Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (603 in total)

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Singing Angels, by Giambattista Tiepolo, 1726, 18th Century, fresco
Singing Angels, by Giambattista Tiepolo, 1726, 18th Century, fresco

MEP849122: Singing Angels, by Giambattista Tiepolo, 1726, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Archangel Michael Casts out the Rebellious Angels from Paradise, by Giambattista Tiepolo, 1726, 18th Century, fresco
The Archangel Michael Casts out the Rebellious Angels from Paradise, by Giambattista Tiepolo, 1726, 18th Century, fresco

MEP849138: The Archangel Michael Casts out the Rebellious Angels from Paradise, by Giambattista Tiepolo, 1726, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Miracle of the Foot Healed, Giambattista Tiepolo, 1754, 18th Century, oil on canvas
The Miracle of the Foot Healed, Giambattista Tiepolo, 1754, 18th Century, oil on canvas

MEP849143: The Miracle of the Foot Healed, Giambattista Tiepolo, 1754, 18th Century, oil on canvas, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Archangel Michael Casts out the Rebellious Angels from Paradise, by Giambattista Tiepolo, 1726, 18th Century, fresco
The Archangel Michael Casts out the Rebellious Angels from Paradise, by Giambattista Tiepolo, 1726, 18th Century, fresco

MEP849144: The Archangel Michael Casts out the Rebellious Angels from Paradise, by Giambattista Tiepolo, 1726, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Sacrifice of Melchizedek, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m
Sacrifice of Melchizedek, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m

MEP849214: Sacrifice of Melchizedek, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Presentation of Jesus at the Temple
Presentation of Jesus at the Temple

MEV5047517: Presentation of Jesus at the Temple, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Sitting Faun with Club (charcoal on paper)
Sitting Faun with Club (charcoal on paper)

MEV5049187: Sitting Faun with Club (charcoal on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Transport of the Holy House of Loreto, sketch, 1745 (oil on canvas)
Transport of the Holy House of Loreto, sketch, 1745 (oil on canvas)

LRI6347355: Transport of the Holy House of Loreto, sketch, 1745 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco)
The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco)

IBE5382229: The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Saint Cecilia, c.1755 (oil on canvas)
Saint Cecilia, c.1755 (oil on canvas)

FIA5400145: Saint Cecilia, c.1755 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Vision of Saint Pascual Bailón, detail of the Angel carrier of the Eucharist, 1767-69 (oil on canvas)
Vision of Saint Pascual Bailón, detail of the Angel carrier of the Eucharist, 1767-69 (oil on canvas)

IBE5363094: Vision of Saint Pascual Bailón, detail of the Angel carrier of the Eucharist, 1767-69 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Cleopatre feast. The Egyptian Queen (69-30 BC), 18th century (oil on canvas)
The Cleopatre feast. The Egyptian Queen (69-30 BC), 18th century (oil on canvas)

FIA5341118: The Cleopatre feast. The Egyptian Queen (69-30 BC), 18th century (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)
Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)

GRL5962698: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962717: Palazzina (Small Building), the entrance hall: "The Greek Fleet in Aulide", detail representing a dog and a soldier, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco)
Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco)

GRL5962727: Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962731: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", detail, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962734: Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962737: Guest Lodgings, Room of the False Gothic Architectures: " A Summer Walk", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962745: Guest Lodgings, the Room of the Olympus: "Mars, Venus and Eros", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962750: Guest Lodgings, the Room of the Olympus: "Apollo and Diana", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962752: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962768: Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti and a cart", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962657: Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti playing on a wooden horset", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962678: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962680: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro engrave their names on the bark of the plants", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962683: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962686: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica takes care of Medoro's wounds", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962696: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas introduces Eros to Didone in the likeness of Ascanius", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962705: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "The witch Armida sees Rinaldo, who is asleep, and falls in love with him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Ingenuity, 1734 (fresco)
Ingenuity, 1734 (fresco)

GRL5949097: Ingenuity, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Innocence sending away Deceit, 1734 (fresco)
Innocence sending away Deceit, 1734 (fresco)

GRL5949103: Innocence sending away Deceit, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Generosity distributing gifts, 1734 (fresco)
Generosity distributing gifts, 1734 (fresco)

GRL5949107: Generosity distributing gifts, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Light of Intelligence overcomes the Darkness of Ignorance, central hall, the ceiling, 1743 (fresco)
The Light of Intelligence overcomes the Darkness of Ignorance, central hall, the ceiling, 1743 (fresco)

GRL5949081: The Light of Intelligence overcomes the Darkness of Ignorance, central hall, the ceiling, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Valour, 1734 (fresco)
Valour, 1734 (fresco)

GRL5949095: Valour, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Virtue crowns Honour, 1734 (fresco)
Virtue crowns Honour, 1734 (fresco)

GRL5949108: Virtue crowns Honour, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Humility sending away Pride, 1734 (fresco)
Humility sending away Pride, 1734 (fresco)

GRL5949115: Humility sending away Pride, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


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