Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (603 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Coriolan in front of the doors of Rome, c.1730 (oil on canvas)
Coriolan in front of the doors of Rome, c.1730 (oil on canvas)

FIA5342346: Coriolan in front of the doors of Rome, c.1730 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Fantasy on the Death of Seneca, 1735/40 (pen & brown ink with brush and brown wash, over black chalk, on ivory laid paper)
Fantasy on the Death of Seneca, 1735/40 (pen & brown ink with brush and brown wash, over black chalk, on ivory laid paper)

XCC5860522: Fantasy on the Death of Seneca, 1735/40 (pen & brown ink with brush and brown wash, over black chalk, on ivory laid paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Magnanimity of Scipio Africanus (detail), 1743 (fresco)
Magnanimity of Scipio Africanus (detail), 1743 (fresco)

GRL5949079: Magnanimity of Scipio Africanus (detail), 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Magnanimity of Scipio Africanus (detail), 1743 (fresco)
Magnanimity of Scipio Africanus (detail), 1743 (fresco)

GRL5949080: Magnanimity of Scipio Africanus (detail), 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Valour, 1734 (fresco)
Valour, 1734 (fresco)

GRL5949094: Valour, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Ingenuity, 1734 (fresco)
Ingenuity, 1734 (fresco)

GRL5949096: Ingenuity, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Marital Concord, 1734 (fresco)
Marital Concord, 1734 (fresco)

GRL5949113: Marital Concord, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Mercury, 1756-57 (fresco)
Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Mercury, 1756-57 (fresco)

GRL5962700: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Mercury, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962710: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962718: Palazzina (Small Building), the entrance hall: "The Greek Fleet in Aulide", detail representing a dog and a soldier, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the entrance hall. On the wall,
Palazzina (Small Building): view of the entrance hall. On the wall,

GRL5962721: Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia", and on the ceiling "Diana and Aeolus", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962729: Guest Lodgings, Room of the Rural Scenes: "Landscape with peasants", detail, 1757 (fresco) Detail., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes: monochrome fresco representing a satyr and a maenad, 1757
Guest Lodgings, Room of the Rural Scenes: monochrome fresco representing a satyr and a maenad, 1757

GRL5962732: Guest Lodgings, Room of the Rural Scenes: monochrome fresco representing a satyr and a maenad, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962735: Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962738: Guest Lodgings, Room of the False Gothic Architectures: " A Winter Walk", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962739: Guest Lodgings, Room of the False Gothic Architectures: " A Winter Walk", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962759: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", detail with monkey, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962764: Guest Lodgings, the Room of the Putti, medallion with putti: "The Disguise", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962662: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Briseis is lead to the presence of King Agamemnon", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962671: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962674: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962679: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962688: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas dreams of Mercury who orders him to leave", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962689: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas introduces Eros to Didone in the likeness of Ascanius", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Virgin and Child with an Angel, c.1725-28 (oil on canvas)
Virgin and Child with an Angel, c.1725-28 (oil on canvas)

COU5892310: Virgin and Child with an Angel, c.1725-28 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Saint Paschal Baylon's Vision of the Eucharist, 1767 (oil on canvas)
Saint Paschal Baylon's Vision of the Eucharist, 1767 (oil on canvas)

COU5892314: Saint Paschal Baylon's Vision of the Eucharist, 1767 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)
Detail from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)

LSA363826: Detail from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of Medoro from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)
Detail of Medoro from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)

LSA363827: Detail of Medoro from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Singing Angels, by Giambattista Tiepolo, 1726, 18th Century, fresco
Singing Angels, by Giambattista Tiepolo, 1726, 18th Century, fresco

MEP849123: Singing Angels, by Giambattista Tiepolo, 1726, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Miracle of the Foot Healed, Giambattista Tiepolo, 1754, 18th Century, oil on canvas
The Miracle of the Foot Healed, Giambattista Tiepolo, 1754, 18th Century, oil on canvas

MEP849130: The Miracle of the Foot Healed, Giambattista Tiepolo, 1754, 18th Century, oil on canvas, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco
Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco

MEP849399: Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco
Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco

MEP849400: Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Jacob's Dream, by Giambattista Tiepolo, 1723, 18th Century, fresco
Jacob's Dream, by Giambattista Tiepolo, 1723, 18th Century, fresco

MEP849401: Jacob's Dream, by Giambattista Tiepolo, 1723, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Allegorical scene
Allegorical scene

GR13143: Allegorical scene, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Martyrdom of St. John, Bishop of Bergamo (oil on canvas)
Martyrdom of St. John, Bishop of Bergamo (oil on canvas)

VLS938037: Martyrdom of St. John, Bishop of Bergamo (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Vari Capricci, before 1750 (etching) (see also 2654782)
Vari Capricci, before 1750 (etching) (see also 2654782)

CH2654781: Vari Capricci, before 1750 (etching) (see also 2654782), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


Back to top