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Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho)
'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho)

STC171106: 'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC171106

'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho)

Rowlandson, Thomas (1756-1827)

Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174269: Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174269

Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209607: Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC209607

Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

Rowlandson, Thomas (1756-1827)

Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)
Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)

STC104917: Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC104917

Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)

Rowlandson, Thomas (1756-1827)

Farm Scene with Flock of Geese (pencil & w/c on paper)
Farm Scene with Flock of Geese (pencil & w/c on paper)

TW1214672: Farm Scene with Flock of Geese (pencil & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: TW1214672

Farm Scene with Flock of Geese (pencil & w/c on paper)

Rowlandson, Thomas (1756-1827)

A fish market on the beach (colour litho)
A fish market on the beach (colour litho)

IL3611032: A fish market on the beach (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: IL3611032

A fish market on the beach (colour litho)

Rowlandson, Thomas (1756-1827)

Lazing on a Sofa (w/c over pen and ink)
Lazing on a Sofa (w/c over pen and ink)

MAA6322105: Lazing on a Sofa (w/c over pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: MAA6322105

Lazing on a Sofa (w/c over pen and ink)

Rowlandson, Thomas (1756-1827)

Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PT309557

Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PT309573

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PT309558

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PT309568

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: PT309560

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

Amorous Attentions, c.1800 (w/c on paper)
Amorous Attentions, c.1800 (w/c on paper)

BOU202931: Amorous Attentions, c.1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BOU202931

Amorous Attentions, c.1800 (w/c on paper)

Rowlandson, Thomas (1756-1827)

The Pregnant Woman, 1815 (coloured litho)
The Pregnant Woman, 1815 (coloured litho)

CHT157480: The Pregnant Woman, 1815 (coloured litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CHT157480

The Pregnant Woman, 1815 (coloured litho)

Rowlandson, Thomas (1756-1827)

A Man Seated in a Tavern (pen, brown ink and w/c on paper)
A Man Seated in a Tavern (pen, brown ink and w/c on paper)

BAC155869: A Man Seated in a Tavern (pen, brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BAC155869

A Man Seated in a Tavern (pen, brown ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Place de Mer at Antwerp (print published by Ackermann, 1797)
Place de Mer at Antwerp (print published by Ackermann, 1797)

OJ55058: Place de Mer at Antwerp (print published by Ackermann, 1797), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: OJ55058

Place de Mer at Antwerp (print published by Ackermann, 1797)

Rowlandson, Thomas (1756-1827)

A Peep O Day Boy, 1799 (ink and w/c on paper)
A Peep O Day Boy, 1799 (ink and w/c on paper)

TML151237: A Peep O Day Boy, 1799 (ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: TML151237

A Peep O Day Boy, 1799 (ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

A Hunting Incident (pen & ink & w/c on paper)
A Hunting Incident (pen & ink & w/c on paper)

NP125746: A Hunting Incident (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125746

A Hunting Incident (pen & ink & w/c on paper)

Rowlandson, Thomas (1756-1827)

The Horse Deal (pen, w/c & pencil on paper)
The Horse Deal (pen, w/c & pencil on paper)

NP125751: The Horse Deal (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125751

The Horse Deal (pen, w/c & pencil on paper)

Rowlandson, Thomas (1756-1827)

The Swing (ink, w/c & pencil on paper)
The Swing (ink, w/c & pencil on paper)

NP125708: The Swing (ink, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125708

The Swing (ink, w/c & pencil on paper)

Rowlandson, Thomas (1756-1827)

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)
The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

NP125723: The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125723

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

Rowlandson, Thomas (1756-1827)

Doctors Differ (pen & ink & w/c on paper)
Doctors Differ (pen & ink & w/c on paper)

NP125741: Doctors Differ (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125741

Doctors Differ (pen & ink & w/c on paper)

Rowlandson, Thomas (1756-1827)

NP125713: "A Visit to the Uncle", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125712), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NP125713

"A Visit to the Uncle", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125712)

Rowlandson, Thomas (1756-1827)

Mr Angelo's Fencing Academy, 1791 (coloured engraving)
Mr Angelo's Fencing Academy, 1791 (coloured engraving)

CWA124834: Mr Angelo's Fencing Academy, 1791 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CWA124834

Mr Angelo's Fencing Academy, 1791 (coloured engraving)

Rowlandson, Thomas (1756-1827)

The Proposal, 1796 (ink & w/c on paper)
The Proposal, 1796 (ink & w/c on paper)

BOL93981: The Proposal, 1796 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BOL93981

The Proposal, 1796 (ink & w/c on paper)

Rowlandson, Thomas (1756-1827)

'Dr Syntax sketching the lake'
'Dr Syntax sketching the lake'

XLF3781154: 'Dr Syntax sketching the lake', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781154

'Dr Syntax sketching the lake'

Rowlandson, Thomas (1756-1827)

'Dr Syntax turned nurse'
'Dr Syntax turned nurse'

XLF3781188: 'Dr Syntax turned nurse', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781188

'Dr Syntax turned nurse'

Rowlandson, Thomas (1756-1827)

'Misfortune at Tulip Hall'
'Misfortune at Tulip Hall'

XLF3781195: 'Misfortune at Tulip Hall', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781195

'Misfortune at Tulip Hall'

Rowlandson, Thomas (1756-1827)

'Dr Syntax and the foundling'
'Dr Syntax and the foundling'

XLF3781205: 'Dr Syntax and the foundling', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781205

'Dr Syntax and the foundling'

Rowlandson, Thomas (1756-1827)

'Dr Syntax losing his way'
'Dr Syntax losing his way'

XLF3781139: 'Dr Syntax losing his way', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781139

'Dr Syntax losing his way'

Rowlandson, Thomas (1756-1827)

'The funeral of Syntax'
'The funeral of Syntax'

XLF3781213: 'The funeral of Syntax', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781213

'The funeral of Syntax'

Rowlandson, Thomas (1756-1827)

'The Chess Players'
'The Chess Players'

XLF3781252: 'The Chess Players', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781252

'The Chess Players'

Rowlandson, Thomas (1756-1827)

A Pretty Pair (pen & ink with wash on paper)
A Pretty Pair (pen & ink with wash on paper)

BOU2601862: A Pretty Pair (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BOU2601862

A Pretty Pair (pen & ink with wash on paper)

Rowlandson, Thomas (1756-1827)

A Social Holiday, 1820 (pen & ink with wash on paper)
A Social Holiday, 1820 (pen & ink with wash on paper)

BOU2602006: A Social Holiday, 1820 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: BOU2602006

A Social Holiday, 1820 (pen & ink with wash on paper)

Rowlandson, Thomas (1756-1827)

The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081505: The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LSE4081505

The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

Rowlandson, Thomas (1756-1827)

Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869
Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869

LSE4081521: Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LSE4081521

Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869

Rowlandson, Thomas (1756-1827)


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