FLO4690136: The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690201: The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690320: The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690494: The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690575: Boot and Shoe Shop: Women customers trying on shoes and boots at Leatherhead cobblers. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690617: The Ball Room: fashionable tourists dancing in Scarborough Assembly Rooms. Every gentleman who dances pays 2s, and every lady who drinks tea pays 1s. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690630: Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4667021: Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999394: Ensign Johnny Newcome and his Subaltern eating breakfast of ham, beef, biscuit and brandy on a roadside in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999495: Ensign Johnny Newcome down with dysentery in his ticket in Medina, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999557: Johnny looking for work at a registry office for domestic servants. Men and women with monocles examining porters, maids and other staff. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999997: Johnny and friends drinking and singing on a terrace overlooking the River Thames. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images