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Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690630: Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690630

Terrace Steps: tourists take a tumble down the stairs of Cliff Terrace. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.
Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

FLO4667021: Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4667021

Roaming and client retamer showing the bottom of a pot. He hits a metal pot with a hammer on a portable bench. Wood engraving, based on a painting by Thomas Rowlandson (1756-1827), published in The Cris of London: with six charming children and nearly 40 illustrations, by Andrew Tuer, Field and Tuer, in London in 1883.

Rowlandson, Thomas (1756-1827)

'Dr Syntax disputing his bill with the landlady'
'Dr Syntax disputing his bill with the landlady'

XLF3781144: 'Dr Syntax disputing his bill with the landlady', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781144

'Dr Syntax disputing his bill with the landlady'

Rowlandson, Thomas (1756-1827)

'Dr Syntax sketching after nature'
'Dr Syntax sketching after nature'

XLF3781153: 'Dr Syntax sketching after nature', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781153

'Dr Syntax sketching after nature'

Rowlandson, Thomas (1756-1827)

'Dr Syntax at the funeral of his wife'
'Dr Syntax at the funeral of his wife'

XLF3781167: 'Dr Syntax at the funeral of his wife', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781167

'Dr Syntax at the funeral of his wife'

Rowlandson, Thomas (1756-1827)

'The visit of Dr Syntax to the Widow Hopeful'
'The visit of Dr Syntax to the Widow Hopeful'

XLF3781169: 'The visit of Dr Syntax to the Widow Hopeful', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781169

'The visit of Dr Syntax to the Widow Hopeful'

Rowlandson, Thomas (1756-1827)

'Dr Syntax in the glass-house'
'Dr Syntax in the glass-house'

XLF3781171: 'Dr Syntax in the glass-house', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781171

'Dr Syntax in the glass-house'

Rowlandson, Thomas (1756-1827)

'Dr Syntax making his will'
'Dr Syntax making his will'

XLF3781172: 'Dr Syntax making his will', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781172

'Dr Syntax making his will'

Rowlandson, Thomas (1756-1827)

'Dr Syntax amused with Pat in the pond'
'Dr Syntax amused with Pat in the pond'

XLF3781173: 'Dr Syntax amused with Pat in the pond', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781173

'Dr Syntax amused with Pat in the pond'

Rowlandson, Thomas (1756-1827)

'Dr Syntax making a discovery'
'Dr Syntax making a discovery'

XLF3781177: 'Dr Syntax making a discovery', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781177

'Dr Syntax making a discovery'

Rowlandson, Thomas (1756-1827)

'Dr Syntax with the Skimmington riders'
'Dr Syntax with the Skimmington riders'

XLF3781179: 'Dr Syntax with the Skimmington riders', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781179

'Dr Syntax with the Skimmington riders'

Rowlandson, Thomas (1756-1827)

'The result of purchasing a blind horse'
'The result of purchasing a blind horse'

XLF3781207: 'The result of purchasing a blind horse', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781207

'The result of purchasing a blind horse'

Rowlandson, Thomas (1756-1827)

'Dr Syntax in danger'
'Dr Syntax in danger'

XLF3781208: 'Dr Syntax in danger', Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XLF3781208

'Dr Syntax in danger'

Rowlandson, Thomas (1756-1827)

Ernest Augustus, Duke of Cumberland
Ernest Augustus, Duke of Cumberland

HRP5245611: Ernest Augustus, Duke of Cumberland, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: HRP5245611

Ernest Augustus, Duke of Cumberland

Rowlandson, Thomas (1756-1827)

Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper)
Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper)

CH1197611: Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH1197611

Greenwich Hospital, 1822 (w/c, brown ink and pencil on paper)

Rowlandson, Thomas (1756-1827)

A Parody on Milton, pub. 1807 (hand coloured etching)
A Parody on Milton, pub. 1807 (hand coloured etching)

STC2636958: A Parody on Milton, pub. 1807 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2636958

A Parody on Milton, pub. 1807 (hand coloured etching)

Rowlandson, Thomas (1756-1827)

The Boxing Match, (pen and ink and watercolour)
The Boxing Match, (pen and ink and watercolour)

CH824123: The Boxing Match, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH824123

The Boxing Match, (pen and ink and watercolour)

Rowlandson, Thomas (1756-1827)

The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour)
The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour)

CH824124: The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CH824124

The Old Swan Inn, with a View of Putney bridge beyond, (pen and ink and watercolour)

Rowlandson, Thomas (1756-1827)

The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)
The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)

STC810295: The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC810295

The Rat Trap Seller from 'Cries of London', 1799 (hand-coloured aquatint)

Rowlandson, Thomas (1756-1827)

Massacar Oil, an oily puff for soft heads, 1814 (etching)
Massacar Oil, an oily puff for soft heads, 1814 (etching)

XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XJF869686

Massacar Oil, an oily puff for soft heads, 1814 (etching)

Rowlandson, Thomas (1756-1827)

The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)
The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)

XCK877328: The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XCK877328

The Post House, c.1778–80 (pen & ink on paper) (verso of 3576810)

Rowlandson, Thomas (1756-1827)

A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection
A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection

LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LZT1012370

A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection

Rowlandson, Thomas (1756-1827)

La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection
La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection

LZT1012378: La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LZT1012378

La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection

Rowlandson, Thomas (1756-1827)

Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell
Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell

LZT1012381: Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: LZT1012381

Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell

Rowlandson, Thomas (1756-1827)

Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)
Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)

XDM1068995: Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XDM1068995

Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)

Rowlandson, Thomas (1756-1827)

Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (caricature)
Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (caricature)

CCI1832752: Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (caricature), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CCI1832752

Obese man courting a tuberculosis patient: dropsy and consumption, early 19th century (caricature)

Rowlandson, Thomas (1756-1827)

London, River Thames and the docks, 1808 (engraving)
London, River Thames and the docks, 1808 (engraving)

CCI2085482: London, River Thames and the docks, 1808 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: CCI2085482

London, River Thames and the docks, 1808 (engraving)

Rowlandson, Thomas (1756-1827)

Connoisseur, (hand coloured engraving)
Connoisseur, (hand coloured engraving)

STC3025390: Connoisseur, (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC3025390

Connoisseur, (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

Southwark Cavalry, c.1799 (coloured aquatint)
Southwark Cavalry, c.1799 (coloured aquatint)

NAM3062344: Southwark Cavalry, c.1799 (coloured aquatint) , Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NAM3062344

Southwark Cavalry, c.1799 (coloured aquatint)

Rowlandson, Thomas (1756-1827)

Lambeth Cavalry, c.1799 (colour litho)
Lambeth Cavalry, c.1799 (colour litho)

NAM3062345: Lambeth Cavalry, c.1799 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NAM3062345

Lambeth Cavalry, c.1799 (colour litho)

Rowlandson, Thomas (1756-1827)

Clerkenwell Cavalry, c.1799 (coloured aquatint)
Clerkenwell Cavalry, c.1799 (coloured aquatint)

NAM3062346: Clerkenwell Cavalry, c.1799 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: NAM3062346

Clerkenwell Cavalry, c.1799 (coloured aquatint)

Rowlandson, Thomas (1756-1827)

The arrival of the stagecoach at Bodmin, Cornwall, 1807 (w/c, pencil & pen & ink on paper)
The arrival of the stagecoach at Bodmin, Cornwall, 1807 (w/c, pencil & pen & ink on paper)

JMT2963359: The arrival of the stagecoach at Bodmin, Cornwall, 1807 (w/c, pencil & pen & ink on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: JMT2963359

The arrival of the stagecoach at Bodmin, Cornwall, 1807 (w/c, pencil & pen & ink on paper)

Rowlandson, Thomas (1756-1827)

Nil Amplius Opto
Nil Amplius Opto

STC2962495: Nil Amplius Opto "I am at the Summit of my Wishes, pub. 1780 (hand coloured engraving, Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962495

Nil Amplius Opto "I am at the Summit of my Wishes, pub. 1780 (hand coloured engraving

Rowlandson, Thomas (1756-1827)

Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)
Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)

STC2962496: Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962496

Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving)
Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving)

STC2962504: Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962504

Dedicated to the Newly Created E--l of L-nsd-le, pub. 1784 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

Introduction, pub. 1793 (hand coloured engraving)
Introduction, pub. 1793 (hand coloured engraving)

STC2962507: Introduction, pub. 1793 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC2962507

Introduction, pub. 1793 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)


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