Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827)
Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827)

LSE4402328: Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

FLO4563167: Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4667021: Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690201: The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690320: The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690136: The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690343: The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Boot and Shoe Shop: Women customers trying on shoes and boots at Leatherhead cobblers. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Boot and Shoe Shop: Women customers trying on shoes and boots at Leatherhead cobblers. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690575: Boot and Shoe Shop: Women customers trying on shoes and boots at Leatherhead cobblers. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690630: Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Ball Room: fashionable tourists dancing in Scarborough Assembly Rooms. Every gentleman who dances pays 2s, and every lady who drinks tea pays 1s. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Ball Room: fashionable tourists dancing in Scarborough Assembly Rooms. Every gentleman who dances pays 2s, and every lady who drinks tea pays 1s. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690617: The Ball Room: fashionable tourists dancing in Scarborough Assembly Rooms. Every gentleman who dances pays 2s, and every lady who drinks tea pays 1s. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690494: The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection
A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection

LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

London, River Thames and the docks, 1808 (engraving)
London, River Thames and the docks, 1808 (engraving)

CCI2085482: London, River Thames and the docks, 1808 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fashionable couple disturbed by stupid, stone-cold idle relative
Fashionable couple disturbed by stupid, stone-cold idle relative

FLO5893686: Fashionable couple disturbed by stupid, stone-cold idle relative, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man on horseback behind a slow-moving cart on a narrow lane.
Man on horseback behind a slow-moving cart on a narrow lane.

FLO5893690: Man on horseback behind a slow-moving cart on a narrow lane., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Three soldiers in uniform parading outside a tavern.
Three soldiers in uniform parading outside a tavern.

FLO5893694: Three soldiers in uniform parading outside a tavern., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tired and drunken man at a raucous dinner party with foxhunters.
Tired and drunken man at a raucous dinner party with foxhunters.

FLO5893726: Tired and drunken man at a raucous dinner party with foxhunters., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man embarrassed at being made to dance at a country dance.
Man embarrassed at being made to dance at a country dance.

FLO5893689: Man embarrassed at being made to dance at a country dance., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man pinned to a door by the horns of an enraged ox.
Man pinned to a door by the horns of an enraged ox.

FLO5893693: Man pinned to a door by the horns of an enraged ox., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Men and women skating on thin ice and falling into a freezing ri
Men and women skating on thin ice and falling into a freezing ri

FLO5893707: Men and women skating on thin ice and falling into a freezing ri, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two lovers in a parlour disturbed by prying maids.
Two lovers in a parlour disturbed by prying maids.

FLO5893733: Two lovers in a parlour disturbed by prying maids., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fashionable woman sending a verbal message via a fool
Fashionable woman sending a verbal message via a fool

FLO5893688: Fashionable woman sending a verbal message via a fool, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Children playing on carts cutting up a newly-rolled gravel drive
Children playing on carts cutting up a newly-rolled gravel drive

FLO5893691: Children playing on carts cutting up a newly-rolled gravel drive, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Woman sleeping at a desk while a man reads her secret thoughts.
Woman sleeping at a desk while a man reads her secret thoughts.

FLO5893696: Woman sleeping at a desk while a man reads her secret thoughts., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man losing control of his mount while passing a carriage.
Man losing control of his mount while passing a carriage.

FLO5893706: Man losing control of his mount while passing a carriage., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man sitting down on a startled cat in his chair.
Man sitting down on a startled cat in his chair.

FLO5893727: Man sitting down on a startled cat in his chair., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman arriving at a French posthouse, 1817 (engraving)
Young English gentleman arriving at a French posthouse, 1817 (engraving)

FLO5912750: Young English gentleman arriving at a French posthouse, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Weighing a jockey on a set of scales at a race track, 1789. A crowd of punters, race fans, and gamblers watching. Color print after an engraving by from an illustration by in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Weighing a jockey on a set of scales at a race track, 1789. A crowd of punters, race fans, and gamblers watching. Color print after an engraving by from an illustration by in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912959: Weighing a jockey on a set of scales at a race track, 1789. A crowd of punters, race fans, and gamblers watching. Color print after an engraving by from an illustration by in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young boy at lessons with a tutor and his grandmother, 1817 (engraving)
Young boy at lessons with a tutor and his grandmother, 1817 (engraving)

FLO5912746: Young boy at lessons with a tutor and his grandmother, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman flirting with the Fair Limonadiere in a cafe in paris, 1817 (engraving)
English gentleman flirting with the Fair Limonadiere in a cafe in paris, 1817 (engraving)

FLO5912751: English gentleman flirting with the Fair Limonadiere in a cafe in paris, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young gentleman in his rooms at university, 1817 (engraving)
Young gentleman in his rooms at university, 1817 (engraving)

FLO5912748: Young gentleman in his rooms at university, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman riding with hounds in a stag hunt, 1817 (engraving)
Young English gentleman riding with hounds in a stag hunt, 1817 (engraving)

FLO5912760: Young English gentleman riding with hounds in a stag hunt, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Shrimp, Sir?, 1799 (pencil, pen & brown ink and watercolour on paper)
A Shrimp, Sir?, 1799 (pencil, pen & brown ink and watercolour on paper)

CH378070: A Shrimp, Sir?, 1799 (pencil, pen & brown ink and watercolour on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The arrival of the stagecoach at Bodmin, Cornwall, 1807 (watercolour, pencil & pen & ink on paper)
The arrival of the stagecoach at Bodmin, Cornwall, 1807 (watercolour, pencil & pen & ink on paper)

JMT2963359: The arrival of the stagecoach at Bodmin, Cornwall, 1807 (watercolour, pencil & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Greenwich Hospital, 1822 (watercolour, brown ink and pencil on paper)
Greenwich Hospital, 1822 (watercolour, brown ink and pencil on paper)

CH1197611: Greenwich Hospital, 1822 (watercolour, brown ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mr and Mrs Jolly at their Country House (watercolour, pen & ink and pencil on paper)
Mr and Mrs Jolly at their Country House (watercolour, pen & ink and pencil on paper)

XYC239819: Mr and Mrs Jolly at their Country House (watercolour, pen & ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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