Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (609 in total)
Results
GRL5962671: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962679: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962721: Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia", and on the ceiling "Diana and Aeolus", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962689: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas introduces Eros to Didone in the likeness of Ascanius", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962700: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Mercury, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962718: Palazzina (Small Building), the entrance hall: "The Greek Fleet in Aulide", detail representing a dog and a soldier, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962674: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962688: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas dreams of Mercury who orders him to leave", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962710: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962732: Guest Lodgings, Room of the Rural Scenes: monochrome fresco representing a satyr and a maenad, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962735: Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962738: Guest Lodgings, Room of the False Gothic Architectures: " A Winter Walk", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962729: Guest Lodgings, Room of the Rural Scenes: "Landscape with peasants", detail, 1757 (fresco) Detail., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962739: Guest Lodgings, Room of the False Gothic Architectures: " A Winter Walk", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962759: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", detail with monkey, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962764: Guest Lodgings, the Room of the Putti, medallion with putti: "The Disguise", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949080: Magnanimity of Scipio Africanus (detail), 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949096: Ingenuity, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949079: Magnanimity of Scipio Africanus (detail), 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949094: Valour, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949113: Marital Concord, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3498341: The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3497605: Hunter with Deer, 1718 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3497607: Hunter on Horseback, 1718-30 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
FIA5407596: The Virgin with six saints, c.1750 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
FTB60848: Allegory of Time and Truth (ceiling painting), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
AGN342988: Madonna and Child with Angels, Saints and the Infant John the Baptist (pen & brown ink and wash on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XCC5860522: Fantasy on the Death of Seneca, 1735/40 (pen & brown ink with brush and brown wash, over black chalk, on ivory laid paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CH5217: Allegory of Merit and Prudence, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR444237: The Rest on the Flight into Egypt (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
FTB60631: Charity Dispensing Alms (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363827: Detail of Medoro from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CMY362960: Head of a young man (red & white chalk on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363826: Detail from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CH827586: A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk, pen and brown ink with brown wash), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
