Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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NP125714: "A Little Bigger", pub. by S.W. Fores, 1791 (coloured etching) (pair of 125715), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125734: "French Travelling, or The First Stage from Calais", aquatinted by Francis Jukes (1747-1812), pub. by T. Smith, 1785 (coloured etching with aquatint) (pair of 125733), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Father's Displeasure (pen, w/c & pencil on paper)
Father's Displeasure (pen, w/c & pencil on paper)

NP125740: Father's Displeasure (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125710: "Englishmen in November", pub. by S.W. Fores, 1788 (coloured etching) (pair of 125711), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125722: "'Tis not Antiques Alone can Please the Eye", pub. by T. Smith, 1786 (sepia etching with aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stag Hunt (pen & w/c on paper)
The Stag Hunt (pen & w/c on paper)

NP125738: The Stag Hunt (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Richmond Bridge (w/c, pen & ink on paper)
Richmond Bridge (w/c, pen & ink on paper)

MOL134385: Richmond Bridge (w/c, pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Honiton, Devonshire
Honiton, Devonshire

EX17130: Honiton, Devonshire, Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Weighing and Rubbing Down' and 'The Betting Post', c.1789 (litho)
'Weighing and Rubbing Down' and 'The Betting Post', c.1789 (litho)

XZL151184: 'Weighing and Rubbing Down' and 'The Betting Post', c.1789 (litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Richardson's Theatre, published by Ackermann's (coloured engraving)
Richardson's Theatre, published by Ackermann's (coloured engraving)

XZL151578: Richardson's Theatre, published by Ackermann's (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Worn Out Debaucher, c.1790-95 (pen and ink and w/c on laid paper)
A Worn Out Debaucher, c.1790-95 (pen and ink and w/c on laid paper)

XYC151481: A Worn Out Debaucher, c.1790-95 (pen and ink and w/c on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper)
Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper)

XYC158075: Breakfast before the Hunt, c.1785-90 (pen & ink with brown and blue wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billet Doux (coloured engraving)
Billet Doux (coloured engraving)

LLJ558321: Billet Doux (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Peep at the comet (coloured engraving)
Peep at the comet (coloured engraving)

LLJ558345: Peep at the comet (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Saloop (coloured engraving)
Saloop (coloured engraving)

LLJ558311: Saloop (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sweeps (coloured engraving)
Sweeps (coloured engraving)

LLJ558347: Sweeps (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bishop and Death (pencil, pen and ink and watercolour)
The Bishop and Death (pencil, pen and ink and watercolour)

CH651903: The Bishop and Death (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour)
The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour)

CH651921: The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Street Musicians, 1823 (pen and ink and watercolour)
Street Musicians, 1823 (pen and ink and watercolour)

CH651936: Street Musicians, 1823 (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Balloon Hunting Near Lady James's Folly, (pencil, pen and brown ink and watercolour)
Balloon Hunting Near Lady James's Folly, (pencil, pen and brown ink and watercolour)

CH651981: Balloon Hunting Near Lady James's Folly, (pencil, pen and brown ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour)
Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour)

CH651924: Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Regatta on the Thames below Westminster, (pen and ink and watercolour)
A Regatta on the Thames below Westminster, (pen and ink and watercolour)

CH651938: A Regatta on the Thames below Westminster, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Cobblers (w/c and pencil on paper)
At the Cobblers (w/c and pencil on paper)

XJF696681: At the Cobblers (w/c and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint)
The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint)

STC444549: The Goose Seller, plate no.2 from Ackermann's 'Cries of London', 1799 (colour aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr. Brodum and his Assistant as Work Pro Bono Publico (pencil, pen & ink and w/c on paper)
Dr. Brodum and his Assistant as Work Pro Bono Publico (pencil, pen & ink and w/c on paper)

CH474186: Dr. Brodum and his Assistant as Work Pro Bono Publico (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Fishseller (ink, pencil & w/c on paper)
The Fishseller (ink, pencil & w/c on paper)

TW473905: The Fishseller (ink, pencil & w/c on paper) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309569: The Weddings, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clerkenwell Cavalry (coloured engraving)
Clerkenwell Cavalry (coloured engraving)

LLJ604118: Clerkenwell Cavalry (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax at an auction (coloured engraving)
Doctor Syntax at an auction (coloured engraving)

LLJ604655: Doctor Syntax at an auction (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

General view of the interior of the Chelsea Hospital (coloured engraving)
General view of the interior of the Chelsea Hospital (coloured engraving)

LLJ605266: General view of the interior of the Chelsea Hospital (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Horse Trader, 1816 (w/c and ink on paper)
The Horse Trader, 1816 (w/c and ink on paper)

BSA266823: The Horse Trader, 1816 (w/c and ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A View on the Isle of Wight (w/c on paper)
A View on the Isle of Wight (w/c on paper)

AGN270944: A View on the Isle of Wight (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newport Statute Fair (pencil, pen & ink and w/c on paper)
Newport Statute Fair (pencil, pen & ink and w/c on paper)

AGN271131: Newport Statute Fair (pencil, pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309566: The Gross of Green Spectacles, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving)
Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving)

STC2562164: Pidgeon Hole, A Convent Garden contrivance to coop up the Gods, 1811 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Love and Law (w/c on paper)
Love and Law (w/c on paper)

THB3076385: Love and Law (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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