Dore, Gustave (1832-83) Assets (2601 in total)

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Off Billingsgate by Gustave Doré
Off Billingsgate by Gustave Doré

XLF3789601: Off Billingsgate by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

Revelation: Vision of Death, by Gustave Doré. - Bible
Revelation: Vision of Death, by Gustave Doré. - Bible

XLF3780046: Revelation: Vision of Death, by Gustave Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

David and Jonathan,   by Gustave Doré- Bible
David and Jonathan,   by Gustave Doré- Bible

XLF3780031: David and Jonathan, by Gustave Doré- Bible, Dore, Gustave (1832-83) / Bridgeman Images

The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866
The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866

GIA4733374: The sermon of the mountain: Jesus Christ preaches before all his disciples. Illustration of the Bible (New Testament) by Gustave Dore (1832-1883) 1866, Dore, Gustave (1832-83) / Bridgeman Images

Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883)
Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883)

GIA4733081: Extract from Gargantua (1534) by François Rabelais (1483 - 1553): And, pulling the bumblebee, together removed the pellerin and ate it very well. Engraving by Gustave Dore (1823-1883), Dore, Gustave (1832-83) / Bridgeman Images

Christ leaving the priest, 1872 (oil on canvas)
Christ leaving the priest, 1872 (oil on canvas)

JLJ4689996: Christ leaving the priest, 1872 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860
The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860

GIA4715141: The prophete Michee exhorting the people of Israel to penitence Engraving from 'The Bible' by Gustave Dore (1832-1883) Around 1860, Dore, Gustave (1832-83) / Bridgeman Images

Frontispiece of 'Les Contes de Charles Perrault', published by J. Hetzel, 1862 (etching) (b/w photo)
Frontispiece of 'Les Contes de Charles Perrault', published by J. Hetzel, 1862 (etching) (b/w photo)

CHT157402: Frontispiece of 'Les Contes de Charles Perrault', published by J. Hetzel, 1862 (etching) (b/w photo), Dore, Gustave (1832-83) / Bridgeman Images

Two Hundred Knights attack Twenty Thousand Saracens, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
Two Hundred Knights attack Twenty Thousand Saracens, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219458: Two Hundred Knights attack Twenty Thousand Saracens, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for 'Bluebeard' by Charles Perrault, c.1868 (pen and ink wash on paper)
Illustration for 'Bluebeard' by Charles Perrault, c.1868 (pen and ink wash on paper)

BOO183491: Illustration for 'Bluebeard' by Charles Perrault, c.1868 (pen and ink wash on paper), Dore, Gustave (1832-83) / Bridgeman Images

Gerard of Avesnes exposed on the walls of Arsuf, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
Gerard of Avesnes exposed on the walls of Arsuf, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219432: Gerard of Avesnes exposed on the walls of Arsuf, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Eleazar killed by the elephant, 1888 (engraving)
Eleazar killed by the elephant, 1888 (engraving)

DGC473284: Eleazar killed by the elephant, 1888 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A Victorian Fish Market
A Victorian Fish Market

XLF3779041: A Victorian Fish Market, Dore, Gustave (1832-83) / Bridgeman Images

Chactas and Atala, engraving by Doré.
Chactas and Atala, engraving by Doré.

XLF3779864: Chactas and Atala, engraving by Doré., Dore, Gustave (1832-83) / Bridgeman Images

Paradise Lost: Ithuriel and Zephon, by Doré.
Paradise Lost: Ithuriel and Zephon, by Doré.

XLF3779888: Paradise Lost: Ithuriel and Zephon, by Doré., Dore, Gustave (1832-83) / Bridgeman Images

Sleeping Beauty: Prince in the banqueting hall.
Sleeping Beauty: Prince in the banqueting hall.

XLF3779993: Sleeping Beauty: Prince in the banqueting hall., Dore, Gustave (1832-83) / Bridgeman Images

Plague of Jerusalem, engraving by Doré. - Bible
Plague of Jerusalem, engraving by Doré. - Bible

XLF3780005: Plague of Jerusalem, engraving by Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

The Doctors, illustration from 'Fables' by La Fontaine, 1868 (engraving)
The Doctors, illustration from 'Fables' by La Fontaine, 1868 (engraving)

DGC308184: The Doctors, illustration from 'Fables' by La Fontaine, 1868 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 26  : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745617: Paradiso, Canto 26 : St John examines Dante concerning love, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745687: Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745697: Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745660: Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745706: Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)
Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)

STC621354: Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho) , Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745686: Inferno, Canto 29 : The falsifiers and forgers tormented with itching, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745736: Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Les Adieux, 1870 (pencil with grey wash heightened with bodycolour)
Les Adieux, 1870 (pencil with grey wash heightened with bodycolour)

MAA360522: Les Adieux, 1870 (pencil with grey wash heightened with bodycolour), Dore, Gustave (1832-83) / Bridgeman Images

Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)
Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)

STC377550: Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Hare and The Frogs, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving)
The Hare and The Frogs, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving)

KWE2619165: The Hare and The Frogs, from a late 19th century edition of 'Fables de La Fontaine' (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo)
King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo)

XIR287730: King and court, illustration from the 'Essais' by Michel Eyquem de Montaigne (1533-92) (engraving) (b/w photo), Dore, Gustave (1832-83) / Bridgeman Images

Inhabitants of the island of Ennasin, illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)
Inhabitants of the island of Ennasin, illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)

XIR1200169: Inhabitants of the island of Ennasin, illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Whittington at Highgate (engraving)
Whittington at Highgate (engraving)

XJF2639772: Whittington at Highgate (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for the poem
Illustration for the poem

XEE4134435: Illustration for the poem "Furious Roland" by Ludovico Ariosto, 1885 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)
Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)

XIR1200170: Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Album of the Siege of Paris, National Guards at the Ramparts at night (pen & brown ink wash & pencil on paper)
Album of the Siege of Paris, National Guards at the Ramparts at night (pen & brown ink wash & pencil on paper)

XIR414927: Album of the Siege of Paris, National Guards at the Ramparts at night (pen & brown ink wash & pencil on paper), Dore, Gustave (1832-83) / Bridgeman Images

Album of the Siege of Paris, Ambulance man, the last troops at the station of Brest, 1871 (pen & brown ink wash & pencil on paper)
Album of the Siege of Paris, Ambulance man, the last troops at the station of Brest, 1871 (pen & brown ink wash & pencil on paper)

XIR414942: Album of the Siege of Paris, Ambulance man, the last troops at the station of Brest, 1871 (pen & brown ink wash & pencil on paper), Dore, Gustave (1832-83) / Bridgeman Images


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