Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)
Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint)

STC209607: Thigh Protect, New Guard, from 'Hungarian and Highland Broadsword', published 1798 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)
'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper)

XYC281137: 'The Doctor is so severely bruised that cupping is judged necessary', c.1810 (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)
Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)

KWE282173: Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)
A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)

XYC283575: A Woodcutter's Picnic (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ballad Singers (w/c with pen & ink over graphite on paper)
The Ballad Singers (w/c with pen & ink over graphite on paper)

XYC283585: The Ballad Singers (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper)
Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper)

XYC286496: Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)
Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)

STC104917: Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Proposal, 1796 (ink & w/c on paper)
The Proposal, 1796 (ink & w/c on paper)

BOL93981: The Proposal, 1796 (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213542: Doctor Syntax and the Bees, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper)
Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper)

STC213553: Earliest known letter from the artist to a Mr Downs, a potential patron, 8th December 1797 (pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper)
Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper)

XYC250001: Dr Graham's Cold Earth and Warm Mud Bathing Establishment at 26 Fleet Street, London (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Last Supper, 1760-90 (pen & ink with wash over graphite on paper)
The Last Supper, 1760-90 (pen & ink with wash over graphite on paper)

XYC250010: The Last Supper, 1760-90 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)
Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)

XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Trinity Library, Cambridge (pencil, pen & ink and w/c on paper)
Trinity Library, Cambridge (pencil, pen & ink and w/c on paper)

CH378071: Trinity Library, Cambridge (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil)
A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil)

CH378078: A Conversation at the 'Surgeons Hall', Old Bailey, London (pen & brown ink with w/c over pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breedwell Family, 1807 (pen & ink and w/c on paper)
The Breedwell Family, 1807 (pen & ink and w/c on paper)

CH378079: The Breedwell Family, 1807 (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Writing the Will, 1786 (pen and grey ink and watercolour)
Writing the Will, 1786 (pen and grey ink and watercolour)

CH651829: Writing the Will, 1786 (pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)
A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour)

CH651920: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)

CH651923: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Taunton Vale, Somersetshire, from 'Sketches from Nature', published 1822 (coloured etching)
Taunton Vale, Somersetshire, from 'Sketches from Nature', published 1822 (coloured etching)

STC444700: Taunton Vale, Somersetshire, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Wonderful Pig, 1785 (etching)
The Wonderful Pig, 1785 (etching)

XJF493394: The Wonderful Pig, 1785 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Band-boxes (coloured engraving)
Band-boxes (coloured engraving)

LLJ558339: Band-boxes (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Society of Agriculture (coloured engraving)
Society of Agriculture (coloured engraving)

LLJ585261: Society of Agriculture (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On Change (engraving)
On Change (engraving)

LLJ585599: On Change (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving)
Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving)

LLJ584947: Drawing from life at the Royal Academy, Somerset House, Strand, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior of Trinity House (coloured engraving)
Interior of Trinity House (coloured engraving)

LLJ602442: Interior of Trinity House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View of Brunswick Dock, 1806 (etching)
View of Brunswick Dock, 1806 (etching)

GHL465634: View of Brunswick Dock, 1806 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)
The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving)

LLJ603914: The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper)
The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper)

EX615211: The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)
Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)

STC115400: Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper)
Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper)

XBM115506: Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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