Rowlandson, Thomas (1756-1827) Assets (1157 in total)
Results
FLO4690440: The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690453: The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690631: The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690480: The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690569: The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE200625: Dr Syntax at an Auction, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE201722: A Cry for a Cat (pen and ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204080: Dancing Dogs (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CBE204075: Doctor Doublepulse (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
WHT162091: High Life, 1794 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XBM115506: Alehouse Politicians, c.1785-90 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLA3760700: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLA3760721: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images
XLA3760696: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989398: Naval rite of passage, Dogfish Bark: Johnny is sent on deck to listen for the bark of a dogfish, only to be soaked by buckets of water from sailors in the rigging. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666912: Check Hackney complaining to passengers about small tips (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666980: Sitting woman selling quail milk and milk has a mother and children (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651923: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651829: Writing the Will, 1786 (pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651920: A Village Green: a Carriage Halted Beneath a Tree, with a Man in the Stocks and a Group of Onlookers, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
EX615211: The South Gate, Exeter, c.1810 (pen & ink, pencil and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309573: Attendance on a Nobleman, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309557: Sophia rescued from the water, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BOU202931: Amorous Attentions, c.1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PFA178591: Low Tide at Greenwich (brown ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125741: Doctors Differ (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
MOL1135: Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ603914: The visit of Dr Syntax to the Widow Hopefull at York (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ602442: Interior of Trinity House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ585261: Society of Agriculture (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
