Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869
Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869

LSE4081512: Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081545: Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081505: The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081503: Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869
Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869

LSE4081521: Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Society of Agriculture (coloured engraving)
Society of Agriculture (coloured engraving)

LLJ585261: Society of Agriculture (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)
The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)

LLJ603914: The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On Change (engraving)
On Change (engraving)

LLJ585599: On Change (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of Trinity House (coloured engraving)
Interior of Trinity House (coloured engraving)

LLJ602442: Interior of Trinity House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving)
Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving)

LLJ584947: Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Cooking’, c.1798 (aquatint, sepia)
‘Soldiers Cooking’, c.1798 (aquatint, sepia)

NAM5929056: ‘Soldiers Cooking’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lazing on a Sofa (w/c over pen and ink)
Lazing on a Sofa (w/c over pen and ink)

MAA6322105: Lazing on a Sofa (w/c over pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving)
Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving)

KWE7212187: Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)
The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)

XCK877330: The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Alehouse Politicians, c.1785-90 (pen and watercolour over pencil on paper)
Alehouse Politicians, c.1785-90 (pen and watercolour over pencil on paper)

XBM115506: Alehouse Politicians, c.1785-90 (pen and watercolour over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at an Auction, 1820 (engraving)
Dr Syntax at an Auction, 1820 (engraving)

CBE200625: Dr Syntax at an Auction, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Doublepulse (w/c with pen & ink on paper)
Doctor Doublepulse (w/c with pen & ink on paper)

CBE204075: Doctor Doublepulse (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

High Life, 1794 (pen and ink and watercolour)
High Life, 1794 (pen and ink and watercolour)

WHT162091: High Life, 1794 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cry for a Cat (pen and ink & w/c on paper)
A Cry for a Cat (pen and ink & w/c on paper)

CBE201722: A Cry for a Cat (pen and ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dancing Dogs (pen & ink with w/c on paper)
Dancing Dogs (pen & ink with w/c on paper)

CBE204080: Dancing Dogs (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666980: Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Check Hackney complaining to passengers about small tips (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Check Hackney complaining to passengers about small tips (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666912: Check Hackney complaining to passengers about small tips (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760696: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760700: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760721: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690522: The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690564: The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690584: Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690572: Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with his hourglass comes for a beautiful coquette in her bedroom as is dressed for a ball by her servants. Death is dressed in frock coat and wig like a suitor. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with his hourglass comes for a beautiful coquette in her bedroom as is dressed for a ball by her servants. Death is dressed in frock coat and wig like a suitor. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690125: The skeleton of Death with his hourglass comes for a beautiful coquette in her bedroom as is dressed for a ball by her servants. Death is dressed in frock coat and wig like a suitor. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690227: The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for the Bishop in the abbey, as he reads the Bible on a lectern and rests his gouty foot on a cushion. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Bishop in the abbey, as he reads the Bible on a lectern and rests his gouty foot on a cushion. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690232: The skeleton of Death comes for the Bishop in the abbey, as he reads the Bible on a lectern and rests his gouty foot on a cushion. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690312: The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690488: The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690538: Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cornelian Bay: Regency women on a picnic are surprised by a sudden storm. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Cornelian Bay: Regency women on a picnic are surprised by a sudden storm. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690545: Cornelian Bay: Regency women on a picnic are surprised by a sudden storm. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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