Dore, Gustave (1832-83) Assets (2601 in total)

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Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.
Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.

PCT4271555: Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter., Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).

PCT4275836: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68)., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32.

PCT4265364: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32., Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).

PCT4275903: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54)., Dore, Gustave (1832-83) / Bridgeman Images

Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.
Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.

PCT4277014: Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”
Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

PCT4277675: Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape

PCT4278257: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat

PCT4278398: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat, Dore, Gustave (1832-83) / Bridgeman Images

The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285117: The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156150: Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156180: Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Illustration from History of Don Quixote, 19th century (engraving)
Illustration from History of Don Quixote, 19th century (engraving)

XEE4156188: Illustration from History of Don Quixote, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156232: The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156266: Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145503: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145594: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145748: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Le corbeau et le renard (gravure, 1866)
Le corbeau et le renard (gravure, 1866)

XRH1729436: Le corbeau et le renard (gravure, 1866), Dore, Gustave (1832-83) / Bridgeman Images

Fairyland, by Gustave Doré, 1832 - 1883, French. Engraving for Don Quixote by Cervantes. 1870, Art, Artist, Romanticism, Colour, Color
Fairyland, by Gustave Doré, 1832 - 1883, French. Engraving for Don Quixote by Cervantes. 1870, Art, Artist, Romanticism, Colour, Color

LZT1035769: Fairyland, by Gustave Doré, 1832 - 1883, French. Engraving for Don Quixote by Cervantes. 1870, Art, Artist, Romanticism, Colour, Color, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote Setting Out on His Adventures, by Gustave Dore, 1832 - 1883, French. Engraving for Don Quixote by Miguel De Cervantes. 1870, Art, Artist, Romanticism, Colour, Color
Don Quixote Setting Out on His Adventures, by Gustave Dore, 1832 - 1883, French. Engraving for Don Quixote by Miguel De Cervantes. 1870, Art, Artist, Romanticism, Colour, Color

LZT1035793: Don Quixote Setting Out on His Adventures, by Gustave Dore, 1832 - 1883, French. Engraving for Don Quixote by Miguel De Cervantes. 1870, Art, Artist, Romanticism, Colour, Color, Dore, Gustave (1832-83) / Bridgeman Images

Drolatic Tales An Old Tropuat by Honore de Balzac drawing by Gustave Dore grave by Deghouny 1855
Drolatic Tales An Old Tropuat by Honore de Balzac drawing by Gustave Dore grave by Deghouny 1855

XRH1733757: Drolatic Tales An Old Tropuat by Honore de Balzac drawing by Gustave Dore grave by Deghouny 1855, Dore, Gustave (1832-83) / Bridgeman Images

The Antics of Don Quixote, by Gustave Doré, 1882 - 1883. The Adventures of Don Quixote by Miguel De Cervantes. French, Art, Artist, Romanticism, Colour, Color Engraving
The Antics of Don Quixote, by Gustave Doré, 1882 - 1883. The Adventures of Don Quixote by Miguel De Cervantes. French, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035759: The Antics of Don Quixote, by Gustave Doré, 1882 - 1883. The Adventures of Don Quixote by Miguel De Cervantes. French, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Battle of the Angels, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving
The Battle of the Angels, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035786: The Battle of the Angels, by Gustave Doré, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

A Nocturnal Discourse, by Gustave Dore, 1832 - 1883, French. Engraving for Don Quixote by Miguel De Cervantes. Art, Artist, Romanticism, Colour, Color
A Nocturnal Discourse, by Gustave Dore, 1832 - 1883, French. Engraving for Don Quixote by Miguel De Cervantes. Art, Artist, Romanticism, Colour, Color

LZT1035802: A Nocturnal Discourse, by Gustave Dore, 1832 - 1883, French. Engraving for Don Quixote by Miguel De Cervantes. Art, Artist, Romanticism, Colour, Color, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote Moralising on Ingratitude
Don Quixote Moralising on Ingratitude

LZT1035832: Don Quixote Moralising on Ingratitude, Dore, Gustave (1832-83) / Bridgeman Images

After a work by Gustave Dore for Balzac's Les Contes Drolatiques.  From Life and Reminiscences of Gustave Dore, published 1885.
After a work by Gustave Dore for Balzac's Les Contes Drolatiques.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478442: After a work by Gustave Dore for Balzac's Les Contes Drolatiques. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

The Monkey and The Dolphin after a work by Gustave Dore for a La Fontaine fable. From Life and Reminiscences of Gustave Dore, published 1885.
The Monkey and The Dolphin after a work by Gustave Dore for a La Fontaine fable. From Life and Reminiscences of Gustave Dore, published 1885.

KWE478448: The Monkey and The Dolphin after a work by Gustave Dore for a La Fontaine fable. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

London, 1871, after an unpublished drawing by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.
London, 1871, after an unpublished drawing by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478450: London, 1871, after an unpublished drawing by Gustave Dore. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

Lambeth Gas Works, London (engraving)
Lambeth Gas Works, London (engraving)

LLJ583976: Lambeth Gas Works, London (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008336: Gustave Dore’s Don Quixote: "The more he stormed, the more they tossed and laughed" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008360: Gustave Dore’s Don Quixote: "Lucinda finding herself in his power, fell into a swoon" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008381: Gustave Dore’s Don Quixote: "Friend Sancho," said Don Quixote, "I find the approaching night will overtake us ere we can reach Toboso" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008405: Gustave Dore’s Don Quixote: "'March!' quoth Sancho, 'how do you think I am able to do it?'" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008334: Gustave Dore’s Don Quixote: "I have nothing to do with all this," cried the innkeeper; "pay your reckoning" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008337: Gustave Dore’s Don Quixote: "He charged the squadron of sheep" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008412: Gustave Dore’s Don Quixote: "Governor Sancho Panza administering justice" (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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