Gillray, James (1757-1815) Assets (983 in total)

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An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)
An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190108: An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)
A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190111: A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)
Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190113: Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)
The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190128: The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dutch Divisions, 1787 (engraving)
The Dutch Divisions, 1787 (engraving)

NCO253702: The Dutch Divisions, 1787 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching)
Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching)

NCO191257: Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191264: A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching)
Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191269: Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)
The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)

NCO191284: The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)
Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO191720: Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191745: Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191746: Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)
The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191749: The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)
Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190411: Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching)
A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching)

NCO190448: A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching)
Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190459: Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Morning Preparation, published by Hannah Humphrey in 1785 (etching)
Morning Preparation, published by Hannah Humphrey in 1785 (etching)

NCO190490: Morning Preparation, published by Hannah Humphrey in 1785 (etching), Gillray, James (1757-1815) / Bridgeman Images

Bat Catching, 1803 (hand-coloured etching)
Bat Catching, 1803 (hand-coloured etching)

NCO191203: Bat Catching, 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191221: The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching)
Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191227: Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching)
Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191244: Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)
Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193104: Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)
Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193142: Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)
Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO193143: Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull Triumphant, published by William Humphrey in 1780 (etching)
John Bull Triumphant, published by William Humphrey in 1780 (etching)

NCO193153: John Bull Triumphant, published by William Humphrey in 1780 (etching), Gillray, James (1757-1815) / Bridgeman Images

Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)
Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)

NCO193157: Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)
The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)

NCO193169: The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)
The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO193175: The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)
Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193187: Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)
The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)

NCO193191: The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)
A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)

BBC193402: A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)
The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)

STC2655350: The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

German Luxury or Repos a L'Allemande, pub. 1800 (hand coloured engraving)
German Luxury or Repos a L'Allemande, pub. 1800 (hand coloured engraving)

STC3051739: German Luxury or Repos a L'Allemande, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Playing in Parts, pub. 1801 (hand coloured engraving)
Playing in Parts, pub. 1801 (hand coloured engraving)

STC3051744: Playing in Parts, pub. 1801 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Harry Jenkins, the Masculine & Feminine Bellows Mender, pub. 1788 (hand coloured engraving)
Harry Jenkins, the Masculine & Feminine Bellows Mender, pub. 1788 (hand coloured engraving)

STC2966799: Harry Jenkins, the Masculine & Feminine Bellows Mender, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of the Crown for a new Pair of Revolution Breeches, pub. 1791 (hand coloured engraving)
The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of the Crown for a new Pair of Revolution Breeches, pub. 1791 (hand coloured engraving)

STC2966804: The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of the Crown for a new Pair of Revolution Breeches, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


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