Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Young gentleman in his rooms at university, 1817 (engraving)
Young gentleman in his rooms at university, 1817 (engraving)

FLO5912748: Young gentleman in his rooms at university, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman arriving at a French posthouse, 1817 (engraving)
Young English gentleman arriving at a French posthouse, 1817 (engraving)

FLO5912750: Young English gentleman arriving at a French posthouse, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

English gentleman flirting with the Fair Limonadiere in a cafe in paris, 1817 (engraving)
English gentleman flirting with the Fair Limonadiere in a cafe in paris, 1817 (engraving)

FLO5912751: English gentleman flirting with the Fair Limonadiere in a cafe in paris, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Young English gentleman riding with hounds in a stag hunt, 1817 (engraving)
Young English gentleman riding with hounds in a stag hunt, 1817 (engraving)

FLO5912760: Young English gentleman riding with hounds in a stag hunt, 1817 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Weighing a jockey on a set of scales at a race track, 1789. A crowd of punters, race fans, and gamblers watching. Color print after an engraving by from an illustration by in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.
Weighing a jockey on a set of scales at a race track, 1789. A crowd of punters, race fans, and gamblers watching. Color print after an engraving by from an illustration by in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908.

FLO5912959: Weighing a jockey on a set of scales at a race track, 1789. A crowd of punters, race fans, and gamblers watching. Color print after an engraving by from an illustration by in Ralph Nevill’s Old Sporting Prints, The Connoisseur Magazine, London, 1908., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Ernest Augustus, Duke of Cumberland
Ernest Augustus, Duke of Cumberland

HRP5245611: Ernest Augustus, Duke of Cumberland, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Johnny saying goodbye to his mother and sisters as he leaves for the Royal Navy on a stagecoach. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Johnny saying goodbye to his mother and sisters as he leaves for the Royal Navy on a stagecoach. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989317: Johnny saying goodbye to his mother and sisters as he leaves for the Royal Navy on a stagecoach. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Drunk Johnny pursued by night watchmen in a grocer's shop about to fall into a barrel of butter. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Drunk Johnny pursued by night watchmen in a grocer's shop about to fall into a barrel of butter. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989331: Drunk Johnny pursued by night watchmen in a grocer's shop about to fall into a barrel of butter. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Naval rite of passage: Johnny is seized and spreadeagled in the rigging by his fellow sailors. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.
Naval rite of passage: Johnny is seized and spreadeagled in the rigging by his fellow sailors. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

FLO4989378: Naval rite of passage: Johnny is seized and spreadeagled in the rigging by his fellow sailors. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)
Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)

XYC159702: Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Saint Austle, Cornwall (pen & w/c on paper)
Saint Austle, Cornwall (pen & w/c on paper)

NP125700: Saint Austle, Cornwall (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place, Kingston-upon-Thames, 1812 (pen & w/c on paper)
The Market Place, Kingston-upon-Thames, 1812 (pen & w/c on paper)

NP125701: The Market Place, Kingston-upon-Thames, 1812 (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)
Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)

NP125737: Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Lounge at the Old Print Shop, Oxford (ink & w/c on paper)
The Lounge at the Old Print Shop, Oxford (ink & w/c on paper)

NP125744: The Lounge at the Old Print Shop, Oxford (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125756: "The School of Reform, or How to Rule a Husband" (pen, w/c & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madness at the Dinner Table, 1816 (w/c on paper)
Madness at the Dinner Table, 1816 (w/c on paper)

BON123594: Madness at the Dinner Table, 1816 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Mourners, 1815 (w/c on paper)
The Mourners, 1815 (w/c on paper)

STC115405: The Mourners, 1815 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Forge, 1790 (pen and w/c over pencil on paper)
At the Forge, 1790 (pen and w/c over pencil on paper)

XBM115508: At the Forge, 1790 (pen and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)
The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)

XYC150243: The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horse Fair, Southampton (pen & ink & w/c on paper)
Horse Fair, Southampton (pen & ink & w/c on paper)

STC205060: Horse Fair, Southampton (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Strollers (w/c on paper)
The Strollers (w/c on paper)

CBE198635: The Strollers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Outside the Inn (w/c on paper)
Outside the Inn (w/c on paper)

CBE201721: Outside the Inn (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Alchemist (w/c on paper)
The Alchemist (w/c on paper)

CBE204079: The Alchemist (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)
A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper)

XYC249719: A Sporting Cove, c.1815-1820 (w/c & pen over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Return from the Hunt, 1787 (pen & ink with w/c on paper)
The Return from the Hunt, 1787 (pen & ink with w/c on paper)

XYC250004: The Return from the Hunt, 1787 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Review in a Market Place, c.1790 (pen & ink with w/c on paper)
A Review in a Market Place, c.1790 (pen & ink with w/c on paper)

XYC250012: A Review in a Market Place, c.1790 (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper)
The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper)

XYC234019: The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper)
A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper)

XYC238966: A Horse Sale at Hopkins's Repository, Barbican, c.1798-1800 (pen, ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)
Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper)

XYC322079: Doctor Syntax loses his money on the Race Ground at York (pen & ink with w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Carter and the Gypsies (pen & ink and w/c on paper)
The Carter and the Gypsies (pen & ink and w/c on paper)

AGN271132: The Carter and the Gypsies (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sea Amusement (pen & ink and w/c on paper)
Sea Amusement (pen & ink and w/c on paper)

AGN271133: Sea Amusement (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309572: A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Boxing Match,  (pen and ink and watercolour)
The Boxing Match,  (pen and ink and watercolour)

CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)
The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)

CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)
Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)

XDM1068995: Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Darning The Sock (pen & ink, w/c)
Darning The Sock (pen & ink, w/c)

CBE86184: Darning The Sock (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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