Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
STC3258451: Political chemist and German retorts or dissolving the Rhenish confederacy, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLF3781138: 'Dr Syntax setting out on his tour to the Lakes', Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLF3781185: 'Miss Worthy's marriage - Dr Syntax in the chair', Rowlandson, Thomas (1756-1827) / Bridgeman Images
BYD3850776: The Disembarkation of the Royalists of Toulon, Rowlandson, Thomas (1756-1827) / Bridgeman Images
CCI1825137: Performance at Drury Lane Theatre, London, 1808 (illustration), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC810337: Vicar of Wakefield by Oliver Goldsmith, Frontispiece, 1817 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
![Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving)](https://images-cdn.bridgemanimages.com/api/1.0/image/600wm.XJF.6141540.7055475/448237.jpg?old-wm)
XJF448237: Pidgeon Hole - A Convent [sic] Garden contrivance to coop up the gods, 1811 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XJF473767: The Two Patriotic Duchess's on their Canvass, 1784 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937625: The King's Bath, plate 7 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937616: An Assembly Ball, plate 10 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XOS5667142: The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558353: Distressed sailors (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558990: The Pass-room Bridewell Prison (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ607331: The result of purchasing a blind horse (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ604027: Dr Syntax at Freemason's Hall (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ROC828802: Directions to Footmen, 1807 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE85848: The Soldier's Departure (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XBM115512: A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
VIB98389: The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ONT996234: After Dinner, c.1805 (pen & brown, vermilion & grey ink, & w/c over graphite on wove paper on original mount with hand-drawn border), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666910: Night watchman with his lantern and stick, inattentive to two burglars entering a house behind him (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989324: Naval rite of passage: Crossing the Line. Johnny is dunked in a bath of bilge water when he first crosses the equator. Sailors are dressed as sea gods Neptune, Amphitrite and Triton. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989338: Officers and Midshipmen celebrating the news that the Captain has left the ship. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4669439: Meeting of the Lords of the Admiralty in the Board Room, Admiralty. Steel engraving by Henry Melville after an illustration by Thomas Rowlandson from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841., Rowlandson, Thomas (1756-1827) / Bridgeman Images
