Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690481: The skeleton of Death pours a fatal glass of wine for old fool Sir Peter on his Honeymoon, while his young wife Julia flirts with Major Henry at the window. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690532: The Spa Terrace: tourists taking a stroll on a windy day on the Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690623: Breakfast Room of the Old Bell Inn, Scarborough. Guests drinking coffee, reading newspapers, eating breakfast in a Regency room. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

French Prisoners on Parole at Bodmin, Cornwall, 1795 (pen & ink and w/c on paper)
French Prisoners on Parole at Bodmin, Cornwall, 1795 (pen & ink and w/c on paper)

XYC159605: French Prisoners on Parole at Bodmin, Cornwall, 1795 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174261: Temple Association Volunteer, plate 14 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sweet Lavender, 1820 (engraving)
Sweet Lavender, 1820 (engraving)

BAL66822: Sweet Lavender, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Music at Home (pen and ink, w/c)
Music at Home (pen and ink, w/c)

CBE85845: Music at Home (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Soldier's Departure (pen & ink, w/c)
The Soldier's Departure (pen & ink, w/c)

CBE85848: The Soldier's Departure (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Turk and a Tartar (ink and w/c)
A Turk and a Tartar (ink and w/c)

MAL85977: A Turk and a Tartar (ink and w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Royal Oak (w/c, pen & ink)
The Royal Oak (w/c, pen & ink)

BON77088: The Royal Oak (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98389: The Fish Market, plate 4 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Snuff and Gin (pen & ink)
Snuff and Gin (pen & ink)

BRA33304: Snuff and Gin (pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Patriotic Dinner held at the City of London Tavern,
The Patriotic Dinner held at the City of London Tavern,

GHL34424: The Patriotic Dinner held at the City of London Tavern,, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Outside an Inn
Outside an Inn

AGN48025: Outside an Inn, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Love Letter
The Love Letter

WOR49069: The Love Letter, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fording the Stream
Fording the Stream

AGN48083: Fording the Stream, Rowlandson, Thomas (1756-1827) / Bridgeman Images

French Soldiers on Parade (pen & w/c on paper)
French Soldiers on Parade (pen & w/c on paper)

NP125702: French Soldiers on Parade (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gluttony (pen & w/c on paper)
Gluttony (pen & w/c on paper)

NP125703: Gluttony (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Cole Hole' (ink & w/c on paper) (see also BKB 100476)
'The Cole Hole' (ink & w/c on paper) (see also BKB 100476)

NP125704: 'The Cole Hole' (ink & w/c on paper) (see also BKB 100476), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125712: "A Visit to the Aunt", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125713), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cart Race, pub. by William Holland, 1789 (coloured etching)
A Cart Race, pub. by William Holland, 1789 (coloured etching)

NP125719: A Cart Race, pub. by William Holland, 1789 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125720: "Four o'Clock in Town", pub. 1788 (coloured etching with aquatint) (pair of 125721), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125732: "Box Lobby Loungers", etched by Rowlandson from a design by Henry Wigstead (c.1745-93), pub. by John Raphael Smith, 1786 (sepia etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062)
Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062)

NP125736: Place de Mier at Antwerp, engraved by Wright and Schutz, pub. by Rudolph Ackermann, 1797 (coloured etching with aquatint) (see also 21062), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Return from Epsom Races, 1823 (pen, w/c & pencil on paper)
Return from Epsom Races, 1823 (pen, w/c & pencil on paper)

NP125747: Return from Epsom Races, 1823 (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View from above the Cliffs, the Mumbles, South Wales (pen, w/c & pencil on paper)
View from above the Cliffs, the Mumbles, South Wales (pen, w/c & pencil on paper)

NP125749: View from above the Cliffs, the Mumbles, South Wales (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125760: "The Charms of a Red Coat" (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper)
A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper)

XBM115512: A Coach Preparing to Leave Canterbury Gate, Christ Church, Oxford, c.1810-15 (pen and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Nightwatchman (w/c on paper)
The Nightwatchman (w/c on paper)

MOL152237: The Nightwatchman (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Customs House at Boulogne (w/c with pen and grey ink over pencil on paper)
The Customs House at Boulogne (w/c with pen and grey ink over pencil on paper)

XYC145592: The Customs House at Boulogne (w/c with pen and grey ink over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate)
The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate)

STC148812: The stern preceptor, with his threat'ning nod, calls in the wise corretion of the rod, from 'A Compendious Treatise on Modern Education', 1802 (hand coloured etched plate), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint)
The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint)

XOS5667142: The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Calligraphic title page with vignette of the Skeleton of Death a
Calligraphic title page with vignette of the Skeleton of Death a

FLO5893685: Calligraphic title page with vignette of the Skeleton of Death a, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two men falling off their horses after showing off. Showing Off.
Two men falling off their horses after showing off. Showing Off.

FLO5893695: Two men falling off their horses after showing off. Showing Off., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tipsy man riding a horse facing the tail.
Tipsy man riding a horse facing the tail.

FLO5893698: Tipsy man riding a horse facing the tail., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man using bellows in front of a fire in a smoky room.
Man using bellows in front of a fire in a smoky room.

FLO5893701: Man using bellows in front of a fire in a smoky room., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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