Rowlandson, Thomas (1756-1827) Assets (1155 in total)

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The Cruel Mistress (pen & brown ink and colour wash on paper)
The Cruel Mistress (pen & brown ink and colour wash on paper)

CH378077: The Cruel Mistress (pen & brown ink and colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gaming Table, (pencil, pen and ink and watercolour)
The Gaming Table, (pencil, pen and ink and watercolour)

CH651828: The Gaming Table, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sad Sloppy Weather (coloured engraving)
Sad Sloppy Weather (coloured engraving)

LLJ610566: Sad Sloppy Weather (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Crimping a Quaker (coloured engraving)
Crimping a Quaker (coloured engraving)

LLJ611143: Crimping a Quaker (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection
A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection

LZT1012370: A Militia Meeting, Probably 1799, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection
La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection

LZT1012378: La Belle Limonaudiere Au Cafe Des Mille Colonnes, Palais Royal, Paris, 1814, Hand-Colored Etching, Rosenwald Collection, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell
Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell

LZT1012381: Going Out in the Morning, Published 1786, Hand-Colored Etching and Aquatint on J. Whatman Paper, Gift of David Grinnell, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)
Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper)

XDM1068995: Joseph Nollekens in His Studio, c.1810 (pencil, ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Massacar Oil, an oily puff for soft heads, 1814 (etching)
Massacar Oil, an oily puff for soft heads, 1814 (etching)

XJF869686: Massacar Oil, an oily puff for soft heads, 1814 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933
Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933

LSE4089894: Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081502: Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081520: Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081536: Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081542: The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081551: The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869
Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869

LSE4081553: Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Landscape with monks (pen & ink and wash on paper)
Landscape with monks (pen & ink and wash on paper)

SFA413836: Landscape with monks (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Taking the water (pen & ink and w/c over pencil on paper)
Taking the water (pen & ink and w/c over pencil on paper)

SFA413837: Taking the water (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billingsgate Market (coloured engraving)
Billingsgate Market (coloured engraving)

LLJ582196: Billingsgate Market (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel  (coloured engraving)
Newgate chapel  (coloured engraving)

LLJ559079: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Cucumbers (coloured engraving)
Cucumbers (coloured engraving)

LLJ558314: Cucumbers (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chairs to mend (coloured engraving)
Chairs to mend (coloured engraving)

LLJ558329: Chairs to mend (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Shoe black (coloured engraving)
Shoe black (coloured engraving)

LLJ558362: Shoe black (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Stamp Office, Somerset House, Strand, London (coloured engraving)
Stamp Office, Somerset House, Strand, London (coloured engraving)

LLJ584946: Stamp Office, Somerset House, Strand, London (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Great News (coloured engraving)
Great News (coloured engraving)

LLJ583004: Great News (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)
View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)

STC444698: View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'How to Twist Your Neck' (pen, red ink and w/c on paper)
'How to Twist Your Neck' (pen, red ink and w/c on paper)

XYC158076: 'How to Twist Your Neck' (pen, red ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174263: St Olave Southwark Volunteer, plate 44 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)
Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)

XYC159702: Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190612: A Scene in the Channel, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)
Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan.  A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint)

STC190616: Qui Hi in the Bombay Tavern, from 'The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibras Poem in Eight Cantos by Quiz', by William Combe (1741-1823) published by Thomas Tegg, London, 1815 (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Man Fishing, c.1780 (pen & brown ink and w/c on paper)
Man Fishing, c.1780 (pen & brown ink and w/c on paper)

MAN276856: Man Fishing, c.1780 (pen & brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper)
A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper)

XYC283582: A Military Escapade, c.1794 (pen & ink with w/c and wash over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)
The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching)

XCF290981: The State Watchman discover'd by the genius of Britain, studying plans for the reduction of America, 1781 (colour etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Steward, from a series entitled Country Characters, 1799 (etching with w/c)
Steward, from a series entitled Country Characters, 1799 (etching with w/c)

XCF290988: Steward, from a series entitled Country Characters, 1799 (etching with w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309559: Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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