Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Sunday service in an country church, Regency Era, 1817 (engraving)
Sunday service in an country church, Regency Era, 1817 (engraving)

FLO5912757: Sunday service in an country church, Regency Era, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentlemen playing a game of billiards, 1817 (engraving)
Young English gentlemen playing a game of billiards, 1817 (engraving)

FLO5912764: Young English gentlemen playing a game of billiards, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English Barracks, 1788 (aquatint, coloured)
English Barracks, 1788 (aquatint, coloured)

NAM5929050: English Barracks, 1788 (aquatint, coloured), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Marching’, c.1798 (aquatint, sepia)
‘Soldiers Marching’, c.1798 (aquatint, sepia)

NAM5929058: ‘Soldiers Marching’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured)
‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured)

NAM5929584: ‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dancing Dogs (pen & ink with w/c on paper)
Dancing Dogs (pen & ink with w/c on paper)

CBE204080: Dancing Dogs (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax at an Auction, 1820 (engraving)
Dr Syntax at an Auction, 1820 (engraving)

CBE200625: Dr Syntax at an Auction, 1820 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Doublepulse (w/c with pen & ink on paper)
Doctor Doublepulse (w/c with pen & ink on paper)

CBE204075: Doctor Doublepulse (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cry for a Cat (pen and ink & w/c on paper)
A Cry for a Cat (pen and ink & w/c on paper)

CBE201722: A Cry for a Cat (pen and ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

High Life, 1794 (pen and ink and watercolour)
High Life, 1794 (pen and ink and watercolour)

WHT162091: High Life, 1794 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Anthropomorphic heads of men and fish (litho)
Anthropomorphic heads of men and fish (litho)

REV884398: Anthropomorphic heads of men and fish (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)
The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper)

XCK877330: The Courtesan, c.1785-1800 (pen & grey ink with w/c over graphite on cream laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Temptation,  (pencil, pen and ink and watercolour)
Temptation,  (pencil, pen and ink and watercolour)

CH824131: Temptation, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farm Scene with Flock of Geese (pencil & w/c on paper)
Farm Scene with Flock of Geese (pencil & w/c on paper)

TW1214672: Farm Scene with Flock of Geese (pencil & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309560: The Dance, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309558: The Departure from Wakefield, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309568: The Vicar's Family on their road to Church, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)
Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)

STC104917: Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Man Seated in a Tavern (pen, brown ink and w/c on paper)
A Man Seated in a Tavern (pen, brown ink and w/c on paper)

BAC155869: A Man Seated in a Tavern (pen, brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper)
Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper)

XYC286496: Pigs at a Trough, c.1790 (graphite with pen & ink and brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)
Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper)

XYC306579: Harvesters Resting in a Corn Field, c.1805-10 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)
A Woodcutter's Picnic (pen & ink with w/c over graphite on paper)

XYC283575: A Woodcutter's Picnic (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)
Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho)

KWE282173: Mrs Mary Robinson accompanied by the Prince of Wales and her husband Thomas Robinson (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ballad Singers (w/c with pen & ink over graphite on paper)
The Ballad Singers (w/c with pen & ink over graphite on paper)

XYC283585: The Ballad Singers (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho)
'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho)

STC171106: 'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature (hand coloured etching)
Caricature (hand coloured etching)

BAL1137: Caricature (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Faces, 1815 (pencil on paper)
Monkey Faces, 1815 (pencil on paper)

BAL4034: Monkey Faces, 1815 (pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide at Greenwich (brown ink & wash on paper)
Low Tide at Greenwich (brown ink & wash on paper)

PFA178591: Low Tide at Greenwich (brown ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rocky scene on the North Coast, Cornwall (pen and ink and w/c on paper)
Rocky scene on the North Coast, Cornwall (pen and ink and w/c on paper)

XYC159604: Rocky scene on the North Coast, Cornwall (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pregnant Woman, 1815 (coloured litho)
The Pregnant Woman, 1815 (coloured litho)

CHT157480: The Pregnant Woman, 1815 (coloured litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper)
The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper)

XYC158078: The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place de Mer at Antwerp (print published by Ackermann, 1797)
Place de Mer at Antwerp (print published by Ackermann, 1797)

OJ55058: Place de Mer at Antwerp (print published by Ackermann, 1797), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174269: Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Wonderful Pig, 1785 (etching)
The Wonderful Pig, 1785 (etching)

XJF493394: The Wonderful Pig, 1785 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Band-boxes (coloured engraving)
Band-boxes (coloured engraving)

LLJ558339: Band-boxes (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)

CH651923: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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