Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209609: Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Plate 5 from 'Cries of London', 1799 (hand-coloured etching)
Plate 5 from 'Cries of London', 1799 (hand-coloured etching)

XYC308304: Plate 5 from 'Cries of London', 1799 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving)
Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving)

PT309567: Hunting the Slipper, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309570: Domestic Arrangement in Prison, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho)
Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho)

STC810337: Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sports of a Country Fair, 1810 (hand-coloured etching)
Sports of a Country Fair, 1810 (hand-coloured etching)

BLL1203622: Sports of a Country Fair, 1810 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Directions to Footmen, 1807 (hand-coloured engraving)
Directions to Footmen, 1807 (hand-coloured engraving)

ROC828802: Directions to Footmen, 1807 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98389: The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Nightwatchman (w/c on paper)
The Nightwatchman (w/c on paper)

MOL152237: The Nightwatchman (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Music at Home (pen and ink, w/c)
Music at Home (pen and ink, w/c)

CBE85845: Music at Home (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Soldier's Departure (pen & ink, w/c)
The Soldier's Departure (pen & ink, w/c)

CBE85848: The Soldier's Departure (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Secret influence directing the new P-l-t, 1784 (engraving)
Secret influence directing the new P-l-t, 1784 (engraving)

HRP2624880: Secret influence directing the new P-l-t, 1784 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Oliver Goldsmith ' s
Oliver Goldsmith ' s

XLA3769541: Oliver Goldsmith ' s, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax setting out on his tour to the Lakes'
'Dr Syntax setting out on his tour to the Lakes'

XLF3781138: 'Dr Syntax setting out on his tour to the Lakes', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax entertained at college'
'Dr Syntax entertained at college'

XLF3781143: 'Dr Syntax entertained at college', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at a review'
'Dr Syntax at a review'

XLF3781150: 'Dr Syntax at a review', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax returned from his tour'
'Dr Syntax returned from his tour'

XLF3781165: 'Dr Syntax returned from his tour', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax loses his wig'
'Dr Syntax loses his wig'

XLF3781170: 'Dr Syntax loses his wig', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Miss Worthy's marriage - Dr Syntax in the chair'
'Miss Worthy's marriage - Dr Syntax in the chair'

XLF3781185: 'Miss Worthy's marriage - Dr Syntax in the chair', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax star-gazing'
'Dr Syntax star-gazing'

XLF3781199: 'Dr Syntax star-gazing', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woolpack Inn Hungerford watercolour
Woolpack Inn Hungerford watercolour

XLF3793564: Woolpack Inn Hungerford watercolour, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Laurence Sterne - the
Laurence Sterne - the

XLA3773088: Laurence Sterne - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760687: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760688: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760705: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760715: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760716: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760718: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Assembly Ball, plate 10 from the series
An Assembly Ball, plate 10 from the series

DMW937616: An Assembly Ball, plate 10 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The King's Bath, plate 7 from the series
The King's Bath, plate 7 from the series

DMW937625: The King's Bath, plate 7 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666910: Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690333: The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690433: A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690481: The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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