Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
FLO4690488: The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690545: Cornelian Bay: Regency women on a picnic are surprised by a sudden storm. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690572: Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690125: The skeleton of Death with his hourglass comes for a beautiful coquette in her bedroom as is dressed for a ball by her servants. Death is dressed in frock coat and wig like a suitor. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
GHL465634: View of Brunswick Dock, 1806 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC283585: The Ballad Singers (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC286496: Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
EX615211: The South Gate, Exeter, c.1810 (pen & ink, pencil and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651920: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651923: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234029: Three men and a woman drinking (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234035: The High Street on Market day, Newport, Isle of Wight, c.1797-1800 (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC250001: Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC250010: The Last Supper, 1760-90 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC213542: Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC213553: Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MAA6322105: Lazing on a Sofa (w/c over pen and ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NAM5929056: Soldiers Cooking, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC281137: 'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
KWE282173: Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC283575: A Woodcutter's Picnic (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
AGN270943: Greenwich Hospital (pencil & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
KWE7212187: Fish market, Dam Square, Amsterdam, Netherlands, 1797 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC444700: Taunton Vale, Somersetshire, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378071: Trinity Library, Cambridge (pencil, pen & ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH378079: The Breedwell Family, 1807 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NGW405363: Skaters on the Serpentine, 1784 (watercolour, ink & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
