Catch me who can" steam railway locomotive on the site of Euston Square, Bloomsbury, London, England in 1809 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Greyhounds Asleep, (pen & ink and w/c on paper)
Greyhounds Asleep, (pen & ink and w/c on paper)

XYC234030: Greyhounds Asleep, (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Anatomy of Melancholy', published by R. Ackermann, 1st March 1808 (coloured engraving)
'The Anatomy of Melancholy', published by R. Ackermann, 1st March 1808 (coloured engraving)

CHT234671: 'The Anatomy of Melancholy', published by R. Ackermann, 1st March 1808 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125718: "Exhibition Stare Case", c.1800 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Englishmen Viewing Pictures on the Grand Tour, 1790 (ink & w/c on paper)
Englishmen Viewing Pictures on the Grand Tour, 1790 (ink & w/c on paper)

NP125707: Englishmen Viewing Pictures on the Grand Tour, 1790 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Wheatshief Eating House, Salisbury Court, Fleet Street (ink & w/c on paper)
The Wheatshief Eating House, Salisbury Court, Fleet Street (ink & w/c on paper)

NP125743: The Wheatshief Eating House, Salisbury Court, Fleet Street (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dressing for a Masquerade, 1790 (pen and watercolour over pencil on paper)
Dressing for a Masquerade, 1790 (pen and watercolour over pencil on paper)

BI160806: Dressing for a Masquerade, 1790 (pen and watercolour over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Portsmouth Harbour (colour litho)
Portsmouth Harbour (colour litho)

BBC210063: Portsmouth Harbour (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Skating on the Serpentine, c.1786 (ink & w/c)
Skating on the Serpentine, c.1786 (ink & w/c)

MOL7584: Skating on the Serpentine, c.1786 (ink & w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Brook Green Fair (w/c)
Brook Green Fair (w/c)

BAL33427: Brook Green Fair (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Angry Husband (pen & ink with washes)
The Angry Husband (pen & ink with washes)

MAK79763: The Angry Husband (pen & ink with washes), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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