Dore, Gustave (1832-83) Assets (2599 in total)

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Dante's Purgatorio- Purgatory.
Dante's Purgatorio- Purgatory.

HLR3262639: Dante's Purgatorio- Purgatory. "The Burden of Pride, Engraving by Gustav Dore, 1868, Dore, Gustave (1832-83) / Bridgeman Images

Fallen Angels- Milton's Paradise Lost by Gustav Dore. 19th cent.
Fallen Angels- Milton's Paradise Lost by Gustav Dore. 19th cent.

HLR3262556: Fallen Angels- Milton's Paradise Lost by Gustav Dore. 19th cent., Dore, Gustave (1832-83) / Bridgeman Images

The Crowned Virgin, A vision of John, Holy Bible (engraving)
The Crowned Virgin, A vision of John, Holy Bible (engraving)

TRK3514578: The Crowned Virgin, A vision of John, Holy Bible (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The siege of Antioch
The siege of Antioch

TRK3514692: The siege of Antioch, Dore, Gustave (1832-83) / Bridgeman Images

Crusaders receiving the blessing after the conquest of the citadel of Mosul, First Crusades (engraving)
Crusaders receiving the blessing after the conquest of the citadel of Mosul, First Crusades (engraving)

TRK3514694: Crusaders receiving the blessing after the conquest of the citadel of Mosul, First Crusades (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Colonel Teesdale Equerry to the Prince of Wales, 1873 (oil on canvas)
Portrait of Colonel Teesdale Equerry to the Prince of Wales, 1873 (oil on canvas)

SRR6369992: Portrait of Colonel Teesdale Equerry to the Prince of Wales, 1873 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

Alcina in her glory (canto 7:11) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533) 1878
Alcina in her glory (canto 7:11) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533) 1878

PCT4284115: Alcina in her glory (canto 7:11) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533) 1878, Dore, Gustave (1832-83) / Bridgeman Images

Alcina and Ruggiero as happy lovers, (canto 7:31) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533), 1878
Alcina and Ruggiero as happy lovers, (canto 7:31) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533), 1878

PCT4284135: Alcina and Ruggiero as happy lovers, (canto 7:31) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533), 1878, Dore, Gustave (1832-83) / Bridgeman Images

The Annunciation, 1866 (engraving)
The Annunciation, 1866 (engraving)

PCT4285072: The Annunciation, 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The crossing of the Colorado River by raft, accompanied by some Mohaves Indians, drawing by Gustave Dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The crossing of the Colorado River by raft, accompanied by some Mohaves Indians, drawing by Gustave Dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324492: The crossing of the Colorado River by raft, accompanied by some Mohaves Indians, drawing by Gustave Dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

La noria, a hydraulic machine for raising water levels using the energy produced by the current, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
La noria, a hydraulic machine for raising water levels using the energy produced by the current, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324903: La noria, a hydraulic machine for raising water levels using the energy produced by the current, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The customs of the junquera (city located between Catalonia and the province of Gerona), drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
The customs of the junquera (city located between Catalonia and the province of Gerona), drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324922: The customs of the junquera (city located between Catalonia and the province of Gerona), drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

An accident of diligence, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
An accident of diligence, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324924: An accident of diligence, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Travelling musicians in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Travelling musicians in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325132: Travelling musicians in Valencia, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Battle of Oranges by Carcagente, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Battle of Oranges by Carcagente, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325137: Battle of Oranges by Carcagente, drawing by Gustave Dore (1832-1883), to illustrate his journey to Spain with C.Davillier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Feasts of Saint George, patron of the city of Alcoy, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his trip to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Feasts of Saint George, patron of the city of Alcoy, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his trip to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325309: Feasts of Saint George, patron of the city of Alcoy, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his trip to Spain, in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The pickers of Xeres. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The pickers of Xeres. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325649: The pickers of Xeres. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A bullfighting scene, the Pegatores in Seville, (in the Portuguese way) whose speciality consists in strongly grabbing the bull and sticking to it with the strength of their arms. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A bullfighting scene, the Pegatores in Seville, (in the Portuguese way) whose speciality consists in strongly grabbing the bull and sticking to it with the strength of their arms. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326296: A bullfighting scene, the Pegatores in Seville, (in the Portuguese way) whose speciality consists in strongly grabbing the bull and sticking to it with the strength of their arms. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Man and woman of the people has the fountain, in Carmona, village near Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Man and woman of the people has the fountain, in Carmona, village near Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326308: Man and woman of the people has the fountain, in Carmona, village near Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A young beggar, a la vente de Cardenas, an inn on the road of Almaden (province of the Channel). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A young beggar, a la vente de Cardenas, an inn on the road of Almaden (province of the Channel). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326321: A young beggar, a la vente de Cardenas, an inn on the road of Almaden (province of the Channel). Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267016: Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote, the Chevalier has the sad face climbs on his horse Rossinante, and his fidele squire Sancho Panza, good living on his donkey, on his journey. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century
Don Quixote, the Chevalier has the sad face climbs on his horse Rossinante, and his fidele squire Sancho Panza, good living on his donkey, on his journey. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century

PCT4267072: Don Quixote, the Chevalier has the sad face climbs on his horse Rossinante, and his fidele squire Sancho Panza, good living on his donkey, on his journey. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century, Dore, Gustave (1832-83) / Bridgeman Images

Vallombreuse kneels before Isabelle, whom he is in love. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.
Vallombreuse kneels before Isabelle, whom he is in love. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863.

PCT4271507: Vallombreuse kneels before Isabelle, whom he is in love. Engraving by Gustave Dore illustrating Theophile Gautier's novel “” Le capitaine Fracasse””, edition Charpentier 1863., Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. My L'Altro Fu Bene Sparvier Grifagno - Ad Artigliar Ben Him... (but the other grabbed him with his greenhouses like a hawk) - Twenty-second song (Song 22 - XXII) - (ca. 139 & 140).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. My L'Altro Fu Bene Sparvier Grifagno - Ad Artigliar Ben Him... (but the other grabbed him with his greenhouses like a hawk) - Twenty-second song (Song 22 - XXII) - (ca. 139 & 140).

PCT4275827: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. My L'Altro Fu Bene Sparvier Grifagno - Ad Artigliar Ben Him... (but the other grabbed him with his greenhouses like a hawk) - Twenty-second song (Song 22 - XXII) - (ca. 139 & 140)., Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. E'l Duca, che mi vide tanto atteso, - Dose: “” Dentro dai fuochi son gli spirti: - Ciascun si fascia di quel ch'egli e inceso. “” (The master, who saw me attentive, tells me: “” in these fires there are souls, and each soul is covered by the fire that burns it.) Twenty-sixth song (Chant 26 - XXVI) - (ca. 46, 47, 48).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. E'l Duca, che mi vide tanto atteso, - Dose: “” Dentro dai fuochi son gli spirti: - Ciascun si fascia di quel ch'egli e inceso. “” (The master, who saw me attentive, tells me: “” in these fires there are souls, and each soul is covered by the fire that burns it.) Twenty-sixth song (Chant 26 - XXVI) - (ca. 46, 47, 48).

PCT4275841: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. E'l Duca, che mi vide tanto atteso, - Dose: “” Dentro dai fuochi son gli spirti: - Ciascun si fascia di quel ch'egli e inceso. “” (The master, who saw me attentive, tells me: “” in these fires there are souls, and each soul is covered by the fire that burns it.) Twenty-sixth song (Chant 26 - XXVI) - (ca. 46, 47, 48)., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures

PCT4278283: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are assaulted by a multitude of tiny and hideous beings (wild dwarves) -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are assaulted by a multitude of tiny and hideous beings (wild dwarves) -

PCT4278369: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are assaulted by a multitude of tiny and hideous beings (wild dwarves) -, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Third voyage: Sindbad and his companions sail aboard a raft
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Third voyage: Sindbad and his companions sail aboard a raft

PCT4278377: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Third voyage: Sindbad and his companions sail aboard a raft, Dore, Gustave (1832-83) / Bridgeman Images

Roman soldier bathing at the thermal baths of Bagneres de Bigorre: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.
Roman soldier bathing at the thermal baths of Bagneres de Bigorre: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262579: Roman soldier bathing at the thermal baths of Bagneres de Bigorre: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh and last voyage: the cemetery of the elephants where Sindbad will recover the ivory defenses
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh and last voyage: the cemetery of the elephants where Sindbad will recover the ivory defenses

PCT4278385: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh and last voyage: the cemetery of the elephants where Sindbad will recover the ivory defenses, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh voyage: Sindbad, perch in a tree, pulls with his bow on elephants
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh voyage: Sindbad, perch in a tree, pulls with his bow on elephants

PCT4278390: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh voyage: Sindbad, perch in a tree, pulls with his bow on elephants, Dore, Gustave (1832-83) / Bridgeman Images

Solomon - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -
Solomon - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -

PCT4285068: Solomon - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -, Dore, Gustave (1832-83) / Bridgeman Images

Don Quijote and Sancho with the squadron of the braying villagers - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quijote and Sancho with the squadron of the braying villagers - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157511: Don Quijote and Sancho with the squadron of the braying villagers - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Maese Pedro and the fortune-telling ape - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Maese Pedro and the fortune-telling ape - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157513: Maese Pedro and the fortune-telling ape - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Saint Bernard de Clairvaux (San Bernardo di Chiaravalle, Bernard de Fontaine 1090-1153) preaching the second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger (Suger de Saint Denis, 1080-1151), in Vezelay in Burgundy on 31 March 1146 (St Bernard Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Saint Bernard de Clairvaux (San Bernardo di Chiaravalle, Bernard de Fontaine 1090-1153) preaching the second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger (Suger de Saint Denis, 1080-1151), in Vezelay in Burgundy on 31 March 1146 (St Bernard Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4160122: Saint Bernard de Clairvaux (San Bernardo di Chiaravalle, Bernard de Fontaine 1090-1153) preaching the second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger (Suger de Saint Denis, 1080-1151), in Vezelay in Burgundy on 31 March 1146 (St Bernard Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

Noe sends a dove to the earth - Noah sends forth the dove from the Ark, engraving by Gustave Dore (1832-1883)
Noe sends a dove to the earth - Noah sends forth the dove from the Ark, engraving by Gustave Dore (1832-1883)

XEE4160164: Noe sends a dove to the earth - Noah sends forth the dove from the Ark, engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images


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