Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (603 in total)

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Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962763: Guest Lodgings, the Room of the Carnival Scenes: "Pantalone and Columbina", a scene with masks, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962767: Guest Lodgings, the Room of the Putti, medallion with putti: "Two putti and a parrot", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The temptations of St. Anthony the Abbot, 1724-25 (oil on canvas)
The temptations of St. Anthony the Abbot, 1724-25 (oil on canvas)

PDB5985065: The temptations of St. Anthony the Abbot, 1724-25 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Continence of Alexander the Great, 1743 (fresco)
Continence of Alexander the Great, 1743 (fresco)

GRL5949074: Continence of Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Continence of Alexander the Great (detail), 1743 (fresco)
Continence of Alexander the Great (detail), 1743 (fresco)

GRL5949076: Continence of Alexander the Great (detail), 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Continence of Alexander the Great (detail), 1743 (fresco)
Continence of Alexander the Great (detail), 1743 (fresco)

GRL5949077: Continence of Alexander the Great (detail), 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)
Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)

GRL5949093: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Time discovers Truth, 1734 (fresco)
Time discovers Truth, 1734 (fresco)

GRL5949098: Time discovers Truth, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Nobility, 1734 (monochrome fresco)
Nobility, 1734 (monochrome fresco)

GRL5949102: Nobility, 1734 (monochrome fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Marital Concord, 1734 (fresco)
Marital Concord, 1734 (fresco)

GRL5949114: Marital Concord, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Immaculate Conception, 1767-69 (oil on canvas)
Immaculate Conception, 1767-69 (oil on canvas)

LRI6347339: Immaculate Conception, 1767-69 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of fresco, from the Room of the Aeneid in the Palazzina, 1757 (fresco)
Detail of fresco, from the Room of the Aeneid in the Palazzina, 1757 (fresco)

LSA363845: Detail of fresco, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of the sacrificial hind from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco)
Detail of the sacrificial hind from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363810: Detail of the sacrificial hind from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)
Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363814: Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)
Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)

LSA363832: Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Saint Joseph with the Christ Child, 1767 (oil on canvas)
Saint Joseph with the Christ Child, 1767 (oil on canvas)

COU5892313: Saint Joseph with the Christ Child, 1767 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Two Heads of Angels (fragment), 1767 (oil on canvas)
Two Heads of Angels (fragment), 1767 (oil on canvas)

COU5892316: Two Heads of Angels (fragment), 1767 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Assumption of the Virgin (oil on canvas)
Assumption of the Virgin (oil on canvas)

XIR426238: Assumption of the Virgin (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of the shepherds from Angelica and Medoro with the Shepherds, 1757 (fresco)
Detail of the shepherds from Angelica and Medoro with the Shepherds, 1757 (fresco)

XIR371978: Detail of the shepherds from Angelica and Medoro with the Shepherds, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

America, detail from The Glory of Spain II, from the Ceiling of the Throne Room, 1764 (fresco) (see also 61757, 62096, 62340)
America, detail from The Glory of Spain II, from the Ceiling of the Throne Room, 1764 (fresco) (see also 61757, 62096, 62340)

XIR61758: America, detail from The Glory of Spain II, from the Ceiling of the Throne Room, 1764 (fresco) (see also 61757, 62096, 62340), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images



Flight into Egypt, 1725-35 (Pen and brown ink with brown wash over black chalk)


Flight into Egypt, 1725-35 (Pen and brown ink with brown wash over black chalk)

XOS1765286: Flight into Egypt, 1725-35 (Pen and brown ink with brown wash over black chalk) , Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Flogging of Punchinello, c.1800 (pen & ink on paper)
The Flogging of Punchinello, c.1800 (pen & ink on paper)

XOS3700566: The Flogging of Punchinello, c.1800 (pen & ink on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Burial of Punchinello, c.1800 (pen & ink on paper)
The Burial of Punchinello, c.1800 (pen & ink on paper)

XOS3700567: The Burial of Punchinello, c.1800 (pen & ink on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Punchinello Retrieving Dead Fowls from a Well, c.1800 (pen & ink on paper)
Punchinello Retrieving Dead Fowls from a Well, c.1800 (pen & ink on paper)

XOS3700569: Punchinello Retrieving Dead Fowls from a Well, c.1800 (pen & ink on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Apotheosis of the Spanish Monarchy, c.1765 (oil on canvas)
The Apotheosis of the Spanish Monarchy, c.1765 (oil on canvas)

XOS3618011: The Apotheosis of the Spanish Monarchy, c.1765 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Armida Encounters the Sleeping Rinaldo, 1742-45 (oil on canvas)
Armida Encounters the Sleeping Rinaldo, 1742-45 (oil on canvas)

XCC2970109: Armida Encounters the Sleeping Rinaldo, 1742-45 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Virgin and Child Adored by Bishops, Monks and Women, 1735-40 (pen & brown ink with brown wash over black chalk on laid paper)
Virgin and Child Adored by Bishops, Monks and Women, 1735-40 (pen & brown ink with brown wash over black chalk on laid paper)

XMV2962759: Virgin and Child Adored by Bishops, Monks and Women, 1735-40 (pen & brown ink with brown wash over black chalk on laid paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


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