Gillray, James (1757-1815) Assets (1003 in total)
Results
STC2562167: The Life of William Cobbett, witten by himself, published by Hannah Humphrey, 1809 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632289: The Comforts of a Rumford Stove, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632310: John Bull's Progress, 1793 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2655350: The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632288: Pizarro contemplating over the product of his new Peruvian Mine, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632291: Metallic Tractors, 1801 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NCO2632318: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2636941: A Kick at the Broad Bottoms, i.e. Emancipation of all the Talents, pub. 1807 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962469: Malagrida & Conspirators, consulting the Ghost of Oliver Cromwell, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966804: The Rights of Man, or Tomm Paine, the Little American Taylor taking the measure of the Crown for a new Pair of Revolution Breeches, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966825: Egyptian Sketches, pub/ 1799 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025363: Going down in a Diving Machine, pub 1801 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025367: British Tars towing the Danish Fleet into Harbour: the Borad bottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, pub. 1807 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025385: A modern Belle going to the Rooms at Bath, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3035671: The Jersey Smuggler detected, or Good cause for Separation, Marriage Vows are False as Dicers oaths, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3051739: German Luxury or Repos a L'Allemande, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2489981: The Comforts of a Rumford Stove, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2490625: Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
NAM5925882: St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190436: The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190448: A Birmingham Toast, as given on the 14th July by the Revolution Society, published by S.W. Fores in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO190476: Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191241: Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO191257: Mrs Gibbs, the Notorious Street Walker & Extorter, 1799 (etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193143: Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
NCO193191: The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
BBC193402: A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
STC2962476: A Dish of Mutton-Chops, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962479: Taming of the Shrew: Katherine & Petruchio; The Modern Quixotte, or what you will, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2962519: Sampson overcome by a Philistain, pub. 1782 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966799: Harry Jenkins, the Masculine & Feminine Bellows Mender, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966808: The Dissolution or The Alchymist producing an Aetherial Representation, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966829: The New Speaker, (ie the Law-Chick) between Hawks and Buzzards, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC2966880: The Bishop of A Tun's Breeches; - The Flaming Eveque purifying the House of Office! To the Patriots of France and England, this representation of the Burning Zeal of the holy 'Attaceh a la Mission', and his Colleague: 'Envoie des Poissardes,' is most respectfully dedicated, pub. 1792 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
STC3025371: Patience on a Monument, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images
