Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
NAM2975437: Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962511: Lust and Avarice, pub. 1788 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962496: Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962495: Nil Amplius Opto "I am at the Summit of my Wishes, pub. 1780 (hand coloured engraving, Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962504: Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962507: Introduction, pub. 1793 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962513: Recovery of a Dormant Title or a Breeches Maker become a Lord, pub. 1805 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
JMT2963359: The arrival of the stagecoach at Bodmin, Cornwall, 1807 (watercolour, pencil & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2966792: La Belle Liminaudiere au Caffee de Mille Collone, Palais Royal, Paris, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NAM3062346: Clerkenwell Cavalry, c.1799 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NAM3062345: Lambeth Cavalry, c.1799 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NAM3062344: Southwark Cavalry, c.1799 (coloured aquatint) , Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4089894: Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933, Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC4071325: Funcking the Corsican, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081502: Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081536: Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081553: Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081520: Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081542: The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081551: The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC3025390: Connoisseur, (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4402328: Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XOS3746296: A Sailor's Marriage, 1805 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC810295: The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XDM1068995: Joseph Nollekens in His Studio, c.1810 (pencil, ink & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012381: Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012378: La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937618: The Bath Races, plate 12 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937624: The Portrait, plate 6 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937617: The Public Breakfast, plate 11 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937626: Company at Play, plate 8 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
