Gillray, James (1757-1815) Assets (1003 in total)

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Progress of the Toilet – The Wig (engraving)
Progress of the Toilet – The Wig (engraving)

NCO2632314: Progress of the Toilet – The Wig (engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, written by himself (coloured engraving)
The Life of William Cobbett, written by himself (coloured engraving)

NCO2632317: The Life of William Cobbett, written by himself (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Comforts of a Rumford Stove, 1800 (coloured engraving)
The Comforts of a Rumford Stove, 1800 (coloured engraving)

NCO2632289: The Comforts of a Rumford Stove, 1800 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

John Bull's Progress, 1793 (coloured engraving)
John Bull's Progress, 1793 (coloured engraving)

NCO2632310: John Bull's Progress, 1793 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Kick at the Broad Bottoms, i.e. Emancipation of all the Talents, pub. 1807 (hand coloured engraving)
A Kick at the Broad Bottoms, i.e. Emancipation of all the Talents, pub. 1807 (hand coloured engraving)

STC2636941: A Kick at the Broad Bottoms, i.e. Emancipation of all the Talents, pub. 1807 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Comforts of a Rumford Stove, pub. 1800 (hand coloured engraving)
The Comforts of a Rumford Stove, pub. 1800 (hand coloured engraving)

STC2489981: The Comforts of a Rumford Stove, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving)
Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving)

STC2490625: Stealing off; - or - prudent Secession, pub. 1798 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)
The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)

STC2655350: The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Life of William Cobbett, witten by himself, published by Hannah Humphrey, 1809 (hand-coloured engraving)
The Life of William Cobbett, witten by himself, published by Hannah Humphrey, 1809 (hand-coloured engraving)

STC2562167: The Life of William Cobbett, witten by himself, published by Hannah Humphrey, 1809 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)
The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)

STC1219481: The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

NCO89952: "Dumourier dining in State at St. James's on the 15th May 1793", pub. by Hannah Humphrey, 1793 (etching) (see also 124839), Gillray, James (1757-1815) / Bridgeman Images

The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)
The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO189792: The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190112: A Natural Crop; Alias - A Norfolk Dumpling, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190121: The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)
Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO190411: Lilliputian-Substitutes, Equipping for Public Service, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)
Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190113: Nauticus, or 'Those Lips were made for Kissing Ladies' published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)
The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190128: The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching)
Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO190406: Pillars of the Consitution: Three o'Clock & a Cloudy Morning, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191745: Messager de L'Etat, plate 12 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)
The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching)

NCO191749: The Introduction of the Pope to the Convocation at Oxford by the cardinal Broad-Bottom, published by Hannah Humphrey in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,
The Impeachment, or the Father of the Gang Turned Kings Evidence.  Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament.   Engraving 1791,

LZT1012539: The Impeachment, or the Father of the Gang Turned Kings Evidence. Edmund Burke Standing behind and with His Hands on the Heads of Richard B. Sheridan and Charles James Fox Who Bow Before Him Over a Railing, Perhaps Before Parliament. Engraving 1791,, Gillray, James (1757-1815) / Bridgeman Images

The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.
The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin.

LZT1012644: The Hand-Writing Upon the Wall, Gillray, James, 1756 1815, Artist, London, 1803, Napoleon, Josephine, French Soldiers and Women Seated at Feast with Dishes Bank of England, St. James, Tower of London, and Roast Beef of Old England. Napoleon Looks in Horror at Hand of Jehovah Pointing to Words in Sky, Mene Mene, Tekel Upharsin., Gillray, James (1757-1815) / Bridgeman Images

End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.
End of the Irish Invasion or  the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard.

LZT1012628: End of the Irish Invasion or the Destruction of the French Armada, Gillray, James, 1756-1815, Engraver, London, Engraving 1797, French Warships Being Tossed About During a Storm Blown Up by Pitt, Dundas, Grenville and Windham, Whose Heads Appear from the Clouds. Charles Fox is the Figurehead on Le Revolutionaire which is Floundering with Broken Mast. The Revolutionary Jolly Boat is Being Swamped, Throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall Overboard., Gillray, James (1757-1815) / Bridgeman Images

New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.
New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan.

LZT1012675: New Morality; or the Promis'D Installment of the High-Priest of the Theophilanthropes, with the Homage of Leviathan and His Suite, Gillray, James, 1756-1815, Engraving 1798, French Politician and Theophilanthropist Louis Marie Standing on a Three-Legged Stool Perched Upon a Stone Dais Reading Religion De La Nature to Surrounding Caricatures of People and Animals, Including the Duke of Bedford As Leviathan., Gillray, James (1757-1815) / Bridgeman Images

The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)
The Minister In - The Minister Out, published by William Humphrey in 1782 (etching)

NCO189791: The Minister In - The Minister Out, published by William Humphrey in 1782 (etching), Gillray, James (1757-1815) / Bridgeman Images

An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)
An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching)

NCO190108: An Illustrious Character, published by Hannah Humphrey in 1802 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)
A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190111: A Dash up St. James Street, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190129: The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)

NCO190148: La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)
Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)

NCO190157: Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving), Gillray, James (1757-1815) / Bridgeman Images

Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191746: Juge de Paix, plate 10 from 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull Triumphant, published by William Humphrey in 1780 (etching)
John Bull Triumphant, published by William Humphrey in 1780 (etching)

NCO193153: John Bull Triumphant, published by William Humphrey in 1780 (etching), Gillray, James (1757-1815) / Bridgeman Images

News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)
News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)

NCO189705: News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)
Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO189727: Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)
A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189750: A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching)
The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO190436: The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images


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