Dore, Gustave (1832-83) Assets (2601 in total)

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Don Quixote persuades his neighbor Sancho Panza to become his squire by promising to make him governor of some conquered island Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quixotte))”” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote persuades his neighbor Sancho Panza to become his squire by promising to make him governor of some conquered island Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quixotte))”” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868986: Don Quixote persuades his neighbor Sancho Panza to become his squire by promising to make him governor of some conquered island Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quixotte))”” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza after the brawl with the guards and criminals Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote and sancho Panza after the brawl with the guards and criminals Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868732: Don Quixote and sancho Panza after the brawl with the guards and criminals Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

The merchants of Toledo look on as one of their mule drivers beats Don Quixote Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote Quixote” by Miguel de Cervantes (1547-1616)) 1863 Private collection
The merchants of Toledo look on as one of their mule drivers beats Don Quixote Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote Quixote” by Miguel de Cervantes (1547-1616)) 1863 Private collection

ELD4869128: The merchants of Toledo look on as one of their mule drivers beats Don Quixote Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote Quixote” by Miguel de Cervantes (1547-1616)) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

A Victorian Fish Market
A Victorian Fish Market

XLF3779041: A Victorian Fish Market, Dore, Gustave (1832-83) / Bridgeman Images

Chactas and Atala, engraving by Doré.
Chactas and Atala, engraving by Doré.

XLF3779864: Chactas and Atala, engraving by Doré., Dore, Gustave (1832-83) / Bridgeman Images

Paradise Lost: Ithuriel and Zephon, by Doré.
Paradise Lost: Ithuriel and Zephon, by Doré.

XLF3779888: Paradise Lost: Ithuriel and Zephon, by Doré., Dore, Gustave (1832-83) / Bridgeman Images

Sleeping Beauty: Prince in the banqueting hall.
Sleeping Beauty: Prince in the banqueting hall.

XLF3779993: Sleeping Beauty: Prince in the banqueting hall., Dore, Gustave (1832-83) / Bridgeman Images

Plague of Jerusalem, engraving by Doré. - Bible
Plague of Jerusalem, engraving by Doré. - Bible

XLF3780005: Plague of Jerusalem, engraving by Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.

PCT4265401: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136., Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267012: Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267150: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267181: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration of Gustave Dore for the complete works of Francois Rabelais: the dive bottle (fifth book)
Illustration of Gustave Dore for the complete works of Francois Rabelais: the dive bottle (fifth book)

PCT4283837: Illustration of Gustave Dore for the complete works of Francois Rabelais: the dive bottle (fifth book), Dore, Gustave (1832-83) / Bridgeman Images

The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -
The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -

PCT4285005: The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

Les deux chevres: fable by Jean de la Fontaine illustrated by Gustave Dore - forest, stream, stream -
Les deux chevres: fable by Jean de la Fontaine illustrated by Gustave Dore - forest, stream, stream -

PCT4288728: Les deux chevres: fable by Jean de la Fontaine illustrated by Gustave Dore - forest, stream, stream -, Dore, Gustave (1832-83) / Bridgeman Images

L'ours et l'amateur des jardins: fable by Jean de la Fontaine illustree by Gustave Dore - The bear and the gardener (amateur of garden, garden-lover, gardens lover) -
L'ours et l'amateur des jardins: fable by Jean de la Fontaine illustree by Gustave Dore - The bear and the gardener (amateur of garden, garden-lover, gardens lover) -

PCT4288752: L'ours et l'amateur des jardins: fable by Jean de la Fontaine illustree by Gustave Dore - The bear and the gardener (amateur of garden, garden-lover, gardens lover) -, Dore, Gustave (1832-83) / Bridgeman Images

The lark and its young with the master of a field: fable by Jean de la Fontaine illustrated by Gustave Dore - birds -
The lark and its young with the master of a field: fable by Jean de la Fontaine illustrated by Gustave Dore - birds -

PCT4288733: The lark and its young with the master of a field: fable by Jean de la Fontaine illustrated by Gustave Dore - birds -, Dore, Gustave (1832-83) / Bridgeman Images

Jesus on the Mount of Olives: an angel appears to him to give him courage - Illustration by Gustave Dore for The Bible -
Jesus on the Mount of Olives: an angel appears to him to give him courage - Illustration by Gustave Dore for The Bible -

PCT4284984: Jesus on the Mount of Olives: an angel appears to him to give him courage - Illustration by Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

Life and Death draw the destiny of the crew by lot, 1877 (engraving)
Life and Death draw the destiny of the crew by lot, 1877 (engraving)

IBE5353252: Life and Death draw the destiny of the crew by lot, 1877 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

After a  sketch of an old Spanish woman by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.
After a  sketch of an old Spanish woman by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478441: After a sketch of an old Spanish woman by Gustave Dore. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

The
The

XRH1733747: The "Fables de Jean La Fontaine" : the "chartier embourbe" (carter stuck in the mud), engraving by Paul Jonnard-Pacel after Gustave Dore, 1868, Dore, Gustave (1832-83) / Bridgeman Images

The Doctors, illustration from 'Fables' by La Fontaine, 1868 (engraving)
The Doctors, illustration from 'Fables' by La Fontaine, 1868 (engraving)

DGC308184: The Doctors, illustration from 'Fables' by La Fontaine, 1868 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745617: Paradiso, Canto 26 : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745687: Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745697: Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745660: Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745706: Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)
Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)

STC621354: Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho) , Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745686: Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745736: Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Les Adieux, 1870 (pencil with grey wash heightened with bodycolour)
Les Adieux, 1870 (pencil with grey wash heightened with bodycolour)

MAA360522: Les Adieux, 1870 (pencil with grey wash heightened with bodycolour), Dore, Gustave (1832-83) / Bridgeman Images

Lambeth Gas Works, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) pub. 1872 (engraving)
Lambeth Gas Works, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) pub. 1872 (engraving)

STC377531: Lambeth Gas Works, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)
Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)

STC377550: Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Hare and The Frogs, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving)
The Hare and The Frogs, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving)

KWE2619165: The Hare and The Frogs, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo)
King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo)

XIR287730: King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo), Dore, Gustave (1832-83) / Bridgeman Images

Inhabitants of the island of Ennasin, illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)
Inhabitants of the island of Ennasin, illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)

XIR1200169: Inhabitants of the island of Ennasin, illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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