Dore, Gustave (1832-83) Assets (2601 in total)

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Fallen Angels- Milton's Paradise Lost by Gustav Dore. 19th cent.
Fallen Angels- Milton's Paradise Lost by Gustav Dore. 19th cent.

HLR3262556: Fallen Angels- Milton's Paradise Lost by Gustav Dore. 19th cent., Dore, Gustave (1832-83) / Bridgeman Images

Dante's Purgatorio- Purgatory. Procession of the Elders. Engraving by Gustav Dore, 1868.
Dante's Purgatorio- Purgatory. Procession of the Elders. Engraving by Gustav Dore, 1868.

HLR3262638: Dante's Purgatorio- Purgatory. Procession of the Elders. Engraving by Gustav Dore, 1868., Dore, Gustave (1832-83) / Bridgeman Images

The
The

XRH1733747: The "Fables de Jean La Fontaine" : the "chartier embourbe" (carter stuck in the mud), engraving by Paul Jonnard-Pacel after Gustave Dore, 1868, Dore, Gustave (1832-83) / Bridgeman Images

The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860
The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860

GIA4715141: The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860, Dore, Gustave (1832-83) / Bridgeman Images

Birth of Christ. Bible illustration (undated) by Gustave Dore (1832 - 1883) in 1866. Image date: circa 1890. Carl Simon Archive
Birth of Christ. Bible illustration (undated) by Gustave Dore (1832 - 1883) in 1866. Image date: circa 1890. Carl Simon Archive

UTD4707082: Birth of Christ. Bible illustration (undated) by Gustave Dore (1832 - 1883) in 1866. Image date: circa 1890. Carl Simon Archive, Dore, Gustave (1832-83) / Bridgeman Images

Christ leaving the priest, 1872 (oil on canvas)
Christ leaving the priest, 1872 (oil on canvas)

JLJ4689996: Christ leaving the priest, 1872 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866
The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866

GIA4733374: The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza interrogates the criminals being led to the galleys Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote and sancho Panza interrogates the criminals being led to the galleys Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868764: Don Quixote and sancho Panza interrogates the criminals being led to the galleys Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza after the brawl with the guards and criminals Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote and sancho Panza after the brawl with the guards and criminals Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868732: Don Quixote and sancho Panza after the brawl with the guards and criminals Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote persuades his neighbor Sancho Panza to become his squire by promising to make him governor of some conquered island Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quixotte))”” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote persuades his neighbor Sancho Panza to become his squire by promising to make him governor of some conquered island Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quixotte))”” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868986: Don Quixote persuades his neighbor Sancho Panza to become his squire by promising to make him governor of some conquered island Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quixotte))”” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Representation of Don Quixote and the windmills Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixote - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Representation of Don Quixote and the windmills Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixote - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4869249: Representation of Don Quixote and the windmills Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixote - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

The merchants of Toledo look on as one of their mule drivers beats Don Quixote Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote Quixote” by Miguel de Cervantes (1547-1616)) 1863 Private collection
The merchants of Toledo look on as one of their mule drivers beats Don Quixote Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote Quixote” by Miguel de Cervantes (1547-1616)) 1863 Private collection

ELD4869128: The merchants of Toledo look on as one of their mule drivers beats Don Quixote Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote Quixote” by Miguel de Cervantes (1547-1616)) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza read a sonnet from the little book found in the abandoned suitcase (Don Quixote and sancho Panza read a sonnet from the little book found in the abandoned suitcase) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)”” by Miguel de Cervantes (154415441 7-1616) 1863 Private collection
Don Quixote and sancho Panza read a sonnet from the little book found in the abandoned suitcase (Don Quixote and sancho Panza read a sonnet from the little book found in the abandoned suitcase) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)”” by Miguel de Cervantes (154415441 7-1616) 1863 Private collection

ELD4868637: Don Quixote and sancho Panza read a sonnet from the little book found in the abandoned suitcase (Don Quixote and sancho Panza read a sonnet from the little book found in the abandoned suitcase) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)”” by Miguel de Cervantes (154415441 7-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Joshua stops the race of the Sun, 19th century (engraving)
Joshua stops the race of the Sun, 19th century (engraving)

GIA4730452: Joshua stops the race of the Sun, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883)
Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883)

GIA4733081: Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883), Dore, Gustave (1832-83) / Bridgeman Images

Cyrus II the Great (580 BC - 530 BC) freed the captive peoples upon his arrival in Babylon in 539 BC and returned to the Jewish people the sacred vessels that had been taken as spoils in the temple of Jerusalem. Engraving by Gustave Doré.
Cyrus II the Great (580 BC - 530 BC) freed the captive peoples upon his arrival in Babylon in 539 BC and returned to the Jewish people the sacred vessels that had been taken as spoils in the temple of Jerusalem. Engraving by Gustave Doré.

GIA4761729: Cyrus II the Great (580 BC - 530 BC) freed the captive peoples upon his arrival in Babylon in 539 BC and returned to the Jewish people the sacred vessels that had been taken as spoils in the temple of Jerusalem. Engraving by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

The last of the Arab kings abandoned Granada after his siege by the Catholics in 1492. Engraving by Gustave Doré, 19th century.
The last of the Arab kings abandoned Granada after his siege by the Catholics in 1492. Engraving by Gustave Doré, 19th century.

GIA4742647: The last of the Arab kings abandoned Granada after his siege by the Catholics in 1492. Engraving by Gustave Doré, 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032130: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032120: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The interior of a third class wagon in Spain, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
The interior of a third class wagon in Spain, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324913: The interior of a third class wagon in Spain, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325218: The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325314: The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325311: The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Eleazar killed by the elephant, 1888 (engraving)
Eleazar killed by the elephant, 1888 (engraving)

DGC473284: Eleazar killed by the elephant, 1888 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

After a  sketch of an old Spanish woman by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.
After a  sketch of an old Spanish woman by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478441: After a sketch of an old Spanish woman by Gustave Dore. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)
Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)

STC621354: Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho) , Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745617: Paradiso, Canto 26 : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745686: Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745706: Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745660: Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745687: Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745697: Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745736: Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Bacchus. Engraving by G. Dore. Colored.
Bacchus. Engraving by G. Dore. Colored.

TRK832329: Bacchus. Engraving by G. Dore. Colored., Dore, Gustave (1832-83) / Bridgeman Images

Street of the Old Lantern (Death of Gérard de Nerval), 1855
Street of the Old Lantern (Death of Gérard de Nerval), 1855

MNS880677: Street of the Old Lantern (Death of Gérard de Nerval), 1855, Dore, Gustave (1832-83) / Bridgeman Images

The apostles gathered ears in the day of rest. Engraving.
The apostles gathered ears in the day of rest. Engraving.

TRK879960: The apostles gathered ears in the day of rest. Engraving., Dore, Gustave (1832-83) / Bridgeman Images


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