Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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The skeleton of Death with dart and hourglass skating on a frozen pond as other skaters fall through the broken ice. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with dart and hourglass skating on a frozen pond as other skaters fall through the broken ice. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690239: The skeleton of Death with dart and hourglass skating on a frozen pond as other skaters fall through the broken ice. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death appears in the living room of a large family to take a child or newborn baby. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death appears in the living room of a large family to take a child or newborn baby. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690299: The skeleton of Death appears in the living room of a large family to take a child or newborn baby. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690312: The skeleton of Death looks out from behind death's door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from life's torments. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690347: Death with his dart on a skeletal horse rides over a cliff as an unfortunate huntsman and his dogs fall to their deaths. Other hunting dogs tear apart a stag. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death leads an old man into a mausoleum, leaving his young widow free to remarry. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads an old man into a mausoleum, leaving his young widow free to remarry. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690390: The skeleton of Death leads an old man into a mausoleum, leaving his young widow free to remarry. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690418: The skeleton of Death carries black funeral plumes ahead of the cortege of Lord Roland. The Good and the Great. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The statesman in his office is surprised by the skeletal figure of Death with his crown and dart emerging from behind a screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The statesman in his office is surprised by the skeletal figure of Death with his crown and dart emerging from behind a screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690422: The statesman in his office is surprised by the skeletal figure of Death with his crown and dart emerging from behind a screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death rides ahead of a high tandem carrying the next heir to his doom under a low arch. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rides ahead of a high tandem carrying the next heir to his doom under a low arch. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690427: The skeleton of Death rides ahead of a high tandem carrying the next heir to his doom under a low arch. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690488: The skeleton of Death comes for a Hunter as he hides under a table after a fox hunt. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690522: The skeletal figure of Death sits on a beach with two shipwrecked sailors. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690538: Scarborough Castle: tourists walking up the hill to the 12th century stone castle. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cornelian Bay: Regency women on a picnic are surprised by a sudden storm. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Cornelian Bay: Regency women on a picnic are surprised by a sudden storm. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690545: Cornelian Bay: Regency women on a picnic are surprised by a sudden storm. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690564: The Church: old tourists reading the gravestones in a gothic churchyard. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690572: Widow Ducker and her nymphs. Woman and children bathing in the sea with dolphins and bathing machines. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690584: Sea Bathing: naked women swimming in the sea, and bathing engines being driven into the water. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Check Hackney complaining to passengers about small tips (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Check Hackney complaining to passengers about small tips (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666912: Check Hackney complaining to passengers about small tips (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666980: Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)
A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper)

XOS1765916: A Soldier's Widow, 1815-20 (watercolour with pen and ink over sanguine wash and graphite on wove paper) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Honeymoon, from The English Dance of Death, pub. 1816 (hand coloured engraving)
The Honeymoon, from The English Dance of Death, pub. 1816 (hand coloured engraving)

STC3105575: The Honeymoon, from The English Dance of Death, pub. 1816 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving)
From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving)

STC2966887: From the Desk to the Throne. A New Quick Step by Joseph Bonaparte. The Bass by Mess'rs Nappy and Talley, pub. 1808 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madame Very,  Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving)
Madame Very,  Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving)

STC2966791: Madame Very, Restaurateur, Palais Royal, Paris, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)
Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving)

STC2962506: Aerostation out at Elbows or the Itinerant Aeronaut, pub. 1785 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Antiquarians a la Greque, pub. 1805 (hand coloured engraving)
Antiquarians a la Greque, pub. 1805 (hand coloured engraving)

STC2962514: Antiquarians a la Greque, pub. 1805 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sports of a County Fair, 1810 (hand-coloured engraving)
Sports of a County Fair, 1810 (hand-coloured engraving)

STC2562214: Sports of a County Fair, 1810 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gentleman escorting country cousins on their first trip to Londo
Gentleman escorting country cousins on their first trip to Londo

FLO5893692: Gentleman escorting country cousins on their first trip to Londo, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Barber and customer in a barbershop decorated with wigs.
Barber and customer in a barbershop decorated with wigs.

FLO5893697: Barber and customer in a barbershop decorated with wigs., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chambermaid pulling on a sleeping guest’s wooden leg.
Chambermaid pulling on a sleeping guest’s wooden leg.

FLO5893702: Chambermaid pulling on a sleeping guest’s wooden leg., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A cart race in an English town with an accident in the foregroun
A cart race in an English town with an accident in the foregroun

FLO5893703: A cart race in an English town with an accident in the foregroun, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man standing up while choking at the dinner table.
Man standing up while choking at the dinner table.

FLO5893705: Man standing up while choking at the dinner table., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Men falling on ice skates, another falling through the ice, etc.
Men falling on ice skates, another falling through the ice, etc.

FLO5893710: Men falling on ice skates, another falling through the ice, etc., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man falling off a broken chair at a dinner party.
Man falling off a broken chair at a dinner party.

FLO5893718: Man falling off a broken chair at a dinner party., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man forced to wear his host’s ill-fitting clothes at a dinner
Man forced to wear his host’s ill-fitting clothes at a dinner

FLO5893729: Man forced to wear his host’s ill-fitting clothes at a dinner, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Nurse showing a baby to an old man and woman, 1817 (engraving)
Nurse showing a baby to an old man and woman, 1817 (engraving)

FLO5912745: Nurse showing a baby to an old man and woman, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young student graduating from a boy’s school, 1817 (engraving)
Young student graduating from a boy’s school, 1817 (engraving)

FLO5912747: Young student graduating from a boy’s school, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman writing a begging letter in a decrepit parlour, 1817 (engraving)
English gentleman writing a begging letter in a decrepit parlour, 1817 (engraving)

FLO5912752: English gentleman writing a begging letter in a decrepit parlour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman in his study hearing a case of poaching, 1817 (engraving)
English gentleman in his study hearing a case of poaching, 1817 (engraving)

FLO5912756: English gentleman in his study hearing a case of poaching, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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