Rowlandson, Thomas (1756-1827) Assets (1155 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690333: The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690433: A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690481: The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690532: The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690623: Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Parody on Milton, pub. 1807 (hand coloured etching)
A Parody on Milton, pub. 1807 (hand coloured etching)

STC2636958: A Parody on Milton, pub. 1807 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harborough Castle, Yorkshire
Harborough Castle, Yorkshire

AGN51052: Harborough Castle, Yorkshire, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance from Mile End or Whitechapel Turnpike (colour litho)
Entrance from Mile End or Whitechapel Turnpike (colour litho)

GHL34723: Entrance from Mile End or Whitechapel Turnpike (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)
Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)

CEC43143: Visitors in Venice, c.1810 (pen, brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bird's Eye view of Smithfield Market (aquatint)
Bird's Eye view of Smithfield Market (aquatint)

GHL5641: Bird's Eye view of Smithfield Market (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Milk Sop
The Milk Sop

BAL5327: The Milk Sop, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Firing a Salute off Portsmouth (w/c)
Firing a Salute off Portsmouth (w/c)

BAL40160: Firing a Salute off Portsmouth (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A House with Figures, Formerly Known as 'The Green, Richmond' (watercolour)
A House with Figures, Formerly Known as 'The Green, Richmond' (watercolour)

BAL40161: A House with Figures, Formerly Known as 'The Green, Richmond' (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Covent Garden Market
Covent Garden Market

CH27222: Covent Garden Market, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sunday Afternoon Promenade
A Sunday Afternoon Promenade

ZIN47078: A Sunday Afternoon Promenade, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax Skating, 1812-1821
Dr. Syntax Skating, 1812-1821

SC13173: Dr. Syntax Skating, 1812-1821, Rowlandson, Thomas (1756-1827) / Bridgeman Images

XTD75449: "All Fates he vow'd to him were known, And yet He could not tell his own", caricature of a fortune teller, pub. by R. Ackermann, 1815 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mary Spriggens, the Midwife (w/c, pen & ink)
Mary Spriggens, the Midwife (w/c, pen & ink)

BON76690: Mary Spriggens, the Midwife (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return from the Hunt, 1787 (pen & ink with w/c on paper)
The Return from the Hunt, 1787 (pen & ink with w/c on paper)

XYC250004: The Return from the Hunt, 1787 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Review in a Market Place, c.1790 (pen & ink with w/c on paper)
A Review in a Market Place, c.1790 (pen & ink with w/c on paper)

XYC250012: A Review in a Market Place, c.1790 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper)
Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper)

XYC250013: Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Abington, reclining on a couch (pen, graphite & w/c on paper)
Mrs Abington, reclining on a couch (pen, graphite & w/c on paper)

XYC249713: Mrs Abington, reclining on a couch (pen, graphite & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)
A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)

XYC249719: A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper)
The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper)

XYC234019: The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Riding School (pen & ink on paper)
The Riding School (pen & ink on paper)

XYC226634: The Riding School (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)
The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)

XYC226635: The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)
An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)

XYC224056: An English Postilion, c.1785 (graphite, pen, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper)
A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper)

XYC238966: A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Serving Punch, c.1815-20 (pen & ink and w/c over pencil on paper)
Serving Punch, c.1815-20 (pen & ink and w/c over pencil on paper)

XYC239818: Serving Punch, c.1815-20 (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr and Mrs Jolly at their Country House (w/c, pen & ink and pencil on paper)
Mr and Mrs Jolly at their Country House (w/c, pen & ink and pencil on paper)

XYC239819: Mr and Mrs Jolly at their Country House (w/c, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sea Amusement (pen & ink and w/c on paper)
Sea Amusement (pen & ink and w/c on paper)

AGN271133: Sea Amusement (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Market Place (pen & ink on paper)
Market Place (pen & ink on paper)

AGN271134: Market Place (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Carter and the Gypsies (pen & ink and w/c on paper)
The Carter and the Gypsies (pen & ink and w/c on paper)

AGN271132: The Carter and the Gypsies (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Mourners, 1815 (w/c on paper)
The Mourners, 1815 (w/c on paper)

STC115405: The Mourners, 1815 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


Back to top