Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Man seized by leg cramp in the honeymoon bed.
Man seized by leg cramp in the honeymoon bed.

FLO5893720: Man seized by leg cramp in the honeymoon bed., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Parson cursing foxhunters and hounds trampling his garden.
Parson cursing foxhunters and hounds trampling his garden.

FLO5893732: Parson cursing foxhunters and hounds trampling his garden., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Calligraphic title page with vignette of the Skeleton of Death a
Calligraphic title page with vignette of the Skeleton of Death a

FLO5893685: Calligraphic title page with vignette of the Skeleton of Death a, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man in his sick bed surrounded by doting wife, children, and mai
Man in his sick bed surrounded by doting wife, children, and mai

FLO5893712: Man in his sick bed surrounded by doting wife, children, and mai, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A group of writers dining at the house of a rich citizen.
A group of writers dining at the house of a rich citizen.

FLO5893721: A group of writers dining at the house of a rich citizen., Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)
English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

FLO5912754: English gentleman and ladies listening to a harpist at a ball, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Revellers in costume at a masked ball in a large theater, 1817 (engraving)
Revellers in costume at a masked ball in a large theater, 1817 (engraving)

FLO5912763: Revellers in costume at a masked ball in a large theater, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Father Time showing men and women scenes from life, 1817 (engraving)
Father Time showing men and women scenes from life, 1817 (engraving)

FLO5912743: Father Time showing men and women scenes from life, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669439: Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666910: Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Laurence Sterne - the
Laurence Sterne - the

XLA3773088: Laurence Sterne - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989338: Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989346: Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989324: Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999893: Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999963: Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999324: Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999502: Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999700: Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999736: Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000009: Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999685: Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The English Dance of Death, 1815 (lithograph)
The English Dance of Death, 1815 (lithograph)

BAD2149859: The English Dance of Death, 1815 (lithograph), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760687: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760705: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760688: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760715: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760718: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760716: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Oliver Goldsmith ' s
Oliver Goldsmith ' s

XLA3769541: Oliver Goldsmith ' s, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper)
A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper)

XBM115512: A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98389: The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Soldier's Departure (pen & ink, w/c)
The Soldier's Departure (pen & ink, w/c)

CBE85848: The Soldier's Departure (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Music at Home (pen and ink, w/c)
Music at Home (pen and ink, w/c)

CBE85845: Music at Home (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690623: Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690247: The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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