Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Breedwell Family, 1807 (pen & ink and w/c on paper)
The Breedwell Family, 1807 (pen & ink and w/c on paper)

CH378079: The Breedwell Family, 1807 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Wonderful Pig, 1785 (etching)
The Wonderful Pig, 1785 (etching)

XJF493394: The Wonderful Pig, 1785 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Three men and a woman drinking (pen & ink and w/c on paper)
Three men and a woman drinking (pen & ink and w/c on paper)

XYC234029: Three men and a woman drinking (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The High Street on Market day, Newport, Isle of Wight, c.1797-1800 (pen & ink & w/c on paper)
The High Street on Market day, Newport, Isle of Wight, c.1797-1800 (pen & ink & w/c on paper)

XYC234035: The High Street on Market day, Newport, Isle of Wight, c.1797-1800 (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328)
The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328)

XCK3576810: The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farm Scene with Flock of Geese (pencil & watercolour on paper)
Farm Scene with Flock of Geese (pencil & watercolour on paper)

TW1214672: Farm Scene with Flock of Geese (pencil & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)
A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)

XOS1765916: A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Last Supper, 1760-90 (pen & ink with wash over graphite on paper)
The Last Supper, 1760-90 (pen & ink with wash over graphite on paper)

XYC250010: The Last Supper, 1760-90 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper)
Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper)

XYC250001: Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Social Holiday, 1820 (pen & ink with wash on paper)
A Social Holiday, 1820 (pen & ink with wash on paper)

BOU2602006: A Social Holiday, 1820 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Picnic, 1820 (w/c on paper)
The Picnic, 1820 (w/c on paper)

AGN270945: The Picnic, 1820 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving)
Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving)

KWE7212187: Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)
Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)

STC115400: Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Faces, 1815 (pencil on paper)
Monkey Faces, 1815 (pencil on paper)

BAL4034: Monkey Faces, 1815 (pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Alehouse Politicians, c.1785-90 (pen and watercolour over pencil on paper)
Alehouse Politicians, c.1785-90 (pen and watercolour over pencil on paper)

XBM115506: Alehouse Politicians, c.1785-90 (pen and watercolour over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cry for a Cat (pen and ink & w/c on paper)
A Cry for a Cat (pen and ink & w/c on paper)

CBE201722: A Cry for a Cat (pen and ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Doublepulse (w/c with pen & ink on paper)
Doctor Doublepulse (w/c with pen & ink on paper)

CBE204075: Doctor Doublepulse (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at an Auction, 1820 (engraving)
Dr Syntax at an Auction, 1820 (engraving)

CBE200625: Dr Syntax at an Auction, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dancing Dogs (pen & ink with w/c on paper)
Dancing Dogs (pen & ink with w/c on paper)

CBE204080: Dancing Dogs (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

High Life, 1794 (pen and ink and watercolour)
High Life, 1794 (pen and ink and watercolour)

WHT162091: High Life, 1794 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760696: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760700: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760721: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome and his Subaltern on half rations after the Battle of Salamanca. Soldiers burying the dead, while others rest near their encampment. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome and his Subaltern on half rations after the Battle of Salamanca. Soldiers burying the dead, while others rest near their encampment. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999445: Ensign Johnny Newcome and his Subaltern on half rations after the Battle of Salamanca. Soldiers burying the dead, while others rest near their encampment. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome arriving at his Subalternter's ticket in Portugal, a hovel with filthy beggars. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome arriving at his Subalternter's ticket in Portugal, a hovel with filthy beggars. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999376: Ensign Johnny Newcome arriving at his Subalternter's ticket in Portugal, a hovel with filthy beggars. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome learning to smoke cigars and drink grog with other officers. Smoking too much and vomiting at the table. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome learning to smoke cigars and drink grog with other officers. Smoking too much and vomiting at the table. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999543: Ensign Johnny Newcome learning to smoke cigars and drink grog with other officers. Smoking too much and vomiting at the table. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome, sick with dysentery, taken by ox cart to Salamanca, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome, sick with dysentery, taken by ox cart to Salamanca, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997463: Ensign Johnny Newcome, sick with dysentery, taken by ox cart to Salamanca, Spain. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny carousing with sailors, slopmen, crimps, mudlarkers, bawds, and pimps in a cabin on the Sheerness Boat. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny carousing with sailors, slopmen, crimps, mudlarkers, bawds, and pimps in a cabin on the Sheerness Boat. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989332: Johnny carousing with sailors, slopmen, crimps, mudlarkers, bawds, and pimps in a cabin on the Sheerness Boat. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny courting Maria in a parlor while others play cards and sing songs in front of the hearth. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny courting Maria in a parlor while others play cards and sing songs in front of the hearth. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989343: Johnny courting Maria in a parlor while others play cards and sing songs in front of the hearth. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny joins the captain in his cabin for drinks with the other officers. The admiral has made it sunset, sir! Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny joins the captain in his cabin for drinks with the other officers. The admiral has made it sunset, sir! Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989368: Johnny joins the captain in his cabin for drinks with the other officers. The admiral has made it sunset, sir! Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Captain Johnny Newcome and his servants with pack horses on the road to Santarem, Portugal, to return to the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome and his servants with pack horses on the road to Santarem, Portugal, to return to the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997491: Captain Johnny Newcome and his servants with pack horses on the road to Santarem, Portugal, to return to the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Naval punishment of cobbing (thrashing) for ruining a meal. Johnny is beaten with a stick over the mess table for adding salt to the pudding. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Naval punishment of cobbing (thrashing) for ruining a meal. Johnny is beaten with a stick over the mess table for adding salt to the pudding. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989329: Naval punishment of cobbing (thrashing) for ruining a meal. Johnny is beaten with a stick over the mess table for adding salt to the pudding. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Naval rite of passage, Dogfish Bark: Johnny is sent on deck to listen for the bark of a dogfish, only to be soaked by buckets of water from sailors in the rigging. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Naval rite of passage, Dogfish Bark: Johnny is sent on deck to listen for the bark of a dogfish, only to be soaked by buckets of water from sailors in the rigging. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989398: Naval rite of passage, Dogfish Bark: Johnny is sent on deck to listen for the bark of a dogfish, only to be soaked by buckets of water from sailors in the rigging. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690347: Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690418: The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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