Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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Matches (coloured engraving)
Matches (coloured engraving)

LLJ558308: Matches (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Images (coloured engraving)
Images (coloured engraving)

LLJ558317: Images (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Singing birds (coloured engraving)
Singing birds (coloured engraving)

LLJ558326: Singing birds (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cooper (coloured engraving)
Cooper (coloured engraving)

LLJ558342: Cooper (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Distressed sailors (coloured engraving)
Distressed sailors (coloured engraving)

LLJ558353: Distressed sailors (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pass-room Bridewell Prison (coloured engraving)
The Pass-room Bridewell Prison (coloured engraving)

LLJ558990: The Pass-room Bridewell Prison (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Age and Youth, (pencil, pen and brown ink and watercolour)
Age and Youth, (pencil, pen and brown ink and watercolour)

CH651922: Age and Youth, (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Dutch Academy, (pencil, pen and ink and watercolour)
A Dutch Academy, (pencil, pen and ink and watercolour)

CH651935: A Dutch Academy, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)
Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour)

CH651948: Place Victoire a Paris, 1784 (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760694: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Public Breakfast, plate 11 from the series
The Public Breakfast, plate 11 from the series

DMW937617: The Public Breakfast, plate 11 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bath Races, plate 12 from the series
The Bath Races, plate 12 from the series

DMW937618: The Bath Races, plate 12 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Portrait, plate 6 from the series
The Portrait, plate 6 from the series

DMW937624: The Portrait, plate 6 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Company at Play, plate 8 from the series
Company at Play, plate 8 from the series

DMW937626: Company at Play, plate 8 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Massacar Oil, an oily puff for soft heads, 1814 (etching)
Massacar Oil, an oily puff for soft heads, 1814 (etching)

XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Boxing Match,  (pen and ink and watercolour)
The Boxing Match,  (pen and ink and watercolour)

CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)
The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)

CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)
The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)

STC810295: The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)
The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)

XCK877328: The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Milk Sop
The Milk Sop

BAL5327: The Milk Sop, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bird's Eye view of Smithfield Market (aquatint)
Bird's Eye view of Smithfield Market (aquatint)

GHL5641: Bird's Eye view of Smithfield Market (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax Skating, 1812-1821
Dr. Syntax Skating, 1812-1821

SC13173: Dr. Syntax Skating, 1812-1821, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Market
Covent Garden Market

CH27222: Covent Garden Market, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)
Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)

XDM1068995: Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection
A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection

LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection
La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection

LZT1012378: La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell
Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell

LZT1012381: Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper)
Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper)

CH1197611: Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (caricature)
Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (caricature)

CCI1832752: Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (caricature), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint)
Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint)

NAM2975437: Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Connoisseur, (hand coloured engraving)
Connoisseur, (hand coloured engraving)

STC3025390: Connoisseur, (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The arrival of the stagecoach at Bodmin, Cornwall, 1807 (w/c, pencil & pen & ink on paper)
The arrival of the stagecoach at Bodmin, Cornwall, 1807 (w/c, pencil & pen & ink on paper)

JMT2963359: The arrival of the stagecoach at Bodmin, Cornwall, 1807 (w/c, pencil & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Nil Amplius Opto
Nil Amplius Opto

STC2962495: Nil Amplius Opto "I am at the Summit of my Wishes, pub. 1780 (hand coloured engraving, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)
Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)

STC2962496: Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving)
Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving)

STC2962504: Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Introduction, pub. 1793 (hand coloured engraving)
Introduction, pub. 1793 (hand coloured engraving)

STC2962507: Introduction, pub. 1793 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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