XCC5860522:
Fantasy on the Death of Seneca, 1735/40 (pen & brown ink with brush and brown wash, over black chalk, on ivory laid paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962700:
Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Mercury, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962718:
Palazzina (Small Building), the entrance hall: "The Greek Fleet in Aulide", detail representing a dog and a soldier, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962721:
Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia", and on the ceiling "Diana and Aeolus", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962732:
Guest Lodgings, Room of the Rural Scenes: monochrome fresco representing a satyr and a maenad, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962735:
Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962759:
Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", detail with monkey, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962764:
Guest Lodgings, the Room of the Putti, medallion with putti: "The Disguise", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962662:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Briseis is lead to the presence of King Agamemnon", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962671:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962674:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962679:
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962688:
Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas dreams of Mercury who orders him to leave", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962689:
Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas introduces Eros to Didone in the likeness of Ascanius", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
COU5892314:
Saint Paschal Baylon's Vision of the Eucharist, 1767 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363826:
Detail from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363827:
Detail of Medoro from Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MEP849130:
The Miracle of the Foot Healed, Giambattista Tiepolo, 1754, 18th Century, oil on canvas, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MEP849399:
Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MEP849400:
Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images