Gillray, James (1757-1815) Assets (1002 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Enter Cowslip, with a bowl of Cream, published by Hannah Humphrey in 1795 (hand-coloured etching)
Enter Cowslip, with a bowl of Cream, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191753: Enter Cowslip, with a bowl of Cream, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The high flying Candidate (i.e Little Paul Goose) mounting from a Blanket, published by Hannah Humphrey in 1806 (hand-coloured etching)
The high flying Candidate (i.e Little Paul Goose) mounting from a Blanket, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193124: The high flying Candidate (i.e Little Paul Goose) mounting from a Blanket, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Pig in a Poke, published by S.W. Fores in 1788 (hand-coloured etching)
A Pig in a Poke, published by S.W. Fores in 1788 (hand-coloured etching)

NCO193158: A Pig in a Poke, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO191715: A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)
Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)

PT58403: Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (illustration accompanying 253714)
Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (illustration accompanying 253714)

NCO253713: Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (illustration accompanying 253714), Gillray, James (1757-1815) / Bridgeman Images

Cincinnatus in Retirement, pub. 1782 (hand coloured engraving)
Cincinnatus in Retirement, pub. 1782 (hand coloured engraving)

STC2655362: Cincinnatus in Retirement, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Pig in a Poke, Whist, Whist,pub. 1788 (hand coloured engraving)
A Pig in a Poke, Whist, Whist,pub. 1788 (hand coloured engraving)

STC2962489: A Pig in a Poke, Whist, Whist,pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving)
The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving)

STC2966814: The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)
Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)

STC2966815: Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

John Bull and Napoleon I, 1803 (engraving)
John Bull and Napoleon I, 1803 (engraving)

XLF3791896: John Bull and Napoleon I, 1803 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Napoleon Bonaparte and Charles Talleyrand, 1806 (engraving)
Napoleon Bonaparte and Charles Talleyrand, 1806 (engraving)

XLF3791913: Napoleon Bonaparte and Charles Talleyrand, 1806 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Self Portrait (pencil on paper)
Self Portrait (pencil on paper)

XJF366928: Self Portrait (pencil on paper), Gillray, James (1757-1815) / Bridgeman Images

Maniac-Raving's or Little Boney in a Strong Fit, Gillray, James, 1756-1815, Engraver, London, 1803,  Napoleon in a Fury Over Relations Between France and England.
Maniac-Raving's or Little Boney in a Strong Fit, Gillray, James, 1756-1815, Engraver, London, 1803,  Napoleon in a Fury Over Relations Between France and England.

LZT1012648: Maniac-Raving's or Little Boney in a Strong Fit, Gillray, James, 1756-1815, Engraver, London, 1803, Napoleon in a Fury Over Relations Between France and England., Gillray, James (1757-1815) / Bridgeman Images

Cupid, from the New Pantheon No.4, published by Hannah Humphrey, 1799 (coloured engraving)
Cupid, from the New Pantheon No.4, published by Hannah Humphrey, 1799 (coloured engraving)

NCO253703: Cupid, from the New Pantheon No.4, published by Hannah Humphrey, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Pandora Opening her Box, published by Hannah Humphrey, 1809 (hand-coloured etching)
Pandora Opening her Box, published by Hannah Humphrey, 1809 (hand-coloured etching)

NCO189702: Pandora Opening her Box, published by Hannah Humphrey, 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

All Bond Street Trembled as he Strode, published by Hannah Humphrey, 1802 (etching & engraving)
All Bond Street Trembled as he Strode, published by Hannah Humphrey, 1802 (etching & engraving)

NCO189708: All Bond Street Trembled as he Strode, published by Hannah Humphrey, 1802 (etching & engraving), Gillray, James (1757-1815) / Bridgeman Images

The Coalition, published by G. Humphrey in 1783 (hand-coloured etching)
The Coalition, published by G. Humphrey in 1783 (hand-coloured etching)

NCO190120: The Coalition, published by G. Humphrey in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

St. George and the Dragon, published by Hannah Humphrey in 1782 (hand-coloured etching)
St. George and the Dragon, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO190402: St. George and the Dragon, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Wine Duty, or The Triumph of Bacchus and Silenus with John Bull's Remonstrance, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Wine Duty, or The Triumph of Bacchus and Silenus with John Bull's Remonstrance, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190469: The Wine Duty, or The Triumph of Bacchus and Silenus with John Bull's Remonstrance, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Anacreontick's in full Song, published by Hannah Humphrey in 1801 (etching, engraving with aquatint & w/c)
Anacreontick's in full Song, published by Hannah Humphrey in 1801 (etching, engraving with aquatint & w/c)

NCO191235: Anacreontick's in full Song, published by Hannah Humphrey in 1801 (etching, engraving with aquatint & w/c), Gillray, James (1757-1815) / Bridgeman Images

Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint)
Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint)

NCO191273: Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Blowing up the Pic Nic's, or Harlequin Quixotte attacking the Puppets, published by Hannah Humphrey in 1802 (hand-coloured etching with aquatint)
Blowing up the Pic Nic's, or Harlequin Quixotte attacking the Puppets, published by Hannah Humphrey in 1802 (hand-coloured etching with aquatint)

NCO191710: Blowing up the Pic Nic's, or Harlequin Quixotte attacking the Puppets, published by Hannah Humphrey in 1802 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Broad Bottom Drones storming the Hive, Wasps, Hornets & Bumble-Bees joining in the Attack, published by Hannah Humphrey in 1808 (hand-coloured etching)
Broad Bottom Drones storming the Hive, Wasps, Hornets & Bumble-Bees joining in the Attack, published by Hannah Humphrey in 1808 (hand-coloured etching)

NCO192595: Broad Bottom Drones storming the Hive, Wasps, Hornets & Bumble-Bees joining in the Attack, published by Hannah Humphrey in 1808 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving)
Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving)

STC2962468: Rodney Triumphant or Admiral LeeShore in the Dumps, pub 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving)
Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving)

STC2962484: Improvement in Weights & Measures or Sir John Seeclear discovering every balance of every British Flag, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving)
Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving)

STC2966822: Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Lady Putting on Her Hat, 1795 (etching)
A Lady Putting on Her Hat, 1795 (etching)

XJF869687: A Lady Putting on Her Hat, 1795 (etching), Gillray, James (1757-1815) / Bridgeman Images

Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul.
Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul.

LZT1012549: Following the Fashion, Gillray, James, 1756-1815, Artist, Engraving 1794, Two Women, One Tall and Pretty and Slim, the Other Short and Fat, Wear Burlesqued Versions of the New Fashions. Under Each is a Supplementary Title: (Left) St. James's Giving the Ton, a Soul Without a Body; (Right) Cheapside Aping the Mode, a Body Without a Soul., Gillray, James (1757-1815) / Bridgeman Images

Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground.
Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground.

LZT1012579: Taming of the Shrew, Katharine and Petruchio, the Modern Quixotte, or, What You Will, Gillray, James, 1756-1815, Engraving 1791, Catherine II, Faint and Shying Away from William Pitt, Who Appears As Petruchio, and Don Quixote on Horseback (a Lean and Scarred George III Whose Authority Has Been Usurped by Pitt), Seated behind Pitt Are the King of Prussia and a Figure Representing Holland As Sancho Panza, Selim III Kneels to Kiss the Horse's Tail; a Gaunt Figure Representing the Old Order in France and Leopold II Render Assistence to Catherine by Preventing Her from Falling to the Ground., Gillray, James (1757-1815) / Bridgeman Images

Very Slippy-Weather, pub. 1808 (hand coloured engraving)
Very Slippy-Weather, pub. 1808 (hand coloured engraving)

STC2491298: Very Slippy-Weather, pub. 1808 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

NCO89953: "A Connoisseur examining a Cooper", George III (1738-1820) fearing a new revolution, peers at a portrait of Cromwell, pub. by Hannah Humphrey, 1792 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching)
The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching)

BAL8968: The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)
Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)

CHT202868: Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Three Mr Wiggins's, published by Hannah Humphrey in 1803 (hand-coloured etching)
The Three Mr Wiggins's, published by Hannah Humphrey in 1803 (hand-coloured etching)

NCO191250: The Three Mr Wiggins's, published by Hannah Humphrey in 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)
The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)

NCO191247: The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching), Gillray, James (1757-1815) / Bridgeman Images


Back to top