Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Young English gentleman gambling at Newmarket racetrack, 1817 (engraving)
Young English gentleman gambling at Newmarket racetrack, 1817 (engraving)

FLO5912765: Young English gentleman gambling at Newmarket racetrack, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman marrying his bride in a stately home, 1817 (engraving)
English gentleman marrying his bride in a stately home, 1817 (engraving)

FLO5912768: English gentleman marrying his bride in a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman constructing a stately home, 1817 (engraving)
Young English gentleman constructing a stately home, 1817 (engraving)

FLO5912761: Young English gentleman constructing a stately home, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman carried in a sedan chair for an election, 1817 (engraving)
English gentleman carried in a sedan chair for an election, 1817 (engraving)

FLO5912767: English gentleman carried in a sedan chair for an election, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Coach and six horses with passengers and luggage on the roof, 1793 (print)
Coach and six horses with passengers and luggage on the roof, 1793 (print)

FLO5912966: Coach and six horses with passengers and luggage on the roof, 1793 (print), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching)
Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching)

NCO191728: Charity Covereth a Multitude of Sins, published by Hannah Humphrey in 1781 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving)
Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving)

GHL190757: Master Billy's Procession to Grocers' Hall, 1784 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Talk Me Dead Fellow (pen & ink with wash on paper)
A Talk Me Dead Fellow (pen & ink with wash on paper)

BOU2601861: A Talk Me Dead Fellow (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Raucous Lunch at a Country House (ink & colour wash on paper)
A Raucous Lunch at a Country House (ink & colour wash on paper)

BOU2601947: A Raucous Lunch at a Country House (ink & colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Oyster Stall (pen & brown ink with wash on paper)
The Oyster Stall (pen & brown ink with wash on paper)

BOU2601860: The Oyster Stall (pen & brown ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Boxing Match (ink & w/c on paper)
A Boxing Match (ink & w/c on paper)

MFA212188: A Boxing Match (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Stolen Kiss (w/c on paper)
A Stolen Kiss (w/c on paper)

BOU202932: A Stolen Kiss (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young Ladies, boarded and educated, 1803 (w/c)
Young Ladies, boarded and educated, 1803 (w/c)

MOL58390: Young Ladies, boarded and educated, 1803 (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor Visits Harrowgate (sic) from the Dr. Syntax series, 1812-21
The Doctor Visits Harrowgate (sic) from the Dr. Syntax series, 1812-21

HAG38251: The Doctor Visits Harrowgate (sic) from the Dr. Syntax series, 1812-21, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Richmond Bridge (w/c, pen & ink on paper)
Richmond Bridge (w/c, pen & ink on paper)

MOL134385: Richmond Bridge (w/c, pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125734: "French Travelling, or The First Stage from Calais", aquatinted by Francis Jukes (1747-1812), pub. by T. Smith, 1785 (coloured etching with aquatint) (pair of 125733), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125710: "Englishmen in November", pub. by S.W. Fores, 1788 (coloured etching) (pair of 125711), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Black Magic (ink & w/c on paper)
Black Magic (ink & w/c on paper)

NP125706: Black Magic (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stag Hunt (pen & w/c on paper)
The Stag Hunt (pen & w/c on paper)

NP125738: The Stag Hunt (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper)
No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper)

FIT107390: No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A View on the Isle of Wight (w/c on paper)
A View on the Isle of Wight (w/c on paper)

AGN270944: A View on the Isle of Wight (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper)
Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper)

UCL284479: Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Horse Trader, 1816 (w/c and ink on paper)
The Horse Trader, 1816 (w/c and ink on paper)

BSA266823: The Horse Trader, 1816 (w/c and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Morning Ride, plate 1 from the series
The Morning Ride, plate 1 from the series

DMW937623: The Morning Ride, plate 1 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fish Market, plate 4 from the series
The Fish Market, plate 4 from the series

DMW937622: The Fish Market, plate 4 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Pump Room, plate 3 from the series
The Pump Room, plate 3 from the series

DMW937621: The Pump Room, plate 3 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Saloop (coloured engraving)
Saloop (coloured engraving)

LLJ558311: Saloop (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sweeps (coloured engraving)
Sweeps (coloured engraving)

LLJ558347: Sweeps (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billet Doux (coloured engraving)
Billet Doux (coloured engraving)

LLJ558321: Billet Doux (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Peep at the comet (coloured engraving)
Peep at the comet (coloured engraving)

LLJ558345: Peep at the comet (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fishseller (ink, pencil & watercolour on paper)
The Fishseller (ink, pencil & watercolour on paper)

TW473905: The Fishseller (ink, pencil & watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax at an auction (coloured engraving)
Doctor Syntax at an auction (coloured engraving)

LLJ604655: Doctor Syntax at an auction (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Cavalry (coloured engraving)
Clerkenwell Cavalry (coloured engraving)

LLJ604118: Clerkenwell Cavalry (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

General view of the interior of the Chelsea Hospital (coloured engraving)
General view of the interior of the Chelsea Hospital (coloured engraving)

LLJ605266: General view of the interior of the Chelsea Hospital (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309569: The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309566: The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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