Dore, Gustave (1832-83) Assets (2599 in total)

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Enter this inn, plate IV - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862
Enter this inn, plate IV - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862

LSE4089566: Enter this inn, plate IV - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Rabelais - by Gustave Doré, 19th century
Portrait of Rabelais - by Gustave Doré, 19th century

LSE4104241: Portrait of Rabelais - by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

The Forward: Armee of Crusaders meeting the dead of the previous wave of Crusaders - engraving by Gustave Doré, 19th century
The Forward: Armee of Crusaders meeting the dead of the previous wave of Crusaders - engraving by Gustave Doré, 19th century

LSE4104419: The Forward: Armee of Crusaders meeting the dead of the previous wave of Crusaders - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Godefroi meeting the debris of Peter's Armee - engraving by Gustave Doré, 19th century
Godefroi meeting the debris of Peter's Armee - engraving by Gustave Doré, 19th century

LSE4104428: Godefroi meeting the debris of Peter's Armee - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Entry of the Crusaders to Constantinople during the Fourth Crusade by Gustave Doré.
Entry of the Crusaders to Constantinople during the Fourth Crusade by Gustave Doré.

LSE4104988: Entry of the Crusaders to Constantinople during the Fourth Crusade by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Battle of Nicea during the first crusade by Gustave Doré
Battle of Nicea during the first crusade by Gustave Doré

LSE4105001: Battle of Nicea during the first crusade by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

View of the large patio of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866.
View of the large patio of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866.

LSE4092848: View of the large patio of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866., Dore, Gustave (1832-83) / Bridgeman Images

A house of refuge - in “” London” by Gustave Dore, 1876
A house of refuge - in “” London” by Gustave Dore, 1876

LSE4103634: A house of refuge - in “” London” by Gustave Dore, 1876, Dore, Gustave (1832-83) / Bridgeman Images

Maese Pedro's puppet show - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Maese Pedro's puppet show - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157514: Maese Pedro's puppet show - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quijote, Montesinos and Durandarte, in Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quijote, Montesinos and Durandarte, in Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157516: Don Quijote, Montesinos and Durandarte, in Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Baptim of Cornelius the Centurion - Cornelius the Centurion receives the faith of Jesus Christ, and is baptized by St. Peter. - Engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Baptim of Cornelius the Centurion - Cornelius the Centurion receives the faith of Jesus Christ, and is baptized by St. Peter. - Engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4163707: Baptim of Cornelius the Centurion - Cornelius the Centurion receives the faith of Jesus Christ, and is baptized by St. Peter. - Engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Billingsgate - Sale Of Fish In The Criee. Illustration for London by Louis Enault illustrated by Gustave Dore
Billingsgate - Sale Of Fish In The Criee. Illustration for London by Louis Enault illustrated by Gustave Dore

XEE4163406: Billingsgate - Sale Of Fish In The Criee. Illustration for London by Louis Enault illustrated by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Entry of the Crusaders in Constantinople in 1204, illustration from 'Bibliotheque des Croisades' by J-F. Michaud - (litho), Dore, Gustave (1832-83)
Entry of the Crusaders in Constantinople in 1204, illustration from 'Bibliotheque des Croisades' by J-F. Michaud - (litho), Dore, Gustave (1832-83)

XEE4162507: Entry of the Crusaders in Constantinople in 1204, illustration from 'Bibliotheque des Croisades' by J-F. Michaud - (litho), Dore, Gustave (1832-83), Dore, Gustave (1832-83) / Bridgeman Images

Drawing by Gustave Dore (1832-1883) for the poem “” Furious Roland”” (“Orlando furioso”) (16th century) by Ludovico Ariosto, known as the Ariosta. Engraving in “” Le Journal de la jeunesse””, 1885.
Drawing by Gustave Dore (1832-1883) for the poem “” Furious Roland”” (“Orlando furioso”) (16th century) by Ludovico Ariosto, known as the Ariosta. Engraving in “” Le Journal de la jeunesse””, 1885.

XEE4134435: Drawing by Gustave Dore (1832-1883) for the poem “” Furious Roland”” (“Orlando furioso”) (16th century) by Ludovico Ariosto, known as the Ariosta. Engraving in “” Le Journal de la jeunesse””, 1885., Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145545: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145546: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 1: Dante kneels before Statius - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 1: Dante kneels before Statius - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145557: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 1: Dante kneels before Statius - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 30: Myrrha, condemned for incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 30: Myrrha, condemned for incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145602: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 30: Myrrha, condemned for incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century
Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century

LSE4096536: Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901), and a music by Giacomo Meyerbeer (1791-1864) - Theatre of the Opera Comique de Paris, 1859 - Engraving by Gustr Dave Dore in “The Illustrious World” n°104 of 9 April 1859
Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901), and a music by Giacomo Meyerbeer (1791-1864) - Theatre of the Opera Comique de Paris, 1859 - Engraving by Gustr Dave Dore in “The Illustrious World” n°104 of 9 April 1859

XEE4141442: Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901), and a music by Giacomo Meyerbeer (1791-1864) - Theatre of the Opera Comique de Paris, 1859 - Engraving by Gustr Dave Dore in “The Illustrious World” n°104 of 9 April 1859, Dore, Gustave (1832-83) / Bridgeman Images

The people of Israel mourn over Jerusalem - Old Testament - Lamentations of Jeremiah - The people cry in the ruins of Jerusalem - - engraving by Gustave Dore - later colouring
The people of Israel mourn over Jerusalem - Old Testament - Lamentations of Jeremiah - The people cry in the ruins of Jerusalem - - engraving by Gustave Dore - later colouring

XEE4160288: The people of Israel mourn over Jerusalem - Old Testament - Lamentations of Jeremiah - The people cry in the ruins of Jerusalem - - engraving by Gustave Dore - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

Eliezer and Rebekah - Eliezer, the servant of Abraham, is offered a drink of water by Rebekah - Eliezer and Rebecca - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Eliezer and Rebekah - Eliezer, the servant of Abraham, is offered a drink of water by Rebekah - Eliezer and Rebecca - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160431: Eliezer and Rebekah - Eliezer, the servant of Abraham, is offered a drink of water by Rebekah - Eliezer and Rebecca - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for “” Pantagruel”” by Francois Rabelais (1483-1553). years 1870.
Illustration by Gustave Dore (1832-1883) for “” Pantagruel”” by Francois Rabelais (1483-1553). years 1870.

XEE4166360: Illustration by Gustave Dore (1832-1883) for “” Pantagruel”” by Francois Rabelais (1483-1553). years 1870., Dore, Gustave (1832-83) / Bridgeman Images

All the people ran to see the giant demesure Illustration of the poem 'Roland Furieux' (Orlando Furioso) by Ludovico Ariosto called L'Arioste (1474-1533). Engraving by Gustave Dore, 19th century.
All the people ran to see the giant demesure Illustration of the poem 'Roland Furieux' (Orlando Furioso) by Ludovico Ariosto called L'Arioste (1474-1533). Engraving by Gustave Dore, 19th century.

XEE4167132: All the people ran to see the giant demesure Illustration of the poem 'Roland Furieux' (Orlando Furioso) by Ludovico Ariosto called L'Arioste (1474-1533). Engraving by Gustave Dore, 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Captive story. The Spanish Escape Boat is Attacked by a French Ship from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. The Spanish Escape Boat is Attacked by a French Ship from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156160: Captive story. The Spanish Escape Boat is Attacked by a French Ship from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

A plower brings Don Quixote and Rossinante back to the village - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
A plower brings Don Quixote and Rossinante back to the village - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156179: A plower brings Don Quixote and Rossinante back to the village - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote makes Sancho Panza taste his precious sense balm heal them both of all the ills - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote makes Sancho Panza taste his precious sense balm heal them both of all the ills - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156197: Don Quixote makes Sancho Panza taste his precious sense balm heal them both of all the ills - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza discover what caused their concern, a waterfall and a mill a foulon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza discover what caused their concern, a waterfall and a mill a foulon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156212: Don Quixote and Sancho Panza discover what caused their concern, a waterfall and a mill a foulon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Recite des feats de Felix-Mars d'Hyrcania - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Recite des feats de Felix-Mars d'Hyrcania - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156257: Recite des feats de Felix-Mars d'Hyrcania - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Camille feint suicide in front of Lothaire and Leonella - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Camille feint suicide in front of Lothaire and Leonella - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156262: Camille feint suicide in front of Lothaire and Leonella - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Evening organized by Don Antonio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Evening organized by Don Antonio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156272: Evening organized by Don Antonio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza, invited by Don Diego de Miranda at home, are welcomed by the gentleman's wife and son - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza, invited by Don Diego de Miranda at home, are welcomed by the gentleman's wife and son - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156279: Don Quixote and Sancho Panza, invited by Don Diego de Miranda at home, are welcomed by the gentleman's wife and son - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Death of Don Quixote [Surrounded by his niece, his housekeeper, Sancho Panza, the parish, the barber and the bachelor Samson Carrasco - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Death of Don Quixote [Surrounded by his niece, his housekeeper, Sancho Panza, the parish, the barber and the bachelor Samson Carrasco - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156280: Death of Don Quixote [Surrounded by his niece, his housekeeper, Sancho Panza, the parish, the barber and the bachelor Samson Carrasco - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Reconciliation between Jacob and Esau - Reconciliation of Jacob and Esau Genese, XXXIII, 4 - - Engraving from “” The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Reconciliation between Jacob and Esau - Reconciliation of Jacob and Esau Genese, XXXIII, 4 - - Engraving from “” The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161315: Reconciliation between Jacob and Esau - Reconciliation of Jacob and Esau Genese, XXXIII, 4 - - Engraving from “” The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883)
Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883)

XEE4161040: Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Jesus prechant on Lake Genezareth (Genesareth, Ginosar or Kinneret) (Lake Tiberiad) (Sea of Galilee) - Jesus Preaching at the Sea of Galilee - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Jesus prechant on Lake Genezareth (Genesareth, Ginosar or Kinneret) (Lake Tiberiad) (Sea of Galilee) - Jesus Preaching at the Sea of Galilee - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161156: Jesus prechant on Lake Genezareth (Genesareth, Ginosar or Kinneret) (Lake Tiberiad) (Sea of Galilee) - Jesus Preaching at the Sea of Galilee - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images


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