Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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A group of writers dining at the house of a rich citizen.
A group of writers dining at the house of a rich citizen.

FLO5893721: A group of writers dining at the house of a rich citizen., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man using bellows in front of a fire in a smoky room.
Man using bellows in front of a fire in a smoky room.

FLO5893701: Man using bellows in front of a fire in a smoky room., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Regency cobbler mending shoes in a crowded room.
Regency cobbler mending shoes in a crowded room.

FLO5893717: Regency cobbler mending shoes in a crowded room., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man seized by leg cramp in the honeymoon bed.
Man seized by leg cramp in the honeymoon bed.

FLO5893720: Man seized by leg cramp in the honeymoon bed., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man suffering from gout greeted painfully by a sailor.
Man suffering from gout greeted painfully by a sailor.

FLO5893728: Man suffering from gout greeted painfully by a sailor., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Parson cursing foxhunters and hounds trampling his garden.
Parson cursing foxhunters and hounds trampling his garden.

FLO5893732: Parson cursing foxhunters and hounds trampling his garden., Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)
English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

FLO5912754: English gentleman and ladies listening to a harpist at a ball, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Revellers in costume at a masked ball in a large theater, 1817 (engraving)
Revellers in costume at a masked ball in a large theater, 1817 (engraving)

FLO5912763: Revellers in costume at a masked ball in a large theater, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Title page with calligraphic title and vignette, 1817 (engraving)
Title page with calligraphic title and vignette, 1817 (engraving)

FLO5912744: Title page with calligraphic title and vignette, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)
Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

FLO5912759: Young English gentleman arriving back home after the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Father Time showing men and women scenes from life, 1817 (engraving)
Father Time showing men and women scenes from life, 1817 (engraving)

FLO5912743: Father Time showing men and women scenes from life, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Alchemist (w/c on paper)
The Alchemist (w/c on paper)

CBE204079: The Alchemist (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Strollers (w/c on paper)
The Strollers (w/c on paper)

CBE198635: The Strollers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Outside the Inn (w/c on paper)
Outside the Inn (w/c on paper)

CBE201721: Outside the Inn (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Darning The Sock (pen & ink, w/c)
Darning The Sock (pen & ink, w/c)

CBE86184: Darning The Sock (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98390: The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance from Mile End or Whitechapel Turnpike (colour litho)
Entrance from Mile End or Whitechapel Turnpike (colour litho)

GHL34723: Entrance from Mile End or Whitechapel Turnpike (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Firing a Salute off Portsmouth (w/c)
Firing a Salute off Portsmouth (w/c)

BAL40160: Firing a Salute off Portsmouth (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Market
Covent Garden Market

CH27222: Covent Garden Market, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax Skating, 1812-1821
Dr. Syntax Skating, 1812-1821

SC13173: Dr. Syntax Skating, 1812-1821, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bird's Eye view of Smithfield Market (aquatint)
Bird's Eye view of Smithfield Market (aquatint)

GHL5641: Bird's Eye view of Smithfield Market (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Milk Sop
The Milk Sop

BAL5327: The Milk Sop, Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125709: "College Jockies, The Landlord Sweating for his Cattle", pub. by E. Jackson, 1786 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Lounge at the Old Print Shop, Oxford (ink & w/c on paper)
The Lounge at the Old Print Shop, Oxford (ink & w/c on paper)

NP125744: The Lounge at the Old Print Shop, Oxford (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mary Spriggens, the Midwife (w/c, pen & ink)
Mary Spriggens, the Midwife (w/c, pen & ink)

BON76690: Mary Spriggens, the Midwife (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Saint Austle, Cornwall (pen & w/c on paper)
Saint Austle, Cornwall (pen & w/c on paper)

NP125700: Saint Austle, Cornwall (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint)
Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint)

NP125730: Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)
The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)

XYC149959: The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)
The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)

XYC150243: The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

XTD75449: "All Fates he vow'd to him were known, And yet He could not tell his own", caricature of a fortune teller, pub. by R. Ackermann, 1815 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Forge, 1790 (pen and w/c over pencil on paper)
At the Forge, 1790 (pen and w/c over pencil on paper)

XBM115508: At the Forge, 1790 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madness at the Dinner Table, 1816 (w/c on paper)
Madness at the Dinner Table, 1816 (w/c on paper)

BON123594: Madness at the Dinner Table, 1816 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)
Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)

CEC43143: Visitors in Venice, c.1810 (pen, brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A House with Figures, Formerly Known as 'The Green, Richmond' (watercolour)
A House with Figures, Formerly Known as 'The Green, Richmond' (watercolour)

BAL40161: A House with Figures, Formerly Known as 'The Green, Richmond' (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)
Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)

XYC159702: Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr and Mrs Jolly at their Country House (w/c, pen & ink and pencil on paper)
Mr and Mrs Jolly at their Country House (w/c, pen & ink and pencil on paper)

XYC239819: Mr and Mrs Jolly at their Country House (w/c, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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