Gillray, James (1757-1815) Assets (1003 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The Comforts of a Rumford Stove, pub 1800 (hand coloured engraving)
The Comforts of a Rumford Stove, pub 1800 (hand coloured engraving)

STC3051742: The Comforts of a Rumford Stove, pub 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Comfort to the Corns, pub. 1800 (hand coloured engraving)
Comfort to the Corns, pub. 1800 (hand coloured engraving)

STC3051740: Comfort to the Corns, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Giant Factotum amusing hinself, pub. 1797 (hand coloured engraving)
The Giant Factotum amusing hinself, pub. 1797 (hand coloured engraving)

STC2966812: The Giant Factotum amusing hinself, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Flemish Characters, pub. 1822 (hand coloured engraving)
Flemish Characters, pub. 1822 (hand coloured engraving)

STC2962491: Flemish Characters, pub. 1822 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Patent-Bolsters:  Le moyen d'etre en-bon point, pub. 1791 (hand coloured engraving)
Patent-Bolsters:  Le moyen d'etre en-bon point, pub. 1791 (hand coloured engraving)

STC3025373: Patent-Bolsters: Le moyen d'etre en-bon point, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Sir Richard Worse-than-Sly, Exposing his Wife's Bottom - O fye!, pub. 1782 (hand coloured engraving)
Sir Richard Worse-than-Sly, Exposing his Wife's Bottom - O fye!, pub. 1782 (hand coloured engraving)

STC3025937: Sir Richard Worse-than-Sly, Exposing his Wife's Bottom - O fye!, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Masonic Anecdote, pub. 1786 (hand coloured engraving)
A Masonic Anecdote, pub. 1786 (hand coloured engraving)

STC3035660: A Masonic Anecdote, pub. 1786 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Plate 6, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 6, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129850: Plate 6, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Plate 5, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 5, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129849: Plate 5, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Easing the Tooth-ach, published by Hannah Humphrey, 1796 (coloured engraving)
Easing the Tooth-ach, published by Hannah Humphrey, 1796 (coloured engraving)

NCO253719: Easing the Tooth-ach, published by Hannah Humphrey, 1796 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Society of United Irishmen in training against the British Army, 1798 (coloured engraving)
Society of United Irishmen in training against the British Army, 1798 (coloured engraving)

PNP310573: Society of United Irishmen in training against the British Army, 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Temperance enjoying a Frugal Meal, 1792 (coloured engraving)
Temperance enjoying a Frugal Meal, 1792 (coloured engraving)

HRP2624904: Temperance enjoying a Frugal Meal, 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Duke William's Ghost, 1799
Duke William's Ghost, 1799

HRP5245339: Duke William's Ghost, 1799, Gillray, James (1757-1815) / Bridgeman Images

St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching)
St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching)

NAM5925882: St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)
Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)

NCO189700: Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)
News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)

NCO189705: News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)
German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)

NCO189712: German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)
Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO189727: Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)
Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189719: Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)
The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)

NCO189791: The Minister In - The Minister Out, published by William Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)
A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189750: A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)
The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO189792: The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89952: "Dumourier dining in State at St. James's on the 15th May 1793", pub. by Hannah Humphrey, 1793 (etching) (see also 124839), Gillray, James (1757-1815) / Bridgeman Images

Untitled, published by Hannah Humphrey, 1800 (coloured engraving)
Untitled, published by Hannah Humphrey, 1800 (coloured engraving)

NCO256300: Untitled, published by Hannah Humphrey, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260492: Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching)
Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching)

NCO190497: Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190112: A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)
A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190111: A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190121: The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190129: The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching)
Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190406: Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)
Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)

NCO190157: Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving), Gillray, James (1757-1815) / Bridgeman Images

An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)
An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190108: An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)
Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190113: Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)
The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190128: The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)

NCO190148: La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


Back to top