Rowlandson, Thomas (1756-1827) Assets (1155 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper)
Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper)

XYC232913: Modern Grace or, The Operatical Finale of the Ballet of 'Alonzo e caro' (w/c with pen & ink on wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper)
Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper)

XYC250011: Study of Skaters: Skating on the Serpentine, 1760-90 (pen & ink with wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Paris Diligence (pen & ink and w/c on paper)
The Paris Diligence (pen & ink and w/c on paper)

XYC239816: The Paris Diligence (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount)
Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount)

XYC237804: Matthew Bramble's Trip to Bath: Arrival at Bath (w/c, pen & ink and pencil on paper laid on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Four O'Clock in the Country, c.1788-90 (graphite, pen, ink & w/c on paper)
Four O'Clock in the Country, c.1788-90 (graphite, pen, ink & w/c on paper)

XYC238967: Four O'Clock in the Country, c.1788-90 (graphite, pen, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint)
The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint)

STC444549: The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Saloop (coloured engraving)
Saloop (coloured engraving)

LLJ558311: Saloop (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billet Doux (coloured engraving)
Billet Doux (coloured engraving)

LLJ558321: Billet Doux (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Peep at the comet (coloured engraving)
Peep at the comet (coloured engraving)

LLJ558345: Peep at the comet (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sweeps (coloured engraving)
Sweeps (coloured engraving)

LLJ558347: Sweeps (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Get Money Money still (coloured engraving)
Get Money Money still (coloured engraving)

LLJ582059: Get Money Money still (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Butchers Stall, Leadenhall Market,  (pencil, pen and ink on mount)
The Butchers Stall, Leadenhall Market,  (pencil, pen and ink on mount)

CH824097: The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount), Rowlandson, Thomas (1756-1827) / Bridgeman Images

John Bull at the Opera, 1803 (pencil, pen and ink and watercolour)
John Bull at the Opera, 1803 (pencil, pen and ink and watercolour)

CH824110: John Bull at the Opera, 1803 (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Figures at a Fair, 1803 (pen and ink and watercolour)
Figures at a Fair, 1803 (pen and ink and watercolour)

CH824133: Figures at a Fair, 1803 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

FLO4563181: Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breedwell Family, 1807 (pen, ink and watercolour)
The Breedwell Family, 1807 (pen, ink and watercolour)

CH1765022: The Breedwell Family, 1807 (pen, ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving)
Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving)

STC2962497: Sir Cecils Budget for Payng the National Debt, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving)
The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving)

STC2962498: The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Kings Place, or a view of M ---- Best Friends, pub. 1784 (hand coloured engraving)
Kings Place, or a view of M ---- Best Friends, pub. 1784 (hand coloured engraving)

STC2962500: Kings Place, or a view of M ---- Best Friends, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving)
Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving)

STC2962501: Wit's Last Stake, or The Cobling Voters and Abject Canvassers, pub. (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

City Courtship, pub. 1786 (hand coloured engraving)
City Courtship, pub. 1786 (hand coloured engraving)

STC2962508: City Courtship, pub. 1786 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Going, A Going!!, pub. 1813 (hand coloured engraving)
A Going, A Going!!, pub. 1813 (hand coloured engraving)

STC2962515: A Going, A Going!!, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving)
Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving)

STC2962517: Italian Picture Dealers Humbuging My Lord Anglaise, pub. 1812 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving)
The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving)

STC2966884: The Affectionate Farewell or Kick for Kick, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Love and Law (w/c on paper)
Love and Law (w/c on paper)

THB3076385: Love and Law (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax has an accident at the Club (ink & w/c on paper)
Dr Syntax has an accident at the Club (ink & w/c on paper)

AAH3108943: Dr Syntax has an accident at the Club (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cully Pillaged, Probably 1784 1785, Hand-Colored Etching
A Cully Pillaged, Probably 1784 1785, Hand-Colored Etching

LZT1012363: A Cully Pillaged, Probably 1784 1785, Hand-Colored Etching, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Cart Race, 1788, Hand-Colored Etching, Rosenwald Collection
A Cart Race, 1788, Hand-Colored Etching, Rosenwald Collection

LZT1012364: A Cart Race, 1788, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Corsican Spider in His Web, Published 1808, Hand-Colored Etching, Rosenwald Collection
The Corsican Spider in His Web, Published 1808, Hand-Colored Etching, Rosenwald Collection

LZT1012377: The Corsican Spider in His Web, Published 1808, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Inn Yard on Fire, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection
The Inn Yard on Fire, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012383: The Inn Yard on Fire, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Squall in Hyde Park, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection
A Squall in Hyde Park, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection

LZT1012385: A Squall in Hyde Park, 1791, Hand-Colored Etching and Aquatint, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

General view of the interior of the Chelsea Hospital (coloured engraving)
General view of the interior of the Chelsea Hospital (coloured engraving)

LLJ605266: General view of the interior of the Chelsea Hospital (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bishop and Death (pencil, pen and ink and watercolour)
The Bishop and Death (pencil, pen and ink and watercolour)

CH651903: The Bishop and Death (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour)
The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour)

CH651921: The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour)
Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour)

CH651924: Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Street Musicians, 1823 (pen and ink and watercolour)
Street Musicians, 1823 (pen and ink and watercolour)

CH651936: Street Musicians, 1823 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images


Back to top