Gillray, James (1757-1815) Assets (983 in total)

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British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, 1807 (hand-coloured etching)
British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, 1807 (hand-coloured etching)

NCO191758: British Tars towing the Danish Fleet into Harbour, or The Broadbottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Lord Sandwich paying attention to a flower seller
Lord Sandwich paying attention to a flower seller

XLF3787591: Lord Sandwich paying attention to a flower seller, Gillray, James (1757-1815) / Bridgeman Images

A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving)
A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving)

NCO253709: A Right Honourable alias a Sans Coulotte, published by S.Fores, 1802 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving)
Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving)

NCO253712: Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving)
Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving)

NCO190444: Political Mathemematicians Shaking the Broadbottom'd Hemisphere, publ. by Hannah Humphrey in 1807 (etching & engraving), Gillray, James (1757-1815) / Bridgeman Images

The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching)
The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching)

NCO190475: The Right Honourable Catch Singers, published by William Humphrey in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204)
Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204)

NCO191205: Despair, published by Hannah Humphrey in 1802 (hand-coloured etching) (see 191204), Gillray, James (1757-1815) / Bridgeman Images

The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching)
The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching)

NCO191214: The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull offering Little Boney fair play, published by Hannah Humphrey in 1803 (etching)
John Bull offering Little Boney fair play, published by Hannah Humphrey in 1803 (etching)

NCO191268: John Bull offering Little Boney fair play, published by Hannah Humphrey in 1803 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)
A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO190100: A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching)
The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching)

NCO191724: The Monster going to take his Afternoons Luncheon, published by Hannah Humphrey in 1790 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching)
A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO191726: A Scotch Poney, commonly call'd a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191729: The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching)
Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191734: Leaving off Powder, or A Frugal Family saving the Guinea, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Weird Sisters; Ministers of Darkness; Minions of the Moon, published by Hannah Humphrey, 1791 (etching with aquatint)
Weird Sisters; Ministers of Darkness; Minions of the Moon, published by Hannah Humphrey, 1791 (etching with aquatint)

NCO189714: Weird Sisters; Ministers of Darkness; Minions of the Moon, published by Hannah Humphrey, 1791 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching)
A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO189762: A Broad Hint of Not Meaning to Dance, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint)
Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint)

NCO189767: Monstrous Craws at a New Coalition Feast, published by S.W. Fores in 1787 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Procession to the Hustings after a Successful Canvass, published by G. Humphrey in 1784 (hand-coloured etching)
Procession to the Hustings after a Successful Canvass, published by G. Humphrey in 1784 (hand-coloured etching)

NCO193130: Procession to the Hustings after a Successful Canvass, published by G. Humphrey in 1784 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

XJF121251: "John Bull's Progress", pub. by Hannah Humphrey, 1793 (etching) (b&w photo), Gillray, James (1757-1815) / Bridgeman Images

BAL64348: "Temperance Enjoying a Frugal Meal", caricature of George III and Queen Charlotte (b/w print), Gillray, James (1757-1815) / Bridgeman Images

Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805
Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805

LSE4110137: Cartoon about Napoleon, Paul Barras, Josephine and Mademoiselle de Fontenay, called ausii Teresa (Theresa or Terezia) Cabarrus, called Madame Tallien (Talien) or these ladies dance naked for Barras, under the stealth eye of Napoleon [Josephine being, at the time of the Executive Board, under the protection of Barras, he would have promised Bonaparte the mission to Egypt if he unleashed the future imperress] - English cartoon of Gillary, 1805, Gillray, James (1757-1815) / Bridgeman Images

Modern Grace, or the Operatical Finale to the Ballet of Alonzo e caro, published by Hannah Humphrey in 1796 (pen and ink on paper)
Modern Grace, or the Operatical Finale to the Ballet of Alonzo e caro, published by Hannah Humphrey in 1796 (pen and ink on paper)

NCO190147: Modern Grace, or the Operatical Finale to the Ballet of Alonzo e caro, published by Hannah Humphrey in 1796 (pen and ink on paper), Gillray, James (1757-1815) / Bridgeman Images

The Grand Coronation Procession of Napoleon the 1st Emperor of France, from the Church of Notre-Dame, Decr 2d 1804, pub. January 1, 1805 (etching, engraving with aquatint and hand-colouring)
The Grand Coronation Procession of Napoleon the 1st Emperor of France, from the Church of Notre-Dame, Decr 2d 1804, pub. January 1, 1805 (etching, engraving with aquatint and hand-colouring)

MAM714123: The Grand Coronation Procession of Napoleon the 1st Emperor of France, from the Church of Notre-Dame, Decr 2d 1804, pub. January 1, 1805 (etching, engraving with aquatint and hand-colouring) , Gillray, James (1757-1815) / Bridgeman Images

Mendoza (aquatint)
Mendoza (aquatint)

BSA273439: Mendoza (aquatint), Gillray, James (1757-1815) / Bridgeman Images

Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching)
Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching)

NCO1218695: Matrimonial Harmonics, published by Hannah Humphrey, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching)
Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching)

NCO1218698: Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving)
Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving)

STC2966796: Dun-Shaw, One Foot in Leadenhall Street & the other in the Province of Bengal, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Bridal Night, pub. 1797 (hand coloured engraving)
The Bridal Night, pub. 1797 (hand coloured engraving)

STC3035683: The Bridal Night, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

'The ravages of strong drink' - caricature
'The ravages of strong drink' - caricature

XLF3787592: 'The ravages of strong drink' - caricature, Gillray, James (1757-1815) / Bridgeman Images

A Smoking Club, pub. 1793 (hand coloured engraving)
A Smoking Club, pub. 1793 (hand coloured engraving)

STC2636967: A Smoking Club, pub. 1793 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The King of Brobdingnag and Gulliver, pub. 1803 (hand coloured engraving)
The King of Brobdingnag and Gulliver, pub. 1803 (hand coloured engraving)

STC3025917: The King of Brobdingnag and Gulliver, pub. 1803 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Thunderer, pub. 1782 (hand coloured engraving)
The Thunderer, pub. 1782 (hand coloured engraving)

STC2962450: The Thunderer, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Frying Sprats, Toasting Muffins, 1791 (coloured aquatint)
Frying Sprats, Toasting Muffins, 1791 (coloured aquatint)

HRP2624895: Frying Sprats, Toasting Muffins, 1791 (coloured aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Lover's Dream, 1795 (coloured engraving)
The Lover's Dream, 1795 (coloured engraving)

NCO2632298: The Lover's Dream, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Cow Pock or the Wonderful Effects of the New Inoculation (coloured engraving)
The Cow Pock or the Wonderful Effects of the New Inoculation (coloured engraving)

NCO2632313: The Cow Pock or the Wonderful Effects of the New Inoculation (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Consequences of a Successful French Invasion, or We come to recover your long lost Liberties, 1798 (hand-coloured etching)
Consequences of a Successful French Invasion, or We come to recover your long lost Liberties, 1798 (hand-coloured etching)

NCO189768: Consequences of a Successful French Invasion, or We come to recover your long lost Liberties, 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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