Gillray, James (1757-1815) Assets (983 in total)

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The Comforts of a Rumford Stove, 1800 (coloured engraving)
The Comforts of a Rumford Stove, 1800 (coloured engraving)

NCO2632289: The Comforts of a Rumford Stove, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Metallic Tractors, 1801 (coloured engraving)
Metallic Tractors, 1801 (coloured engraving)

NCO2632291: Metallic Tractors, 1801 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Shakespeare Sacrificed or The Offering to Avarice, 1789 (coloured engraving)
Shakespeare Sacrificed or The Offering to Avarice, 1789 (coloured engraving)

NCO2632293: Shakespeare Sacrificed or The Offering to Avarice, 1789 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632317: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632318: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Affability, 1795 (coloured engraving)
Affability, 1795 (coloured engraving)

HRP2624913: Affability, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint)
The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint)

HRP2624925: The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint), Gillray, James (1757-1815) / Bridgeman Images

The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving)
The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving)

HRP2624543: The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Characters in High Life, 1795
Characters in High Life, 1795

HRP5245602: Characters in High Life, 1795, Gillray, James (1757-1815) / Bridgeman Images

Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129852: Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

TPG123751: "Portrait of an Irish Chief, drawn from life at Wexford", pub. by H. Humphrey, 10th July 1798 (etching) (see 105459 for b&w), Gillray, James (1757-1815) / Bridgeman Images

Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo)
Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo)

XJF173916: Shakespeare Sacrificed, or The Offering to Avarice, published in 1789 (engraving) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)
Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)

NCO189700: Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)
News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)

NCO189705: News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)
German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)

NCO189712: German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)
Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189719: Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)
Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO189727: Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)
A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189750: A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)
The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)

NCO189791: The Minister In - The Minister Out, published by William Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)
The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO189792: The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching)
The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO191234: The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching)
Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO191241: Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching)
Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191244: Parliamentary Reform, or Opposition Rats leaving the House they had Undermined, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching)
Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching)

NCO191257: Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images

A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO191264: A Burgess of Warwick Lane, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching)
Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191269: Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)
The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)

NCO191284: The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)
Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO191720: Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191746: Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Bat Catching, 1803 (hand-coloured etching)
Bat Catching, 1803 (hand-coloured etching)

NCO191203: Bat Catching, 1803 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191221: The Tables Turn'd, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching)
Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191227: Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)
Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193104: Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)
Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193106: Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)
Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193142: Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)
Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO193143: Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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