Gillray, James (1757-1815) Assets (983 in total)

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Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching)
Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191269: Elegance Democratique, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)
The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching)

NCO191284: The Archduke, published by Hannah Humphrey in 1790 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)
Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193104: Pig's Meat, or The Swine flogged out of the Farmyard, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)
Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193106: Election Candidate, or the Republican Goose at the Top of the Pole, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)
Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching)

NCO193142: Nelson's Victory, or Good News operating on Loyal Feelings, published by Hannah Humphrey in 1798 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)
Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO193143: Theologie a la Turque, The Pale of the Church Mahomet, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

John Bull Triumphant, published by William Humphrey in 1780 (etching)
John Bull Triumphant, published by William Humphrey in 1780 (etching)

NCO193153: John Bull Triumphant, published by William Humphrey in 1780 (etching), Gillray, James (1757-1815) / Bridgeman Images

Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)
Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching)

NCO193157: Betty Canning revived, or A peep at the conjuration of Mary Squires & the Gypsey Family, published by J.M. Fobes in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)
The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching)

NCO193169: The Triumphal Procession of Little Paul the Taylor upon his new Goose, published in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)
The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO193175: The Dagger Scene, or The Plot Discover'd, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)
Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193187: Bruin in his Boat, or The Manager in Distress, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)
The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching)

NCO193191: The Funeral Procession of Miss Regency, published by S.W. Fores in 1789 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193199: Plate 4 from 'The Rake's Progress at the University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)
A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching)

BBC193402: A Parody of Macbeth's Soliloquy at Covent Garden Theatre, published by Walker in 1809 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)
Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving)

NCO189700: Making Decent, i.e. Broad-bottomites Getting into the Grand Costume, pub. by Hannah Humphrey, 1806 (hand-coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)
News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint)

NCO189705: News from Calabria! Capture of Buenos Ayres, or The Comforts of an Imperial Dejeune at St. Cloud's, published by Hannah Humphrey, 1806 (hand-coloured etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)
German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint)

NCO189712: German Nonchalance, or The Vexation of Little Boney, or The Diplomatique's Late Journey through Paris, 1803 (etching, engraving & aquatint), Gillray, James (1757-1815) / Bridgeman Images

Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)
Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189719: Independence, or Tyrwhitt Jones, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)
Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching)

NCO189727: Corporeal Stamina, published by Hannah Humphrey in 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)
A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO189750: A True British Tar, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190121: The Finishing Touch, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)
The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching)

NCO190128: The Shadow of a Duke, published by Hannah Humphrey in 1795 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)
The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO190129: The Devil to Pay: The Wife Metamorphos'd, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)
La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching)

NCO190148: La Belle Assemblee, published by Hannah Humphrey in 1787 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)
Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving)

NCO190157: Sketch of the Interior of St. Stephen's, as it now stands, published by Hannah Humphrey in 1802 (hand-coloured etching with engraving), Gillray, James (1757-1815) / Bridgeman Images

Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)
Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving)

CHT202868: Napoleon Bonaparte (1769-1821) poisoning the sick at Jaffa, 1799 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching)
The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching)

BAL8968: The Explanation, published by Hannah Humphrey, 1787 (hand coloured etching), Gillray, James (1757-1815) / Bridgeman Images

TPG123751: "Portrait of an Irish Chief, drawn from life at Wexford", pub. by H. Humphrey, 10th July 1798 (etching) (see 105459 for b&w), Gillray, James (1757-1815) / Bridgeman Images

Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)
Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo)

XJF129852: Plate 8, from 'The Life of William Cobbett', written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo), Gillray, James (1757-1815) / Bridgeman Images

'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching)
'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching)

BAL42767: 'Begone Dull Care, I Prithee Begone From Me', 1801 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

XND75994: "The Pigs Possessed, or the Broad bottomed Litter running headlong into the Sea of Perdition", 1807 (engraving), Gillray, James (1757-1815) / Bridgeman Images

NCO89952: "Dumourier dining in State at St. James's on the 15th May 1793", pub. by Hannah Humphrey, 1793 (etching) (see also 124839), Gillray, James (1757-1815) / Bridgeman Images

Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)
Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving)

LLJ586702: Westminster School; or, Mr Busby settling accounts with Master Billy and his playmates (engraving), Gillray, James (1757-1815) / Bridgeman Images

Characters in High Life, 1795
Characters in High Life, 1795

HRP5245602: Characters in High Life, 1795, Gillray, James (1757-1815) / Bridgeman Images

St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching)
St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching)

NAM5925882: St George's Volunteers charging down Bond Street, after clearing the Ring in Hyde Park, and Storming the Dunghill at Marlybone’ (etching), Gillray, James (1757-1815) / Bridgeman Images

Affability, 1795 (coloured engraving)
Affability, 1795 (coloured engraving)

HRP2624913: Affability, 1795 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images


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