Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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The Boxing Match,  (pen and ink and watercolour)
The Boxing Match,  (pen and ink and watercolour)

CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)
The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)

CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)
The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)

STC810295: The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madness at the Dinner Table, 1816 (w/c on paper)
Madness at the Dinner Table, 1816 (w/c on paper)

BON123594: Madness at the Dinner Table, 1816 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Mourners, 1815 (w/c on paper)
The Mourners, 1815 (w/c on paper)

STC115405: The Mourners, 1815 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Forge, 1790 (pen and w/c over pencil on paper)
At the Forge, 1790 (pen and w/c over pencil on paper)

XBM115508: At the Forge, 1790 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)
An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)

XYC224056: An English Postilion, c.1785 (graphite, pen, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190612: A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190616: Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174263: St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214672: Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213543: Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213544: Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View of Exeter from the River Exmouth (brown ink & w/c wash on paper)
View of Exeter from the River Exmouth (brown ink & w/c wash on paper)

PFA178592: View of Exeter from the River Exmouth (brown ink & w/c wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horse Fair, Southampton (pen & ink & w/c on paper)
Horse Fair, Southampton (pen & ink & w/c on paper)

STC205060: Horse Fair, Southampton (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)
The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)

XCF290981: The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Steward, from a series entitled Country Characters, 1799 (etching with w/c)
Steward, from a series entitled Country Characters, 1799 (etching with w/c)

XCF290988: Steward, from a series entitled Country Characters, 1799 (etching with w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper)
A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper)

CH378070: A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Cruel Mistress (pen & brown ink and colour wash on paper)
The Cruel Mistress (pen & brown ink and colour wash on paper)

CH378077: The Cruel Mistress (pen & brown ink and colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'How to Twist Your Neck' (pen, red ink and w/c on paper)
'How to Twist Your Neck' (pen, red ink and w/c on paper)

XYC158076: 'How to Twist Your Neck' (pen, red ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)
Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)

XYC159702: Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)
The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)

CHT142100: The Anatomist, published by Thomas Tegg, 1811 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cucumbers (coloured engraving)
Cucumbers (coloured engraving)

LLJ558314: Cucumbers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chairs to mend (coloured engraving)
Chairs to mend (coloured engraving)

LLJ558329: Chairs to mend (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Shoe black (coloured engraving)
Shoe black (coloured engraving)

LLJ558362: Shoe black (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel  (coloured engraving)
Newgate chapel  (coloured engraving)

LLJ559079: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Great News (coloured engraving)
Great News (coloured engraving)

LLJ583004: Great News (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billingsgate Market (coloured engraving)
Billingsgate Market (coloured engraving)

LLJ582196: Billingsgate Market (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)
Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)

XYC322079: Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Riding School (pen & ink on paper)
The Riding School (pen & ink on paper)

XYC226634: The Riding School (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)
The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)

XYC226635: The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)
The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)

XYC145593: The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)
The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)

XYC149959: The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)
The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)

XYC150243: The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)
The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)

XCK877328: The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Massacar Oil, an oily puff for soft heads, 1814 (etching)
Massacar Oil, an oily puff for soft heads, 1814 (etching)

XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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