Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213543: Marriage of Doctor Dicky Bend, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'How to Twist Your Neck' (pen, red ink and w/c on paper)
'How to Twist Your Neck' (pen, red ink and w/c on paper)

XYC158076: 'How to Twist Your Neck' (pen, red ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)
The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper)

XYC226635: The Stable of an Inn, c.1790 (graphite & pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213544: Doctor Syntax turned nurse, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)
An English Postilion, c.1785 (graphite, pen, ink & w/c on paper)

XYC224056: An English Postilion, c.1785 (graphite, pen, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214672: Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Riding School (pen & ink on paper)
The Riding School (pen & ink on paper)

XYC226634: The Riding School (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place, Kingston-upon-Thames, 1812 (pen & w/c on paper)
The Market Place, Kingston-upon-Thames, 1812 (pen & w/c on paper)

NP125701: The Market Place, Kingston-upon-Thames, 1812 (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)
Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)

NP125737: Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)
The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)

CHT142100: The Anatomist, published by Thomas Tegg, 1811 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)
The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)

XYC145593: The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190612: A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View of Exeter from the River Exmouth (brown ink & w/c wash on paper)
View of Exeter from the River Exmouth (brown ink & w/c wash on paper)

PFA178592: View of Exeter from the River Exmouth (brown ink & w/c wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horse Fair, Southampton (pen & ink & w/c on paper)
Horse Fair, Southampton (pen & ink & w/c on paper)

STC205060: Horse Fair, Southampton (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309562: The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)
Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)

XYC322079: Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Abington, reclining on a couch (pen, graphite & w/c on paper)
Mrs Abington, reclining on a couch (pen, graphite & w/c on paper)

XYC249713: Mrs Abington, reclining on a couch (pen, graphite & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Cruel Mistress (pen & brown ink and colour wash on paper)
The Cruel Mistress (pen & brown ink and colour wash on paper)

CH378077: The Cruel Mistress (pen & brown ink and colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309563: The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309559: Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309572: A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309571: The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper)
A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper)

XYC283582: A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190616: Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)
The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)

XCF290981: The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Steward, from a series entitled Country Characters, 1799 (etching with w/c)
Steward, from a series entitled Country Characters, 1799 (etching with w/c)

XCF290988: Steward, from a series entitled Country Characters, 1799 (etching with w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Carter and the Gypsies (pen & ink and w/c on paper)
The Carter and the Gypsies (pen & ink and w/c on paper)

AGN271132: The Carter and the Gypsies (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Market Place (pen & ink on paper)
Market Place (pen & ink on paper)

AGN271134: Market Place (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)
A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)

XYC249719: A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return from the Hunt, 1787 (pen & ink with w/c on paper)
The Return from the Hunt, 1787 (pen & ink with w/c on paper)

XYC250004: The Return from the Hunt, 1787 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Review in a Market Place, c.1790 (pen & ink with w/c on paper)
A Review in a Market Place, c.1790 (pen & ink with w/c on paper)

XYC250012: A Review in a Market Place, c.1790 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper)
Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper)

XYC250013: Horsemen Colliding, c.1785-90 (pen & ink with brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sea Amusement (pen & ink and w/c on paper)
Sea Amusement (pen & ink and w/c on paper)

AGN271133: Sea Amusement (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man Fishing, c.1780 (pen & brown ink and w/c on paper)
Man Fishing, c.1780 (pen & brown ink and w/c on paper)

MAN276856: Man Fishing, c.1780 (pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Landscape with monks (pen & ink and wash on paper)
Landscape with monks (pen & ink and wash on paper)

SFA413836: Landscape with monks (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Knaresborough Castle, Yorkshire (watercolour)
Knaresborough Castle, Yorkshire (watercolour)

AGN51052: Knaresborough Castle, Yorkshire (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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