Dore, Gustave (1832-83) Assets (2601 in total)

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La seguidilla manchegas, or improvised dance, in Albacete (province of the English Channel), many dancers of both sexes, from different localites meet to perform dance steps in the galliegada (ie to freeze a figure before the movement is completed), here a group of peasants prepare to dance and sweepers of good will clean the road to turn it into a dance floor. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
La seguidilla manchegas, or improvised dance, in Albacete (province of the English Channel), many dancers of both sexes, from different localites meet to perform dance steps in the galliegada (ie to freeze a figure before the movement is completed), here a group of peasants prepare to dance and sweepers of good will clean the road to turn it into a dance floor. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326289: La seguidilla manchegas, or improvised dance, in Albacete (province of the English Channel), many dancers of both sexes, from different localites meet to perform dance steps in the galliegada (ie to freeze a figure before the movement is completed), here a group of peasants prepare to dance and sweepers of good will clean the road to turn it into a dance floor. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Fable of La Fontaine: The lion and the Rat, 19th century (engraving)
Fable of La Fontaine: The lion and the Rat, 19th century (engraving)

XEE4405645: Fable of La Fontaine: The lion and the Rat, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The hunter surprised by an elephant, near Lake Ngami (Botswana), drawing by Gustave dore (1832-1883), to illustrate the adventures and hunts of Charles Jean Anderson in southern Africa. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The hunter surprised by an elephant, near Lake Ngami (Botswana), drawing by Gustave dore (1832-1883), to illustrate the adventures and hunts of Charles Jean Anderson in southern Africa. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324480: The hunter surprised by an elephant, near Lake Ngami (Botswana), drawing by Gustave dore (1832-1883), to illustrate the adventures and hunts of Charles Jean Anderson in southern Africa. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The interior of a third class wagon in Spain, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
The interior of a third class wagon in Spain, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324913: The interior of a third class wagon in Spain, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325218: The azulejos thieves (hand painted murals), in the Alhambra of Granada (built in 1238, enlarged in 1333-1354). A sketch made by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325314: The nap of the carriers of the port of Alicante, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Smugglers from the Serrania de Ronda. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Smugglers from the Serrania de Ronda. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325639: Smugglers from the Serrania de Ronda. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325311: The ligation of the palm trees in Elche, with the aim of preserving the whiteness, in order to braid them, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A ball game among the Choctaws Indians, tribe of the Mississippi region, drawn by Gustave Dore (1832-1883), to illustrate the Mississippi voyage to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
A ball game among the Choctaws Indians, tribe of the Mississippi region, drawn by Gustave Dore (1832-1883), to illustrate the Mississippi voyage to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324501: A ball game among the Choctaws Indians, tribe of the Mississippi region, drawn by Gustave Dore (1832-1883), to illustrate the Mississippi voyage to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Cinderella: illustration by Gustave Doré - in “Les Contes” by Charles Perrault.
Cinderella: illustration by Gustave Doré - in “Les Contes” by Charles Perrault.

LSE4403044: Cinderella: illustration by Gustave Doré - in “Les Contes” by Charles Perrault., Dore, Gustave (1832-83) / Bridgeman Images

The fish and the shepherd playing the flute. The sound of the flute serves as bait. Fables by Jean de La Fontaine (1621-1695). Illustration by Gustave Dore.
The fish and the shepherd playing the flute. The sound of the flute serves as bait. Fables by Jean de La Fontaine (1621-1695). Illustration by Gustave Dore.

XEE4404880: The fish and the shepherd playing the flute. The sound of the flute serves as bait. Fables by Jean de La Fontaine (1621-1695). Illustration by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860
The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860

GIA4715141: The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860, Dore, Gustave (1832-83) / Bridgeman Images

The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866
The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866

GIA4733374: The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866, Dore, Gustave (1832-83) / Bridgeman Images

Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883)
Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883)

GIA4733081: Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883), Dore, Gustave (1832-83) / Bridgeman Images

The last of the Arab kings abandoned Granada after his siege by the Catholics in 1492. Engraving by Gustave Doré, 19th century.
The last of the Arab kings abandoned Granada after his siege by the Catholics in 1492. Engraving by Gustave Doré, 19th century.

GIA4742647: The last of the Arab kings abandoned Granada after his siege by the Catholics in 1492. Engraving by Gustave Doré, 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Birth of Christ. Bible illustration (undated) by Gustave Dore (1832 - 1883) in 1866. Image date: circa 1890. Carl Simon Archive
Birth of Christ. Bible illustration (undated) by Gustave Dore (1832 - 1883) in 1866. Image date: circa 1890. Carl Simon Archive

UTD4707082: Birth of Christ. Bible illustration (undated) by Gustave Dore (1832 - 1883) in 1866. Image date: circa 1890. Carl Simon Archive, Dore, Gustave (1832-83) / Bridgeman Images

Cyrus II the Great (580 BC - 530 BC) freed the captive peoples upon his arrival in Babylon in 539 BC and returned to the Jewish people the sacred vessels that had been taken as spoils in the temple of Jerusalem. Engraving by Gustave Doré.
Cyrus II the Great (580 BC - 530 BC) freed the captive peoples upon his arrival in Babylon in 539 BC and returned to the Jewish people the sacred vessels that had been taken as spoils in the temple of Jerusalem. Engraving by Gustave Doré.

GIA4761729: Cyrus II the Great (580 BC - 530 BC) freed the captive peoples upon his arrival in Babylon in 539 BC and returned to the Jewish people the sacred vessels that had been taken as spoils in the temple of Jerusalem. Engraving by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Slum Dwellings (engraving)
Slum Dwellings (engraving)

LLJ585207: Slum Dwellings (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A crowded horse-drawn coach (engraving)
A crowded horse-drawn coach (engraving)

LLJ602420: A crowded horse-drawn coach (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Waterman's family on a flight of steps by the River Thames (engraving)
Waterman's family on a flight of steps by the River Thames (engraving)

LLJ587700: Waterman's family on a flight of steps by the River Thames (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Title page for London (engraving)
Title page for London (engraving)

LLJ587721: Title page for London (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The apostles gathered ears in the day of rest. Engraving.
The apostles gathered ears in the day of rest. Engraving.

TRK879960: The apostles gathered ears in the day of rest. Engraving., Dore, Gustave (1832-83) / Bridgeman Images

Eleazar killed by the elephant, 1888 (engraving)
Eleazar killed by the elephant, 1888 (engraving)

DGC473284: Eleazar killed by the elephant, 1888 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745660: Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745686: Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745687: Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745697: Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745706: Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745736: Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Bacchus. Engraving by G. Dore. Colored.
Bacchus. Engraving by G. Dore. Colored.

TRK832329: Bacchus. Engraving by G. Dore. Colored., Dore, Gustave (1832-83) / Bridgeman Images

The Angels in the Planet Mercury, by Gustave Doré, 1832 - 1883, French. Engraving for Paradiso by Dante. 1870, Art, Artist, Romanticism, Colour, Color Engraving
The Angels in the Planet Mercury, by Gustave Doré, 1832 - 1883, French. Engraving for Paradiso by Dante. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035667: The Angels in the Planet Mercury, by Gustave Doré, 1832 - 1883, French. Engraving for Paradiso by Dante. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

Atala and Chactas Crossing a River, by Gustave Dore, 1832 - 1883, French. Engraving for Atala by Chateaubriand, 1870, Art, Artist, Romanticism, Colour, Color Engraving
Atala and Chactas Crossing a River, by Gustave Dore, 1832 - 1883, French. Engraving for Atala by Chateaubriand, 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035683: Atala and Chactas Crossing a River, by Gustave Dore, 1832 - 1883, French. Engraving for Atala by Chateaubriand, 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

Daniel in the Den of Lions, by Gustave Dore, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian, Romanticism, Colour, Color Engraving
Daniel in the Den of Lions, by Gustave Dore, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian, Romanticism, Colour, Color Engraving

LZT1035686: Daniel in the Den of Lions, by Gustave Dore, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, Holy Book, Religion, Religious, Christianity, Christian, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The First Approach of the Serpent, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. Romanticism, Colour, Color Engraving
The First Approach of the Serpent, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. Romanticism, Colour, Color Engraving

LZT1035692: The First Approach of the Serpent, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Camp Fire of Atala and Chactas, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. Romanticism, Colour, Color Engraving
The Camp Fire of Atala and Chactas, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. Romanticism, Colour, Color Engraving

LZT1035696: The Camp Fire of Atala and Chactas, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Hermit Preaching in the Woods, by Gustave Dore, 1832 - 1883, French. Engraving for Atala by Chateaubriand. Romanticism, Colour, Color Engraving
The Hermit Preaching in the Woods, by Gustave Dore, 1832 - 1883, French. Engraving for Atala by Chateaubriand. Romanticism, Colour, Color Engraving

LZT1035705: The Hermit Preaching in the Woods, by Gustave Dore, 1832 - 1883, French. Engraving for Atala by Chateaubriand. Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images


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