Rowlandson, Thomas (1756-1827) Assets (1156 in total)
Results
FLO4999856: Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999876: Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989339: Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989341: Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989384: Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989396: Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
XOS5054186: Hotel d'Hambourgh, Quartiere St. Germain a Paris, 1789 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912749: Young English gentleman leaving his family to go on the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912755: English gentleman and staff fishing in a river, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912757: Sunday service in an country church, Regency Era, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912758: English gentleman, wife and children relaxing in the parlour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912762: Young English gentlemen racing four-horse carriages on a road, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO5912764: Young English gentlemen playing a game of billiards, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DNE6200207: Scene in a Farce called the Quaker, 1783 (pen & wash), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BOU291648: A Penny 'Slap Bang' Shop (pen & ink and w/c on paper) (detail of 202933), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC238967: Four O'Clock in the Country, c.1788-90 (graphite, pen, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC281136: John Bannister in his Dressing Room at Drury Lane, 1783 (pen & ink with w/c and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC286495: A Dutch Packet in a Rising Breeze, 1791 (w/c with pen & ink over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC283573: Review of the Light Horse Volunteers on Wimbledon Common, 1798 (pen & ink with w/c over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC283574: A Timber Wagon, c.1790 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309566: The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309569: The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC224053: Evading the Toll, c.1805-10 (graphite, pen, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234036: The Launching of H.M.S. 'Hibernia' at Devonport, c.1804 (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC234968: The Customs House at Boulogne - verso: Graphite Sketch of Horses, Carriages and Buildings (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC444549: The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BSA266823: The Horse Trader, 1816 (w/c and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
AGN271131: Newport Statute Fair (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CHT171326: Caricature of the fashion for large hats, 1786 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC740534: Looking at the Comet till you get a Criek in the Neck, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937622: The Fish Market, plate 4 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
DMW937623: The Morning Ride, plate 1 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ558345: Peep at the comet (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LLJ582059: Get Money Money still (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
