Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213545: The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Stolen Kiss (w/c on paper)
A Stolen Kiss (w/c on paper)

BOU202932: A Stolen Kiss (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hindoo Incantations, A View in Elephanta, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Hindoo Incantations, A View in Elephanta, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190614: Hindoo Incantations, A View in Elephanta, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper)
No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper)

FIT107390: No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Irish Steam Packet (pencil, pen & brown ink and w/c on paper)
The Irish Steam Packet (pencil, pen & brown ink and w/c on paper)

CH20825: The Irish Steam Packet (pencil, pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Seeking New Accommodation, 1789 (ink and w/c)
Seeking New Accommodation, 1789 (ink and w/c)

PFA60023: Seeking New Accommodation, 1789 (ink and w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Love and Law (w/c on paper)
Love and Law (w/c on paper)

THB3076385: Love and Law (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper)
Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper)

XYC158075: Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Boxing Match (ink & w/c on paper)
A Boxing Match (ink & w/c on paper)

MFA212188: A Boxing Match (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213547: The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989341: Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989339: Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989384: Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989396: Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999383: Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999357: Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999759: Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999856: Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999876: Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999845: Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997474: Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gamester Going to Bed (w/c with pen & ink on paper)
The Gamester Going to Bed (w/c with pen & ink on paper)

CBE204078: The Gamester Going to Bed (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Public Breakfast (pen & ink and w/c on paper)
A Public Breakfast (pen & ink and w/c on paper)

CBE204081: A Public Breakfast (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Wet Nurse Interrupted (w/c on paper)
Wet Nurse Interrupted (w/c on paper)

CBE198647: Wet Nurse Interrupted (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place, 1790 (w/c)
The Market Place, 1790 (w/c)

TBM350436: The Market Place, 1790 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Matthew Brambles Trip to the Bath
Matthew Brambles Trip to the Bath

FAS45861: Matthew Brambles Trip to the Bath, Rowlandson, Thomas (1756-1827) / Bridgeman Images

On The Thames (pen and ink, w/c)
On The Thames (pen and ink, w/c)

CBE85850: On The Thames (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Molly Moggs and the Vicar (pen and ink, w/c)
Molly Moggs and the Vicar (pen and ink, w/c)

CBE85849: Molly Moggs and the Vicar (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)
The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper)

VIB98396: The Public Breakfast, plate 11 from 'Comforts of Bath', 1798 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760699: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760702: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760708: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

North view of Friar Bacon's study
North view of Friar Bacon's study

XLA3755210: North view of Friar Bacon's study, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760680: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666924: Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666934: Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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