Dore, Gustave (1832-83) Assets (2603 in total)

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Jesus on the Mount of Olives: an angel appears to him to give him courage - Illustration by Gustave Dore for The Bible -
Jesus on the Mount of Olives: an angel appears to him to give him courage - Illustration by Gustave Dore for The Bible -

PCT4284984: Jesus on the Mount of Olives: an angel appears to him to give him courage - Illustration by Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -
The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -

PCT4285005: The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

Lucifer (Satan, dechu angel, fell from heaven on Earth) meets the serpent. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Lucifer (Satan, dechu angel, fell from heaven on Earth) meets the serpent. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285133: Lucifer (Satan, dechu angel, fell from heaven on Earth) meets the serpent. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Gargantua's education: “” he was going to listen to public lessons, solemn acts, repetitions, declamations, pleadings of good lawyers, speeches of evangelist preachers...””. Engraving by Gustave Dore illustrating the work of Rabelais.
Gargantua's education: “” he was going to listen to public lessons, solemn acts, repetitions, declamations, pleadings of good lawyers, speeches of evangelist preachers...””. Engraving by Gustave Dore illustrating the work of Rabelais.

PCT4277008: Gargantua's education: “” he was going to listen to public lessons, solemn acts, repetitions, declamations, pleadings of good lawyers, speeches of evangelist preachers...””. Engraving by Gustave Dore illustrating the work of Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267070: Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267012: Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267143: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267150: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267181: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.

PCT4265401: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136., Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745660: Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745686: Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745687: Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745697: Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745706: Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745736: Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745617: Paradiso, Canto 26 : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

View of the large patio of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866.
View of the large patio of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866.

LSE4092848: View of the large patio of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866., Dore, Gustave (1832-83) / Bridgeman Images

Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century
Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century

LSE4096536: Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

The wandering Jew passing near a Calvary - in “The legend of the wandering Jew”” by Gustave Doré, Bookshop of the Picturesque Store, 1862
The wandering Jew passing near a Calvary - in “The legend of the wandering Jew”” by Gustave Doré, Bookshop of the Picturesque Store, 1862

LSE4089553: The wandering Jew passing near a Calvary - in “The legend of the wandering Jew”” by Gustave Doré, Bookshop of the Picturesque Store, 1862, Dore, Gustave (1832-83) / Bridgeman Images

Enter this inn, plate IV - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862
Enter this inn, plate IV - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862

LSE4089566: Enter this inn, plate IV - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

Esther faints before the king of Persia Assuerus 1st (Xerxes 1st) - Queen Esther faints before King Ahasuerus - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Esther faints before the king of Persia Assuerus 1st (Xerxes 1st) - Queen Esther faints before King Ahasuerus - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160851: Esther faints before the king of Persia Assuerus 1st (Xerxes 1st) - Queen Esther faints before King Ahasuerus - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Prayer of Jesus in the Garden of Olives - Prayer of Jesus in the Garden of Olives - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Prayer of Jesus in the Garden of Olives - Prayer of Jesus in the Garden of Olives - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160948: Prayer of Jesus in the Garden of Olives - Prayer of Jesus in the Garden of Olives - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The Child Moses on the Nile surrounded by the Guardian Angels -
The Child Moses on the Nile surrounded by the Guardian Angels -

XEE4161008: The Child Moses on the Nile surrounded by the Guardian Angels -, Dore, Gustave (1832-83) / Bridgeman Images

Saladin the Magnificent - King Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) commander of the Muslim forces against the crusades - 19th century colour engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Saladin the Magnificent - King Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) commander of the Muslim forces against the crusades - 19th century colour engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4161224: Saladin the Magnificent - King Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) commander of the Muslim forces against the crusades - 19th century colour engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

Eliezer and Rebekah - Eliezer, the servant of Abraham, is offered a drink of water by Rebekah - Eliezer and Rebecca - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Eliezer and Rebekah - Eliezer, the servant of Abraham, is offered a drink of water by Rebekah - Eliezer and Rebecca - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160431: Eliezer and Rebekah - Eliezer, the servant of Abraham, is offered a drink of water by Rebekah - Eliezer and Rebecca - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving)
The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving)

XEE4161019: The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883)
Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883)

XEE4161040: Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Jesus prechant on Lake Genezareth (Genesareth, Ginosar or Kinneret) (Lake Tiberiad) (Sea of Galilee) - Jesus Preaching at the Sea of Galilee - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Jesus prechant on Lake Genezareth (Genesareth, Ginosar or Kinneret) (Lake Tiberiad) (Sea of Galilee) - Jesus Preaching at the Sea of Galilee - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161156: Jesus prechant on Lake Genezareth (Genesareth, Ginosar or Kinneret) (Lake Tiberiad) (Sea of Galilee) - Jesus Preaching at the Sea of Galilee - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The people of Israel mourn over Jerusalem - Old Testament - Lamentations of Jeremiah - The people cry in the ruins of Jerusalem - - engraving by Gustave Dore - later colouring
The people of Israel mourn over Jerusalem - Old Testament - Lamentations of Jeremiah - The people cry in the ruins of Jerusalem - - engraving by Gustave Dore - later colouring

XEE4160288: The people of Israel mourn over Jerusalem - Old Testament - Lamentations of Jeremiah - The people cry in the ruins of Jerusalem - - engraving by Gustave Dore - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

Don Quijote, Montesinos and Durandarte, in Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quijote, Montesinos and Durandarte, in Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157516: Don Quijote, Montesinos and Durandarte, in Montesinos' cave - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Maese Pedro's puppet show - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Maese Pedro's puppet show - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157514: Maese Pedro's puppet show - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for “” Pantagruel”” by Francois Rabelais (1483-1553). years 1870.
Illustration by Gustave Dore (1832-1883) for “” Pantagruel”” by Francois Rabelais (1483-1553). years 1870.

XEE4166360: Illustration by Gustave Dore (1832-1883) for “” Pantagruel”” by Francois Rabelais (1483-1553). years 1870., Dore, Gustave (1832-83) / Bridgeman Images

All the people ran to see the giant demesure Illustration of the poem 'Roland Furieux' (Orlando Furioso) by Ludovico Ariosto called L'Arioste (1474-1533). Engraving by Gustave Dore, 19th century.
All the people ran to see the giant demesure Illustration of the poem 'Roland Furieux' (Orlando Furioso) by Ludovico Ariosto called L'Arioste (1474-1533). Engraving by Gustave Dore, 19th century.

XEE4167132: All the people ran to see the giant demesure Illustration of the poem 'Roland Furieux' (Orlando Furioso) by Ludovico Ariosto called L'Arioste (1474-1533). Engraving by Gustave Dore, 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)
Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)

STC621354: Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho) , Dore, Gustave (1832-83) / Bridgeman Images

Devotion in the 5th and 6th Centuries - Fasting and Prayer (gravure)
Devotion in the 5th and 6th Centuries - Fasting and Prayer (gravure)

LLM671687: Devotion in the 5th and 6th Centuries - Fasting and Prayer (gravure), Dore, Gustave (1832-83) / Bridgeman Images


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