Gillray, James (1757-1815) Assets (1002 in total)

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A Bravura Air, Mandane, published by Hannah Humphrey in 1801 (hand-coloured etching)
A Bravura Air, Mandane, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO191254: A Bravura Air, Mandane, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Political Amusements for Young Gentlemen, or The Old Brentford Shuttlecock, between Old Sarum & the Temple of St. Steevens, published by Hannah Humphrey in 1801 (hand-coloured etching)
Political Amusements for Young Gentlemen, or The Old Brentford Shuttlecock, between Old Sarum & the Temple of St. Steevens, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190435: Political Amusements for Young Gentlemen, or The Old Brentford Shuttlecock, between Old Sarum & the Temple of St. Steevens, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching)
A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190486: A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Blessings of Peace and The Curses of War, published by Hannah Humphrey in 1795 (engraving)
The Blessings of Peace and The Curses of War, published by Hannah Humphrey in 1795 (engraving)

NCO193126: The Blessings of Peace and The Curses of War, published by Hannah Humphrey in 1795 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)
Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)

CHT202868: Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul.
Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul.

LZT1012549: Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul., Gillray, James (1757-1815) / Bridgeman Images

Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground.
Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground.

LZT1012579: Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground., Gillray, James (1757-1815) / Bridgeman Images

Very Slippy-Weather, pub. 1808 (hand coloured engraving)
Very Slippy-Weather, pub. 1808 (hand coloured engraving)

STC2491298: Very Slippy-Weather, pub. 1808 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Wouski, pub. 1788 (hand coloured engraving)
Wouski, pub. 1788 (hand coloured engraving)

STC2962488: Wouski, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving)
Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving)

STC2966822: Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving)
Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving)

STC2962468: Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving)
Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving)

STC2962484: Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

St George and the Dragon, 1805 (coloured engraving)
St George and the Dragon, 1805 (coloured engraving)

HRP2624929: St George and the Dragon, 1805 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Mendoza (aquatint)
Mendoza (aquatint)

BSA273439: Mendoza (aquatint), Gillray, James (1757-1815) / Bridgeman Images

Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving)
Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving)

NCO253712: Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving)
A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving)

NCO253709: A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching)
The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching)

NCO191214: The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull offering Little Boney fair play, published by Hannah Humphrey in 1803 (etching)
John Bull offering Little Boney fair play, published by Hannah Humphrey in 1803 (etching)

NCO191268: John Bull offering Little Boney fair play, published by Hannah Humphrey in 1803 (etching), Gillray, James (1757-1815) / Bridgeman Images

Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving)
Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving)

NCO190444: Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving), Gillray, James (1757-1815) / Bridgeman Images

The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching)
The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching)

NCO190475: The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching)
Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191734: Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching)
A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO191726: A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204)
Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204)

NCO191205: Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204), Gillray, James (1757-1815) / Bridgeman Images

A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching)
A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO189762: A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Procession to the Hustings after a Successful Canvass, published by G. Humphrey in 1784 (hand-coloured etching)
Procession to the Hustings after a Successful Canvass, published by G. Humphrey in 1784 (hand-coloured etching)

NCO193130: Procession to the Hustings after a Successful Canvass, published by G. Humphrey in 1784 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191729: The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching)
The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching)

NCO191724: The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching), Gillray, James (1757-1815) / Bridgeman Images

BAL64348: "Temperance Enjoying a Frugal Meal", caricature of George III and Queen Charlotte (b/w print), Gillray, James (1757-1815) / Bridgeman Images

XJF121251: "John Bull's Progress", pub. by Hannah Humphrey, 1793 (etching) (b&w photo), Gillray, James (1757-1815) / Bridgeman Images

Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching)
Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching)

NCO1218695: Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching)
Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching)

NCO1218698: Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving)
Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving)

STC2966796: Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bridal Night, pub. 1797 (hand coloured engraving)
The Bridal Night, pub. 1797 (hand coloured engraving)

STC3035683: The Bridal Night, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805
Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805

LSE4110137: Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805, Gillray, James (1757-1815) / Bridgeman Images

Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint)
Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint)

NCO189767: Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)
A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO190100: A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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