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Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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Parson cursing foxhunters and hounds trampling his garden.
Parson cursing foxhunters and hounds trampling his garden.

FLO5893732: Parson cursing foxhunters and hounds trampling his garden., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5893732

Parson cursing foxhunters and hounds trampling his garden.

Rowlandson, Thomas (1756-1827)

Father Time showing men and women scenes from life, 1817 (engraving)
Father Time showing men and women scenes from life, 1817 (engraving)

FLO5912743: Father Time showing men and women scenes from life, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912743

Father Time showing men and women scenes from life, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Title page with calligraphic title and vignette, 1817 (engraving)
Title page with calligraphic title and vignette, 1817 (engraving)

FLO5912744: Title page with calligraphic title and vignette, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912744

Title page with calligraphic title and vignette, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)
English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

FLO5912754: English gentleman and ladies listening to a harpist at a ball, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912754

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)
Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

FLO5912759: Young English gentleman arriving back home after the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912759

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Revellers in costume at a masked ball in a large theater, 1817 (engraving)
Revellers in costume at a masked ball in a large theater, 1817 (engraving)

FLO5912763: Revellers in costume at a masked ball in a large theater, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912763

Revellers in costume at a masked ball in a large theater, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989346: Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4989346

Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

Rowlandson, Thomas (1756-1827)

Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989324: Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4989324

Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

Rowlandson, Thomas (1756-1827)

Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989338: Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4989338

Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

Rowlandson, Thomas (1756-1827)

Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999324: Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999324

Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

Rowlandson, Thomas (1756-1827)

Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999502: Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999502

Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

Rowlandson, Thomas (1756-1827)

Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999685: Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999685

Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999700: Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999700

Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999736: Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999736

Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999893: Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999893

Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999963: Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999963

Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000009: Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5000009

Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)
A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)

XYC208278: A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC208278

A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)

Rowlandson, Thomas (1756-1827)

Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo)
Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo)

XJF294026: Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XJF294026

Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo)

Rowlandson, Thomas (1756-1827)

Hyde Park Corner (pen & ink with wash and graphite on paper)
Hyde Park Corner (pen & ink with wash and graphite on paper)

XYC288943: Hyde Park Corner (pen & ink with wash and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC288943

Hyde Park Corner (pen & ink with wash and graphite on paper)

Rowlandson, Thomas (1756-1827)

Plate 5 from 'Cries of London', 1799 (hand-coloured etching)
Plate 5 from 'Cries of London', 1799 (hand-coloured etching)

XYC308304: Plate 5 from 'Cries of London', 1799 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC308304

Plate 5 from 'Cries of London', 1799 (hand-coloured etching)

Rowlandson, Thomas (1756-1827)

Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving)
Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving)

PT309567: Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PT309567

Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving)

Rowlandson, Thomas (1756-1827)

Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309570: Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PT309570

Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

Dr Syntax bargaining for ducks (pen & ink and w/c on paper)
Dr Syntax bargaining for ducks (pen & ink and w/c on paper)

AGN271130: Dr Syntax bargaining for ducks (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: AGN271130

Dr Syntax bargaining for ducks (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

A Crowded Race Meeting, 1816 (pen & ink and w/c on paper)
A Crowded Race Meeting, 1816 (pen & ink and w/c on paper)

AGN271137: A Crowded Race Meeting, 1816 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: AGN271137

A Crowded Race Meeting, 1816 (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Rural Sports - A Milling Match, 28th September, 1811 (etching)
Rural Sports - A Milling Match, 28th September, 1811 (etching)

BSA273452: Rural Sports - A Milling Match, 28th September, 1811 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BSA273452

Rural Sports - A Milling Match, 28th September, 1811 (etching)

Rowlandson, Thomas (1756-1827)

Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper)
Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper)

XYC281145: Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC281145

Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper)

Rowlandson, Thomas (1756-1827)

A Race of the Knavesmire at York (pen & ink with w/c on paper)
A Race of the Knavesmire at York (pen & ink with w/c on paper)

XYC322081: A Race of the Knavesmire at York (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC322081

A Race of the Knavesmire at York (pen & ink with w/c on paper)

Rowlandson, Thomas (1756-1827)

Miseries Personal (coloured etching)
Miseries Personal (coloured etching)

XYC250005: Miseries Personal (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC250005

Miseries Personal (coloured etching)

Rowlandson, Thomas (1756-1827)

A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper)
A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper)

XYC238960: A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC238960

A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper)

Rowlandson, Thomas (1756-1827)

Sketch of a Man (pen & ink, pencil & w/c on paper laid on mount) (verso of 238963)
Sketch of a Man (pen & ink, pencil & w/c on paper laid on mount) (verso of 238963)

XYC238964: Sketch of a Man (pen & ink, pencil & w/c on paper laid on mount) (verso of 238963), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC238964

Sketch of a Man (pen & ink, pencil & w/c on paper laid on mount) (verso of 238963)

Rowlandson, Thomas (1756-1827)

The Harvesters (pen & ink and w/c over pencil on paper)
The Harvesters (pen & ink and w/c over pencil on paper)

XYC238961: The Harvesters (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC238961

The Harvesters (pen & ink and w/c over pencil on paper)

Rowlandson, Thomas (1756-1827)

Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209608: Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC209608

Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

Rowlandson, Thomas (1756-1827)

Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209609: Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC209609

Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

Rowlandson, Thomas (1756-1827)

Miseries of Travelling, 1807 (coloured engraving)
Miseries of Travelling, 1807 (coloured engraving)

BBC211027: Miseries of Travelling, 1807 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BBC211027

Miseries of Travelling, 1807 (coloured engraving)

Rowlandson, Thomas (1756-1827)

Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213549: Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC213549

Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

Rowlandson, Thomas (1756-1827)


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