Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint)
Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint)

MOL1135: Ranelagh Rotunda and Garden, the Jubilee Ball Celebrating the Birthday of the Prince of Wales, 25th May 1759 (hand coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760696: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760700: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760721: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Suovetaurilia (wash over pencil & ink)
Suovetaurilia (wash over pencil & ink)

HMG392114: Suovetaurilia (wash over pencil & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cockburn's Theatre on Fire
Cockburn's Theatre on Fire

CH27221: Cockburn's Theatre on Fire, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Loyal Volunteers of London, title page
Loyal Volunteers of London, title page

GHL13942: Loyal Volunteers of London, title page, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fire (w/c)
The Fire (w/c)

AGN59551: The Fire (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Place de Mer at Antwerp (print published by Ackermann, 1797)
Place de Mer at Antwerp (print published by Ackermann, 1797)

OJ55058: Place de Mer at Antwerp (print published by Ackermann, 1797), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint)
Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint)

VIB7135178: Comforts of Bath: 'Concert at the Upper Rooms', 1798 (hand-coloured etching & aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Napoleon's coach being viewed by fashionable London, from 'An Historical Account of the Campaign in the Netherlands, in 1815', 1817 (watercolour)
Napoleon's coach being viewed by fashionable London, from 'An Historical Account of the Campaign in the Netherlands, in 1815', 1817 (watercolour)

CH986213: Napoleon's coach being viewed by fashionable London, from 'An Historical Account of the Campaign in the Netherlands, in 1815', 1817 (watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive
Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive

LZT1013393: Dr. Syntax at Free Mason's Hall, London, UK, which Has a Masonic Meeting Place Since 1775, Circa 1820. Food and Drink, Dining Table, People, Dinner, 19th Century Coloured Aquatint., Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive
Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive

LZT1013395: Dr. Syntax Entertained at College, Circa 1819. Food and Drink, People, Dinning Table, Bottles, Waiters, Liszt Gourmet Archive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection
Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012366: Rustic Courtship, 1785, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection
Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection

LZT1012367: Slugs in a Sawpit, 1791, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection
Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection

LZT1012369: Paris Diligence, Probably 1810, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark
The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark

LZT1012374: The Successful Fortune Hunter, 1812, Hand-Colored Etching, Gift of Addie Burr Clark, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection
A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection

LZT1012379: A Dog Fight, 1811, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection
Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection

LZT1012384: Boney's Trial, Sentence, and Dying Speech, Published 1815, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monkey Faces, 1815 (pencil on paper)
Monkey Faces, 1815 (pencil on paper)

BAL4034: Monkey Faces, 1815 (pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Caricature (hand coloured etching)
Caricature (hand coloured etching)

BAL1137: Caricature (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809
Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809

BAL32967: Somerset House, the Strand from Ackermann's 'Microcosm of London' Vol III, Published in 1809, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Monuments in Westminster Abbey (sepia ink and pencil)
Monuments in Westminster Abbey (sepia ink and pencil)

GHL49519: Monuments in Westminster Abbey (sepia ink and pencil), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide on the Thames
Low Tide on the Thames

AGN48070: Low Tide on the Thames, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Discovery (w/c)
The Discovery (w/c)

AGN65458: The Discovery (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper)
The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper)

XYC158078: The Annual Sculling Race for Doggett's Coat and Badge, c.1805-10 (pencil, pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)
The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching)

NP125723: The Disappointed Epicures, pub. by William Holland, 1790 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sports of a County Fair, 1810 (hand-coloured engraving)
Sports of a County Fair, 1810 (hand-coloured engraving)

STC2562214: Sports of a County Fair, 1810 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Low Tide at Greenwich (brown ink & wash on paper)
Low Tide at Greenwich (brown ink & wash on paper)

PFA178591: Low Tide at Greenwich (brown ink & wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174269: Whitechapel Association Volunteer, plate 71 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho)
'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho)

STC171106: 'Oh the unconscionable Brute!', from 'Dance of Death', published by Ackermann, 1815 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)
Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho)

STC104917: Farrington Ward within Volunteer, plate 55 from 'Loyal Volunteers of London and Environs', 1798 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)
Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving)

STC115400: Title page from 'The English Dance of Death', pub. by R. Ackermann, 1816 (colour engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125713: "A Visit to the Uncle", aquatinted by Francis Jukes (1747-1812), pub. by E. Jackson, 1786 (coloured etching with aquatint) (pair of 125712), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr Angelo's Fencing Academy, 1791 (coloured engraving)
Mr Angelo's Fencing Academy, 1791 (coloured engraving)

CWA124834: Mr Angelo's Fencing Academy, 1791 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pregnant Woman, 1815 (coloured litho)
The Pregnant Woman, 1815 (coloured litho)

CHT157480: The Pregnant Woman, 1815 (coloured litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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