Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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English gentleman and staff fishing in a river, 1817 (engraving)
English gentleman and staff fishing in a river, 1817 (engraving)

FLO5912755: English gentleman and staff fishing in a river, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman, wife and children relaxing in the parlour, 1817 (engraving)
English gentleman, wife and children relaxing in the parlour, 1817 (engraving)

FLO5912758: English gentleman, wife and children relaxing in the parlour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentlemen playing a game of billiards, 1817 (engraving)
Young English gentlemen playing a game of billiards, 1817 (engraving)

FLO5912764: Young English gentlemen playing a game of billiards, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Being nervous and cross-examined by Mr. Garrow.
Being nervous and cross-examined by Mr. Garrow.

FLO5893699: Being nervous and cross-examined by Mr. Garrow., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Passengers slipping and falling into the river mud.
Passengers slipping and falling into the river mud.

FLO5893711: Passengers slipping and falling into the river mud., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man being attacked by a parrot and cat in a drawing room.
Man being attacked by a parrot and cat in a drawing room.

FLO5893714: Man being attacked by a parrot and cat in a drawing room., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man and ladies searching for a carriage in a crowd in the rain.
Man and ladies searching for a carriage in a crowd in the rain.

FLO5893704: Man and ladies searching for a carriage in a crowd in the rain., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Barber cutting his thumb trying to shave a customer.
Barber cutting his thumb trying to shave a customer.

FLO5893713: Barber cutting his thumb trying to shave a customer., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man chasing his hat down a muddy street in a high wind.
Man chasing his hat down a muddy street in a high wind.

FLO5893716: Man chasing his hat down a muddy street in a high wind., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690171: The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690212: The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690317: The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690445: The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690398: The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690631: The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690440: The skeleton of Death brings a fatal Dainty Dish to a gluttonous feast in a grand hall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690453: The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690683: The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690480: The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666985: Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666924: Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666934: Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989384: Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999383: Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690198: The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690214: The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690164: The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690202: The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690146: The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690319: The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690387: The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690501: The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690569: The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690573: The Theatre: Tourists enjoying a play at Scarborough Theatre. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690644: Departure: Tourists loading luggage onto a carriage in front of a hotel in the rain. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

North view of Friar Bacon's study
North view of Friar Bacon's study

XLA3755210: North view of Friar Bacon's study, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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