Rowlandson, Thomas (1756-1827) Assets (1155 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)
Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)

XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209607: Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive
Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive

LZT1013393: Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive
Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive

LZT1013395: Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection
Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012366: Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection
Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection

LZT1012367: Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection
Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012369: Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark
The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark

LZT1012374: The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection
A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012379: A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection
Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection

LZT1012384: Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farm Scene with Flock of Geese (pencil & w/c on paper)
Farm Scene with Flock of Geese (pencil & w/c on paper)

TW1214672: Farm Scene with Flock of Geese (pencil & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Anthropomorphic heads of men and fish (litho)
Anthropomorphic heads of men and fish (litho)

REV884398: Anthropomorphic heads of men and fish (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)
The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)

XCK877330: The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Chess Players'
'The Chess Players'

XLF3781252: 'The Chess Players', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)
Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)

STC2962506: Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Antiquarians a la Greque, pub. 1805 (hand coloured engraving)
Antiquarians a la Greque, pub. 1805 (hand coloured engraving)

STC2962514: Antiquarians a la Greque, pub. 1805 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Writing the Will, 1786 (pen and grey ink and watercolour)
Writing the Will, 1786 (pen and grey ink and watercolour)

CH651829: Writing the Will, 1786 (pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)
A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)

CH651920: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)

CH651923: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temptation,  (pencil, pen and ink and watercolour)
Temptation,  (pencil, pen and ink and watercolour)

CH824131: Temptation, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)
A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)

XOS1765916: A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Naval punishment of cobbing (thrashing) for ruining a meal. Johnny is beaten with a stick over the mess table for adding salt to the pudding. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Naval punishment of cobbing (thrashing) for ruining a meal. Johnny is beaten with a stick over the mess table for adding salt to the pudding. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989329: Naval punishment of cobbing (thrashing) for ruining a meal. Johnny is beaten with a stick over the mess table for adding salt to the pudding. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny carousing with sailors, slopmen, crimps, mudlarkers, bawds, and pimps in a cabin on the Sheerness Boat. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny carousing with sailors, slopmen, crimps, mudlarkers, bawds, and pimps in a cabin on the Sheerness Boat. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989332: Johnny carousing with sailors, slopmen, crimps, mudlarkers, bawds, and pimps in a cabin on the Sheerness Boat. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny courting Maria in a parlor while others play cards and sing songs in front of the hearth. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny courting Maria in a parlor while others play cards and sing songs in front of the hearth. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989343: Johnny courting Maria in a parlor while others play cards and sing songs in front of the hearth. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny joins the captain in his cabin for drinks with the other officers. The admiral has made it sunset, sir! Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny joins the captain in his cabin for drinks with the other officers. The admiral has made it sunset, sir! Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989368: Johnny joins the captain in his cabin for drinks with the other officers. The admiral has made it sunset, sir! Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Naval rite of passage, Dogfish Bark: Johnny is sent on deck to listen for the bark of a dogfish, only to be soaked by buckets of water from sailors in the rigging. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Naval rite of passage, Dogfish Bark: Johnny is sent on deck to listen for the bark of a dogfish, only to be soaked by buckets of water from sailors in the rigging. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989398: Naval rite of passage, Dogfish Bark: Johnny is sent on deck to listen for the bark of a dogfish, only to be soaked by buckets of water from sailors in the rigging. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome arriving at his Subalternter's ticket in Portugal, a hovel with filthy beggars. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome arriving at his Subalternter's ticket in Portugal, a hovel with filthy beggars. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999376: Ensign Johnny Newcome arriving at his Subalternter's ticket in Portugal, a hovel with filthy beggars. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome and his Subaltern on half rations after the Battle of Salamanca. Soldiers burying the dead, while others rest near their encampment. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome and his Subaltern on half rations after the Battle of Salamanca. Soldiers burying the dead, while others rest near their encampment. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999445: Ensign Johnny Newcome and his Subaltern on half rations after the Battle of Salamanca. Soldiers burying the dead, while others rest near their encampment. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome learning to smoke cigars and drink grog with other officers. Smoking too much and vomiting at the table. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome learning to smoke cigars and drink grog with other officers. Smoking too much and vomiting at the table. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999543: Ensign Johnny Newcome learning to smoke cigars and drink grog with other officers. Smoking too much and vomiting at the table. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny reading to Sir Jeffery Gourmand in his study. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny reading to Sir Jeffery Gourmand in his study. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999573: Johnny reading to Sir Jeffery Gourmand in his study. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny playing his flute at a sheep-shearing festival, surrounded by dancing country girls. Shepherds shear sheep in a barn and wash them in a pond. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny playing his flute at a sheep-shearing festival, surrounded by dancing country girls. Shepherds shear sheep in a barn and wash them in a pond. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999657: Johnny playing his flute at a sheep-shearing festival, surrounded by dancing country girls. Shepherds shear sheep in a barn and wash them in a pond. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome, sick with dysentery, taken by ox cart to Salamanca, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome, sick with dysentery, taken by ox cart to Salamanca, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997463: Ensign Johnny Newcome, sick with dysentery, taken by ox cart to Salamanca, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Captain Johnny Newcome and his servants with pack horses on the road to Santarem, Portugal, to return to the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome and his servants with pack horses on the road to Santarem, Portugal, to return to the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997491: Captain Johnny Newcome and his servants with pack horses on the road to Santarem, Portugal, to return to the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328)
The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328)

XCK3576810: The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

A fish market on the beach (colour litho)
A fish market on the beach (colour litho)

IL3611032: A fish market on the beach (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images


Back to top