Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Band-boxes (coloured engraving)
Band-boxes (coloured engraving)

LLJ558339: Band-boxes (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)
The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)

LLJ603914: The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A fish market on the beach (colour litho)
A fish market on the beach (colour litho)

IL3611032: A fish market on the beach (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Society of Agriculture (coloured engraving)
Society of Agriculture (coloured engraving)

LLJ585261: Society of Agriculture (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper)
The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper)

EX615211: The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On Change (engraving)
On Change (engraving)

LLJ585599: On Change (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of Trinity House (coloured engraving)
Interior of Trinity House (coloured engraving)

LLJ602442: Interior of Trinity House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081503: Le rêve du docteur - in “” Doctor Syntax 'three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081505: The consultation - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869
Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869

LSE4081512: Dr Syntax with my lord (in the aristocrats) - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869
Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869

LSE4081521: Maison close - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by William Combe, ill. by Rowlandson, John Camden Hotten, Picadilly, London, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081545: Le docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century
Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century

LSE4077227: Mental illness and visions: the hypochondrium - drawing by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)
Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)

XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)
Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)

KWE282173: Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cardiff (ink & wash on paper)
Cardiff (ink & wash on paper)

NGW388587: Cardiff (ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madame Very,  Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving)
Madame Very,  Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving)

STC2966791: Madame Very, Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)
Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)

STC2962506: Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Antiquarians a la Greque, pub. 1805 (hand coloured engraving)
Antiquarians a la Greque, pub. 1805 (hand coloured engraving)

STC2962514: Antiquarians a la Greque, pub. 1805 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving)
From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving)

STC2966887: From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper)
Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper)

NGW405363: Skaters on the Serpentine, 1784 (w/c, ink & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil)
A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil)

CH378078: A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View of Brunswick Dock, 1806 (etching)
View of Brunswick Dock, 1806 (etching)

GHL465634: View of Brunswick Dock, 1806 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328)
The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328)

XCK3576810: The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)
A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)

XYC283575: A Woodcutter's Picnic (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ballad Singers (w/c with pen & ink over graphite on paper)
The Ballad Singers (w/c with pen & ink over graphite on paper)

XYC283585: The Ballad Singers (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Anthropomorphic heads of men and fish (litho)
Anthropomorphic heads of men and fish (litho)

REV884398: Anthropomorphic heads of men and fish (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Proposal, 1796 (ink & w/c on paper)
The Proposal, 1796 (ink & w/c on paper)

BOL93981: The Proposal, 1796 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Writing the Will, 1786 (pen and grey ink and watercolour)
Writing the Will, 1786 (pen and grey ink and watercolour)

CH651829: Writing the Will, 1786 (pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)
A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)

CH651920: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)

CH651923: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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