Gillray, James (1757-1815) Assets (983 in total)

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Temperance enjoying a Frugal Meal, published by Hannah Humphrey, 1792 (coloured engraving)
Temperance enjoying a Frugal Meal, published by Hannah Humphrey, 1792 (coloured engraving)

NCO253710: Temperance enjoying a Frugal Meal, published by Hannah Humphrey, 1792 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Lady putting on her Cap, published in 1795 (hand-coloured etching)
A Lady putting on her Cap, published in 1795 (hand-coloured etching)

NCO191283: A Lady putting on her Cap, published in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Farmer Giles and his Wife showing off their daughter Betty to their neighbours on her return from school, published by Hannah Humphrey in 1809 (hand-coloured etching)
Farmer Giles and his Wife showing off their daughter Betty to their neighbours on her return from school, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO189764: Farmer Giles and his Wife showing off their daughter Betty to their neighbours on her return from school, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull taking Luncheon or British Cooks cramming Old Grumble Gizzard with Bonne Chere, pub 1798 (hand coloured engraving)
John Bull taking Luncheon or British Cooks cramming Old Grumble Gizzard with Bonne Chere, pub 1798 (hand coloured engraving)

STC2966820: John Bull taking Luncheon or British Cooks cramming Old Grumble Gizzard with Bonne Chere, pub 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Apotheosis of the Corsican Phoenix, published by Hannah Humphrey in 1808 (hand-coloured etching)
Apotheosis of the Corsican Phoenix, published by Hannah Humphrey in 1808 (hand-coloured etching)

NCO190198: Apotheosis of the Corsican Phoenix, published by Hannah Humphrey in 1808 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton, published by Hannah Humphrey in 1795 (hand-coloured etching)
God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190419: God Save the King- in a bumper, or An Evening Scene Three Times a Week at Wimbleton, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

TRI115159: "The Comforts of a Rumford Stove", pub. by Hannah Humphrey, 1800 (etching & w/c), Gillray, James (1757-1815) / Bridgeman Images

BAL42793: "Advantages of Wearing Muslin Dresses! Dedicated to the Serious Attention of the Fashionable Ladies of Great Britain", pub. by John Miller and W. Blackwood (engraving), Gillray, James (1757-1815) / Bridgeman Images

Presages of the Millennium, published by Hannah Humphrey in 1795 (colour etching, engraving & aquatint)
Presages of the Millennium, published by Hannah Humphrey in 1795 (colour etching, engraving & aquatint)

XCF290983: Presages of the Millennium, published by Hannah Humphrey in 1795 (colour etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

The Rights of Man, or Tommy Paine, the little American Taylor, taking the Measure of the Crown for a new Pair of Revolution-Breeches, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Rights of Man, or Tommy Paine, the little American Taylor, taking the Measure of the Crown for a new Pair of Revolution-Breeches, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO189760: The Rights of Man, or Tommy Paine, the little American Taylor, taking the Measure of the Crown for a new Pair of Revolution-Breeches, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Promenade en Famille, or A Sketch from Life, published by Hannah Humphrey in 1797 (hand-coloured etching)
La Promenade en Famille, or A Sketch from Life, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190405: La Promenade en Famille, or A Sketch from Life, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Fashionable Mamma, or The Convenience of Modern Dress, published in 1796 (coloured engraving)
The Fashionable Mamma, or The Convenience of Modern Dress, published in 1796 (coloured engraving)

NCO188255: The Fashionable Mamma, or The Convenience of Modern Dress, published in 1796 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Supplementary Militia Turning out for Twenty Days Amusement, or The French invade us, hay? damme, who's afraid? published by Hannah Humphrey in 1796 (hand-coloured etching)
Supplementary Militia Turning out for Twenty Days Amusement, or The French invade us, hay? damme, who's afraid? published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO189706: Supplementary Militia Turning out for Twenty Days Amusement, or The French invade us, hay? damme, who's afraid? published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching)
The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190455: The Republican Attack, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

'Lady Godiva's Rout - or - Peeping Tom Spying out Pope Joan', 1796 (hand-coloured engraving)
'Lady Godiva's Rout - or - Peeping Tom Spying out Pope Joan', 1796 (hand-coloured engraving)

BAL42843: 'Lady Godiva's Rout - or - Peeping Tom Spying out Pope Joan', 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A New Way to Pay the National Debt, published by W. Holland in 1786 (hand-coloured etching & engraving)
A New Way to Pay the National Debt, published by W. Holland in 1786 (hand-coloured etching & engraving)

NCO190451: A New Way to Pay the National Debt, published by W. Holland in 1786 (hand-coloured etching & engraving), Gillray, James (1757-1815) / Bridgeman Images

Napper Tandy (1740-1803) published by Hannah Humphrey in 1799 (hand-coloured etching)
Napper Tandy (1740-1803) published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO193129: Napper Tandy (1740-1803) published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Orange Jumper, published by Hannah Humphrey in 1809 (hand-coloured etching)
Orange Jumper, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO193182: Orange Jumper, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

H.R.H. the Prince of Wales (1762-1830) published by Hannah Humphrey in 1802 (hand-coloured etching)
H.R.H. the Prince of Wales (1762-1830) published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190117: H.R.H. the Prince of Wales (1762-1830) published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

'Hero's Recruiting at Kelsey's, or Guard-Day at St. James's', pub. by Hannah Humphrey, 1797 (coloured etching)
'Hero's Recruiting at Kelsey's, or Guard-Day at St. James's', pub. by Hannah Humphrey, 1797 (coloured etching)

NCO89942: 'Hero's Recruiting at Kelsey's, or Guard-Day at St. James's', pub. by Hannah Humphrey, 1797 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

NCO89961: "Following the Fashion: St. James's giving the Ton, a Soul without a Body, Cheapside aping the Mode, a Body without a Soul", pub. by Hannah Humphrey, 1794 (engraving), Gillray, James (1757-1815) / Bridgeman Images

Metalic Tractors, c.1801 (coloured etching)
Metalic Tractors, c.1801 (coloured etching)

AAH117629: Metalic Tractors, c.1801 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Maniac Ravings, or Little Boney in a strong Fit, 1805 (hand-coloured etching)
Maniac Ravings, or Little Boney in a strong Fit, 1805 (hand-coloured etching)

NCO191279: Maniac Ravings, or Little Boney in a strong Fit, 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Le Baiser a la Wirtembourg, published by Hannah Humphrey in 1797 (hand-coloured etching)
Le Baiser a la Wirtembourg, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190143: Le Baiser a la Wirtembourg, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Jersey Smuggler detected, or Good Causes for Discontent: 'Marriage vows are false as Dicers oaths, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Jersey Smuggler detected, or Good Causes for Discontent: 'Marriage vows are false as Dicers oaths, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190418: The Jersey Smuggler detected, or Good Causes for Discontent: 'Marriage vows are false as Dicers oaths, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Tom Paine's Nightly Pest, published by Hannah Humphrey in 1792 (hand-coloured etching)
Tom Paine's Nightly Pest, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO189753: Tom Paine's Nightly Pest, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Noble Sans-Culotte, published by Hannah Humphrey in 1794 (etching)
The Noble Sans-Culotte, published by Hannah Humphrey in 1794 (etching)

NCO189758: The Noble Sans-Culotte, published by Hannah Humphrey in 1794 (etching), Gillray, James (1757-1815) / Bridgeman Images

The Union Club (coloured engraving)
The Union Club (coloured engraving)

LLJ582248: The Union Club (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

BAL42751: "Lordly Elevation", pub. by Hannah Humphrey, 1802 (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Union Club, 1801 (colour engraving)
The Union Club, 1801 (colour engraving)

BAL42780: The Union Club, 1801 (colour engraving), Gillray, James (1757-1815) / Bridgeman Images

The Gordon-Knot, or The Bonny Duchess hunting the Bedford Bull, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Gordon-Knot, or The Bonny Duchess hunting the Bedford Bull, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193177: The Gordon-Knot, or The Bonny Duchess hunting the Bedford Bull, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)
Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching)

NCO190133: Dreadful-Hot Weather, published by Hannah Humphrey in 1808 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Britannia in French Stays, or Re-Form at the Expense of Constitution, published by Hannah Humphrey in 1793 (hand-coloured etching)
Britannia in French Stays, or Re-Form at the Expense of Constitution, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO189761: Britannia in French Stays, or Re-Form at the Expense of Constitution, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

'Harmony before Matrimony', published 1805 (coloured engraving)
'Harmony before Matrimony', published 1805 (coloured engraving)

STC252078: 'Harmony before Matrimony', published 1805 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Cupid, published by Hannah Humphrey in 1799 (hand-coloured etching)
Cupid, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191258: Cupid, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Le Cochon et ses Deux Petits, or Rich Pickings for a Noble Appetite, published by Hannah Humphrey in 1792 (hand-coloured etching)
Le Cochon et ses Deux Petits, or Rich Pickings for a Noble Appetite, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO189723: Le Cochon et ses Deux Petits, or Rich Pickings for a Noble Appetite, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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