Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
CBE85848: The Soldier's Departure (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH21062: Place de Mer, Antwerp (w/c) (see also 125736), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC209609: Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BBC211027: Miseries of Travelling, 1807 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC174261: Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
VIB98389: The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC238961: The Harvesters (pen & ink and watercolour over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC238964: Sketch of a Man (pen & ink, pencil & watercolour on paper laid on mount) (verso of 238963), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC208278: A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125732: "Box Lobby Loungers", etched by Rowlandson from a design by Henry Wigstead (c.1745-93), pub. by John Raphael Smith, 1786 (sepia etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125747: Return from Epsom Races, 1823 (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ604027: Dr Syntax at Freemason's Hall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ607331: The result of purchasing a blind horse (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ586172: Royal Institution, Albemarle Street, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ585189: On frail ice, the whirring skate, Becomes an instrument of Fate (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ONT996234: After Dinner, c.1805 (pen & brown, vermilion & grey ink, & w/c over graphite on wove paper on original mount with hand-drawn border), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1013391: Miss Worthy's Marriage. Dr. Syntax in the Chair. Coloured Aquatint Circa 1820. Food and Drink, 19th Century, Wedding, Party, People, in the Garden, Manor House, UK, Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125704: 'The Cole Hole' (ink & w/c on paper) (see also BKB 100476), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125719: A Cart Race, pub. by William Holland, 1789 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125720: "Four o'Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125712: "A Visit to the Aunt", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125713), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ610662: Fleet Prison, 1808 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ611038: The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XBM115512: A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ROC828802: Directions to Footmen, 1807 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937616: An Assembly Ball, plate 10 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937625: The King's Bath, plate 7 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012375: Butterfly Hunting, 1806, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
