Rowlandson, Thomas (1756-1827) Assets (1156 in total)
Results
FLO5893723: Mother with new born baby visited by several women in a parlour., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5893728: Man suffering from gout greeted painfully by a sailor., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5893731: A dinner party ruined by the arrival of a stinking game dish., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5893732: Parson cursing foxhunters and hounds trampling his garden., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912743: Father Time showing men and women scenes from life, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912744: Title page with calligraphic title and vignette, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912754: English gentleman and ladies listening to a harpist at a ball, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912759: Young English gentleman arriving back home after the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912763: Revellers in costume at a masked ball in a large theater, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLA3760694: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images
VIB98390: The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937617: The Public Breakfast, plate 11 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937618: The Bath Races, plate 12 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937624: The Portrait, plate 6 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937626: Company at Play, plate 8 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC810295: The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XCK877328: The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810) , Rowlandson, Thomas (1756-1827) / Bridgeman Images
PFA178592: View of Exeter from the River Exmouth (brown ink & w/c wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378070: A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378077: The Cruel Mistress (pen & brown ink and colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC444698: View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL5641: Bird's Eye view of Smithfield Market (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BAL40161: A House with Figures, Formerly Known as 'The Green, Richmond' (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
