Dore, Gustave (1832-83) Assets (2601 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868847: Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868817: Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee
Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee

ELD4868877: Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4869011: Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Divine Comedy, Dante and Virgil, 19th century (engraving)
Divine Comedy, Dante and Virgil, 19th century (engraving)

TRK5459238: Divine Comedy, Dante and Virgil, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

MAJ5032093: Illustration for "Les Contes" written by Charles Perrault, 1879 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore.
Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore.

XEE4160073: Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4160120: Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160448: THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4163358: The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160435: Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160853: Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)
L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)

XEE4162095: L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160438: Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160487: Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161111: Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325215: The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12.
Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12.

PCT4265335: Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138

PCT4265357: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138, Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861.
Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861.

PCT4265408: Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote (Qijote or Quixote, Knight with the sad figure) rides on his horse Rossinante, and his fidele squiyer Sancho Panza, discover a dead mule in the middle of the way. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century
Don Quixote (Qijote or Quixote, Knight with the sad figure) rides on his horse Rossinante, and his fidele squiyer Sancho Panza, discover a dead mule in the middle of the way. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century

PCT4267069: Don Quixote (Qijote or Quixote, Knight with the sad figure) rides on his horse Rossinante, and his fidele squiyer Sancho Panza, discover a dead mule in the middle of the way. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century, Dore, Gustave (1832-83) / Bridgeman Images

Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.
Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277099: Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -
An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -

PCT4288748: An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -, Dore, Gustave (1832-83) / Bridgeman Images

On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156171: On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156205: Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156230: Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156287: Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

A Nocturnal Discourse - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
A Nocturnal Discourse - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157183: A Nocturnal Discourse - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The Queen of Sheba before Solomon Engraved by Gustave Dore
The Queen of Sheba before Solomon Engraved by Gustave Dore

XEE4154699: The Queen of Sheba before Solomon Engraved by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156203: Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156238: Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156249: Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156268: Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.
Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.

PCT4262554: Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30.
Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30.

PCT4265338: Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30., Dore, Gustave (1832-83) / Bridgeman Images


Back to top