Rowlandson, Thomas (1756-1827) Assets (1156 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Chambermaid pulling on a sleeping guest’s wooden leg.
Chambermaid pulling on a sleeping guest’s wooden leg.

FLO5893702: Chambermaid pulling on a sleeping guest’s wooden leg., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A cart race in an English town with an accident in the foregroun
A cart race in an English town with an accident in the foregroun

FLO5893703: A cart race in an English town with an accident in the foregroun, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man standing up while choking at the dinner table.
Man standing up while choking at the dinner table.

FLO5893705: Man standing up while choking at the dinner table., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Men falling on ice skates, another falling through the ice, etc.
Men falling on ice skates, another falling through the ice, etc.

FLO5893710: Men falling on ice skates, another falling through the ice, etc., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man falling off a broken chair at a dinner party.
Man falling off a broken chair at a dinner party.

FLO5893718: Man falling off a broken chair at a dinner party., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man forced to wear his host’s ill-fitting clothes at a dinner
Man forced to wear his host’s ill-fitting clothes at a dinner

FLO5893729: Man forced to wear his host’s ill-fitting clothes at a dinner, Rowlandson, Thomas (1756-1827) / Bridgeman Images

High Life, 1794 (pen and ink and watercolour)
High Life, 1794 (pen and ink and watercolour)

WHT162091: High Life, 1794 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint)
Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint)

VIB7135178: Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Peep O Day Boy, 1799 (ink and w/c on paper)
A Peep O Day Boy, 1799 (ink and w/c on paper)

TML151237: A Peep O Day Boy, 1799 (ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Amorous Attentions, c.1800 (w/c on paper)
Amorous Attentions, c.1800 (w/c on paper)

BOU202931: Amorous Attentions, c.1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monuments in Westminster Abbey (sepia ink and pencil)
Monuments in Westminster Abbey (sepia ink and pencil)

GHL49519: Monuments in Westminster Abbey (sepia ink and pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)
The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

NP125723: The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctors Differ (pen & ink & w/c on paper)
Doctors Differ (pen & ink & w/c on paper)

NP125741: Doctors Differ (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Hunting Incident (pen & ink & w/c on paper)
A Hunting Incident (pen & ink & w/c on paper)

NP125746: A Hunting Incident (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Social Holiday, 1820 (pen & ink with wash on paper)
A Social Holiday, 1820 (pen & ink with wash on paper)

BOU2602006: A Social Holiday, 1820 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Pretty Pair (pen & ink with wash on paper)
A Pretty Pair (pen & ink with wash on paper)

BOU2601862: A Pretty Pair (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farm Scene with Flock of Geese (pencil & w/c on paper)
Farm Scene with Flock of Geese (pencil & w/c on paper)

TW1214672: Farm Scene with Flock of Geese (pencil & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boarding a Ferry Boat, c.1810 (pencil, ink, brush & w/c on paper)
Boarding a Ferry Boat, c.1810 (pencil, ink, brush & w/c on paper)

AAH3057561: Boarding a Ferry Boat, c.1810 (pencil, ink, brush & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century
Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century

LSE4077227: Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081503: Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081505: The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869
Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869

LSE4081512: Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869
Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869

LSE4081521: Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081545: Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint)
Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint)

MOL1135: Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Cooking’, c.1798 (aquatint, sepia)
‘Soldiers Cooking’, c.1798 (aquatint, sepia)

NAM5929056: ‘Soldiers Cooking’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Proposal, 1796 (ink & w/c on paper)
The Proposal, 1796 (ink & w/c on paper)

BOL93981: The Proposal, 1796 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide on the Thames
Low Tide on the Thames

AGN48070: Low Tide on the Thames, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Discovery (w/c)
The Discovery (w/c)

AGN65458: The Discovery (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper)
Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper)

NGW405363: Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cardiff (ink & wash on paper)
Cardiff (ink & wash on paper)

NGW388587: Cardiff (ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


Back to top