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Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690227: The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690227

The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death comes for the Bishop in the abbey, as he reads the Bible on a lectern and rests his gouty foot on a cushion. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Bishop in the abbey, as he reads the Bible on a lectern and rests his gouty foot on a cushion. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690232: The skeleton of Death comes for the Bishop in the abbey, as he reads the Bible on a lectern and rests his gouty foot on a cushion. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690232

The skeleton of Death comes for the Bishop in the abbey, as he reads the Bible on a lectern and rests his gouty foot on a cushion. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690347: Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690347

Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690418: The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690418

The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death rides ahead of a high tandem carrying the next heir to his doom under a low arch. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rides ahead of a high tandem carrying the next heir to his doom under a low arch. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690427: The skeleton of Death rides ahead of a high tandem carrying the next heir to his doom under a low arch. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690427

The skeleton of Death rides ahead of a high tandem carrying the next heir to his doom under a low arch. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690522: The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690522

The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690564: The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690564

The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690584: Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690584

Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690312: The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690312

The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death leads an old man into a mausoleum, leaving his young widow free to remarry. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads an old man into a mausoleum, leaving his young widow free to remarry. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690390: The skeleton of Death leads an old man into a mausoleum, leaving his young widow free to remarry. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690390

The skeleton of Death leads an old man into a mausoleum, leaving his young widow free to remarry. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton Death with his hourglass shows a genealogical table to two elderly aristocratic Geneologists in a room with heraldic shields and suits of armour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton Death with his hourglass shows a genealogical table to two elderly aristocratic Geneologists in a room with heraldic shields and suits of armour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690106: The skeleton Death with his hourglass shows a genealogical table to two elderly aristocratic Geneologists in a room with heraldic shields and suits of armour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690106

The skeleton Death with his hourglass shows a genealogical table to two elderly aristocratic Geneologists in a room with heraldic shields and suits of armour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690488: The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690488

The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690572: Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690572

Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

The skeleton of Death appears in the living room of a large family to take a child or newborn baby. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death appears in the living room of a large family to take a child or newborn baby. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690299: The skeleton of Death appears in the living room of a large family to take a child or newborn baby. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690299

The skeleton of Death appears in the living room of a large family to take a child or newborn baby. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690538: Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690538

Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Young student graduating from a boy’s school, 1817 (engraving)
Young student graduating from a boy’s school, 1817 (engraving)

FLO5912747: Young student graduating from a boy’s school, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912747

Young student graduating from a boy’s school, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

English gentleman in his study hearing a case of poaching, 1817 (engraving)
English gentleman in his study hearing a case of poaching, 1817 (engraving)

FLO5912756: English gentleman in his study hearing a case of poaching, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912756

English gentleman in his study hearing a case of poaching, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Gentleman escorting country cousins on their first trip to Londo
Gentleman escorting country cousins on their first trip to Londo

FLO5893692: Gentleman escorting country cousins on their first trip to Londo, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893692

Gentleman escorting country cousins on their first trip to Londo

Rowlandson, Thomas (1756-1827)

Men falling on ice skates, another falling through the ice, etc.
Men falling on ice skates, another falling through the ice, etc.

FLO5893710: Men falling on ice skates, another falling through the ice, etc., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893710

Men falling on ice skates, another falling through the ice, etc.

Rowlandson, Thomas (1756-1827)

Barber and customer in a barbershop decorated with wigs.
Barber and customer in a barbershop decorated with wigs.

FLO5893697: Barber and customer in a barbershop decorated with wigs., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893697

Barber and customer in a barbershop decorated with wigs.

Rowlandson, Thomas (1756-1827)

A cart race in an English town with an accident in the foregroun
A cart race in an English town with an accident in the foregroun

FLO5893703: A cart race in an English town with an accident in the foregroun, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893703

A cart race in an English town with an accident in the foregroun

Rowlandson, Thomas (1756-1827)

Man falling off a broken chair at a dinner party.
Man falling off a broken chair at a dinner party.

FLO5893718: Man falling off a broken chair at a dinner party., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893718

Man falling off a broken chair at a dinner party.

Rowlandson, Thomas (1756-1827)

Chambermaid pulling on a sleeping guest’s wooden leg.
Chambermaid pulling on a sleeping guest’s wooden leg.

FLO5893702: Chambermaid pulling on a sleeping guest’s wooden leg., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893702

Chambermaid pulling on a sleeping guest’s wooden leg.

Rowlandson, Thomas (1756-1827)

Man standing up while choking at the dinner table.
Man standing up while choking at the dinner table.

FLO5893705: Man standing up while choking at the dinner table., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893705

Man standing up while choking at the dinner table.

Rowlandson, Thomas (1756-1827)

Man forced to wear his host’s ill-fitting clothes at a dinner
Man forced to wear his host’s ill-fitting clothes at a dinner

FLO5893729: Man forced to wear his host’s ill-fitting clothes at a dinner, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893729

Man forced to wear his host’s ill-fitting clothes at a dinner

Rowlandson, Thomas (1756-1827)

English gentleman arguing with his wife over money, 1817 (engraving)
English gentleman arguing with his wife over money, 1817 (engraving)

FLO5912766: English gentleman arguing with his wife over money, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912766

English gentleman arguing with his wife over money, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

English gentleman writing a begging letter in a decrepit parlour, 1817 (engraving)
English gentleman writing a begging letter in a decrepit parlour, 1817 (engraving)

FLO5912752: English gentleman writing a begging letter in a decrepit parlour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912752

English gentleman writing a begging letter in a decrepit parlour, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Nurse showing a baby to an old man and woman, 1817 (engraving)
Nurse showing a baby to an old man and woman, 1817 (engraving)

FLO5912745: Nurse showing a baby to an old man and woman, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912745

Nurse showing a baby to an old man and woman, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint)
Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint)

VIB7135178: Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: VIB7135178

Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint)

Rowlandson, Thomas (1756-1827)

Interior of a workhouse in the St James's Parish (coloured engraving)
Interior of a workhouse in the St James's Parish (coloured engraving)

LLJ603854: Interior of a workhouse in the St James's Parish (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LLJ603854

Interior of a workhouse in the St James's Parish (coloured engraving)

Rowlandson, Thomas (1756-1827)

Dr Syntax at Freemason's Hall (coloured engraving)
Dr Syntax at Freemason's Hall (coloured engraving)

LLJ604027: Dr Syntax at Freemason's Hall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LLJ604027

Dr Syntax at Freemason's Hall (coloured engraving)

Rowlandson, Thomas (1756-1827)

Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174261: Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174261

Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Images (coloured engraving)
Images (coloured engraving)

LLJ558317: Images (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LLJ558317

Images (coloured engraving)

Rowlandson, Thomas (1756-1827)

Matches (coloured engraving)
Matches (coloured engraving)

LLJ558308: Matches (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LLJ558308

Matches (coloured engraving)

Rowlandson, Thomas (1756-1827)

Singing birds (coloured engraving)
Singing birds (coloured engraving)

LLJ558326: Singing birds (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LLJ558326

Singing birds (coloured engraving)

Rowlandson, Thomas (1756-1827)

Cooper (coloured engraving)
Cooper (coloured engraving)

LLJ558342: Cooper (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LLJ558342

Cooper (coloured engraving)

Rowlandson, Thomas (1756-1827)


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