Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Trinity Library, Cambridge (pencil, pen & ink and watercolour on paper)
Trinity Library, Cambridge (pencil, pen & ink and watercolour on paper)

CH378071: Trinity Library, Cambridge (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Skaters on the Serpentine, 1784 (watercolour, ink & pencil on paper)
Skaters on the Serpentine, 1784 (watercolour, ink & pencil on paper)

NGW405363: Skaters on the Serpentine, 1784 (watercolour, ink & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breedwell Family, 1807 (pen & ink and w/c on paper)
The Breedwell Family, 1807 (pen & ink and w/c on paper)

CH378079: The Breedwell Family, 1807 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809
Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809

BAL32967: Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fire (w/c)
The Fire (w/c)

AGN59551: The Fire (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Wonderful Pig, 1785 (etching)
The Wonderful Pig, 1785 (etching)

XJF493394: The Wonderful Pig, 1785 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)
Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)

STC104917: Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint)
Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint)

MOL1135: Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monuments in Westminster Abbey (sepia ink and pencil)
Monuments in Westminster Abbey (sepia ink and pencil)

GHL49519: Monuments in Westminster Abbey (sepia ink and pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature (hand coloured etching)
Caricature (hand coloured etching)

BAL1137: Caricature (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)
'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)

XYC281137: 'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temptation,  (pencil, pen and ink and watercolour)
Temptation,  (pencil, pen and ink and watercolour)

CH824131: Temptation, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)
The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)

XCK877330: The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Anthropomorphic heads of men and fish (litho)
Anthropomorphic heads of men and fish (litho)

REV884398: Anthropomorphic heads of men and fish (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive
Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive

LZT1013393: Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Horse Deal (pen, watercolour & pencil on paper)
The Horse Deal (pen, watercolour & pencil on paper)

NP125751: The Horse Deal (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive
Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive

LZT1013395: Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax losing his way'
'Dr Syntax losing his way'

XLF3781139: 'Dr Syntax losing his way', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax sketching the lake'
'Dr Syntax sketching the lake'

XLF3781154: 'Dr Syntax sketching the lake', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax and the foundling'
'Dr Syntax and the foundling'

XLF3781205: 'Dr Syntax and the foundling', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax turned nurse'
'Dr Syntax turned nurse'

XLF3781188: 'Dr Syntax turned nurse', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Chess Players'
'The Chess Players'

XLF3781252: 'The Chess Players', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century
Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century

LSE4077227: Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081503: Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869
Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869

LSE4081521: Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Cooking’, c.1798 (aquatint, sepia)
‘Soldiers Cooking’, c.1798 (aquatint, sepia)

NAM5929056: ‘Soldiers Cooking’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection
Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012366: Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection
Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012369: Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection
Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection

LZT1012384: Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)
A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)

XOS1765916: A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection
Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection

LZT1012367: Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection
A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012379: A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark
The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark

LZT1012374: The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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