Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (603 in total)

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Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962763: Guest Lodgings, the Room of the Carnival Scenes: "Pantalone and Columbina", a scene with masks, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962767: Guest Lodgings, the Room of the Putti, medallion with putti: "Two putti and a parrot", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962656: Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti and a cart", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962665: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Briseis is lead to the presence of King Agamemnon", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962670: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962691: Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Aeneas, 1756-57 (fresco)
Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Aeneas, 1756-57 (fresco)

GRL5962699: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Aeneas, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962701: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "The companions hold the mirror in front of Rinaldo", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962702: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "The companions hold the mirror in front of Rinaldo", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962704: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "Rinaldo, escorted by Ubaldo and Carlo, abandons Armida", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962706: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "Rinaldo and Armida in the enchanted garden, secretely observed by Ubaldo and Carlo", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962711: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962712: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962713: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962714: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962733: Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962736: Guest Lodgings, Room of the False Gothic Architectures: " A Summer Walk", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962755: Guest Lodgings, the Room of the Carnival Scenes: "New World", a scene with masks imitating an oil paiting, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962758: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", detail, 1757 (fresco) Detail., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The temptations of St. Anthony the Abbot, 1724-25 (oil on canvas)
The temptations of St. Anthony the Abbot, 1724-25 (oil on canvas)

PDB5985065: The temptations of St. Anthony the Abbot, 1724-25 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Continence of Alexander the Great, 1743 (fresco)
Continence of Alexander the Great, 1743 (fresco)

GRL5949074: Continence of Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Continence of Alexander the Great (detail), 1743 (fresco)
Continence of Alexander the Great (detail), 1743 (fresco)

GRL5949076: Continence of Alexander the Great (detail), 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Continence of Alexander the Great (detail), 1743 (fresco)
Continence of Alexander the Great (detail), 1743 (fresco)

GRL5949077: Continence of Alexander the Great (detail), 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)
Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)

GRL5949093: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Time discovers Truth, 1734 (fresco)
Time discovers Truth, 1734 (fresco)

GRL5949098: Time discovers Truth, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Nobility, 1734 (monochrome fresco)
Nobility, 1734 (monochrome fresco)

GRL5949102: Nobility, 1734 (monochrome fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Marital Concord, 1734 (fresco)
Marital Concord, 1734 (fresco)

GRL5949114: Marital Concord, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


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