Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper)
Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper)

XYC286496: Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ballad Singers (w/c with pen & ink over graphite on paper)
The Ballad Singers (w/c with pen & ink over graphite on paper)

XYC283585: The Ballad Singers (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)
'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)

XYC281137: 'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)
Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)

XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper)
Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper)

XYC250001: Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Last Supper, 1760-90 (pen & ink with wash over graphite on paper)
The Last Supper, 1760-90 (pen & ink with wash over graphite on paper)

XYC250010: The Last Supper, 1760-90 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209607: Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Three men and a woman drinking (pen & ink and w/c on paper)
Three men and a woman drinking (pen & ink and w/c on paper)

XYC234029: Three men and a woman drinking (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The High Street on Market day, Newport, Isle of Wight, c.1797-1800 (pen & ink & w/c on paper)
The High Street on Market day, Newport, Isle of Wight, c.1797-1800 (pen & ink & w/c on paper)

XYC234035: The High Street on Market day, Newport, Isle of Wight, c.1797-1800 (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Amorous Attentions, c.1800 (w/c on paper)
Amorous Attentions, c.1800 (w/c on paper)

BOU202931: Amorous Attentions, c.1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213542: Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper)
Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper)

STC213553: Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide at Greenwich (brown ink & wash on paper)
Low Tide at Greenwich (brown ink & wash on paper)

PFA178591: Low Tide at Greenwich (brown ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)

CH651923: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Writing the Will, 1786 (pen and grey ink and watercolour)
Writing the Will, 1786 (pen and grey ink and watercolour)

CH651829: Writing the Will, 1786 (pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)
A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)

CH651920: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper)
The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper)

EX615211: The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of Trinity House (coloured engraving)
Interior of Trinity House (coloured engraving)

LLJ602442: Interior of Trinity House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Band-boxes (coloured engraving)
Band-boxes (coloured engraving)

LLJ558339: Band-boxes (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On Change (engraving)
On Change (engraving)

LLJ585599: On Change (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)
The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)

LLJ603914: The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving)
Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving)

LLJ584947: Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Society of Agriculture (coloured engraving)
Society of Agriculture (coloured engraving)

LLJ585261: Society of Agriculture (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)
Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)

STC115400: Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Swing (ink, w/c & pencil on paper)
The Swing (ink, w/c & pencil on paper)

NP125708: The Swing (ink, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125713: "A Visit to the Uncle", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125712), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fire (w/c)
The Fire (w/c)

AGN59551: The Fire (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monuments in Westminster Abbey (sepia ink and pencil)
Monuments in Westminster Abbey (sepia ink and pencil)

GHL49519: Monuments in Westminster Abbey (sepia ink and pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Discovery (w/c)
The Discovery (w/c)

AGN65458: The Discovery (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cockburn's Theatre on Fire
Cockburn's Theatre on Fire

CH27221: Cockburn's Theatre on Fire, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809
Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809

BAL32967: Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide on the Thames
Low Tide on the Thames

AGN48070: Low Tide on the Thames, Rowlandson, Thomas (1756-1827) / Bridgeman Images

High Life, 1794 (pen and ink and watercolour)
High Life, 1794 (pen and ink and watercolour)

WHT162091: High Life, 1794 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at an Auction, 1820 (engraving)
Dr Syntax at an Auction, 1820 (engraving)

CBE200625: Dr Syntax at an Auction, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dancing Dogs (pen & ink with w/c on paper)
Dancing Dogs (pen & ink with w/c on paper)

CBE204080: Dancing Dogs (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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