Gillray, James (1757-1815) Assets (983 in total)

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Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191746: Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)
The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191749: The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)
An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190108: An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)
A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190111: A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)
Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190113: Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)
The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190128: The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching)
A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching)

NCO190448: A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching)
Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190459: Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190112: A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190121: The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching)
Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190406: Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)
Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190411: Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Morning Preparation, published by Hannah Humphrey in 1785 (etching)
Morning Preparation, published by Hannah Humphrey in 1785 (etching)

NCO190490: Morning Preparation, published by Hannah Humphrey in 1785 (etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)
Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)

NCO189700: Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)
News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)

NCO189705: News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)
German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)

NCO189712: German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)
Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189719: Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)
Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO189727: Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)
A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189750: A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)
The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)

NCO189791: The Minister In - The Minister Out, published by William Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo)
Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo)

XJF173916: Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)
Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193104: Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)
Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193106: Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)
Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193142: Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)
Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO193143: Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull Triumphant, published by William Humphrey in 1780 (etching)
John Bull Triumphant, published by William Humphrey in 1780 (etching)

NCO193153: John Bull Triumphant, published by William Humphrey in 1780 (etching), Gillray, James (1757-1815) / Bridgeman Images

Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)
Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)

NCO193157: Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)
The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)

NCO193169: The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)
The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)

NCO193191: The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)
A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)

BBC193402: A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)
The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO193175: The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)
Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193187: Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Union Club, 1801 (colour engraving) (b/w photo)
The Union Club, 1801 (colour engraving) (b/w photo)

XJF212296: The Union Club, 1801 (colour engraving) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129852: Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

The Dutch Divisions, 1787 (engraving)
The Dutch Divisions, 1787 (engraving)

NCO253702: The Dutch Divisions, 1787 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Untitled, published by Hannah Humphrey, 1800 (coloured engraving)
Untitled, published by Hannah Humphrey, 1800 (coloured engraving)

NCO256300: Untitled, published by Hannah Humphrey, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


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