Gillray, James (1757-1815) Assets (983 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)
Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)

NCO189700: Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)
News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)

NCO189705: News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)
German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)

NCO189712: German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)
Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189719: Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)
Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO189727: Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)
A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189750: A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)
Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO191720: Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191745: Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191746: Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)
The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191749: The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)
A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)

BBC193402: A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)
Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193104: Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)
Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193106: Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)
Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193142: Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)
Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO193143: Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull Triumphant, published by William Humphrey in 1780 (etching)
John Bull Triumphant, published by William Humphrey in 1780 (etching)

NCO193153: John Bull Triumphant, published by William Humphrey in 1780 (etching), Gillray, James (1757-1815) / Bridgeman Images

Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)
Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)

NCO193157: Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)
The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)

NCO193169: The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)
The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO193175: The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)
Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193187: Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)
The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)

NCO193191: The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193199: Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89952: "Dumourier dining in State at St. James's on the 15th May 1793", pub. by Hannah Humphrey, 1793 (etching) (see also 124839), Gillray, James (1757-1815) / Bridgeman Images

Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)
Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)

CHT202868: Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo)
Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo)

XJF173916: Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

The Union Club, 1801 (colour engraving) (b/w photo)
The Union Club, 1801 (colour engraving) (b/w photo)

XJF212296: The Union Club, 1801 (colour engraving) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Untitled, published by Hannah Humphrey, 1800 (coloured engraving)
Untitled, published by Hannah Humphrey, 1800 (coloured engraving)

NCO256300: Untitled, published by Hannah Humphrey, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Dutch Divisions, 1787 (engraving)
The Dutch Divisions, 1787 (engraving)

NCO253702: The Dutch Divisions, 1787 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260492: Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching)
The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching)

BAL8968: The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,
The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,

LZT1012539: The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,, Gillray, James (1757-1815) / Bridgeman Images

The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)
The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)

STC1219481: The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving)
Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving)

STC872453: Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)
Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)

LLJ586702: Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving), Gillray, James (1757-1815) / Bridgeman Images

Harry Jenkins, the Masculine & Feminine Bellows Mender, pub. 1788 (hand coloured engraving)
Harry Jenkins, the Masculine & Feminine Bellows Mender, pub. 1788 (hand coloured engraving)

STC2966799: Harry Jenkins, the Masculine & Feminine Bellows Mender, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of the Crown for a new Pair of Revolution Breeches, pub. 1791 (hand coloured engraving)
The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of the Crown for a new Pair of Revolution Breeches, pub. 1791 (hand coloured engraving)

STC2966804: The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of the Crown for a new Pair of Revolution Breeches, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


Back to top