Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690623: Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690118: The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690247: The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666910: Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669439: Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Calligraphic title page with vignette of the Skeleton of Death a
Calligraphic title page with vignette of the Skeleton of Death a

FLO5893685: Calligraphic title page with vignette of the Skeleton of Death a, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two men falling off their horses after showing off. Showing Off.
Two men falling off their horses after showing off. Showing Off.

FLO5893695: Two men falling off their horses after showing off. Showing Off., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tipsy man riding a horse facing the tail.
Tipsy man riding a horse facing the tail.

FLO5893698: Tipsy man riding a horse facing the tail., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man using bellows in front of a fire in a smoky room.
Man using bellows in front of a fire in a smoky room.

FLO5893701: Man using bellows in front of a fire in a smoky room., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man in his sick bed surrounded by doting wife, children, and mai
Man in his sick bed surrounded by doting wife, children, and mai

FLO5893712: Man in his sick bed surrounded by doting wife, children, and mai, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Regency cobbler mending shoes in a crowded room.
Regency cobbler mending shoes in a crowded room.

FLO5893717: Regency cobbler mending shoes in a crowded room., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Visiting gentlemen refused entry to a house by a servant.
Visiting gentlemen refused entry to a house by a servant.

FLO5893719: Visiting gentlemen refused entry to a house by a servant., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man seized by leg cramp in the honeymoon bed.
Man seized by leg cramp in the honeymoon bed.

FLO5893720: Man seized by leg cramp in the honeymoon bed., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A group of writers dining at the house of a rich citizen.
A group of writers dining at the house of a rich citizen.

FLO5893721: A group of writers dining at the house of a rich citizen., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mother with new born baby visited by several women in a parlour.
Mother with new born baby visited by several women in a parlour.

FLO5893723: Mother with new born baby visited by several women in a parlour., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man suffering from gout greeted painfully by a sailor.
Man suffering from gout greeted painfully by a sailor.

FLO5893728: Man suffering from gout greeted painfully by a sailor., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A dinner party ruined by the arrival of a stinking game dish.
A dinner party ruined by the arrival of a stinking game dish.

FLO5893731: A dinner party ruined by the arrival of a stinking game dish., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Parson cursing foxhunters and hounds trampling his garden.
Parson cursing foxhunters and hounds trampling his garden.

FLO5893732: Parson cursing foxhunters and hounds trampling his garden., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000009: Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Miss Worthy's marriage - Dr Syntax in the chair'
'Miss Worthy's marriage - Dr Syntax in the chair'

XLF3781185: 'Miss Worthy's marriage - Dr Syntax in the chair', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax star-gazing'
'Dr Syntax star-gazing'

XLF3781199: 'Dr Syntax star-gazing', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax setting out on his tour to the Lakes'
'Dr Syntax setting out on his tour to the Lakes'

XLF3781138: 'Dr Syntax setting out on his tour to the Lakes', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax entertained at college'
'Dr Syntax entertained at college'

XLF3781143: 'Dr Syntax entertained at college', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at a review'
'Dr Syntax at a review'

XLF3781150: 'Dr Syntax at a review', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax returned from his tour'
'Dr Syntax returned from his tour'

XLF3781165: 'Dr Syntax returned from his tour', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax loses his wig'
'Dr Syntax loses his wig'

XLF3781170: 'Dr Syntax loses his wig', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving)
Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving)

STC3258451: Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from
R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from

STC3090262: R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from "The English Spy", pub. 1824 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760687: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760688: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760705: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760715: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760716: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760718: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctors Differ (pencil, pen & black ink with w/c on paper)
Doctors Differ (pencil, pen & black ink with w/c on paper)

CH3729757: Doctors Differ (pencil, pen & black ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Oliver Goldsmith ' s
Oliver Goldsmith ' s

XLA3769541: Oliver Goldsmith ' s, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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