Gillray, James (1757-1815) Assets (983 in total)

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A Dish of Mutton-Chops, pub. 1788 (hand coloured engraving)
A Dish of Mutton-Chops, pub. 1788 (hand coloured engraving)

STC2962476: A Dish of Mutton-Chops, pub. 1788 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Taming of the Shrew:  Katherine & Petruchio; The Modern Quixotte, or what you will, pub. 1791 (hand coloured engraving)
Taming of the Shrew:  Katherine & Petruchio; The Modern Quixotte, or what you will, pub. 1791 (hand coloured engraving)

STC2962479: Taming of the Shrew: Katherine & Petruchio; The Modern Quixotte, or what you will, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, pub. 1796 (hand coloured engraving)
The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, pub. 1796 (hand coloured engraving)

STC2962480: The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Exaltation of Faro's Daughters, pub. 1796 (hand coloured engraving)
Exaltation of Faro's Daughters, pub. 1796 (hand coloured engraving)

STC3035670: Exaltation of Faro's Daughters, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Jersey Smuggler detected, or Good cause for Separation, Marriage Vows are False as Dicers oaths, pub. 1796 (hand coloured engraving)
The Jersey Smuggler detected, or Good cause for Separation, Marriage Vows are False as Dicers oaths, pub. 1796 (hand coloured engraving)

STC3035671: The Jersey Smuggler detected, or Good cause for Separation, Marriage Vows are False as Dicers oaths, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Going down in a Diving Machine, pub 1801 (hand coloured engraving)
Going down in a Diving Machine, pub 1801 (hand coloured engraving)

STC3025363: Going down in a Diving Machine, pub 1801 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

British Tars towing the Danish Fleet into Harbour:  the Borad bottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, pub. 1807 (hand coloured engraving)
British Tars towing the Danish Fleet into Harbour:  the Borad bottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, pub. 1807 (hand coloured engraving)

STC3025367: British Tars towing the Danish Fleet into Harbour: the Borad bottom Leviathan trying to swamp Billy's old Boat, & the little Corsican tottering on the Clouds of Ambition, pub. 1807 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Patience on a Monument, pub. 1791 (hand coloured engraving)
Patience on a Monument, pub. 1791 (hand coloured engraving)

STC3025371: Patience on a Monument, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A Witch upon a Mount's Edge;  vide; Fuzelli, pub. 1791 (hand coloured engraving)
A Witch upon a Mount's Edge;  vide; Fuzelli, pub. 1791 (hand coloured engraving)

STC3025374: A Witch upon a Mount's Edge; vide; Fuzelli, pub. 1791 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving)
Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving)

STC3025381: Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Leaving off Powder, or a Frugal Family saving the Guinea, pub.1795   (hand coloured engraving)
Leaving off Powder, or a Frugal Family saving the Guinea, pub.1795   (hand coloured engraving)

STC3025383: Leaving off Powder, or a Frugal Family saving the Guinea, pub.1795 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

A modern Belle going to the Rooms at Bath, pub. 1796 (hand coloured engraving)
A modern Belle going to the Rooms at Bath, pub. 1796 (hand coloured engraving)

STC3025385: A modern Belle going to the Rooms at Bath, pub. 1796 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Delicious Dreams: Castles in the Air! - Glorious Prospects!, pub. 1808 (hand coloured engraving)
Delicious Dreams: Castles in the Air! - Glorious Prospects!, pub. 1808 (hand coloured engraving)

STC3025926: Delicious Dreams: Castles in the Air! - Glorious Prospects!, pub. 1808 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Broad Bottom Drones storming the Hive: Wasps, Hornets, & Bumble Bees joinig the attack, pub. 1808 (hand coloured engraving)
Broad Bottom Drones storming the Hive: Wasps, Hornets, & Bumble Bees joinig the attack, pub. 1808 (hand coloured engraving)

STC3025927: Broad Bottom Drones storming the Hive: Wasps, Hornets, & Bumble Bees joinig the attack, pub. 1808 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193199: Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)
Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281)

NCO260492: Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281), Gillray, James (1757-1815) / Bridgeman Images

Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)
Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)

CHT202868: Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Westminster Hunt, published by 1788 (hand-coloured etching)
The Westminster Hunt, published by 1788 (hand-coloured etching)

NCO191200: The Westminster Hunt, published by 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching)
The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO191234: The Sound of the Horn, or The Danger of Riding an Old Hunter, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching)
Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO191241: Waltzer au Mouchoir, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190129: The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)

NCO190148: La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)
Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)

NCO190157: Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving), Gillray, James (1757-1815) / Bridgeman Images

The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching)
The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching)

NCO190436: The Chancellor of the Inquisition marking the Incorrigibles, published by Hannah Humphrey in 1793 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching)
Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching)

NCO190476: Jack a Both Sides, published by William Humphrey in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching)
Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching)

NCO190497: Opposition Coaches, published by S.W. Fores in 1788 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)
The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving)

STC2655350: The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land, pub. Hannah Humphrey, 1795 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

German Luxury or Repos a L'Allemande, pub. 1800 (hand coloured engraving)
German Luxury or Repos a L'Allemande, pub. 1800 (hand coloured engraving)

STC3051739: German Luxury or Repos a L'Allemande, pub. 1800 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Playing in Parts, pub. 1801 (hand coloured engraving)
Playing in Parts, pub. 1801 (hand coloured engraving)

STC3051744: Playing in Parts, pub. 1801 (hand coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching)
St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching)

NAM5925882: St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching), Gillray, James (1757-1815) / Bridgeman Images

Sans-Culottes, Feeding Europe with the Bread of Liberty, published January 12, 1793 (etching on wove paper)
Sans-Culottes, Feeding Europe with the Bread of Liberty, published January 12, 1793 (etching on wove paper)

HST3083634: Sans-Culottes, Feeding Europe with the Bread of Liberty, published January 12, 1793 (etching on wove paper), Gillray, James (1757-1815) / Bridgeman Images

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, 1798 (etching on paper)
A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, 1798 (etching on paper)

HST3083655: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, 1798 (etching on paper), Gillray, James (1757-1815) / Bridgeman Images

Ancient Music [recto], 1787-1789 (hand-coloured etching on paper)
Ancient Music [recto], 1787-1789 (hand-coloured etching on paper)

HST3083720: Ancient Music [recto], 1787-1789 (hand-coloured etching on paper), Gillray, James (1757-1815) / Bridgeman Images

The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving)
The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving)

HRP2624543: The York-reverence; or City Loyalty, amply rewarded, 1792 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

Affability, 1795 (coloured engraving)
Affability, 1795 (coloured engraving)

HRP2624913: Affability, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint)
The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint)

HRP2624925: The King of Brobdingnag, and Gulliver, 1803 (coloured aquatint), Gillray, James (1757-1815) / Bridgeman Images


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