Dore, Gustave (1832-83) Assets (2603 in total)

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Battle of Nicea during the first crusade by Gustave Doré
Battle of Nicea during the first crusade by Gustave Doré

LSE4105001: Battle of Nicea during the first crusade by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

A house of refuge - in “” London” by Gustave Dore, 1876
A house of refuge - in “” London” by Gustave Dore, 1876

LSE4103634: A house of refuge - in “” London” by Gustave Dore, 1876, Dore, Gustave (1832-83) / Bridgeman Images

Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901), and a music by Giacomo Meyerbeer (1791-1864) - Theatre of the Opera Comique de Paris, 1859 - Engraving by Gustr Dave Dore in “The Illustrious World” n°104 of 9 April 1859
Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901), and a music by Giacomo Meyerbeer (1791-1864) - Theatre of the Opera Comique de Paris, 1859 - Engraving by Gustr Dave Dore in “The Illustrious World” n°104 of 9 April 1859

XEE4141442: Representation of an opera: the crazy tomb in the torrent - Last scene, act II of the “Pardon de Ploermel”, comic opera of 1859 on a libretto by Michel Carre (1819-1872) and Jules Barbier (1822-1901), and a music by Giacomo Meyerbeer (1791-1864) - Theatre of the Opera Comique de Paris, 1859 - Engraving by Gustr Dave Dore in “The Illustrious World” n°104 of 9 April 1859, Dore, Gustave (1832-83) / Bridgeman Images

Drawing by Gustave Dore (1832-1883) for the poem “” Furious Roland”” (“Orlando furioso”) (16th century) by Ludovico Ariosto, known as the Ariosta. Engraving in “” Le Journal de la jeunesse””, 1885.
Drawing by Gustave Dore (1832-1883) for the poem “” Furious Roland”” (“Orlando furioso”) (16th century) by Ludovico Ariosto, known as the Ariosta. Engraving in “” Le Journal de la jeunesse””, 1885.

XEE4134435: Drawing by Gustave Dore (1832-1883) for the poem “” Furious Roland”” (“Orlando furioso”) (16th century) by Ludovico Ariosto, known as the Ariosta. Engraving in “” Le Journal de la jeunesse””, 1885., Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145545: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 1: Dante kneels before Statius - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 1: Dante kneels before Statius - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145557: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 1: Dante kneels before Statius - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145546: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 4: Virgil leads Dante up the rugged mountainside - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 30: Myrrha, condemned for incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 30: Myrrha, condemned for incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145602: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 30: Myrrha, condemned for incest - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Cartoon of “modern” transport by Gustave Dore around 1850:2 trains hit each other and a passenger train derails and falls from the top of a bridge; a carriage is divided into 2 and overturns after the horse pulling it has been packed; only the wheelchair seems to find grace in the eyes of the artist.
Cartoon of “modern” transport by Gustave Dore around 1850:2 trains hit each other and a passenger train derails and falls from the top of a bridge; a carriage is divided into 2 and overturns after the horse pulling it has been packed; only the wheelchair seems to find grace in the eyes of the artist.

PCT4262603: Cartoon of “modern” transport by Gustave Dore around 1850:2 trains hit each other and a passenger train derails and falls from the top of a bridge; a carriage is divided into 2 and overturns after the horse pulling it has been packed; only the wheelchair seems to find grace in the eyes of the artist., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.

PCT4265401: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136., Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267012: Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267070: Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267143: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267150: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267181: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. Two comedians (actors of commedia dell'arte): roles of Matamore (or Slice mountain - Tranche-montagne) and his valet Scapin.
Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. Two comedians (actors of commedia dell'arte): roles of Matamore (or Slice mountain - Tranche-montagne) and his valet Scapin.

PCT4271541: Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. Two comedians (actors of commedia dell'arte): roles of Matamore (or Slice mountain - Tranche-montagne) and his valet Scapin., Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for a tale by Charles Perrault: Sleeping Beauty. The princess is gonna sting herself at the cattail of an old woman running away in the spindle.
Illustration by Gustave Dore for a tale by Charles Perrault: Sleeping Beauty. The princess is gonna sting herself at the cattail of an old woman running away in the spindle.

PCT4272398: Illustration by Gustave Dore for a tale by Charles Perrault: Sleeping Beauty. The princess is gonna sting herself at the cattail of an old woman running away in the spindle., Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745686: Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745687: Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745697: Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745706: Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745736: Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745617: Paradiso, Canto 26 : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745660: Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

The funeral of the lioness - in “” Fables”” de La Fontaine, ill. by Doré, 19th century
The funeral of the lioness - in “” Fables”” de La Fontaine, ill. by Doré, 19th century

LSE4108200: The funeral of the lioness - in “” Fables”” de La Fontaine, ill. by Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. The Spanish Escape Boat is Attacked by a French Ship from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. The Spanish Escape Boat is Attacked by a French Ship from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156160: Captive story. The Spanish Escape Boat is Attacked by a French Ship from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

A plower brings Don Quixote and Rossinante back to the village - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
A plower brings Don Quixote and Rossinante back to the village - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156179: A plower brings Don Quixote and Rossinante back to the village - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote makes Sancho Panza taste his precious sense balm heal them both of all the ills - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote makes Sancho Panza taste his precious sense balm heal them both of all the ills - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156197: Don Quixote makes Sancho Panza taste his precious sense balm heal them both of all the ills - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza discover what caused their concern, a waterfall and a mill a foulon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza discover what caused their concern, a waterfall and a mill a foulon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156212: Don Quixote and Sancho Panza discover what caused their concern, a waterfall and a mill a foulon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Saladin the Magnificent - King Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) commander of the Muslim forces against the crusades - 19th century colour engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Saladin the Magnificent - King Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) commander of the Muslim forces against the crusades - 19th century colour engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4161224: Saladin the Magnificent - King Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) commander of the Muslim forces against the crusades - 19th century colour engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

Esther faints before the king of Persia Assuerus 1st (Xerxes 1st) - Queen Esther faints before King Ahasuerus - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Esther faints before the king of Persia Assuerus 1st (Xerxes 1st) - Queen Esther faints before King Ahasuerus - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160851: Esther faints before the king of Persia Assuerus 1st (Xerxes 1st) - Queen Esther faints before King Ahasuerus - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Prayer of Jesus in the Garden of Olives - Prayer of Jesus in the Garden of Olives - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Prayer of Jesus in the Garden of Olives - Prayer of Jesus in the Garden of Olives - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160948: Prayer of Jesus in the Garden of Olives - Prayer of Jesus in the Garden of Olives - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Reconciliation between Jacob and Esau - Reconciliation of Jacob and Esau Genese, XXXIII, 4 - - Engraving from “” The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Reconciliation between Jacob and Esau - Reconciliation of Jacob and Esau Genese, XXXIII, 4 - - Engraving from “” The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161315: Reconciliation between Jacob and Esau - Reconciliation of Jacob and Esau Genese, XXXIII, 4 - - Engraving from “” The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The Child Moses on the Nile surrounded by the Guardian Angels -
The Child Moses on the Nile surrounded by the Guardian Angels -

XEE4161008: The Child Moses on the Nile surrounded by the Guardian Angels -, Dore, Gustave (1832-83) / Bridgeman Images

The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving)
The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving)

XEE4161019: The Parable of the Rich Man and the Beggar Lazarus, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883)
Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883)

XEE4161040: Baruch - Baruch ben Neria - Engraving from “The Dore Bible” by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images


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