Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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Secret influence directing the new P-l-t, 1784 (engraving)
Secret influence directing the new P-l-t, 1784 (engraving)

HRP2624880: Secret influence directing the new P-l-t, 1784 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98389: The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Outside an Inn
Outside an Inn

AGN48025: Outside an Inn, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fording the Stream
Fording the Stream

AGN48083: Fording the Stream, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Love Letter
The Love Letter

WOR49069: The Love Letter, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Music at Home (pen and ink, w/c)
Music at Home (pen and ink, w/c)

CBE85845: Music at Home (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Soldier's Departure (pen & ink, w/c)
The Soldier's Departure (pen & ink, w/c)

CBE85848: The Soldier's Departure (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Turk and a Tartar (ink and w/c)
A Turk and a Tartar (ink and w/c)

MAL85977: A Turk and a Tartar (ink and w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Royal Oak (w/c, pen & ink)
The Royal Oak (w/c, pen & ink)

BON77088: The Royal Oak (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Village Green
Village Green

CH20826: Village Green, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place de Mer, Antwerp (w/c) (see also 125736)
Place de Mer, Antwerp (w/c) (see also 125736)

CH21062: Place de Mer, Antwerp (w/c) (see also 125736), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Patriotic Dinner held at the City of London Tavern,
The Patriotic Dinner held at the City of London Tavern,

GHL34424: The Patriotic Dinner held at the City of London Tavern,, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Diligence
The Diligence

SC26770: The Diligence, Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125712: "A Visit to the Aunt", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125713), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cart Race, pub. by William Holland, 1789 (coloured etching)
A Cart Race, pub. by William Holland, 1789 (coloured etching)

NP125719: A Cart Race, pub. by William Holland, 1789 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062)
Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062)

NP125736: Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Nightwatchman (w/c on paper)
The Nightwatchman (w/c on paper)

MOL152237: The Nightwatchman (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209608: Bridle Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209609: Sword Arm Protect, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690433: A woman expires in shock at the sight of a blank piece of paper brandished by the skeleton of Death in a Lottery Office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690481: The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690532: The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690623: Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690247: The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690251: The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690269: The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690300: The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690333: The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669439: Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666910: Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woolpack Inn Hungerford watercolour
Woolpack Inn Hungerford watercolour

XLF3793564: Woolpack Inn Hungerford watercolour, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disembarkation of the Royalists of Toulon
The Disembarkation of the Royalists of Toulon

BYD3850776: The Disembarkation of the Royalists of Toulon, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Laurence Sterne - the
Laurence Sterne - the

XLA3773088: Laurence Sterne - the, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760687: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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