Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (603 in total)

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The finding of the true cross (oil on canvas, c. 1743)
The finding of the true cross (oil on canvas, c. 1743)

LRI4694119: The finding of the true cross (oil on canvas, c. 1743), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Ceiling of the Kaisersaal, built 1720-44 (photo) (detail of 251957)
Ceiling of the Kaisersaal, built 1720-44 (photo) (detail of 251957)

STF2906620: Ceiling of the Kaisersaal, built 1720-44 (photo) (detail of 251957), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962657: Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti playing on a wooden horset", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962678: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962680: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro engrave their names on the bark of the plants", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962683: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962686: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica takes care of Medoro's wounds", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962696: Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas introduces Eros to Didone in the likeness of Ascanius", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)
Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)

GRL5962698: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962705: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "The witch Armida sees Rinaldo, who is asleep, and falls in love with him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the entrance hall:
Palazzina (Small Building), the entrance hall:

GRL5962717: Palazzina (Small Building), the entrance hall: "The Greek Fleet in Aulide", detail representing a dog and a soldier, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco)
Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco)

GRL5962727: Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962731: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", detail, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962734: Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the False Gothic Architectures:
Guest Lodgings, Room of the False Gothic Architectures:

GRL5962737: Guest Lodgings, Room of the False Gothic Architectures: " A Summer Walk", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962745: Guest Lodgings, the Room of the Olympus: "Mars, Venus and Eros", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962750: Guest Lodgings, the Room of the Olympus: "Apollo and Diana", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962752: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962768: Guest Lodgings, the Room of the Putti, medallion with putti: "Three putti and a cart", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Holy Family with Saint Joseph Reading, c.1757 (pen, brown ink & grey-brown wash on laid paper)
Holy Family with Saint Joseph Reading, c.1757 (pen, brown ink & grey-brown wash on laid paper)

COU5934483: Holy Family with Saint Joseph Reading, c.1757 (pen, brown ink & grey-brown wash on laid paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Satyr Family with the Obelisk, Venice, c.1765 (etching)
Satyr Family with the Obelisk, Venice, c.1765 (etching)

XDM1066869: Satyr Family with the Obelisk, Venice, c.1765 (etching), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Armida Adbucting the Sleeping Rinaldo, detail of Rinaldo, from 'Gerusalemme Liberata' by Torquato Tasso (1544-95) 1757 (fresco)
Armida Adbucting the Sleeping Rinaldo, detail of Rinaldo, from 'Gerusalemme Liberata' by Torquato Tasso (1544-95) 1757 (fresco)

XIR218784: Armida Adbucting the Sleeping Rinaldo, detail of Rinaldo, from 'Gerusalemme Liberata' by Torquato Tasso (1544-95) 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

PD.129-1961 Caricature of a man with a bent head, possibly a hunchback (pen and ink and wash)
PD.129-1961 Caricature of a man with a bent head, possibly a hunchback (pen and ink and wash)

FIT89113: PD.129-1961 Caricature of a man with a bent head, possibly a hunchback (pen and ink and wash), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Portrait of the Doge Marco Cornaro (oil on canvas)
Portrait of the Doge Marco Cornaro (oil on canvas)

FTB97076: Portrait of the Doge Marco Cornaro (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

San Biagio (oil on canvas)
San Biagio (oil on canvas)

CPH481191: San Biagio (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Parrot (fresco)
Parrot (fresco)

CPH481278: Parrot (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Hawk, 1790 (fresco)
Hawk, 1790 (fresco)

CPH481279: Hawk, 1790 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Magnanimity of Scipio
The Magnanimity of Scipio

FTB60254: The Magnanimity of Scipio, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

St. Anthony Abbot enduring the temptations of the Devil (engraving) (b/w photo)
St. Anthony Abbot enduring the temptations of the Devil (engraving) (b/w photo)

XJF139863: St. Anthony Abbot enduring the temptations of the Devil (engraving) (b/w photo), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Crown of Thorns (oil on canvas)
Crown of Thorns (oil on canvas)

XKH152615: Crown of Thorns (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Force of Eloquence, Amphion raising the walls of Thebes with his lyre, 1724-25 (fresco)
The Force of Eloquence, Amphion raising the walls of Thebes with his lyre, 1724-25 (fresco)

CPH231436: The Force of Eloquence, Amphion raising the walls of Thebes with his lyre, 1724-25 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Rape of Europa, c.1720-21 (oil on canvas) (detail)
The Rape of Europa, c.1720-21 (oil on canvas) (detail)

CPH257869: The Rape of Europa, c.1720-21 (oil on canvas) (detail), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Adoration of the Magi (pen & brown ink and wash on paper)
Adoration of the Magi (pen & brown ink and wash on paper)

AGN342987: Adoration of the Magi (pen & brown ink and wash on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Christ in the Garden of Olives
Christ in the Garden of Olives

CPH1762424: Christ in the Garden of Olives, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Cleopatre feast. The Egyptian Queen (69-30 BC), 18th century (oil on canvas)
The Cleopatre feast. The Egyptian Queen (69-30 BC), 18th century (oil on canvas)

FIA5341118: The Cleopatre feast. The Egyptian Queen (69-30 BC), 18th century (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Saint Tecla Pray for the Liberation of Este from the Plague, by Giambattista Tiepolo, 1758, 18th Century, oil on canvas, 675 x 390 cm
Saint Tecla Pray for the Liberation of Este from the Plague, by Giambattista Tiepolo, 1758, 18th Century, oil on canvas, 675 x 390 cm

MEP849084: Saint Tecla Pray for the Liberation of Este from the Plague, by Giambattista Tiepolo, 1758, 18th Century, oil on canvas, 675 x 390 cm, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


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