Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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English gentleman, wife and children relaxing in the parlour, 1817 (engraving)
English gentleman, wife and children relaxing in the parlour, 1817 (engraving)

FLO5912758: English gentleman, wife and children relaxing in the parlour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentlemen playing a game of billiards, 1817 (engraving)
Young English gentlemen playing a game of billiards, 1817 (engraving)

FLO5912764: Young English gentlemen playing a game of billiards, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentlemen racing four-horse carriages on a road, 1817 (engraving)
Young English gentlemen racing four-horse carriages on a road, 1817 (engraving)

FLO5912762: Young English gentlemen racing four-horse carriages on a road, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Matthew Brambles Trip to the Bath
Matthew Brambles Trip to the Bath

FAS45861: Matthew Brambles Trip to the Bath, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Molly Moggs and the Vicar (pen and ink, w/c)
Molly Moggs and the Vicar (pen and ink, w/c)

CBE85849: Molly Moggs and the Vicar (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On The Thames (pen and ink, w/c)
On The Thames (pen and ink, w/c)

CBE85850: On The Thames (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)
The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)

VIB98396: The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Wet Nurse Interrupted (w/c on paper)
Wet Nurse Interrupted (w/c on paper)

CBE198647: Wet Nurse Interrupted (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gamester Going to Bed (w/c with pen & ink on paper)
The Gamester Going to Bed (w/c with pen & ink on paper)

CBE204078: The Gamester Going to Bed (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Public Breakfast (pen & ink and w/c on paper)
A Public Breakfast (pen & ink and w/c on paper)

CBE204081: A Public Breakfast (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place, 1790 (w/c)
The Market Place, 1790 (w/c)

TBM350436: The Market Place, 1790 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

North view of Friar Bacon's study
North view of Friar Bacon's study

XLA3755210: North view of Friar Bacon's study, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760708: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760680: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760699: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760702: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

FLO4563181: Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989339: Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989384: Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989341: Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989396: Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999357: Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999759: Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999856: Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999383: Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999876: Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997474: Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999845: Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690164: The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690171: The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690202: The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690319: The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690387: The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690398: The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690440: The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690453: The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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