Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690269: The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690433: A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690247: The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690300: The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690481: The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690532: The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999324: Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999502: Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999700: Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999736: Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000009: Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)
The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)

XCK877328: The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House, from
Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House, from

STC3085946: Jemmy Gordon's Frolic, or Cambridge Gambols at Peter House, from "The English Spy", pub. 1824 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax in the glass-house'
'Dr Syntax in the glass-house'

XLF3781171: 'Dr Syntax in the glass-house', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with the Skimmington riders'
'Dr Syntax with the Skimmington riders'

XLF3781179: 'Dr Syntax with the Skimmington riders', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The result of purchasing a blind horse'
'The result of purchasing a blind horse'

XLF3781207: 'The result of purchasing a blind horse', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax in danger'
'Dr Syntax in danger'

XLF3781208: 'Dr Syntax in danger', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Grimsby: selling fish (colour litho)
Grimsby: selling fish (colour litho)

IL3611031: Grimsby: selling fish (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax disputing his bill with the landlady'
'Dr Syntax disputing his bill with the landlady'

XLF3781144: 'Dr Syntax disputing his bill with the landlady', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax amused with Pat in the pond'
'Dr Syntax amused with Pat in the pond'

XLF3781173: 'Dr Syntax amused with Pat in the pond', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at the funeral of his wife'
'Dr Syntax at the funeral of his wife'

XLF3781167: 'Dr Syntax at the funeral of his wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax sketching after nature'
'Dr Syntax sketching after nature'

XLF3781153: 'Dr Syntax sketching after nature', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The visit of Dr Syntax to the Widow Hopeful'
'The visit of Dr Syntax to the Widow Hopeful'

XLF3781169: 'The visit of Dr Syntax to the Widow Hopeful', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making his will'
'Dr Syntax making his will'

XLF3781172: 'Dr Syntax making his will', Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Artist Travelling in Wales, pub. 1799 (hand coloured etching)
An Artist Travelling in Wales, pub. 1799 (hand coloured etching)

STC3105578: An Artist Travelling in Wales, pub. 1799 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Parody on Milton, pub. 1807 (hand coloured etching)
A Parody on Milton, pub. 1807 (hand coloured etching)

STC2636958: A Parody on Milton, pub. 1807 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint)
Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint)

NAM2975437: Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lust and Avarice, pub. 1788 (hand coloured engraving)
Lust and Avarice, pub. 1788 (hand coloured engraving)

STC2962511: Lust and Avarice, pub. 1788 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)
Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)

STC2962496: Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Nil Amplius Opto
Nil Amplius Opto

STC2962495: Nil Amplius Opto "I am at the Summit of my Wishes, pub. 1780 (hand coloured engraving, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving)
Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving)

STC2962504: Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Introduction, pub. 1793 (hand coloured engraving)
Introduction, pub. 1793 (hand coloured engraving)

STC2962507: Introduction, pub. 1793 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Recovery of a Dormant Title or a Breeches Maker become a Lord, pub. 1805 (hand coloured engraving)
Recovery of a Dormant Title or a Breeches Maker become a Lord, pub. 1805 (hand coloured engraving)

STC2962513: Recovery of a Dormant Title or a Breeches Maker become a Lord, pub. 1805 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The arrival of the stagecoach at Bodmin, Cornwall, 1807 (watercolour, pencil & pen & ink on paper)
The arrival of the stagecoach at Bodmin, Cornwall, 1807 (watercolour, pencil & pen & ink on paper)

JMT2963359: The arrival of the stagecoach at Bodmin, Cornwall, 1807 (watercolour, pencil & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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