Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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Man losing control of his mount while passing a carriage.
Man losing control of his mount while passing a carriage.

FLO5893706: Man losing control of his mount while passing a carriage., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Men and women skating on thin ice and falling into a freezing ri
Men and women skating on thin ice and falling into a freezing ri

FLO5893707: Men and women skating on thin ice and falling into a freezing ri, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tired and drunken man at a raucous dinner party with foxhunters.
Tired and drunken man at a raucous dinner party with foxhunters.

FLO5893726: Tired and drunken man at a raucous dinner party with foxhunters., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man sitting down on a startled cat in his chair.
Man sitting down on a startled cat in his chair.

FLO5893727: Man sitting down on a startled cat in his chair., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Two lovers in a parlour disturbed by prying maids.
Two lovers in a parlour disturbed by prying maids.

FLO5893733: Two lovers in a parlour disturbed by prying maids., Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax disputing his bill with the landlady'
'Dr Syntax disputing his bill with the landlady'

XLF3781144: 'Dr Syntax disputing his bill with the landlady', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax sketching after nature'
'Dr Syntax sketching after nature'

XLF3781153: 'Dr Syntax sketching after nature', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax at the funeral of his wife'
'Dr Syntax at the funeral of his wife'

XLF3781167: 'Dr Syntax at the funeral of his wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The visit of Dr Syntax to the Widow Hopeful'
'The visit of Dr Syntax to the Widow Hopeful'

XLF3781169: 'The visit of Dr Syntax to the Widow Hopeful', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax in the glass-house'
'Dr Syntax in the glass-house'

XLF3781171: 'Dr Syntax in the glass-house', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making his will'
'Dr Syntax making his will'

XLF3781172: 'Dr Syntax making his will', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax amused with Pat in the pond'
'Dr Syntax amused with Pat in the pond'

XLF3781173: 'Dr Syntax amused with Pat in the pond', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax present at a coffee house quarrel'
'Dr Syntax present at a coffee house quarrel'

XLF3781174: 'Dr Syntax present at a coffee house quarrel', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making a discovery'
'Dr Syntax making a discovery'

XLF3781177: 'Dr Syntax making a discovery', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with the Skimmington riders'
'Dr Syntax with the Skimmington riders'

XLF3781179: 'Dr Syntax with the Skimmington riders', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The result of purchasing a blind horse'
'The result of purchasing a blind horse'

XLF3781207: 'The result of purchasing a blind horse', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax in danger'
'Dr Syntax in danger'

XLF3781208: 'Dr Syntax in danger', Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sailor's Marriage, 1805 (coloured etching)
A Sailor's Marriage, 1805 (coloured etching)

XOS3746296: A Sailor's Marriage, 1805 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760694: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Alchemist (w/c on paper)
The Alchemist (w/c on paper)

CBE204079: The Alchemist (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Strollers (w/c on paper)
The Strollers (w/c on paper)

CBE198635: The Strollers (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Outside the Inn (w/c on paper)
Outside the Inn (w/c on paper)

CBE201721: Outside the Inn (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Darning The Sock (pen & ink, w/c)
Darning The Sock (pen & ink, w/c)

CBE86184: Darning The Sock (pen & ink, w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98390: The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Public Breakfast, plate 11 from the series
The Public Breakfast, plate 11 from the series

DMW937617: The Public Breakfast, plate 11 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Bath Races, plate 12 from the series
The Bath Races, plate 12 from the series

DMW937618: The Bath Races, plate 12 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Portrait, plate 6 from the series
The Portrait, plate 6 from the series

DMW937624: The Portrait, plate 6 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Company at Play, plate 8 from the series
Company at Play, plate 8 from the series

DMW937626: Company at Play, plate 8 from the series "The Comforts of Bath", 1798 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Funcking the Corsican, pub. 1813 (hand coloured engraving)
Funcking the Corsican, pub. 1813 (hand coloured engraving)

STC4071325: Funcking the Corsican, pub. 1813 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4667021: Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827)
Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827)

LSE4402328: Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690136: The skeleton of Death with his dart takes a Catchpole as he tries to collect a debt from a gentleman in a street, while many other debtors watch from behind bars in the sherrif's office. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690201: The skeleton of Death with hourglass and dart comes for a Pierrot and other clowns, while a harlequin dances with a woman on a beach. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690320: The skeleton of Death throws his dart at a man as he topples from a set of stairs while winding a clock above the mantlepiece. He falls back on to his wife in a chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690343: The skeleton of Death sits on a milestone to watch as a fast gig with husband and wife crashes on Shooter's Hill. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690494: The skeleton of Death comes for the Doctor, as the priest prays over the dead body of a Good Man mourned by his wife and child. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images


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