Gillray, James (1757-1815) Assets (1002 in total)

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John Bull Triumphant, published by William Humphrey in 1780 (etching)
John Bull Triumphant, published by William Humphrey in 1780 (etching)

NCO193153: John Bull Triumphant, published by William Humphrey in 1780 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)
The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)

NCO193169: The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)
Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)

NCO193157: Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)
Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193187: Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)
A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)

BBC193402: A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129852: Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

TPG123751: "Portrait of an Irish Chief, drawn from life at Wexford", pub. by H. Humphrey, 10th July 1798 (etching) (see 105459 for b&w), Gillray, James (1757-1815) / Bridgeman Images

Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving)
Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving)

XJF173916: Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Westminster Hunt, published by 1788 (hand-coloured etching)
The Westminster Hunt, published by 1788 (hand-coloured etching)

NCO191200: The Westminster Hunt, published by 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191221: The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching)
The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO191234: The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching)
Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching)

NCO191257: Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191264: A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)
Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO191720: Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191746: Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)
The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191749: The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191745: Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)
Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)

NCO189700: Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)
News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)

NCO189705: News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)
German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)

NCO189712: German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)
Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189719: Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)
A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189750: A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)
The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)

NCO189791: The Minister In - The Minister Out, published by William Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)
Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO189727: Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)
The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO189792: The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Union Club, 1801 (colour engraving)
The Union Club, 1801 (colour engraving)

XJF212296: The Union Club, 1801 (colour engraving), Gillray, James (1757-1815) / Bridgeman Images

'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching)
'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching)

BAL42767: 'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89952: "Dumourier dining in State at St. James's on the 15th May 1793", pub. by Hannah Humphrey, 1793 (etching) (see also 124839), Gillray, James (1757-1815) / Bridgeman Images

The Dutch Divisions, 1787 (engraving)
The Dutch Divisions, 1787 (engraving)

NCO253702: The Dutch Divisions, 1787 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,
The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,

LZT1012539: The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,, Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.
End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.

LZT1012628: End of the Irish Invasion or the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard., Gillray, James (1757-1815) / Bridgeman Images

The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.
The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.

LZT1012644: The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin., Gillray, James (1757-1815) / Bridgeman Images

New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.
New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.

LZT1012675: New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan., Gillray, James (1757-1815) / Bridgeman Images

Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260492: Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

Untitled, published by Hannah Humphrey, 1800 (coloured engraving)
Untitled, published by Hannah Humphrey, 1800 (coloured engraving)

NCO256300: Untitled, published by Hannah Humphrey, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)
Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)

LLJ586702: Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving), Gillray, James (1757-1815) / Bridgeman Images


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