Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690683: The Warm Bath: naked woman taking a bath behind curtains in a Regency room. Said to be a portrait of Mary Robinson, mistress of King George IV. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J. Bluck, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690317: The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690319: The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690387: The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690398: The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989384: Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989396: Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989339: Johnny falls out of his hammock in his cabin. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989341: Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Hotel d'Hambourgh, Quartiere St. Germain a Paris, 1789 (etching)
Hotel d'Hambourgh, Quartiere St. Germain a Paris, 1789 (etching)

XOS5054186: Hotel d'Hambourgh, Quartiere St. Germain a Paris, 1789 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Scene in a Farce called the Quaker, 1783 (pen & wash)
Scene in a Farce called the Quaker, 1783 (pen & wash)

DNE6200207: Scene in a Farce called the Quaker, 1783 (pen & wash), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman leaving his family to go on the Grand Tour, 1817 (engraving)
Young English gentleman leaving his family to go on the Grand Tour, 1817 (engraving)

FLO5912749: Young English gentleman leaving his family to go on the Grand Tour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman and staff fishing in a river, 1817 (engraving)
English gentleman and staff fishing in a river, 1817 (engraving)

FLO5912755: English gentleman and staff fishing in a river, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sunday service in an country church, Regency Era, 1817 (engraving)
Sunday service in an country church, Regency Era, 1817 (engraving)

FLO5912757: Sunday service in an country church, Regency Era, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman, wife and children relaxing in the parlour, 1817 (engraving)
English gentleman, wife and children relaxing in the parlour, 1817 (engraving)

FLO5912758: English gentleman, wife and children relaxing in the parlour, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentlemen racing four-horse carriages on a road, 1817 (engraving)
Young English gentlemen racing four-horse carriages on a road, 1817 (engraving)

FLO5912762: Young English gentlemen racing four-horse carriages on a road, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentlemen playing a game of billiards, 1817 (engraving)
Young English gentlemen playing a game of billiards, 1817 (engraving)

FLO5912764: Young English gentlemen playing a game of billiards, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English Barracks, 1788 (aquatint, coloured)
English Barracks, 1788 (aquatint, coloured)

NAM5929050: English Barracks, 1788 (aquatint, coloured), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘Soldiers Marching’, c.1798 (aquatint, sepia)
‘Soldiers Marching’, c.1798 (aquatint, sepia)

NAM5929058: ‘Soldiers Marching’, c.1798 (aquatint, sepia), Rowlandson, Thomas (1756-1827) / Bridgeman Images

‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured)
‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured)

NAM5929584: ‘English Manners and French Prudence or French Dragoons brought to a check by Belvoir leap September 1811’ (engraving, coloured), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Being nervous and cross-examined by Mr. Garrow.
Being nervous and cross-examined by Mr. Garrow.

FLO5893699: Being nervous and cross-examined by Mr. Garrow., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gentleman trying to play footsie with a beauty at the table.
Gentleman trying to play footsie with a beauty at the table.

FLO5893700: Gentleman trying to play footsie with a beauty at the table., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man and ladies searching for a carriage in a crowd in the rain.
Man and ladies searching for a carriage in a crowd in the rain.

FLO5893704: Man and ladies searching for a carriage in a crowd in the rain., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man and two women failing to close a packed trunk.
Man and two women failing to close a packed trunk.

FLO5893708: Man and two women failing to close a packed trunk., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man forced to kiss an ugly woman at a dance party.
Man forced to kiss an ugly woman at a dance party.

FLO5893709: Man forced to kiss an ugly woman at a dance party., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Passengers slipping and falling into the river mud.
Passengers slipping and falling into the river mud.

FLO5893711: Passengers slipping and falling into the river mud., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Barber cutting his thumb trying to shave a customer.
Barber cutting his thumb trying to shave a customer.

FLO5893713: Barber cutting his thumb trying to shave a customer., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man being attacked by a parrot and cat in a drawing room.
Man being attacked by a parrot and cat in a drawing room.

FLO5893714: Man being attacked by a parrot and cat in a drawing room., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man and woman lost in the countryside in a night storm.
Man and woman lost in the countryside in a night storm.

FLO5893715: Man and woman lost in the countryside in a night storm., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man chasing his hat down a muddy street in a high wind.
Man chasing his hat down a muddy street in a high wind.

FLO5893716: Man chasing his hat down a muddy street in a high wind., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woman having her feet treated painfully by a chiropodist.
Woman having her feet treated painfully by a chiropodist.

FLO5893724: Woman having her feet treated painfully by a chiropodist., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woman about to fall over with her shoes caught in the mud.
Woman about to fall over with her shoes caught in the mud.

FLO5893735: Woman about to fall over with her shoes caught in the mud., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Molly Moggs and the Vicar (pen and ink, w/c)
Molly Moggs and the Vicar (pen and ink, w/c)

CBE85849: Molly Moggs and the Vicar (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

On The Thames (pen and ink, w/c)
On The Thames (pen and ink, w/c)

CBE85850: On The Thames (pen and ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Exhibition 'Stare-Case', Somerset House, c.1800 (w/c with grey & brown wash on paper)
The Exhibition 'Stare-Case', Somerset House, c.1800 (w/c with grey & brown wash on paper)

XYC159598: The Exhibition 'Stare-Case', Somerset House, c.1800 (w/c with grey & brown wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Windsor Castle from Eton Town, 1800 (w/c on paper)
Windsor Castle from Eton Town, 1800 (w/c on paper)

FIT156937: Windsor Castle from Eton Town, 1800 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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