Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174263: St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213543: Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213544: Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madness at the Dinner Table, 1816 (w/c on paper)
Madness at the Dinner Table, 1816 (w/c on paper)

BON123594: Madness at the Dinner Table, 1816 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)
The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)

CHT142100: The Anatomist, published by Thomas Tegg, 1811 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)
The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)

XYC149959: The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man Fishing, c.1780 (pen & brown ink and w/c on paper)
Man Fishing, c.1780 (pen & brown ink and w/c on paper)

MAN276856: Man Fishing, c.1780 (pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Carter and the Gypsies (pen & ink and w/c on paper)
The Carter and the Gypsies (pen & ink and w/c on paper)

AGN271132: The Carter and the Gypsies (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sea Amusement (pen & ink and w/c on paper)
Sea Amusement (pen & ink and w/c on paper)

AGN271133: Sea Amusement (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Market Place (pen & ink on paper)
Market Place (pen & ink on paper)

AGN271134: Market Place (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760694: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax disputing his bill with the landlady'
'Dr Syntax disputing his bill with the landlady'

XLF3781144: 'Dr Syntax disputing his bill with the landlady', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax sketching after nature'
'Dr Syntax sketching after nature'

XLF3781153: 'Dr Syntax sketching after nature', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at the funeral of his wife'
'Dr Syntax at the funeral of his wife'

XLF3781167: 'Dr Syntax at the funeral of his wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The visit of Dr Syntax to the Widow Hopeful'
'The visit of Dr Syntax to the Widow Hopeful'

XLF3781169: 'The visit of Dr Syntax to the Widow Hopeful', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax in the glass-house'
'Dr Syntax in the glass-house'

XLF3781171: 'Dr Syntax in the glass-house', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making his will'
'Dr Syntax making his will'

XLF3781172: 'Dr Syntax making his will', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax amused with Pat in the pond'
'Dr Syntax amused with Pat in the pond'

XLF3781173: 'Dr Syntax amused with Pat in the pond', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making a discovery'
'Dr Syntax making a discovery'

XLF3781177: 'Dr Syntax making a discovery', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with the Skimmington riders'
'Dr Syntax with the Skimmington riders'

XLF3781179: 'Dr Syntax with the Skimmington riders', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The result of purchasing a blind horse'
'The result of purchasing a blind horse'

XLF3781207: 'The result of purchasing a blind horse', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax in danger'
'Dr Syntax in danger'

XLF3781208: 'Dr Syntax in danger', Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sailor's Marriage, 1805 (coloured etching)
A Sailor's Marriage, 1805 (coloured etching)

XOS3746296: A Sailor's Marriage, 1805 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690136: The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690201: The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690320: The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690343: The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690494: The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boot and Shoe Shop: Women customers trying on shoes and boots at Leatherhead cobblers. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Boot and Shoe Shop: Women customers trying on shoes and boots at Leatherhead cobblers. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690575: Boot and Shoe Shop: Women customers trying on shoes and boots at Leatherhead cobblers. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ball Room: fashionable tourists dancing in Scarborough Assembly Rooms. Every gentleman who dances pays 2s, and every lady who drinks tea pays 1s. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Ball Room: fashionable tourists dancing in Scarborough Assembly Rooms. Every gentleman who dances pays 2s, and every lady who drinks tea pays 1s. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690617: The Ball Room: fashionable tourists dancing in Scarborough Assembly Rooms. Every gentleman who dances pays 2s, and every lady who drinks tea pays 1s. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690630: Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4667021: Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome and his Subaltern eating breakfast of ham, beef, biscuit and brandy on a roadside in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome and his Subaltern eating breakfast of ham, beef, biscuit and brandy on a roadside in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999394: Ensign Johnny Newcome and his Subaltern eating breakfast of ham, beef, biscuit and brandy on a roadside in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome down with dysentery in his ticket in Medina, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome down with dysentery in his ticket in Medina, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999495: Ensign Johnny Newcome down with dysentery in his ticket in Medina, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny looking for work at a registry office for domestic servants. Men and women with monocles examining porters, maids and other staff. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny looking for work at a registry office for domestic servants. Men and women with monocles examining porters, maids and other staff. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999557: Johnny looking for work at a registry office for domestic servants. Men and women with monocles examining porters, maids and other staff. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and friends drinking and singing on a terrace overlooking the River Thames. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny and friends drinking and singing on a terrace overlooking the River Thames. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999997: Johnny and friends drinking and singing on a terrace overlooking the River Thames. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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