Rowlandson, Thomas (1756-1827) Assets (1156 in total)
Results
CH986312: St. Mary's Church and Radclivian Library, 1809-1811 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4084496: Bourgeois in front of a plethoric meal served by many servants - caricature by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081517: Dr. Syntax's house burglary while sleeping - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081523: Le docteur dans un cellar ou un cave - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081530: The Doctor Keeping Children - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081541: Le docteur avec des peasants à la fête de la harvest - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
LSE4081546: La docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images
AAH3108943: Dr Syntax has an accident at the Club (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2966884: The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962497: Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962498: The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962500: Kings Place, or a view of M ---- Best Friends, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962501: Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962508: City Courtship, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962515: A Going, A Going!!, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2962517: Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
CH1765022: The Breedwell Family, 1807 (pen, ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BOU2601860: The Oyster Stall (pen & brown ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BOU2601861: A Talk Me Dead Fellow (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
BOU2601947: A Raucous Lunch at a Country House (ink & colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666924: Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666934: Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4666985: Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4563181: Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690146: The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690164: The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690171: The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690198: The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690202: The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690212: The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690214: The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690317: The skeleton of Death holds the rudder on a rowboat escaping a shipwreck, as its desparate crew row for the shore and passengers drown in the waves. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690319: The skeleton of Death leads greedy children to the trunk of gold of a miser, who lies dead on a bed clutching a will and bag of money. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690387: The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
