Rowlandson, Thomas (1756-1827) Assets (1157 in total)

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Entrance from Mile End or Whitechapel Turnpike (colour litho)
Entrance from Mile End or Whitechapel Turnpike (colour litho)

GHL34723: Entrance from Mile End or Whitechapel Turnpike (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Madness at the Dinner Table, 1816 (w/c on paper)
Madness at the Dinner Table, 1816 (w/c on paper)

BNM123594: Madness at the Dinner Table, 1816 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)
The Anatomist, published by Thomas Tegg, 1811 (coloured engraving)

CHT142100: The Anatomist, published by Thomas Tegg, 1811 (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Gaming Table, (pencil, pen and ink and watercolour)
The Gaming Table, (pencil, pen and ink and watercolour)

CH651828: The Gaming Table, (pencil, pen and ink and watercolour), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper)
The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper)

XYC234019: The Breakfast, from 'Scenes at Bath' (w/c & ink and graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Steward, from a series entitled Country Characters, 1799 (etching with w/c)
Steward, from a series entitled Country Characters, 1799 (etching with w/c)

XCF290988: Steward, from a series entitled Country Characters, 1799 (etching with w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309559: Fortune-Telling, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309562: The Stage, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309571: The Scold, with news of Olivia, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309563: The Vicar in Company with Strolling Players, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)
A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint)

PT309572: A Connoisseur, illustration from 'The Vicar of Wakefield' by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Taking the water (pen & ink and watercolour over pencil on paper)
Taking the water (pen & ink and watercolour over pencil on paper)

SFA413837: Taking the water (pen & ink and watercolour over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Landscape with monks (pen & ink and wash on paper)
Landscape with monks (pen & ink and wash on paper)

SFA413836: Landscape with monks (pen & ink and wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)
View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)

STC444698: View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Cruel Mistress (pen & brown ink and colour wash on paper)
The Cruel Mistress (pen & brown ink and colour wash on paper)

CH378077: The Cruel Mistress (pen & brown ink and colour wash on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Connoisseur, (hand coloured engraving)
Connoisseur, (hand coloured engraving)

STC3025390: Connoisseur, (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)
Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving)

STC2962496: Master Billy's Procession to Grocers Hall, pub. 1784 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Lust and Avarice, pub. 1788 (hand coloured engraving)
Lust and Avarice, pub. 1788 (hand coloured engraving)

STC2962511: Lust and Avarice, pub. 1788 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint)
Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint)

NAM2975437: Loyal Islington Volunteer Cavalry, c.1799 (coloured aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Lounge at the Old Print Shop, Oxford (ink & w/c on paper)
The Lounge at the Old Print Shop, Oxford (ink & w/c on paper)

NP125744: The Lounge at the Old Print Shop, Oxford (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125756: "The School of Reform, or How to Rule a Husband" (pen, watercolour & pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'How to Twist Your Neck' (pen, red ink and w/c on paper)
'How to Twist Your Neck' (pen, red ink and w/c on paper)

XYC158076: 'How to Twist Your Neck' (pen, red ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)
The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)

XYC150243: The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Saint Austle, Cornwall (pen & w/c on paper)
Saint Austle, Cornwall (pen & w/c on paper)

NP125700: Saint Austle, Cornwall (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

At the Forge, 1790 (pen and watercolour over pencil on paper)
At the Forge, 1790 (pen and watercolour over pencil on paper)

XBM115508: At the Forge, 1790 (pen and watercolour over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

NP125709: "College Jockies, The Landlord Sweating for his Cattle", pub. by E. Jackson, 1786 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint)
Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint)

NP125730: Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)
The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper)

XYC145593: The Market Place at Juliers in Westphalia, 1791 (pen and ink and watercolour over graphite on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

La Belle Liminaudiere au Caffee de Mille Collone, Palais Royal, Paris, pub. 1814 (hand coloured engraving)
La Belle Liminaudiere au Caffee de Mille Collone, Palais Royal, Paris, pub. 1814 (hand coloured engraving)

STC2966792: La Belle Liminaudiere au Caffee de Mille Collone, Palais Royal, Paris, pub. 1814 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mary Spriggens, the Midwife (w/c, pen & ink)
Mary Spriggens, the Midwife (w/c, pen & ink)

BNM76690: Mary Spriggens, the Midwife (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

XTD75449: "All Fates he vow'd to him were known, And yet He could not tell his own", caricature of a fortune teller, pub. by R. Ackermann, 1815 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Grimsby: selling fish (colour litho)
Grimsby: selling fish (colour litho)

IL3611031: Grimsby: selling fish (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

An Artist Travelling in Wales, pub. 1799 (hand coloured etching)
An Artist Travelling in Wales, pub. 1799 (hand coloured etching)

STC3105578: An Artist Travelling in Wales, pub. 1799 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)
Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)

NP125737: Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Mourners, 1815 (w/c on paper)
The Mourners, 1815 (w/c on paper)

STC115405: The Mourners, 1815 (w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Firing a Salute off Portsmouth (w/c)
Firing a Salute off Portsmouth (w/c)

BAL40160: Firing a Salute off Portsmouth (w/c), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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