Gillray, James (1757-1815) Assets (1002 in total)

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Bat Catching, 1803 (hand-coloured etching)
Bat Catching, 1803 (hand-coloured etching)

NCO191203: Bat Catching, 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching)
Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191244: Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191264: A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191221: The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching)
Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching)

NCO191257: Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images

Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching)
Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191269: Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Morning Preparation, published by Hannah Humphrey in 1785 (etching)
Morning Preparation, published by Hannah Humphrey in 1785 (etching)

NCO190490: Morning Preparation, published by Hannah Humphrey in 1785 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)
The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)

NCO191284: The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull Triumphant, published by William Humphrey in 1780 (etching)
John Bull Triumphant, published by William Humphrey in 1780 (etching)

NCO193153: John Bull Triumphant, published by William Humphrey in 1780 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)
The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)

NCO193169: The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)
The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO193175: The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)
The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)

NCO193191: The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)
Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193104: Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)
Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193106: Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)
Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO193143: Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)
Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)

NCO193157: Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)
Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193187: Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193199: Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)
A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)

BBC193402: A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191745: Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)
The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191749: The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)
German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)

NCO189712: German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)
Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO189727: Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)
A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189750: A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)
The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO189792: The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)
Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)

NCO189700: Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)
The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)

NCO189791: The Minister In - The Minister Out, published by William Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)
A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190111: A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190112: A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)
An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190108: An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving)
Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving)

XJF173916: Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Dutch Divisions, 1787 (engraving)
The Dutch Divisions, 1787 (engraving)

NCO253702: The Dutch Divisions, 1787 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)
The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)

STC1219481: The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,
The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,

LZT1012539: The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,, Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.
End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.

LZT1012628: End of the Irish Invasion or the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard., Gillray, James (1757-1815) / Bridgeman Images

The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.
The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.

LZT1012644: The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin., Gillray, James (1757-1815) / Bridgeman Images


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