Gillray, James (1757-1815) Assets (983 in total)

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The Impeachment, or 'The Father of the Gang turned King's Evidence', published by S.W. Fores in 1791 (hand-coloured etching)
The Impeachment, or 'The Father of the Gang turned King's Evidence', published by S.W. Fores in 1791 (hand-coloured etching)

NCO190433: The Impeachment, or 'The Father of the Gang turned King's Evidence', published by S.W. Fores in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Vices Overlook'd in the New Proclamation, published by Hannah Humphrey, 1792 (hand-coloured etching)
Vices Overlook'd in the New Proclamation, published by Hannah Humphrey, 1792 (hand-coloured etching)

NCO189718: Vices Overlook'd in the New Proclamation, published by Hannah Humphrey, 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Le Bon Genre: Le Walse, after Carle Vernet (1758-1836), 1810 (hand-coloured etching)
Le Bon Genre: Le Walse, after Carle Vernet (1758-1836), 1810 (hand-coloured etching)

BAL42796: Le Bon Genre: Le Walse, after Carle Vernet (1758-1836), 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Harmony before Matrimony, 1805 (colour engraving)
Harmony before Matrimony, 1805 (colour engraving)

XCF290999: Harmony before Matrimony, 1805 (colour engraving), Gillray, James (1757-1815) / Bridgeman Images

Coalition Dance, pub. 1785 (hand coloured engraving)
Coalition Dance, pub. 1785 (hand coloured engraving)

STC2962473: Coalition Dance, pub. 1785 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

London Corresponding Society, alarm'd, vide. Guilty Consciences, pub. 1796 (hand coloured engraving)
London Corresponding Society, alarm'd, vide. Guilty Consciences, pub. 1796 (hand coloured engraving)

STC2962483: London Corresponding Society, alarm'd, vide. Guilty Consciences, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Presages of the Millennium, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)
Presages of the Millennium, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint)

NCO189734: Presages of the Millennium, published by Hannah Humphrey in 1795 (hand-coloured etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

William Pitt (1759-1806) 1780 (engraving)
William Pitt (1759-1806) 1780 (engraving)

NCO189773: William Pitt (1759-1806) 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Stealing Off, or Prudent Secesion, published by Hannah Humphrey in 1798 (hand-coloured etching with aquatint)
Stealing Off, or Prudent Secesion, published by Hannah Humphrey in 1798 (hand-coloured etching with aquatint)

NCO189777: Stealing Off, or Prudent Secesion, published by Hannah Humphrey in 1798 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

'and would'st thou turn the vile Reproach on me?' published by Hannah Humphrey in 1807 (hand-coloured etching)
'and would'st thou turn the vile Reproach on me?' published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO189797: 'and would'st thou turn the vile Reproach on me?' published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War, published by Hannah Humphrey in 1799 (hand-coloured etching)
Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO190182: Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Push-Pin, published by Hannah Humphrey in 1797 (hand-coloured etching)
Push-Pin, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191725: Push-Pin, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in 1792 (hand-coloured etching)
Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO191240: Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Uncorking Old Sherry, published by Hannah Humphrey in 1805 (hand-coloured etching)
Uncorking Old Sherry, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO190487: Uncorking Old Sherry, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Britannia in French Stays, or Re-Form at the Expense of Constitution, published by Hannah Humphrey in 1793 (etching)
Britannia in French Stays, or Re-Form at the Expense of Constitution, published by Hannah Humphrey in 1793 (etching)

XJF212297: Britannia in French Stays, or Re-Form at the Expense of Constitution, published by Hannah Humphrey in 1793 (etching), Gillray, James (1757-1815) / Bridgeman Images

Discipline a la Kenyon, published by Hannah Humphrey in 1797 (hand-coloured etching)
Discipline a la Kenyon, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190454: Discipline a la Kenyon, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull Bother'd, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint)
John Bull Bother'd, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint)

NCO190470: John Bull Bother'd, or The Geese alarming the Capitol, published by Hannah Humphrey in 1792 (hand-coloured etching & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Patience on a Monument, published by Hannah Humphrey in 1791 (hand-coloured etching)
Patience on a Monument, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO191231: Patience on a Monument, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Raw Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
Raw Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)

NCO191289: Raw Weather, published by Hannah Humphrey in 1808 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Advantages of Wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, published by Hannah Humphrey, 1802 (hand-coloured engraving)
Advantages of Wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, published by Hannah Humphrey, 1802 (hand-coloured engraving)

NCO189715: Advantages of Wearing Muslin Dresses! dedicated to the serious attention of the fashionable ladies of Great Britain, published by Hannah Humphrey, 1802 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Integrity Retiring from Office, published by Hannah Humphrey in 1801 (hand-coloured etching with aquatint)
Integrity Retiring from Office, published by Hannah Humphrey in 1801 (hand-coloured etching with aquatint)

NCO189720: Integrity Retiring from Office, published by Hannah Humphrey in 1801 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Morning after Marriage, or A scene on the Continent, published by W, Holland in 1788 (hand-coloured etching)
The Morning after Marriage, or A scene on the Continent, published by W, Holland in 1788 (hand-coloured etching)

NCO189739: The Morning after Marriage, or A scene on the Continent, published by W, Holland in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Phaeton Alarm'd, published by Hannah Humphrey in 1808 (etching, engraving, aquatint & w/c)
Phaeton Alarm'd, published by Hannah Humphrey in 1808 (etching, engraving, aquatint & w/c)

NCO189785: Phaeton Alarm'd, published by Hannah Humphrey in 1808 (etching, engraving, aquatint & w/c), Gillray, James (1757-1815) / Bridgeman Images

A Decent Story, published by Hannah Humphrey in 1795 (hand-coloured etching)
A Decent Story, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190105: A Decent Story, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Tentanda via est qua me quoque possim Tollere humo, published by Hannah Humphrey in 1810 (etching, engraving, aquatint & w/c on paper)
Tentanda via est qua me quoque possim Tollere humo, published by Hannah Humphrey in 1810 (etching, engraving, aquatint & w/c on paper)

NCO190429: Tentanda via est qua me quoque possim Tollere humo, published by Hannah Humphrey in 1810 (etching, engraving, aquatint & w/c on paper), Gillray, James (1757-1815) / Bridgeman Images

The high flying Candidate (i.e Little Paul Goose) mounting from a Blanket, published by Hannah Humphrey in 1806 (hand-coloured etching)
The high flying Candidate (i.e Little Paul Goose) mounting from a Blanket, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193124: The high flying Candidate (i.e Little Paul Goose) mounting from a Blanket, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Pig in a Poke, published by S.W. Fores in 1788 (hand-coloured etching)
A Pig in a Poke, published by S.W. Fores in 1788 (hand-coloured etching)

NCO193158: A Pig in a Poke, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO191715: A Peep into the Shakespeare Gallery, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (illustration accompanying 253714)
Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (illustration accompanying 253714)

NCO253713: Boney and Talley, The Corsican Carcase - Butcher's Reckoning Day, published by Hannah Humphrey, 1803 (coloured engraving) (illustration accompanying 253714), Gillray, James (1757-1815) / Bridgeman Images

Opening of the Budget or John Bull Giving his Breeches to Save his Bacon, published November 17th, 1796 (coloured engraving)
Opening of the Budget or John Bull Giving his Breeches to Save his Bacon, published November 17th, 1796 (coloured engraving)

HSC185233: Opening of the Budget or John Bull Giving his Breeches to Save his Bacon, published November 17th, 1796 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)
Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving)

PT58403: Acting Magistrates commiting themselves, being their first appearance as performed at the National Theatre Covent Garden, 1809 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Self Portrait (pencil on paper) (b/w photo)
Self Portrait (pencil on paper) (b/w photo)

XJF366928: Self Portrait (pencil on paper) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

Cincinnatus in Retirement, pub. 1782 (hand coloured engraving)
Cincinnatus in Retirement, pub. 1782 (hand coloured engraving)

STC2655362: Cincinnatus in Retirement, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

John Bull and Napoleon I, 1803 (engraving)
John Bull and Napoleon I, 1803 (engraving)

XLF3791896: John Bull and Napoleon I, 1803 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)
Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)

STC2966815: Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Pig in a Poke, Whist, Whist,pub. 1788 (hand coloured engraving)
A Pig in a Poke, Whist, Whist,pub. 1788 (hand coloured engraving)

STC2962489: A Pig in a Poke, Whist, Whist,pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


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