Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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NP125710: "Englishmen in November", pub. by S.W. Fores, 1788 (coloured etching) (pair of 125711), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125714: "A Little Bigger", pub. by S.W. Fores, 1791 (coloured etching) (pair of 125715), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125722: "'Tis not Antiques Alone can Please the Eye", pub. by T. Smith, 1786 (sepia etching with aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125734: "French Travelling, or The First Stage from Calais", aquatinted by Francis Jukes (1747-1812), pub. by T. Smith, 1785 (coloured etching with aquatint) (pair of 125733), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lady with her Wig on Fire (pen & ink & w/c on paper)
Lady with her Wig on Fire (pen & ink & w/c on paper)

NP125742: Lady with her Wig on Fire (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Wet Nurse Interrupted (w/c on paper)
Wet Nurse Interrupted (w/c on paper)

CBE198647: Wet Nurse Interrupted (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Stolen Kiss (w/c on paper)
A Stolen Kiss (w/c on paper)

BOU202932: A Stolen Kiss (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gamester Going to Bed (w/c with pen & ink on paper)
The Gamester Going to Bed (w/c with pen & ink on paper)

CBE204078: The Gamester Going to Bed (w/c with pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Public Breakfast (pen & ink and w/c on paper)
A Public Breakfast (pen & ink and w/c on paper)

CBE204081: A Public Breakfast (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213545: The Cellar Quartetto, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)
The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint)

STC213547: The Garden Trio, from 'The Tour of Dr Syntax in search of the Picturesque', by William Combe, published 1812 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Boxing Match (ink & w/c on paper)
A Boxing Match (ink & w/c on paper)

MFA212188: A Boxing Match (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper)
Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper)

XYC232913: Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper)
Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper)

XYC250011: Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount)
Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount)

XYC237804: Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Paris Diligence (pen & ink and w/c on paper)
The Paris Diligence (pen & ink and w/c on paper)

XYC239816: The Paris Diligence (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A View on the Isle of Wight (w/c on paper)
A View on the Isle of Wight (w/c on paper)

AGN270944: A View on the Isle of Wight (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Matthew Brambles Trip to the Bath
Matthew Brambles Trip to the Bath

FAS45861: Matthew Brambles Trip to the Bath, Rowlandson, Thomas (1756-1827) / Bridgeman Images

No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper)
No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper)

FIT107390: No.2160 Frederick the Great (1712-86) and One of his Officers (pen, sepia & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper)
Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper)

XYC158075: Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Guildhall Light Infantry Volunteer, plate 33 from 'Loyal Volunteers of London and Environs', 1798 (litho)
Guildhall Light Infantry Volunteer, plate 33 from 'Loyal Volunteers of London and Environs', 1798 (litho)

STC104916: Guildhall Light Infantry Volunteer, plate 33 from 'Loyal Volunteers of London and Environs', 1798 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Richmond Bridge (w/c, pen & ink on paper)
Richmond Bridge (w/c, pen & ink on paper)

MOL134385: Richmond Bridge (w/c, pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper)
Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper)

UCL284479: Carriages and Riders at Full Speed Across Open Grassland, c.1800 (pen & ink with wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Syntax's house burglary while sleeping - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Dr. Syntax's house burglary while sleeping - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081517: Dr. Syntax's house burglary while sleeping - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur dans un cellar ou un cave - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur dans un cellar ou un cave - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081523: Le docteur dans un cellar ou un cave - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor Keeping Children - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor Keeping Children - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081530: The Doctor Keeping Children - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur avec des peasants à la fête de la harvest - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur avec des peasants à la fête de la harvest - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081541: Le docteur avec des peasants à la fête de la harvest - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

La docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
La docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081546: La docteur à une partie de cartes - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bourgeois in front of a plethoric meal served by many servants - caricature by Rowlandson, 19th century
Bourgeois in front of a plethoric meal served by many servants - caricature by Rowlandson, 19th century

LSE4084496: Bourgeois in front of a plethoric meal served by many servants - caricature by Rowlandson, 19th century, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

FLO4563181: Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666924: Travelling flower vendor, approaching a smiling gentleman with a small bouquet of roses (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666934: Sharpener sharpening a knife on his grinding wheel, with his clients (1819). Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4666985: Two newspaper vendors with long whistles peddling newspapers in a London street. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690146: The skeleton of Death guides a group of tourists through the Catacombs in Paris. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690164: The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690171: The skeleton of Death boxes with a bareknuckle prize fighter while another boxer lies on the ground and the crowd flees in terror. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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