Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190612: A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)
The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)

XYC145593: The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)
The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)

CHT142100: The Anatomist, published by Thomas Tegg, 1811 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)
The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)

XYC150243: The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)
The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper)

XYC149959: The Prize Fight, 1787 (pen, ink and w/c over graphite on laid paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)
Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)

XYC159702: Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Strollers (w/c on paper)
The Strollers (w/c on paper)

CBE198635: The Strollers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper)
A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper)

CH378070: A Shrimp, Sir?, 1799 (pencil, pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Cruel Mistress (pen & brown ink and colour wash on paper)
The Cruel Mistress (pen & brown ink and colour wash on paper)

CH378077: The Cruel Mistress (pen & brown ink and colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)
View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)

STC444698: View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Landscape with monks (pen & ink and wash on paper)
Landscape with monks (pen & ink and wash on paper)

SFA413836: Landscape with monks (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Taking the water (pen & ink and w/c over pencil on paper)
Taking the water (pen & ink and w/c over pencil on paper)

SFA413837: Taking the water (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sad Sloppy Weather (coloured engraving)
Sad Sloppy Weather (coloured engraving)

LLJ610566: Sad Sloppy Weather (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Sale Room, East India House (coloured engraving)
The Sale Room, East India House (coloured engraving)

LLJ608422: The Sale Room, East India House (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel  (coloured engraving)
Newgate chapel  (coloured engraving)

LLJ559079: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cucumbers (coloured engraving)
Cucumbers (coloured engraving)

LLJ558314: Cucumbers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chairs to mend (coloured engraving)
Chairs to mend (coloured engraving)

LLJ558329: Chairs to mend (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Shoe black (coloured engraving)
Shoe black (coloured engraving)

LLJ558362: Shoe black (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billingsgate Market (coloured engraving)
Billingsgate Market (coloured engraving)

LLJ582196: Billingsgate Market (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Great News (coloured engraving)
Great News (coloured engraving)

LLJ583004: Great News (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Stamp Office, Somerset House, Strand, London (coloured engraving)
Stamp Office, Somerset House, Strand, London (coloured engraving)

LLJ584946: Stamp Office, Somerset House, Strand, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Crimping a Quaker (coloured engraving)
Crimping a Quaker (coloured engraving)

LLJ611143: Crimping a Quaker (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gaming Table, (pencil, pen and ink and watercolour)
The Gaming Table, (pencil, pen and ink and watercolour)

CH651828: The Gaming Table, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Horse Fair, Southampton (pen & ink & w/c on paper)
Horse Fair, Southampton (pen & ink & w/c on paper)

STC205060: Horse Fair, Southampton (pen & ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)
The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)

XCK877328: The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

Massacar Oil, an oily puff for soft heads, 1814 (etching)
Massacar Oil, an oily puff for soft heads, 1814 (etching)

XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)
The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)

STC810295: The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Boxing Match,  (pen and ink and watercolour)
The Boxing Match,  (pen and ink and watercolour)

CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)
The Old Swan Inn, with a View of Putney bridge beyond,  (pen and ink and watercolour)

CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Public Breakfast, plate 11 from the series
The Public Breakfast, plate 11 from the series

DMW937617: The Public Breakfast, plate 11 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bath Races, plate 12 from the series
The Bath Races, plate 12 from the series

DMW937618: The Bath Races, plate 12 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Portrait, plate 6 from the series
The Portrait, plate 6 from the series

DMW937624: The Portrait, plate 6 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Company at Play, plate 8 from the series
Company at Play, plate 8 from the series

DMW937626: Company at Play, plate 8 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)
Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)

XDM1068995: Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection
A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection

LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection
La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection

LZT1012378: La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images


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