PT309559:
Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309562:
The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309571:
The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309563:
The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
PT309572:
A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC444698:
View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125709:
"College Jockies, The Landlord Sweating for his Cattle", pub. by E. Jackson, 1786 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
NP125730:
Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XYC145593:
The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images
STC2966792:
La Belle Liminaudiere au Caffee de Mille Collone, Palais Royal, Paris, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images
XTD75449:
"All Fates he vow'd to him were known, And yet He could not tell his own", caricature of a fortune teller, pub. by R. Ackermann, 1815 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images