Rowlandson, Thomas (1756-1827) Assets (1156 in total)
Results
XJF696681: At the Cobblers (w/c and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651903: The Bishop and Death (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651921: The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651924: Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651936: Street Musicians, 1823 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651938: A Regatta on the Thames below Westminster, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH824097: The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH824110: John Bull at the Opera, 1803 (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH824133: Figures at a Fair, 1803 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH651981: Balloon Hunting Near Lady James's Folly, (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC740534: Looking at the Comet till you get a Criek in the Neck, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2562164: Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BOU2601860: The Oyster Stall (pen & brown ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BOU2601861: A Talk Me Dead Fellow (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BOU2601947: A Raucous Lunch at a Country House (ink & colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH1765022: The Breedwell Family, 1807 (pen, ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012363: A Cully Pillaged, Probably 1784 1785, Hand-Colored Etching, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012364: A Cart Race, 1788, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012377: The Corsican Spider in His Web, Published 1808, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012383: The Inn Yard on Fire, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LZT1012385: A Squall in Hyde Park, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH986312: St. Mary's Church and Radclivian Library, 1809-1811 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
AAH3108943: Dr Syntax has an accident at the Club (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666924: Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666934: Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666985: Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4997474: Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999357: Ensign Johnny Newcome buying overpriced supplies from Senor Cavigole's ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999383: Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999759: Johnny with other patients in quack doctor Anodyne's waiting room. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999845: Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999856: Johnny in the service of the miser John Squeeze and his prudent niece Amelia Squeeze. Johnny brings a glass of medicine for the dying old man. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4999876: Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989384: Johnny vomits into a bucket in the cabin as his ship sets sail. Another officer proposes a remedy of salt water and a piece of salt pork on a string. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4989396: Johnny and a Lady crash a gig in a herd of swine. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images
