Rowlandson, Thomas (1756-1827) Assets (1155 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View of Brunswick Dock, 1806 (etching)
View of Brunswick Dock, 1806 (etching)

GHL465634: View of Brunswick Dock, 1806 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farm Scene with Flock of Geese (pencil & w/c on paper)
Farm Scene with Flock of Geese (pencil & w/c on paper)

TW1214672: Farm Scene with Flock of Geese (pencil & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Taunton Vale, Somersetshire, from 'Sketches from Nature', published 1822 (coloured etching)
Taunton Vale, Somersetshire, from 'Sketches from Nature', published 1822 (coloured etching)

STC444700: Taunton Vale, Somersetshire, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Wonderful Pig, 1785 (etching)
The Wonderful Pig, 1785 (etching)

XJF493394: The Wonderful Pig, 1785 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Faces, 1815 (pencil on paper)
Monkey Faces, 1815 (pencil on paper)

BAL4034: Monkey Faces, 1815 (pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Hazard Room (watercolour)
The Hazard Room (watercolour)

BAL5328: The Hazard Room (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809
Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809

BAL32967: Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature (hand coloured etching)
Caricature (hand coloured etching)

BAL1137: Caricature (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)
The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)

LLJ603914: The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Writing the Will, 1786 (pen and grey ink and watercolour)
Writing the Will, 1786 (pen and grey ink and watercolour)

CH651829: Writing the Will, 1786 (pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)
A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)

CH651920: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)

CH651923: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of Trinity House (coloured engraving)
Interior of Trinity House (coloured engraving)

LLJ602442: Interior of Trinity House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On Change (engraving)
On Change (engraving)

LLJ585599: On Change (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Band-boxes (coloured engraving)
Band-boxes (coloured engraving)

LLJ558339: Band-boxes (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Society of Agriculture (coloured engraving)
Society of Agriculture (coloured engraving)

LLJ585261: Society of Agriculture (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving)
Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving)

LLJ584947: Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temptation,  (pencil, pen and ink and watercolour)
Temptation,  (pencil, pen and ink and watercolour)

CH824131: Temptation, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Anthropomorphic heads of men and fish (litho)
Anthropomorphic heads of men and fish (litho)

REV884398: Anthropomorphic heads of men and fish (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)
The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)

XCK877330: The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lazing on a Sofa (w/c over pen and ink)
Lazing on a Sofa (w/c over pen and ink)

MAA6322105: Lazing on a Sofa (w/c over pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)
Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)

STC115400: Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper)
Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper)

XBM115506: Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cockburn's Theatre on Fire
Cockburn's Theatre on Fire

CH27221: Cockburn's Theatre on Fire, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)
Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)

STC104917: Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rocky scene on the North Coast, Cornwall (pen and ink and w/c on paper)
Rocky scene on the North Coast, Cornwall (pen and ink and w/c on paper)

XYC159604: Rocky scene on the North Coast, Cornwall (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pregnant Woman, 1815 (coloured litho)
The Pregnant Woman, 1815 (coloured litho)

CHT157480: The Pregnant Woman, 1815 (coloured litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper)
The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper)

XYC158078: The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide at Greenwich (brown ink & wash on paper)
Low Tide at Greenwich (brown ink & wash on paper)

PFA178591: Low Tide at Greenwich (brown ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213542: Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper)
Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper)

STC213553: Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


Back to top