Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection
Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012369: Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark
The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark

LZT1012374: The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection
A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012379: A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection
Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection

LZT1012384: Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive
Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive

LZT1013393: Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive
Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive

LZT1013395: Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Napoleon's coach being viewed by fashionable London, from 'An Historical Account of the Campaign in the Netherlands, in 1815', 1817 (watercolour)
Napoleon's coach being viewed by fashionable London, from 'An Historical Account of the Campaign in the Netherlands, in 1815', 1817 (watercolour)

CH986213: Napoleon's coach being viewed by fashionable London, from 'An Historical Account of the Campaign in the Netherlands, in 1815', 1817 (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)
Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)

XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)
Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)

KWE282173: Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper)
Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper)

XYC286496: Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil)
A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil)

CH378078: A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)
A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)

XYC283575: A Woodcutter's Picnic (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ballad Singers (w/c with pen & ink over graphite on paper)
The Ballad Singers (w/c with pen & ink over graphite on paper)

XYC283585: The Ballad Singers (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cardiff (ink & wash on paper)
Cardiff (ink & wash on paper)

NGW388587: Cardiff (ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madame Very,  Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving)
Madame Very,  Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving)

STC2966791: Madame Very, Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving)
From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving)

STC2966887: From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Antiquarians a la Greque, pub. 1805 (hand coloured engraving)
Antiquarians a la Greque, pub. 1805 (hand coloured engraving)

STC2962514: Antiquarians a la Greque, pub. 1805 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)
Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)

STC2962506: Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328)
The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328)

XCK3576810: The Post House, c.1778–80 (pen & ink, w/c and wash on paper) (recto of 877328) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Band-boxes (coloured engraving)
Band-boxes (coloured engraving)

LLJ558339: Band-boxes (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A fish market on the beach (colour litho)
A fish market on the beach (colour litho)

IL3611032: A fish market on the beach (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide on the Thames
Low Tide on the Thames

AGN48070: Low Tide on the Thames, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monuments in Westminster Abbey (sepia ink and pencil)
Monuments in Westminster Abbey (sepia ink and pencil)

GHL49519: Monuments in Westminster Abbey (sepia ink and pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Discovery (w/c)
The Discovery (w/c)

AGN65458: The Discovery (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809
Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809

BAL32967: Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature (hand coloured etching)
Caricature (hand coloured etching)

BAL1137: Caricature (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Faces, 1815 (pencil on paper)
Monkey Faces, 1815 (pencil on paper)

BAL4034: Monkey Faces, 1815 (pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)
The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

NP125723: The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper)
The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper)

XYC158078: The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of Trinity House (coloured engraving)
Interior of Trinity House (coloured engraving)

LLJ602442: Interior of Trinity House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Society of Agriculture (coloured engraving)
Society of Agriculture (coloured engraving)

LLJ585261: Society of Agriculture (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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