Rowlandson, Thomas (1756-1827) Assets (1156 in total)

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'Dr Syntax amused with Pat in the pond'
'Dr Syntax amused with Pat in the pond'

XLF3781173: 'Dr Syntax amused with Pat in the pond', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax making a discovery'
'Dr Syntax making a discovery'

XLF3781177: 'Dr Syntax making a discovery', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax with the Skimmington riders'
'Dr Syntax with the Skimmington riders'

XLF3781179: 'Dr Syntax with the Skimmington riders', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'The result of purchasing a blind horse'
'The result of purchasing a blind horse'

XLF3781207: 'The result of purchasing a blind horse', Rowlandson, Thomas (1756-1827) / Bridgeman Images

'Dr Syntax in danger'
'Dr Syntax in danger'

XLF3781208: 'Dr Syntax in danger', Rowlandson, Thomas (1756-1827) / Bridgeman Images

Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081502: Le docteur et un marchand de livre - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081520: Burglary - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081536: Doctor disputing a bill (in a hotel?) - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081542: The doctor reading at a wake - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869
The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869

LSE4081551: The Doctor draws farm animals from nature - in “” Doctor Syntax's three tours: in search of the picturesque consolation and a wife”” by William Combe, ill. Rowlandson, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869
Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869

LSE4081553: Dr Syntax painting a portrait - in “” Doctor Syntax's three tours in search of the picturesque consolation and a wife”” by W. Combe, ill. by Rowlandson, London, Hotten, 1869, Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sailor's Marriage, 1805 (coloured etching)
A Sailor's Marriage, 1805 (coloured etching)

XOS3746296: A Sailor's Marriage, 1805 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Vicar of Wakefield by Oliver Goldsmith
Vicar of Wakefield by Oliver Goldsmith

XLA3760694: Vicar of Wakefield by Oliver Goldsmith, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933
Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933

LSE4089894: Tighten More - Prints by Rowlandson, in “The corset in art and morals from the 13th to the 20th century” by F. Libron and H. Clouzot, 1933, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827)
Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827)

LSE4402328: Obesite: A Little Bigger - Drawing by Thomas Rowlandson (1756-1827), Rowlandson, Thomas (1756-1827) / Bridgeman Images

'How to Twist Your Neck' (pen, red ink and w/c on paper)
'How to Twist Your Neck' (pen, red ink and w/c on paper)

XYC158076: 'How to Twist Your Neck' (pen, red ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)
Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper)

XYC159702: Pidcock, Dealer in Birds and Beasts (pen & ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)
The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving)

VIB98390: The Morning Ride, plate 5 from 'Comforts of Bath', 1798 (hand-coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)
The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper)

XYC150243: The Connoisseurs, c.1790 (pen, ink and w/c over graphite on mounted wove paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint)
Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint)

NP125730: Damp Sheets, aquatinted by Thomas Malton (1748-1804), pub. 1791 (coloured etching with aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)
Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper)

NP125737: Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

The Lounge at the Old Print Shop, Oxford (ink & w/c on paper)
The Lounge at the Old Print Shop, Oxford (ink & w/c on paper)

NP125744: The Lounge at the Old Print Shop, Oxford (ink & w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

XTD75449: "All Fates he vow'd to him were known, And yet He could not tell his own", caricature of a fortune teller, pub. by R. Ackermann, 1815 (engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mary Spriggens, the Midwife (w/c, pen & ink)
Mary Spriggens, the Midwife (w/c, pen & ink)

BON76690: Mary Spriggens, the Midwife (w/c, pen & ink), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)
Visitors in Venice, c.1810 (pen, brown ink and w/c on paper)

CEC43143: Visitors in Venice, c.1810 (pen, brown ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

A Sunday Afternoon Promenade
A Sunday Afternoon Promenade

ZIN47078: A Sunday Afternoon Promenade, Rowlandson, Thomas (1756-1827) / Bridgeman Images

Entrance from Mile End or Whitechapel Turnpike (colour litho)
Entrance from Mile End or Whitechapel Turnpike (colour litho)

GHL34723: Entrance from Mile End or Whitechapel Turnpike (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Bird's Eye view of Smithfield Market (aquatint)
Bird's Eye view of Smithfield Market (aquatint)

GHL5641: Bird's Eye view of Smithfield Market (aquatint), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)
Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching)

STC214672: Clearing a Wreck on the North Coast of Cornwall, from 'Sketches from Nature', published 1822 (hand-coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Taking the water (pen & ink and w/c over pencil on paper)
Taking the water (pen & ink and w/c over pencil on paper)

SFA413837: Taking the water (pen & ink and w/c over pencil on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)
View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching)

STC444698: View near Newport, Isle of Wight, from 'Sketches from Nature', published 1822 (coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Billingsgate Market (coloured engraving)
Billingsgate Market (coloured engraving)

LLJ582196: Billingsgate Market (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Chairs to mend (coloured engraving)
Chairs to mend (coloured engraving)

LLJ558329: Chairs to mend (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Shoe black (coloured engraving)
Shoe black (coloured engraving)

LLJ558362: Shoe black (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Sad Sloppy Weather (coloured engraving)
Sad Sloppy Weather (coloured engraving)

LLJ610566: Sad Sloppy Weather (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

Newgate chapel  (coloured engraving)
Newgate chapel  (coloured engraving)

LLJ559079: Newgate chapel (coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images


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