Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Skaters on the Serpentine, 1784 (watercolour, ink & pencil on paper)
Skaters on the Serpentine, 1784 (watercolour, ink & pencil on paper)

NGW405363: Skaters on the Serpentine, 1784 (watercolour, ink & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cardiff (ink & wash on paper)
Cardiff (ink & wash on paper)

NGW388587: Cardiff (ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Suovetaurilia (wash over pencil & ink)
Suovetaurilia (wash over pencil & ink)

HMG392114: Suovetaurilia (wash over pencil & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter, c.1810 (pen & ink, pencil and watercolour on paper)
The South Gate, Exeter, c.1810 (pen & ink, pencil and watercolour on paper)

EX615211: The South Gate, Exeter, c.1810 (pen & ink, pencil and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)
Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)

XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Trinity Library, Cambridge (pencil, pen & ink and watercolour on paper)
Trinity Library, Cambridge (pencil, pen & ink and watercolour on paper)

CH378071: Trinity Library, Cambridge (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with watercolour over pencil)
A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with watercolour over pencil)

CH378078: A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with watercolour over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breedwell Family, 1807 (pen & ink and w/c on paper)
The Breedwell Family, 1807 (pen & ink and w/c on paper)

CH378079: The Breedwell Family, 1807 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Greenwich Hospital (pencil & watercolour on paper)
Greenwich Hospital (pencil & watercolour on paper)

AGN270943: Greenwich Hospital (pencil & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Picnic, 1820 (w/c on paper)
The Picnic, 1820 (w/c on paper)

AGN270945: The Picnic, 1820 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)
'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)

XYC281137: 'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)
Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)

KWE282173: Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Last Supper, 1760-90 (pen & ink with wash over graphite on paper)
The Last Supper, 1760-90 (pen & ink with wash over graphite on paper)

XYC250010: The Last Supper, 1760-90 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper)
Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper)

XYC250001: Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)
A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)

XYC283575: A Woodcutter's Picnic (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ballad Singers (w/c with pen & ink over graphite on paper)
The Ballad Singers (w/c with pen & ink over graphite on paper)

XYC283585: The Ballad Singers (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)
A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)

XOS1765916: A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection
Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012369: Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection
Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection

LZT1012384: Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection
Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012366: Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark
The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark

LZT1012374: The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farm Scene with Flock of Geese (pencil & watercolour on paper)
Farm Scene with Flock of Geese (pencil & watercolour on paper)

TW1214672: Farm Scene with Flock of Geese (pencil & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)
Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)

STC104917: Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)
Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)

STC115400: Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Discovery (w/c)
The Discovery (w/c)

AGN65458: The Discovery (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place de Mer at Antwerp (print published by Ackermann, 1797)
Place de Mer at Antwerp (print published by Ackermann, 1797)

OJ55058: Place de Mer at Antwerp (print published by Ackermann, 1797), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)
The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

NP125723: The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Hunting Incident (pen & ink & w/c on paper)
A Hunting Incident (pen & ink & w/c on paper)

NP125746: A Hunting Incident (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Horse Deal (pen, watercolour & pencil on paper)
The Horse Deal (pen, watercolour & pencil on paper)

NP125751: The Horse Deal (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Swing (ink, watercolour & pencil on paper)
The Swing (ink, watercolour & pencil on paper)

NP125708: The Swing (ink, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125713: "A Visit to the Uncle", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125712), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctors Differ (pen & ink & w/c on paper)
Doctors Differ (pen & ink & w/c on paper)

NP125741: Doctors Differ (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide at Greenwich (brown ink & wash on paper)
Low Tide at Greenwich (brown ink & wash on paper)

PFA178591: Low Tide at Greenwich (brown ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213542: Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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