Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (603 in total)

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Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962702: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "The companions hold the mirror in front of Rinaldo", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962704: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "Rinaldo, escorted by Ubaldo and Carlo, abandons Armida", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962706: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "Rinaldo and Armida in the enchanted garden, secretely observed by Ubaldo and Carlo", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962711: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962712: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962713: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962714: Palazzina (Small Building), the entrance hall: "The Sacrifice of Iphigenia", detail, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962733: Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962736: Guest Lodgings, Room of the False Gothic Architectures: " A Summer Walk", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962755: Guest Lodgings, the Room of the Carnival Scenes: "New World", a scene with masks imitating an oil paiting, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962758: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", detail, 1757 (fresco) Detail., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962763: Guest Lodgings, the Room of the Carnival Scenes: "Pantalone and Columbina", a scene with masks, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962767: Guest Lodgings, the Room of the Putti, medallion with putti: "Two putti and a parrot", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962656: Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti and a cart", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962665: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Briseis is lead to the presence of King Agamemnon", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962670: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962691: Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Saint Joseph with the Christ Child, 1767 (oil on canvas)
Saint Joseph with the Christ Child, 1767 (oil on canvas)

COU5892313: Saint Joseph with the Christ Child, 1767 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Two Heads of Angels (fragment), 1767 (oil on canvas)
Two Heads of Angels (fragment), 1767 (oil on canvas)

COU5892316: Two Heads of Angels (fragment), 1767 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of the sacrificial hind from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco)
Detail of the sacrificial hind from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363810: Detail of the sacrificial hind from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)
Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363814: Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)
Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)

LSA363832: Angelica Coming to the Aid of the Wounded Medoro, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of fresco, from the Room of the Aeneid in the Palazzina, 1757 (fresco)
Detail of fresco, from the Room of the Aeneid in the Palazzina, 1757 (fresco)

LSA363845: Detail of fresco, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Saints Hermagoras and Fortunatus of Aquileia, by Giambattista Tiepolo, 1735, 18th Century, oil on canvas
Saints Hermagoras and Fortunatus of Aquileia, by Giambattista Tiepolo, 1735, 18th Century, oil on canvas

MEP849141: Saints Hermagoras and Fortunatus of Aquileia, by Giambattista Tiepolo, 1735, 18th Century, oil on canvas, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Sacrifice of Melchizedek, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m
Sacrifice of Melchizedek, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m

MEP849225: Sacrifice of Melchizedek, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Procession to Calvary (Salita al Calvario), by Giambattista Tiepolo, 1740, 18th Century (oil on canvas), 450 x 517 cm
Procession to Calvary (Salita al Calvario), by Giambattista Tiepolo, 1740, 18th Century (oil on canvas), 450 x 517 cm

MEP3612883: Procession to Calvary (Salita al Calvario), by Giambattista Tiepolo, 1740, 18th Century (oil on canvas), 450 x 517 cm, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Diana and Acteon, c.1720-21 (oil on canvas)
Diana and Acteon, c.1720-21 (oil on canvas)

XIR468192: Diana and Acteon, c.1720-21 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


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