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Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690345

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690433: A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690433

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690481: The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690481

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690532: The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690532

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690623: Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690623

Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989324: Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4989324

Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

Rowlandson, Thomas (1756-1827)

Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989338: Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4989338

Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

Rowlandson, Thomas (1756-1827)

Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989346: Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4989346

Johnny asleep at the mast head. Two sailors climb the rigging to wake him. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

Rowlandson, Thomas (1756-1827)

Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999324: Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999324

Captain Johnny Newcome presenting the trophies of war, King Joseph Bonapart's hat and Marshal Jean-Baptiste Jourdan's baton, to the Prince Regent at Carlton House. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

Rowlandson, Thomas (1756-1827)

Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999502: Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999502

Ensign Johnny Newcome writing a letter to his mother describing the Battle of Salamanca, 1812. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

Rowlandson, Thomas (1756-1827)

Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999685: Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999685

Johnny assisting a traveller who has been thrown from his horse. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999736: Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999736

Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999963: Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999963

Johnny and other revellers arrested by the Night Watchman after a riotous dance party in Covent Garden Chambers. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999700: Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999700

Johnny dancing at a secret party with other servants in the kitchen. Cook, coachman, maid and coatman enjoying the master's food and wine. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999893: Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4999893

Johnny gives a big party. Social event in a large mansion, with guests playing cards, singing songs, talking, dancing, and socializing. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO5000009: Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5000009

Johnny drunk on the sofa of Sir David Dangle's house thrown out by the liveried footmen. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

Rowlandson, Thomas (1756-1827)

Father Time showing men and women scenes from life, 1817 (engraving)
Father Time showing men and women scenes from life, 1817 (engraving)

FLO5912743: Father Time showing men and women scenes from life, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912743

Father Time showing men and women scenes from life, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Title page with calligraphic title and vignette, 1817 (engraving)
Title page with calligraphic title and vignette, 1817 (engraving)

FLO5912744: Title page with calligraphic title and vignette, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912744

Title page with calligraphic title and vignette, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)
English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

FLO5912754: English gentleman and ladies listening to a harpist at a ball, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912754

English gentleman and ladies listening to a harpist at a ball, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)
Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

FLO5912759: Young English gentleman arriving back home after the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912759

Young English gentleman arriving back home after the Grand Tour, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Revellers in costume at a masked ball in a large theater, 1817 (engraving)
Revellers in costume at a masked ball in a large theater, 1817 (engraving)

FLO5912763: Revellers in costume at a masked ball in a large theater, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO5912763

Revellers in costume at a masked ball in a large theater, 1817 (engraving)

Rowlandson, Thomas (1756-1827)

Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669439: Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4669439

Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Rowlandson, Thomas (1756-1827)

Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666910: Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4666910

Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

Rowlandson, Thomas (1756-1827)

Dr Syntax bargaining for ducks (pen & ink and w/c on paper)
Dr Syntax bargaining for ducks (pen & ink and w/c on paper)

AGN271130: Dr Syntax bargaining for ducks (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: AGN271130

Dr Syntax bargaining for ducks (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

A Crowded Race Meeting, 1816 (pen & ink and w/c on paper)
A Crowded Race Meeting, 1816 (pen & ink and w/c on paper)

AGN271137: A Crowded Race Meeting, 1816 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: AGN271137

A Crowded Race Meeting, 1816 (pen & ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

French Soldiers on Parade (pen & w/c on paper)
French Soldiers on Parade (pen & w/c on paper)

NP125702: French Soldiers on Parade (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125702

French Soldiers on Parade (pen & w/c on paper)

Rowlandson, Thomas (1756-1827)

Gluttony (pen & w/c on paper)
Gluttony (pen & w/c on paper)

NP125703: Gluttony (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125703

Gluttony (pen & w/c on paper)

Rowlandson, Thomas (1756-1827)

'The Cole Hole' (ink & w/c on paper) (see also BKB 100476)
'The Cole Hole' (ink & w/c on paper) (see also BKB 100476)

NP125704: 'The Cole Hole' (ink & w/c on paper) (see also BKB 100476), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125704

'The Cole Hole' (ink & w/c on paper) (see also BKB 100476)

Rowlandson, Thomas (1756-1827)

Return from Epsom Races, 1823 (pen, w/c & pencil on paper)
Return from Epsom Races, 1823 (pen, w/c & pencil on paper)

NP125747: Return from Epsom Races, 1823 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125747

Return from Epsom Races, 1823 (pen, w/c & pencil on paper)

Rowlandson, Thomas (1756-1827)

View from above the Cliffs, the Mumbles, South Wales (pen, w/c & pencil on paper)
View from above the Cliffs, the Mumbles, South Wales (pen, w/c & pencil on paper)

NP125749: View from above the Cliffs, the Mumbles, South Wales (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125749

View from above the Cliffs, the Mumbles, South Wales (pen, w/c & pencil on paper)

Rowlandson, Thomas (1756-1827)

NP125760: "The Charms of a Red Coat" (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125760

"The Charms of a Red Coat" (pen, w/c & pencil on paper)

Rowlandson, Thomas (1756-1827)

Music at Home (pen and ink, w/c)
Music at Home (pen and ink, w/c)

CBE85845: Music at Home (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE85845

Music at Home (pen and ink, w/c)

Rowlandson, Thomas (1756-1827)

The Soldier's Departure (pen & ink, w/c)
The Soldier's Departure (pen & ink, w/c)

CBE85848: The Soldier's Departure (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CBE85848

The Soldier's Departure (pen & ink, w/c)

Rowlandson, Thomas (1756-1827)

A Turk and a Tartar (ink and w/c)
A Turk and a Tartar (ink and w/c)

MAL85977: A Turk and a Tartar (ink and w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: MAL85977

A Turk and a Tartar (ink and w/c)

Rowlandson, Thomas (1756-1827)

The Royal Oak (w/c, pen & ink)
The Royal Oak (w/c, pen & ink)

BON77088: The Royal Oak (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BON77088

The Royal Oak (w/c, pen & ink)

Rowlandson, Thomas (1756-1827)

British Institution, Pall Mall (coloured engraving)
British Institution, Pall Mall (coloured engraving)

LLJ610668: British Institution, Pall Mall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LLJ610668

British Institution, Pall Mall (coloured engraving)

Rowlandson, Thomas (1756-1827)


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