Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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Cooper (coloured engraving)
Cooper (coloured engraving)

LLJ558342: Cooper (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Distressed sailors (coloured engraving)
Distressed sailors (coloured engraving)

LLJ558353: Distressed sailors (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pass-room Bridewell Prison (coloured engraving)
The Pass-room Bridewell Prison (coloured engraving)

LLJ558990: The Pass-room Bridewell Prison (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On frail ice, the whirring skate, Becomes an instrument of Fate (coloured engraving)
On frail ice, the whirring skate, Becomes an instrument of Fate (coloured engraving)

LLJ585189: On frail ice, the whirring skate, Becomes an instrument of Fate (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Royal Institution, Albemarle Street, London (coloured engraving)
Royal Institution, Albemarle Street, London (coloured engraving)

LLJ586172: Royal Institution, Albemarle Street, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of a workhouse in the St James's Parish (coloured engraving)
Interior of a workhouse in the St James's Parish (coloured engraving)

LLJ603854: Interior of a workhouse in the St James's Parish (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at Freemason's Hall (coloured engraving)
Dr Syntax at Freemason's Hall (coloured engraving)

LLJ604027: Dr Syntax at Freemason's Hall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The result of purchasing a blind horse (coloured engraving)
The result of purchasing a blind horse (coloured engraving)

LLJ607331: The result of purchasing a blind horse (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho)
Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho)

STC810337: Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fleet Prison, 1808 (coloured engraving)
Fleet Prison, 1808 (coloured engraving)

LLJ610662: Fleet Prison, 1808 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving)
The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving)

LLJ611038: The future Lady Hamilton posing as Hygeia, goddess of health, at Dr James Graham's Temple of Aesculapius (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

British Institution, Pall Mall (coloured engraving)
British Institution, Pall Mall (coloured engraving)

LLJ610668: British Institution, Pall Mall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Spring Gardens, Ranelagh
Spring Gardens, Ranelagh

BAL3069: Spring Gardens, Ranelagh, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Perry's Dock at Blackwall (etching)
Perry's Dock at Blackwall (etching)

GHL10732: Perry's Dock at Blackwall (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Light Horse Volunteers of London and Westminster, Commanded by Colonel Herries, Reviewed by His Majesty on Wimbledon Common, 5 July 1798 (coloured aquatint)
Light Horse Volunteers of London and Westminster, Commanded by Colonel Herries, Reviewed by His Majesty on Wimbledon Common, 5 July 1798 (coloured aquatint)

NAM3037600: Light Horse Volunteers of London and Westminster, Commanded by Colonel Herries, Reviewed by His Majesty on Wimbledon Common, 5 July 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

French Soldiers on Parade (pen & w/c on paper)
French Soldiers on Parade (pen & w/c on paper)

NP125702: French Soldiers on Parade (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125720: "Four o'Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125732: "Box Lobby Loungers", etched by Rowlandson from a design by Henry Wigstead (c.1745-93), pub. by John Raphael Smith, 1786 (sepia etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Return from Epsom Races, 1823 (pen, w/c & pencil on paper)
Return from Epsom Races, 1823 (pen, w/c & pencil on paper)

NP125747: Return from Epsom Races, 1823 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174261: Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper)
Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper)

XYC281145: Dr Syntax bound to a tree by Highwaymen (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper)
A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper)

XYC238960: A college green with a group of damsels and young gentlemen in the foreground, c.1810-15 (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Harvesters (pen & ink and w/c over pencil on paper)
The Harvesters (pen & ink and w/c over pencil on paper)

XYC238961: The Harvesters (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rural Sports - A Milling Match, 28th September, 1811 (etching)
Rural Sports - A Milling Match, 28th September, 1811 (etching)

BSA273452: Rural Sports - A Milling Match, 28th September, 1811 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213549: Dr Syntax in Danger, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)
A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper)

XYC208278: A Carrier's Cart Outside an Inn, c.1785-90 (pen & ink and w/c on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo)
Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo)

XJF294026: Illustration from 'The English Dance of Death' by William Combe, 1815 (aquatint) (b/w photo), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hyde Park Corner (pen & ink with wash and graphite on paper)
Hyde Park Corner (pen & ink with wash and graphite on paper)

XYC288943: Hyde Park Corner (pen & ink with wash and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The King's Bath, plate 7 from the series
The King's Bath, plate 7 from the series

DMW937625: The King's Bath, plate 7 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Accommodation Ladder, 1811 (hand-coloured engraving)
Accommodation Ladder, 1811 (hand-coloured engraving)

STC1630654: Accommodation Ladder, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving)
Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving)

STC2562165: Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

After Dinner, c.1805 (pen & brown, vermilion & grey ink, & w/c over graphite on wove paper on original mount with hand-drawn border)
After Dinner, c.1805 (pen & brown, vermilion & grey ink, & w/c over graphite on wove paper on original mount with hand-drawn border)

ONT996234: After Dinner, c.1805 (pen & brown, vermilion & grey ink, & w/c over graphite on wove paper on original mount with hand-drawn border), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Westminster Cavalry, c.1799 (coloured aquatint)
Westminster Cavalry, c.1799 (coloured aquatint)

NAM3062343: Westminster Cavalry, c.1799 (coloured aquatint) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Middlesex Cavalry (coloured aquatint)
Middlesex Cavalry (coloured aquatint)

NAM3062347: Middlesex Cavalry (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from
R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from

STC3090262: R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from "The English Spy", pub. 1824 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving)
Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving)

STC3258451: Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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