Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint)
The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint)

XOS5667142: The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Father Time showing men and women scenes from life, 1817 (engraving)
Father Time showing men and women scenes from life, 1817 (engraving)

FLO5912743: Father Time showing men and women scenes from life, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Title page with calligraphic title and vignette, 1817 (engraving)
Title page with calligraphic title and vignette, 1817 (engraving)

FLO5912744: Title page with calligraphic title and vignette, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)
English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

FLO5912754: English gentleman and ladies listening to a harpist at a ball, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)
Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

FLO5912759: Young English gentleman arriving back home after the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Revellers in costume at a masked ball in a large theater, 1817 (engraving)
Revellers in costume at a masked ball in a large theater, 1817 (engraving)

FLO5912763: Revellers in costume at a masked ball in a large theater, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woolpack Inn Hungerford watercolour
Woolpack Inn Hungerford watercolour

XLF3793564: Woolpack Inn Hungerford watercolour, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Alchemist (w/c on paper)
The Alchemist (w/c on paper)

CBE204079: The Alchemist (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Darning The Sock (pen & ink, w/c)
Darning The Sock (pen & ink, w/c)

CBE86184: Darning The Sock (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint)
Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint)

NP125730: Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)
Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)

NP125737: Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sunday Afternoon Promenade
A Sunday Afternoon Promenade

ZIN47078: A Sunday Afternoon Promenade, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)
Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)

CEC43143: Visitors in Venice, c.1810 (pen, brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bird's Eye view of Smithfield Market (aquatint)
Bird's Eye view of Smithfield Market (aquatint)

GHL5641: Bird's Eye view of Smithfield Market (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Strollers (w/c on paper)
The Strollers (w/c on paper)

CBE198635: The Strollers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Outside the Inn (w/c on paper)
Outside the Inn (w/c on paper)

CBE201721: Outside the Inn (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309559: Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309562: The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309563: The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309571: The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309572: A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance from Mile End or Whitechapel Turnpike (colour litho)
Entrance from Mile End or Whitechapel Turnpike (colour litho)

GHL34723: Entrance from Mile End or Whitechapel Turnpike (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection
A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection

LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection
La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection

LZT1012378: La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell
Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell

LZT1012381: Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933
Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933

LSE4089894: Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081502: Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081536: Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081542: The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081551: The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869
Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869

LSE4081553: Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Landscape with monks (pen & ink and wash on paper)
Landscape with monks (pen & ink and wash on paper)

SFA413836: Landscape with monks (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Taking the water (pen & ink and w/c over pencil on paper)
Taking the water (pen & ink and w/c over pencil on paper)

SFA413837: Taking the water (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827)
Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827)

LSE4402328: Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Southwark Cavalry, c.1799 (coloured aquatint)
Southwark Cavalry, c.1799 (coloured aquatint)

NAM3062344: Southwark Cavalry, c.1799 (coloured aquatint) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lambeth Cavalry, c.1799 (colour litho)
Lambeth Cavalry, c.1799 (colour litho)

NAM3062345: Lambeth Cavalry, c.1799 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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