Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Interior of a workhouse in the St James's Parish (coloured engraving)
Interior of a workhouse in the St James's Parish (coloured engraving)

LLJ603854: Interior of a workhouse in the St James's Parish (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries Personal (coloured etching)
Miseries Personal (coloured etching)

XYC250005: Miseries Personal (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper)
A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper)

XYC238960: A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213549: Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)
A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)

XYC208278: A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper)
Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper)

XYC281145: Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hyde Park Corner (pen & ink with wash and graphite on paper)
Hyde Park Corner (pen & ink with wash and graphite on paper)

XYC288943: Hyde Park Corner (pen & ink with wash and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Dutch Academy, (pencil, pen and ink and watercolour)
A Dutch Academy, (pencil, pen and ink and watercolour)

CH651935: A Dutch Academy, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)
Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)

CH651948: Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Age and Youth, (pencil, pen and brown ink and watercolour)
Age and Youth, (pencil, pen and brown ink and watercolour)

CH651922: Age and Youth, (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

British Institution, Pall Mall (coloured engraving)
British Institution, Pall Mall (coloured engraving)

LLJ610668: British Institution, Pall Mall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fleet Prison, 1808 (coloured engraving)
Fleet Prison, 1808 (coloured engraving)

LLJ610662: Fleet Prison, 1808 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving)
The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving)

LLJ611038: The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The result of purchasing a blind horse (coloured engraving)
The result of purchasing a blind horse (coloured engraving)

LLJ607331: The result of purchasing a blind horse (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Assembly Ball, plate 10 from the series
An Assembly Ball, plate 10 from the series

DMW937616: An Assembly Ball, plate 10 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The King's Bath, plate 7 from the series
The King's Bath, plate 7 from the series

DMW937625: The King's Bath, plate 7 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho)
Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho)

STC810337: Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Perry's Dock at Blackwall (etching)
Perry's Dock at Blackwall (etching)

GHL10732: Perry's Dock at Blackwall (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Spring Gardens, Ranelagh
Spring Gardens, Ranelagh

BAL3069: Spring Gardens, Ranelagh, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sweet Lavender, 1820 (engraving)
Sweet Lavender, 1820 (engraving)

BAL66822: Sweet Lavender, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate)
The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate)

STC148812: The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Customs House at Boulogne (w/c with pen and grey ink over pencil on paper)
The Customs House at Boulogne (w/c with pen and grey ink over pencil on paper)

XYC145592: The Customs House at Boulogne (w/c with pen and grey ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174261: Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Plate 5 from 'Cries of London', 1799 (hand-coloured etching)
Plate 5 from 'Cries of London', 1799 (hand-coloured etching)

XYC308304: Plate 5 from 'Cries of London', 1799 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Race of the Knavesmire at York (pen & ink with w/c on paper)
A Race of the Knavesmire at York (pen & ink with w/c on paper)

XYC322081: A Race of the Knavesmire at York (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo)
Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo)

XJF294026: Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving)
Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving)

XJF448237: Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Two Patriotic Duchess's on their Canvass, 1784 (engraving)
The Two Patriotic Duchess's on their Canvass, 1784 (engraving)

XJF473767: The Two Patriotic Duchess's on their Canvass, 1784 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miss Worthy's Marriage. Dr. Syntax in the Chair. Coloured Aquatint Circa 1820. Food and Drink, 19th Century, Wedding, Party, People, in the Garden, Manor House, UK, Liszt Gourmet Archive
Miss Worthy's Marriage. Dr. Syntax in the Chair. Coloured Aquatint Circa 1820. Food and Drink, 19th Century, Wedding, Party, People, in the Garden, Manor House, UK, Liszt Gourmet Archive

LZT1013391: Miss Worthy's Marriage. Dr. Syntax in the Chair. Coloured Aquatint Circa 1820. Food and Drink, 19th Century, Wedding, Party, People, in the Garden, Manor House, UK, Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Miseries of London, Published 1807, Hand-Colored Etching, Rosenwald Collection
Miseries of London, Published 1807, Hand-Colored Etching, Rosenwald Collection

LZT1012368: Miseries of London, Published 1807, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Butterfly Hunting, 1806, Hand-Colored Etching, Rosenwald Collection
Butterfly Hunting, 1806, Hand-Colored Etching, Rosenwald Collection

LZT1012375: Butterfly Hunting, 1806, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bookseller and Author, 1784, Hand-Colored Etching and Aquatint, Rosenwald Collection
Bookseller and Author, 1784, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012362: Bookseller and Author, 1784, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving)
Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving)

STC3258451: Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Every Man has his Hobby Horse, pub. 1784 (hand coloured engraving)
Every Man has his Hobby Horse, pub. 1784 (hand coloured engraving)

STC2962502: Every Man has his Hobby Horse, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor Called Up or the False Alarm, pub. 1786 (hand coloured engraving)
The Doctor Called Up or the False Alarm, pub. 1786 (hand coloured engraving)

STC2962510: The Doctor Called Up or the False Alarm, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctors Differ (pencil, pen & black ink with w/c on paper)
Doctors Differ (pencil, pen & black ink with w/c on paper)

CH3729757: Doctors Differ (pencil, pen & black ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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