Gillray, James (1757-1815) Assets (1002 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Lady Godiva's Rout, or Peeping-Tom spying out Pope-Joan, published by Hannah Humphrey in 1796 (hand-coloured etching)
Lady Godiva's Rout, or Peeping-Tom spying out Pope-Joan, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191711: Lady Godiva's Rout, or Peeping-Tom spying out Pope-Joan, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Soldier's Return, or Rare News for Old England, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Soldier's Return, or Rare News for Old England, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO193141: The Soldier's Return, or Rare News for Old England, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Feast of Reason, & the Flow of the Soul - i.e. The Wits of the Age, setting the Table in a Roar, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Feast of Reason, & the Flow of the Soul - i.e. The Wits of the Age, setting the Table in a Roar, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191732: The Feast of Reason, & the Flow of the Soul - i.e. The Wits of the Age, setting the Table in a Roar, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Easing the Tooth-ach, published by Hannah Humphrey, 1796 (coloured engraving)
Easing the Tooth-ach, published by Hannah Humphrey, 1796 (coloured engraving)

NCO253719: Easing the Tooth-ach, published by Hannah Humphrey, 1796 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Great South Sea Caterpillar, transformed into a Bath Butterfly, 1795 (hand-coloured engraving)
The Great South Sea Caterpillar, transformed into a Bath Butterfly, 1795 (hand-coloured engraving)

STC2562161: The Great South Sea Caterpillar, transformed into a Bath Butterfly, 1795 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Duke William's Ghost, 1799
Duke William's Ghost, 1799

HRP5245339: Duke William's Ghost, 1799, Gillray, James (1757-1815) / Bridgeman Images

Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)
Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)

LLJ586702: Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving), Gillray, James (1757-1815) / Bridgeman Images

Untitled, published by Hannah Humphrey, 1800 (coloured engraving)
Untitled, published by Hannah Humphrey, 1800 (coloured engraving)

NCO256300: Untitled, published by Hannah Humphrey, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260492: Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving)
Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving)

STC872453: Tales of Wonder! This attempt to describe the effects of the Sublime and Wonderful is dedicated to M G Lewis Esq MP, pub. H Humprey, London, 1802 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

NCO89952: "Dumourier dining in State at St. James's on the 15th May 1793", pub. by Hannah Humphrey, 1793 (etching) (see also 124839), Gillray, James (1757-1815) / Bridgeman Images

'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching)
'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching)

BAL42767: 'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129852: Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

TPG123751: "Portrait of an Irish Chief, drawn from life at Wexford", pub. by H. Humphrey, 10th July 1798 (etching) (see 105459 for b&w), Gillray, James (1757-1815) / Bridgeman Images

The Union Club, 1801 (colour engraving)
The Union Club, 1801 (colour engraving)

XJF212296: The Union Club, 1801 (colour engraving), Gillray, James (1757-1815) / Bridgeman Images

Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)
Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO191720: Monuments lately discovered on Salisbury Plain, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching)
Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191227: Opening of the Budget, or John Bull giving his breeches to save his Bacon, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching)
The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO191234: The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching)
Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO191241: Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191746: Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190121: The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)

NCO190148: La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching)
A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching)

NCO190448: A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching)
Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190406: Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)
Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190411: Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching)
The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO190436: The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching)
Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190459: Le Coup de Maitre, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching)
Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching)

NCO190476: Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching)
Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching)

NCO190497: Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)
News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)

NCO189705: News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)
Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189719: Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)
Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190113: Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)
The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190128: The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190129: The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)
Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)

NCO190157: Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving), Gillray, James (1757-1815) / Bridgeman Images

The Westminster Hunt, published by 1788 (hand-coloured etching)
The Westminster Hunt, published by 1788 (hand-coloured etching)

NCO191200: The Westminster Hunt, published by 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


Back to top